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  • '''The work of art in the age of digital recombination <br> ...rt into an exhibition value to so called manipulation value in the present digital age.<br>
    2 KB (364 words) - 15:55, 20 November 2012
  • ...nation where the database constitutes the ontological model of the work of art. ...ries the part of Benjamin’s essay that is related to the aura of a work of art. Benjamin explained that because of the mechanical reproduction, artworks w
    2 KB (308 words) - 10:14, 18 January 2012
  • ...t & short annotation on "Art and Authenticity" extract from "Languages of art" by Nelson Goodman In Languages of art Goodman questions the authenticity of the work of art.<br>
    1 KB (211 words) - 12:27, 5 May 2013
  • ...s the work of contemporary young artists and designers, including art school students, it is obvious that these ‘old’ media are vastly mor Source: [https://aprja.net/article/view/116068 Florian Cramer's What is Post-digital article (2014, APRJA)]
    2 KB (315 words) - 17:01, 16 September 2023
  • A practical report that can sort out the logic of my art creating methodology, supplemented by the analysis of the corresponding art I am a person who is controlled by contemporary digital technology but also wants to control it in return. In my experience, my per
    2 KB (317 words) - 15:18, 15 October 2020
  • [[Annotation on The work of art in the age of digital recombination]]
    287 bytes (41 words) - 21:34, 16 January 2013
  • [[ Annotation---The work of art in the age of digital recombination ]]
    372 bytes (41 words) - 12:32, 11 February 2013
  • relationhsip materiality of art and technological advancment dematerilisation of art 70s conceptual art etc
    2 KB (351 words) - 17:28, 28 March 2014
  • ...th a background in graphic design. Her interests revolve around generative art, media specificities and the aesthetics of distortion as an inevitable part ...video uses the author's computer logs, and the video documentation of her digital routine, as a source for data visualisation. The project invites the audien
    760 bytes (110 words) - 01:30, 19 June 2018
  • ...computing, networks and user interfaces are things I would suggest to net art researchers and new media historians learn; those are essential contexts."' ...enschied, Digital Folklore, a book exploring user generated aesthetics and digital culture.
    3 KB (403 words) - 16:47, 12 October 2010
  • ...amin was a german cultural critic. In 1936 he wrote the essay “The work of Art in the Age of Mechanical Reproduction”. ...orks of Art. Benjamin, in this essay, analizes its consequences of the way Art is comtemplated, exhibited and reproduced.
    2 KB (327 words) - 17:03, 25 October 2011
  • ...es is the new digital interface. Del Mul aims to analayze the way that the digital interface constitutes and structures aesthetic experience of media. ...he supersensible, that is: between the physical materiality of the work of art and its meaningful history.
    5 KB (922 words) - 13:43, 18 February 2015
  • Annotation on "Languages of art" extract of the chapter "Art and Authenticity" by Nelson Goodman.<br> Goodman questions the authenticity of the work of art.
    3 KB (413 words) - 12:47, 17 May 2013
  • Hito Steyerl Duty Free Art : Proxy Politics - Signal and Noise ...an age defined by planetary civil war, growing inequality, and proprietary digital technology? The boundaries of such institutions have grown fuzzy. They exte
    1 KB (219 words) - 13:34, 15 December 2021
  • Film, screenwriting, phychology, horses and dogs, scenography, video art, drama excersises and didactical literature. Art
    1 KB (223 words) - 12:29, 10 February 2021
  • '''The work of art in the age of digital recombination ---Jos de Mul''' ...of the essay he believe in the age of digital recombination the “aura”of art work returned but returned with a twist(more transient and unstable) , and
    4 KB (677 words) - 05:48, 16 November 2012
  • *Digital body *https://www.e-flux.com/criticism/331113/skins-within-on-contamination-and-digital-corporeality
    2 KB (165 words) - 04:18, 21 June 2023
  • ...s and others drawn from previously unrecognized areas of visual and verbal art." ...GERED LANGUAGES, ENDANGERED POETRIES by Jerome Rothenberg, with an article Digital race to save languages, By Andy Webster
    1 KB (216 words) - 14:12, 14 May 2015
  • * <b>Art and Autonomy</b> - <i>Sebastian Olma</i> -- [https://bd.b-ok.lat/book/53404 ...ostmodernism and Consumer Society</b> - <i>Fredric Jameson</i> -- [https://art.ucsc.edu/sites/default/files/Jameson_Postmodernism_and_Consumer_Society.pdf
    6 KB (976 words) - 19:02, 24 January 2023
  • ...Mul (2009): http://www.demul.nl/nl/item/412-the-work-of-art-in-the-age-of-digital-recombination * ''Duty Free Art: Art in the Age of Planetary Civil War'', Hito Steyerl, Verso (2017)
    3 KB (515 words) - 12:06, 12 March 2019
  • ...the ways human form are represented and rendered into data. My interest in art history has drawn me towards creating works that reference that history of The digital body, the digitised body, motion capture and representation. The animations
    4 KB (679 words) - 18:09, 15 November 2018
  • ...point of the debate is water Benjamin's claim that the "cult value" of an art work has been replaced by the "exhibition value". ...combination, the database constitutes the ontological model of the work of art and, secondly, that in this transformation the exhibition value is being re
    5 KB (807 words) - 11:40, 18 February 2015
  • Read and analyze some related art works that contains very basic structure. General introduction and question Moreover, the relationship between structural film and minimalistic art.
    3 KB (510 words) - 18:02, 10 November 2017
  • *Art has to be more than the every day. On Magic. *A look at walking practices in art. #pedestrianism. #slowness #protest
    1 KB (206 words) - 12:45, 1 October 2019
  • ...xile in Paris because of the Nazi seizure of power, his essay “The work of Art in the Age of Mechanical Reproduction”, problably his best-known essay, w ...makes connections between the consequences of these changes and different art movement ideologies and politics.
    3 KB (493 words) - 19:21, 25 October 2011
  • ...ommunal life. Her work includes projects such as The Autonomous Archive, a digital database that archives the historical documents of a former squat, and The ...ectivity is a research project that studies practices of collaboration for art and education models and existent communities. In the thesis, there is an i
    1 KB (174 words) - 12:00, 3 July 2018
  • ...Media Design at the Higher School of the Arts (HKU), where he learnt that digital media might become even more powerful when they moved away from our desktop A second MA on New Media and Digital Culture received from the University of Utrecht, however, lead to a more nu
    2 KB (346 words) - 21:32, 23 September 2010
  • To be a digital artists means to have a wide range of expertise and skills (an artist has t .... Throughout history, artists had displayed, advertise and explained their art-making skills in genres specifically created for this purpose.
    7 KB (1,078 words) - 14:28, 10 February 2012
  • ...ure of the network. Her recent work is concerned with the friction between digital fabrication and material reality. ...printing, virtual models easily become physical. The relation between the digital and physical features enhances the current hype about this medium. In ''For
    1 KB (221 words) - 16:03, 13 February 2017
  • ...ion in Museums and Special Collections.” Art Documentation: Journal of the Art Libraries Society of North America 36 (2):293–311.[https://anonfile.com/F Some people argue that the digital archive is an oxymoron (Laermans and
    4 KB (542 words) - 14:30, 8 November 2017
  • ...has occurred: the increasing mutability of information as a result of the digital interface. The text begins by providing an overview of the themes in Benjam ...ts in The Work of Art, he makes a clear distinction between mechanical and digital reproducibility – the distinguishing factors being the ability to “Add,
    4 KB (544 words) - 16:25, 17 January 2012
  • ''Jos de Mul'' - 'The work of art in the age of digital recombination' <BR><BR> ...ces that not only structure the imagination of the artist, but the work of art and the aesthetic reception as well'''.
    8 KB (1,243 words) - 13:33, 18 February 2015
  • - Trash Art a) meta art (conceptual net based art) - form driven
    3 KB (468 words) - 17:57, 2 October 2012
  • <big>'''Generative art in video art'''</big> ...d by science and technology. Generative art is a typical collision between art and science.
    7 KB (1,164 words) - 03:00, 22 March 2017
  • ...point of the debate is water Benjamin's claim that the "cult value" of an art work has been replaced by the "exhibition value". ...combination, the database constitutes the ontological model of the work of art and, secondly, that in this transformation the exhibition value is being re
    8 KB (1,375 words) - 12:47, 18 February 2015
  • ...ose questions made me think of [http://theartofgooglebooks.tumblr.com/ The Art of Google Books], a collection of glitches on scanned books. In this case d
    789 bytes (136 words) - 23:16, 5 March 2012
  • Scholz - digital labor <br>* Digital labor: The internet as playground and factory (2013, book)
    3 KB (351 words) - 17:30, 12 December 2018
  • ...ion of drone warfare, in particular, the extension of human senses through digital/machinic mediation. Lisa Barnard's Drone work is characterized by the confu ...t act as our sensorial extension need to only be real enough for the human-digital relationship to sustain itself. However, the human aspects of this 'postdig
    3 KB (372 words) - 16:14, 25 October 2017
  • '''Institute of Unseen Digital Art''' ...g point of this project to give a new life to forgotten and unseen Digital Art works. In addition to the curated gallery, the institute publishes daily ar
    9 KB (1,418 words) - 15:31, 27 September 2017
  • Flat is a library for creating and manipulating digital forms of fine arts. Its aim is to enable experimentation with and testing o It grew out of the needs for generative design, architecture and art. The concept of "design" is more of a subject of study yet to be delved int
    2 KB (245 words) - 11:44, 24 January 2024
  • ...n source culture, and processes of self-education and peer learning, in an art, activist and community contexts. ...as well as WeWontFlyForArt and Zero Dollar Laptop (both part of our Media Art Ecologies programme).
    3 KB (446 words) - 16:05, 27 November 2011
  • *exploring the field of post-digital designer (creating a new universe build upon the existing one - how ? gener ...tal publishing, interaction website, app), visual culture (communication + art direction (3D+video and photography)
    2 KB (288 words) - 13:28, 4 December 2017
  • ...68c80c71e7caa5621e08f321cc59fad Jos de Mul - The work of art in the age of digital recombination] * Martin Jay: Photography and the Mirror of Art
    3 KB (416 words) - 15:12, 30 January 2021
  • '''Physical Photobook - Digital Photobook 5 February 2015''' – ''Who gives a f*ck!?'' ..., then it becomes physical. But it’s still a digital photo, so you combine digital and physical.
    6 KB (949 words) - 21:23, 15 February 2015
  • *Materiality and beyond the analogue/digital binary ...he photograph as contemporary art, Reprinted. ed, Thames & Hudson world of art. Thames & Hudson, London.<br />
    2 KB (337 words) - 15:59, 28 September 2019
  • ...Y, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5). ..., I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
    3 KB (427 words) - 12:16, 8 November 2019
  • ...of [[making things public]] and [[creating publics]] in the age of [[post-digital]] networks.
    987 bytes (151 words) - 12:44, 17 September 2023
  • ...ual language. Vanitas as a genre finds its origin in 16th and 17th century art, reflecting a cultural acceptance (and even obsession) with death and morta
    928 bytes (144 words) - 16:47, 8 December 2017
  • digital economy transforms the goals of a corporation into the belief you are makin - the current art of governance implores citizens to self-regulate and produce improvements
    2 KB (271 words) - 12:15, 6 October 2016
  • He works with digital art on an abstract representation of body movement. He uses animation and 3D pr
    951 bytes (146 words) - 20:51, 19 September 2021
  • Cut and paste, like in digital work, but it's not digital – interesting composition Why do you think it's not digital? Could be a photo cut and pasted in certain software. – But I can see the
    3 KB (463 words) - 16:01, 21 November 2018
  • ...r news, literature, art, books, scientific data and so on. There are huge digital kingdoms of libraries, which are online everyone can subscribe and read boo ...h to the art. Doing art is not just a function of the brain-matrix. In the art there is also emotions beside mind that shapes human behavior.
    3 KB (577 words) - 11:05, 17 September 2014
  • structural problems''' of archiving net art activities ,instistutional critique(art market, canon, gallery, museum)
    5 KB (783 words) - 18:30, 29 November 2013
  • ...izio Lazzaratto]], [[Brian Holmes]] and [[Laurence Rassel]] at the seminar Digital Work]] How do we work now with digital media? Have we shifted from a work culture based on the ambience of clubs t
    4 KB (631 words) - 17:18, 13 February 2013
  • ...s and stories she has a connection with. She makes photographs, using both digital and different forms of analog. She uses the still image to narrate a story
    2 KB (279 words) - 18:19, 2 July 2021
  • ** 1997 - Zeroes + Ones : Digital Women and the New Technoculture * 0[rphan]d[rift>] (art collective / video)
    3 KB (347 words) - 15:09, 14 April 2020
  • To do this my work focus into two main disciplines: art and science, and tries to incorporate my interests in philosophy and litera ...internal fragmentation of discipline and refund Design as a science of art/art of science.
    4 KB (645 words) - 13:05, 27 September 2018
  • ...the Age of Digital Recombination'', Jos de Mul describes the mutability of digital information. One piece of data can be combined, edited, juxtaposed, spun in
    2 KB (305 words) - 15:17, 3 October 2012
  • ...ng about McCall's work, I was extremely interested in the links between '''digital and physical'''. ...dium to create sculptures (adding a physical value to it!); the duality of art and cinema; the cinema vs the museum. A starting point for all the work dev
    3 KB (468 words) - 13:47, 28 October 2014
  • ...in his favour, to experiments with fog and mist, and analogue film versus digital. ...work ''Floater 99'' what’s famous in the ''Centre for International Light Art'' and in the permanent collection of the museum. It belongs to the series o
    4 KB (608 words) - 21:49, 30 September 2014
  • ...t the rise of Abstract Expressionism, Neo-dada, minimalism, and conceptual art. ...the handmade moving images and what are the possibilities for implementing digital technologies in experimental filmmaking practices.
    3 KB (457 words) - 13:11, 21 November 2023
  • How would you define a digital aesthetic, and how does it relate to contemporary art?
    10 KB (1,555 words) - 14:09, 11 December 2013
  • ...and perception. Frankort explores the intimacy between our selves and the digital objects we use. ...110000’. The work is a reflection on how early children start to play with digital devices, and how quickly they learn to work with it.
    10 KB (1,605 words) - 20:52, 8 June 2015
  • ==== <u>'''on Tautology, descriptions, conceptual art, conceptual/structural filmmaking'''</u> ==== Avant-Garde and Experimental Cinema: From Film to Digital:
    9 KB (1,313 words) - 14:02, 9 May 2023
  • ...but in a way that doesn't always begin with words. We all understand that digital tools and information technology networks contribute to this trend, but the Mediawork Pamphlets explore art, literature, design, music, and architecture in the context of emergent tec
    3 KB (424 words) - 16:52, 13 February 2013
  • ...-publishing. I choose on purpose to showcase hybrid publishing methods; in digital and printed matter for their similarities in the abstractness of resource u ...ecoration: none; >¿Question 2: How to de-abstract the material side of the digital realms?</font></span>===
    6 KB (880 words) - 22:39, 22 November 2021
  • the interface as an aesthetic and critical framework for digi.art lit-book- paint- canvas- digital info-interface
    4 KB (699 words) - 16:46, 2 February 2015
  • ==== Walter Benjamin - The Work of Art in the Age of Mechanical Reproduction (1936) ==== ''"In principle a work of art has always been reproducible."''
    9 KB (1,451 words) - 13:57, 18 February 2015
  • ...January 1997. https://www.metamute.org/editorial/articles/everything-line-digital-publishing-feature</ref> ...dam; on the MA Fine ART (2004-2018),<ref>https://www.pzwart.nl/master-fine-art/</ref> MA Lens Based Media /Network Media (2010-present)<ref> https://www.p
    3 KB (478 words) - 17:44, 13 September 2022
  • ...hat the following text will connect with Benjamin and the aura of works of art CONTRARY TO BENJAMIN AND HIS AURA to Latour a work of art has its own trajectory,or we can say its own career.
    9 KB (1,650 words) - 22:16, 27 March 2014
  • will connect with Benjamin and the aura of works of art CONTRARY TO BENJAMIN AND HIS AURA to Latour a work of art has its own trajectory,or we
    9 KB (1,650 words) - 21:30, 28 October 2013
  • ...s true, then there might not be much difference between traps and works of art. ...tical assignment during each of the sessions. Students will also work on a digital publication at the end of the workshop, that is going to bring together all
    3 KB (499 words) - 11:33, 3 June 2021
  • ...story book series, where each book presents the image of an artwork in its digital manifestation through hexadecimal code. The series is inaugurated with four ...rchiving and the impact of digital technologies in our attitude toward the art historical canon.
    3 KB (443 words) - 20:05, 18 January 2015
  • *exploring the field of post-digital designer (creating a new universe build upon the existing one - how ? gener ...tal publishing, interaction website, app), visual culture (communication + art direction (3D+video and photography)
    3 KB (389 words) - 15:23, 7 December 2018
  • Ultimately the thing about the digital is that it's a kind of "universal" writing system of recording things as on ...result be less predictable when disrupted by being manipulated. [[Glitch]] art practices often work with exploring these possibilities.
    4 KB (651 words) - 17:23, 8 October 2013
  • ...ual artist and writer based in Milan, Italy. She first approached dramatic art at the age of 10 to then embrace the visual arts at a broader scale during ...e, the roses become indexical markers of human emotion in a depersonalised digital world of anonymous blurred faces. The voiceover is interspersed with the tr
    1 KB (207 words) - 18:56, 21 September 2021
  • ...es and practices for the documentation of born-digital art and performance art (including gaming and networked practices). It will address the meaning and ...evelop an increased understanding of metadata and of rights management for digital materials.
    10 KB (1,445 words) - 11:21, 4 April 2013
  • ...Her work examines the politics of public spheres and the potentialities of digital tools, spaces and networks through collective processes and knowledges. Agg ...21), a series of interviews with individuals active at the intersection of art and politics.
    5 KB (699 words) - 19:59, 8 March 2024
  • ...st for data, digital preservation and archiving and I want to explore data art and social networking feeds. I would like to be able to create collaborativ
    2 KB (357 words) - 15:07, 29 March 2014
  • <span style="color:#FFFFFF; background:#DCDCDC"> [[The Work of Art in the Age]] </span> <span style="color:#FFFFFF; background:#DCDCDC"> [[ Digital - Slides ]] </span>
    5 KB (548 words) - 21:54, 24 August 2015
  • ...eative and critical texts on particular algorithms, logical structures and digital objects. Such objects can be drawn from any layer of computational culture ...a blind spot in the theorisation and study of computational and networked digital media. It is the very grounds and ‘stuff’ of media design. In a sense,
    6 KB (927 words) - 19:01, 19 February 2013
  • ...humble attempt to mock the improvements of modern technology and the post-digital society. ...umble attempt to mock the "improvements" of modern technology and the post-digital society.
    5 KB (734 words) - 20:54, 12 December 2018
  • :- “Virtual Reality as an exhibitory method allows the digital art formats to deliver the stories powerfully.”
    4 KB (708 words) - 16:35, 3 November 2018
  • *<b>Zeros + ones : digital women + the new technoculture</b> - <i>Sadie Plant</i> -- [https://gebseng. *<b>Fine Art Talk: Lawrence Lek </b> - <i>RCA</i> -- [https://vimeo.com/146099292 Link]
    11 KB (1,528 words) - 17:00, 27 February 2023
  • ...emke Snelting), Queering Damage (with Helen Pritchard and Femke Snelting), Digital Discomfort (with Karl Moubarak and Cristina Cochior) and Vibes & Leaks (wit Isabelle Sully practices across art-making, curating, editing and writing. Working with feminist histories in m
    6 KB (839 words) - 20:42, 9 April 2023
  • ...itute in Rotterdam, she has developed a practice based approach to digital art preservation over the years, with a focus on variability, circulation, co-a ...es) and all sorts of workshops related to media, net, generative, software art and culture.
    6 KB (921 words) - 12:13, 15 March 2021
  • -Proposition for art as propaganda (defined as a tool of worldmaking) within a world of competin -Sinclair said all art is propaganda. <br>
    7 KB (1,128 words) - 13:59, 7 November 2018
  • ...possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography. ...ee installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held de
    1 KB (214 words) - 18:56, 21 September 2021
  • ...ications include PSYOP: An Anthology (2018, edited with Karen Archey), and Digital Tarkovsky (2018).'''</span> ...om "Digital Tarkovsky" can be read here: https://strelkamag.com/en/article/digital-tarkovsky-metahaven-excerpt
    2 KB (318 words) - 12:03, 9 December 2021
  • *Film: Art Safari, The Contemporary Art Bubble (BBC documentary) *Afternoon: Reading: Nelson Goodman, The Languages of Art, on
    7 KB (954 words) - 15:28, 17 March 2014
  • ...//deletedcity.net/ || [[File:Arquivo3.png|150px]] || The Deleted City is a digital archaeology of the world wide web as it exploded into the 21st century(...) ...|| [[File:Wax.jpg|150px]] || It is known to be the first film edited in a Digital [https://en.wikipedia.org/wiki/Non-linear_editing_system Non-Linear System]
    11 KB (1,488 words) - 22:20, 10 December 2013
  • There are here the first fruits of an art of disappearance, of another strategy. The dissolution of values, of the re ...s got caught up in the game and has transformed everything into a virtual, digital, computerized, numerical ‘reality’ – the destiny of the images being
    7 KB (1,162 words) - 14:27, 15 May 2015
  • ...pitalism». Her thesis argues that, by appropriating our personal data, the digital giants are manipulating us and modifying our behavior, attacking our free w • OMAR KHOLEIF, Goodbye, World! — Looking at Art in the digital Age (2018)
    6 KB (837 words) - 12:28, 26 January 2022
  • Based on the [[Cadavre exquis]], a digital equivalent exploring a digital pipeline of varying work practices and software platforms. ...lecting a free-licensed work from a given source (for instance [[Open Clip Art]], [http://librivox.org Librivox], or the [http://commons.wikimedia.org/ Me
    3 KB (399 words) - 15:50, 17 September 2013
  • '''digital culture grant:''' https://www.stimuleringsfonds.nl/en/grants/digital-culture-grant-scheme <br> ...rvers, design agencies or cultural institutions active within the field of digital culture.<br>
    11 KB (1,611 words) - 23:31, 27 March 2023
  • * May 2004, [[Giaco Schiesser]], [[Working on and with Eigensinn - Media / Art / Education]] * [[Digital Work]] Seminar, October 11, 2003, Rotterdam
    2 KB (169 words) - 14:47, 18 March 2014
  • ...th a little humour and irony I create a socially dialogue on media and the digital age. Creating an unexpected and contrarian perspective to give a different
    3 KB (482 words) - 20:49, 8 June 2015
  • I want to shoot digital and create an analogue style.[how so?] ...but I discovered that the art that I feel hits me the most emotionally is art that I can relate my experiences or just intens moments of emotion to, almo
    4 KB (707 words) - 14:54, 4 November 2021
  • paranode - (Off the Network: Disrupting the Digital World Ulises Ali Mejias) beyond the topological limits of a distributed net art of representation v. art of action : does art need to be didactic in order to have agency for change?
    3 KB (484 words) - 13:33, 25 October 2017
  • In the next scope I will elaborate the fragility of the digital image my current field of interest reflects to the poor images as the oppon ..., rather metaphorical and philosophical notion of dematerialization of the digital image in broader context.
    4 KB (656 words) - 10:49, 30 June 2013
  • ...ist and physiocratic, forms. Political economy as a science lateral to the art of government. Digital Labor
    2 KB (235 words) - 14:56, 26 September 2018
  • ==[http://users.jyu.fi/~koskimaa/thesis/thesis.shtml Digital Literature: From Text to Hypertext and Beyond]== ===Definition of Digital Literature===
    7 KB (1,046 words) - 00:39, 8 April 2019
  • ...sion of copyright law and the open source community, and how it related to art. The way how the Situationisten deal with this discussion I can show you by ...n you work be that free? How do you lose your authorship? How can you make art what is that open for everyone? How can a work be open for development and
    7 KB (1,292 words) - 11:25, 15 April 2015
  • Vilém Flusser is interviewed at the European Media Art Festival in 1988. He expresses his thoughts about the present cultural revo ...s of thoughts has been developed by computers. They transcode numbers into digital codes, which are transcoded into synthetic images. Flusser believes that as
    2 KB (262 words) - 19:40, 17 November 2016
  • ...my original thesis proposal focused on the physical manifestations of the ‘digital experience’. I hope to take those manifestations as a given while explori ...xplored. I am more concerned with how digitally mediated realities and how digital tools influence social and political behaviour, both online and offline. Th
    9 KB (1,432 words) - 17:48, 17 January 2018
  • Through the tangibility of the digital image and the re-evaluation of the “poor images”, I will reflect upon t The website documents a series of experiments with analog and digital signal in the form of hardware and software intervention. It aims to keep t
    9 KB (1,412 words) - 12:41, 30 June 2013
  • ...that took place on various platforms and documentation of Stromajer’s net art works from 1996 to 2007. In the debate Stromajer hinted at several reasons ...ency upon noticing that digital material has a short expiration date. That digital data is different from previous material is obvious to many people, but the
    11 KB (1,559 words) - 15:26, 17 March 2014
  • ...An Archival Impulse", (2004). Here Foster analyses a trend in contemporary art which he terms the 'archival impulse.' For Foster, this trend may be motiva ...the Ubuweb archive, mentions the innate instability of the cyberspace and digital media in general.:
    3 KB (506 words) - 01:56, 18 September 2014
  • ...mages as representations. Another feature of the digital is its seriality, digital tends to produces abundance of images (for example of an event) which creat ...ormation - noise/message/redundancy to articulate on the meaning in visual art. Here as well, a work becomes ‘open’ (by implementation of noise) in or
    9 KB (1,436 words) - 21:49, 3 February 2015
  • ...last year, most of my portfolio were consists of 16:9 ratio videos or just digital images, but currently, I am focusing on how to maintain my style but using ...VR or AR technologies (moreover, the new appreciating ways of art) in the art field nowadays. <br/>
    4 KB (751 words) - 16:39, 13 September 2018
  • == Walter Benjamin – WORK OF ART IN THE AGE OF MECHANICAL REPRODUCTION == ...ed. The reproduction of works of art and the art of the film – have had on art in its traditional form.
    15 KB (2,434 words) - 17:20, 12 February 2015
  • ...l (photo) books, and the potential, limits, and rationale of photo book as digital objects. '''Why a digital photography book? What is the added value of a digital photo book?'''
    9 KB (1,562 words) - 18:51, 19 February 2015
  • <font color="#FE2EC8"> '''DIGITAL MATERIAL'''<br> Digital Material : Tracing new media in everyday life and technology<BR>
    9 KB (1,331 words) - 21:22, 3 May 2015
  • Identify contextualizing texts (art work or literature)<br> ...hy and video, from stillness towards moving image, shifting from analog to digital. The construction of the image itself and the meaning of it will be looked
    6 KB (956 words) - 15:28, 22 April 2013
  • * „Weirdy, digital pointilism“ * Katia: the picture reminds her of art by Kandinsky
    2 KB (280 words) - 23:08, 21 November 2018
  • ...fferent conversations with people from different cultures. Online chats in digital age is like fast food culture (McDonald), one time gloves, you use, you dit a.Content: It’s more personal, more private. More like a reflection of digital culture.
    8 KB (1,318 words) - 12:19, 5 April 2017
  • http://web.archive.org/web/20180124050208/https://www.marxists.org/subject/art/lit_crit/works/leguin/carrier-bag.htm also N. Katherine Hayles ¬ My Mother Was a Computer - Digital Subjects and Literary Texts (2005)
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  • ...s not enough and a higher form of expression, a code of numbers – computer digital codes is producing synthetic images. The communication og a concept you hav ...being popular art of it´s time. That people in 50 years will judge popular art nowadays very differently.
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  • ...last year, most of my portfolio were consists of 16:9 ratio videos or just digital images, but currently, I am focusing on how to maintain my style but using ...VR or AR technologies (moreover, the new appreciating ways of art) in the art field nowadays.
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  • ...emix, p. 63) These limitations are all vanished once and for all since the digital and internet revolution – not much for the delight of the leader of the c On the 'capital spelled' internet a new 'digital folklore' began to grow: this slice of the virtual world called memes.
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  • ...es and practices for the documentation of born-digital art and performance art (including gaming and networked practices). It will address the meaning and ...evelop an increased understanding of metadata and of rights management for digital materials.
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  • ...react to spacial elements and structures, either in regards to analogue or digital medias. In this case, the process of "wayfinding", getting acquainted with ...earched different choreographic approaches in the realm of performance and art, and selected three: Chance Operations, by Merce Cunningham; Wall-Floor Po
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  • ...he drive to shape society in real life? Can we make the difference between digital and analog life anymore or is Harkin right when he says that Cyburbia chang
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  • ...irst solo show in the Normalville Contemporary Art Centre for Contemporary Art ...nimation, because all of my work is really technical, but also grounded in art historical practices.
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  • binary is not equivalent to digital art books still seen secondary to the exhibition
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  • ...photography in its diverse applications and languages, photography in the digital age.<br> ...to accompany various art exhibitions and writes and lectures on time-based art and film. She lives and works in Cologne.
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  • ...of key points in our relationship with technology, trends in contemporary art have mistakenly adhered to the aesthetic qualities described in the essay, ...orical frame of reference to dislodge the capital-obsessed hegemony of the art world. This notion is the key revelation that differentiates this ''post''
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  • ...m. This photo is the selected one as the outcome, I took it directly by my digital camera, with some flash light. The photography is not only an art about how to shoot, but also the thing about what you want to choose and ex
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  • ...of key points in our relationship with technology, trends in contemporary art have mistakenly adhered to the aesthetic qualities described in the essay, ...orical frame of reference to dislodge the capital-obsessed hegemony of the art world. This notion is the key revelation that differentiates this ''post''
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  • ...of key points in our relationship with technology, trends in contemporary art have mistakenly adhered to the aesthetic qualities described in the essay, ...orical frame of reference to dislodge the capital-obsessed hegemony of the art world. This notion is the key revelation that differentiates this ''post''
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  • ...vestigated as a way to piece back together the abandoned histories of this digital landscape. ...the past but lay peacefully as archaeological sites. How can we take these digital equivalents as space for creative experiments and making whilst honouring t
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  • What follows is the emergence of fringe events, cozy web, digital gardens & the desire for vernacular design in web making<br> Blank, T.J. (2009). Folklore and the internet : vernacular expression in a digital world. Logan, Utah: Utah State University Press.<br>
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  • ...software but can always be seen by ‘computers’. A digital format remains a digital format, readable. According to the writer this is different from for exampl ...o your identity. It has not so much to do with digital images as with ‘the digital’ in general. <br/>
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  • ...that in turn inform a complete work. Works themselves often apply collage, digital manipulation, and editing to existing images and video. In parallel, I am d ...ulated, juxtaposing footage that could not easily be identified as real or digital.
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  • '''Original aesthetics, digital folklor notes''' Organisation is this sence is the manner by which art reveals itself and speaks, a modality of formation that is collective and p
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  • '''Original aesthetics, digital folklor notes''' Organisation is this sence is the manner by which art reveals itself and speaks, a modality of formation that is collective and p
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  • * Allen, Gwen. Artists’ Magazines: An Alternative Space for Art, 2011. * Cook, Sarah, Ed., Information, Documents in Contemporary Art, 2016.
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  • * Infiltration of public space as an art strategy ...Frog). In principle, everyone who is a bit familiar with the internet and digital culture can understand meme language and also potentially make memes.
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  • ...s: simple form/ minimalism. Furthermore, how does minimalism work in video art? ...oject. Moreover, the relationship between structural film and minimalistic art.
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  • Within the context of my art practice I now choose to define myself as a photomedia artist (not a photog :• The analogue/digital binary becomes irrelevant when we define work as light-space-time structure
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  • ...will be involved in producing and presenting your project?(Not limited to digital tools)
''' Scriptwriting (character development!), directing, concept development, art directing, camera work, light!, editing, colour grading!, sound design, tit
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  • ...ing like sensory deprivation. In my experience, it is rare to see works of art that attempt to stimulate the imagination in this way. The works are almost ...oke drifting by them. It is not often that I've seen a still, calm work of art that inspires audience participation. The majority of interactive works whi
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  • hand, and our finite cognitive capacities on the other. In this space, art can become a ...alization. Satellite views. Parametric architecture. Surveillance cameras. Digital image processing. Data-mashed video frames. Glitches and corruption artifac
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  • ...ty by concentrating on how the code changed common notions of text through digital and networked media. In order to see how their interactions have affected c ...easingly dependent on these technical foundations. Generative and software art/design are considered to be the results of the highest level of code-influe
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  • ...ty by concentrating on how the code changed common notions of text through digital and networked media. In order to see how their interactions have affected c ...easingly dependent on these technical foundations. Generative and software art/design are considered to be the results of the highest level of code-influe
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  • How can the strip-photography technique be translated into a digital one? Building a visual recording process using digital scanner sensors & VR Headset
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  • ...s not enough and a higher form of expression, a code of numbers – computer digital codes is producing synthetic images. The communication og a concept you hav ...being popular art of it´s time. That people in 50 years will judge popular art nowadays very differently.
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  • ...narrative and meaning, taking the original content of ads, gossip columns, art critiques and news from magazines and creating entirely new narratives usin ...reduced to the inner boundary of our homes, with all else given up to the digital.
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  • ...with video material, as uncompressed digital video occupies huge blocks of digital space. ...cal expression of the body is reduced in comparison of general performance art which sees the performer’s body or body movements as an important element
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  • ...s DNA. Join curator Hamza Walker and Kac for a conversation on his radical art practice and the many questions it poses for our genomic time Visual Art
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  • ::Point B: '''If Point A is true then the digital/analogue binary is an outdated and irrelevant marker of process''' <span st ::::1. The arrival of digital and the fetishisation of analogue processes.
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  • ...rit Rietveld Academie (Amsterdam, NL). She completed a BFA Major in Design Art from Concordia University in 2002 (Montreal, Canada), and a M.A. in Media D ...aculty Image and Sound of the Royal Conservatoire and the Royal Academy of Art in The Hague. Up until 2007 Eric also studied at Leiden University, where h
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  • === CO-WORKERS: THE NETWORK AS ARTIST EXHIBITION, MUSEUM OF MODERN ART OF THE CITY OF PARIS, PARIS, FRANCE, UNTIL 31 JANUARY 2016. === ...ored in the exhibition 'Co-Workers – The Network as Artist' at the Musée d'Art Moderne de la Ville de Paris, which brings together 28 international artist
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  • I am a student studying media art, one interest of mine is in serials of color. For internet yama-ichi I want Two parts of the digital book are in print version, I plan to present the two printed books.
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  • David Joselit, What to do with Pictures, October 138 about Digital Arts; De Mul, J. (2009). The work of art in the age of digital recombination. Digital Material. Amsterdam: Amsterdam University Press. 95-106.
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  • ...Mannerism and the Baroque to more contemporary forms of digital and media art. ...en early media art practices, conceptual art practices and current digital art.
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  • ...in 2014 and forthcoming in 2016. She is Professor of Creative Writing and Digital Media at Bath Spa University. ...e has been developing artworks and performances that both use and question digital communication systems. Since 2005 he has focused on mobile audio works and
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  • ...background in architecture and webdesign. She works at the intersection of art and design, currently focusing on the interactions between humans and compu ...ure of the Internet of Things. Make your life easier, let Cassandra make a digital copy of you.
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  • ==M. Lewis, Evolutionary Visual Art and Design== *P., Kleiwig (2006), Genetic Art
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  • ==[http://users.jyu.fi/~koskimaa/thesis/thesis.shtml Digital Literature: From Text to Hypertext and Beyond]== ===Definition of Digital Literature===
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  • ...om Mannerism , the Baroque to more contemporary forms of digital and media art . ...arly new media art practices, conceptual art practices and current digital art.
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  • ...ology, as well as the mechanisation of the non-sense. He studied media and art in Vienna and Rotterdam. http://joak.nospace.at/ ...umentaries”, or how traditional film/video model evolves in the context of digital networked media such as the Web.
    10 KB (1,451 words) - 14:34, 10 April 2022
  • ...et out of boredom. For instance: when I’m watching an obscure experimental art work, it might be a process that is from boredom to non-boredom. Moreover, ...n of boredom in 1960s to the relationship between boredom and contemporary art.
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  • ...p exhibitions, TENT presents the many-sided manifestations of contemporary art in Rotterdam. ...started in September 2009. The programme focuses on approaching animation, digital photography, and moving-image design as a single expanded field. It is a tw
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  • ‘We Want To Remember The Sea’ is a digital 3D model of the sea made digital camera would be placed. I placed the camera in such a way that it
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  • ...aduation work will mainly focus on abstraction video and sound, using both digital and analogue media. By comparing these two media, searching for new possibi ...e. Deconstruct a screen and filling with dust. Use the dust to deconstruct digital image or more romantically: attempting to bury it.
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  • ...ch was first shown in Belgrade, in the Salon of the Museum of Contemporary Art (1986), and afterwards again in Ljubljana (1986). The latter exhibition rep ...re)create the foundations of a system of art that is known as contemporary art today. The copy is here not anymore a mere replica; it is more complex and
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  • ...actically it displays how to construct a movement of a human body by using digital tools. Visual material has been reassembled and processed in a software, th ...f the diversity and complexity of his work, it is unique in the history of art photography starting from the late 1970s and up till today.
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  • **For project examples, see http://eleanorg.org/art * Democracy in the art world
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  • ...but how I’m to say. I raider show a kind of tool, what can be used in the art world. To give a different take than the traditional way. ...t that I make. The work of art is central, not the maker. But what kind of art would that be?
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  • This page is for collecting information and thoughts on the EYE On Art 2016 programme. ...vides a starting point to present work focusing on the materiality of both digital and analogue films, and the process of cataloguing them.
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  • ''ReSource'' uses pages from recycled magazines (ads, gossip columns, art critiques and news) as its source material. New sentences, poetry and narra ...reduced to the inner boundary of our homes, with all else given up to the digital.
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  • ...analog form. What used to be the standard way of working became a form of art and my point of view changed. I like to stay critical in my observation, u ...g. He often tells his story by making use of analog materials instead of a digital form.
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  • ...ays of information." '''(from annotation of Jos De Mul's Art in the Age of Digital Recombination)''' Do politicians construct a recombinant folklore?
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  • ...vier Lloret - Essay: Modernity, Film, Art | Javi - Essay: Modernity, Film, Art]] ...er Lloret - Essay draft II: Modernity, Film, Art | Javi - Modernity, Film, Art Draft]]
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  • [http://art.teleportacia.org/olia.html Olia Lialana(RU/DE)]<br> How do you call a person who is interacted with digital media?<br>
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  • .... Do these differences distort the result? If this is a work of conceptual art, the concept should remain regardless of the medium. == Digital (im)perfection ==
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  • Whether photography is defined as art can be explored through its comparison with painting. On one hand, photogra ...on. Nevertheless, it has a capacity to turn all its subjects into works of art.
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  • ...et out of boredom. For instance: when I’m watching an obscure experimental art work, it might be a process that is from boredom to non-boredom. Moreover, ...n of boredom in 1960s to the relationship between boredom and contemporary art.
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  • Master of Arts in Fine Art & Design: [Experimental Publishing or Lens-Based Media]. XPUB is a two year Master of Arts in Fine Art and Design that focuses on
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  • Why knights fought snails in medieval art ...of operating under the terms of Graphic Design, Interaction Design, Media Art or Sound Design, we want to introduce Conditional Design as a term that ref
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  • ...erart.org/magazine/slavs-and-tatars-siah-armajani-red-black-thread-and-the-art-and-act-of-reading Digital Earth
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  • The work of art in the age of digital recombination, Jos de Mul
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  • <big>'''1. Audio Visual Art.'''</big> ...ounds? In my further research, I would like to dig more about audio visual art and technology.
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  • ...rary video art is to study artists’ interpretations of the always, already digital now: the embodiment of systems—the visual representation of ideas”. The ...ixed future or past states.” Relevant to this thesis will be an account of art-based notions of resistance to this hegemony of time and space.
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  • [[File:Screen Shot 2018-03-24 at 12.34.13.png|thumb|ASCII Art created by the sonification experiments]] '''A SHORT HISTORY OF THE RUSSIAN DIGITAL SHADOW LIBRARIES—'''
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  • ...came widely known in artistic and design circles through various blogs and art/design magazines. Kempenaers toured around the ex-Yugoslavia region (now Cr ...mbolism is no longer intelligible?” But not only that, can this book as an art piece or atleast the series of photographs put together like this and distr
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  • ...elty and more a banality. Post Internet is often associated with New Media Art and Conceptualism. ...s. It is a constellation of formal-aesthetic quotations, self-aware of its art context and built to be shared and cited. It becomes the image object itsel
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  • NUMBER OF COPIES = 3 HARD COPY (2 IN COLOUR) + 1 DIGITAL VERSION ...xts (for example: relevant theories, ideas, historical and/or contemporary art and design practices)
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  • '''1. Audio Visual Art.''' ...ounds? In my further research, I would like to dig more about audio visual art and technology.
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  • BAUHAUS AND PHOTOGRAPHY – ON NEW VISIONS IN CONTEMPORARY ART Ian Nesbitt: The Art Of Moving Slowly <br>
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  • How do interdisciplinary teams communicate in media design and electronic art? If they do communicate well, what are the ways that artists, designs, prog ...creation of design documents that come out of networked and computational digital media? How do the cultures of open and distributed creativity and productio
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  • ...short lecture on a 'media object' of their choice. It might be a physical, digital object, a technique, transaction or cultural trope - but a 'media object' t ...y of Amsterdam, "Media Theory" for the post-graduate education programs in art & design and new media at Media-GN / Frank Mohr Institute and Academy Miner
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  • digital alter-ego of the analog original but only through a multitude of different digital interpretations.
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  • ...easy Chip, is the kitchen in this feminist data center which traverses the digital and physical. We have our content page on the webquilt, as well as zines an ...out the key words for cooking the recipe by deciphering the method in the digital Zine. Don't worry if you get stuck, the secret steps for making chickpea cu
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  • ...&sr=8-1&keywords=art+science+of+digital+compositing The Art and Science of digital compositing]
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  • ...rint out the content of a file. In this game, files are comprised of ASCII art that builds each wall of the room you're trying to escape out of. Instead o ====Digital Quilting====
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  • ...designers and musicians. Our common interest is to critically think about digital, lens-based, and computational media, and create one's own media work based ...cross the rapidly expanding field of hybrid media practices: from software art, e-publishing, to a variety of lens-based practices for both new and tradit
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  • Digital bl 01.jpg|The digital bootleg library, running on a homebrewed (self-hosted) server ...ibrary_sessions| bootleg library sessions]] at Varia, Onomatopee and AMRO (Art Meets Radical Openness) 2020.
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  • ...ium really started to intrigue me. In addition I had classes of history of art, where especially the era of the Baroque with the notion of vanitas and lat ...and the notion of time, these questions then result in a concrete piece of art: Underexposed videos are set against long time-exposed photographs, both de
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  • ...history. Boris Groys compares the digital image to the Byzantine icon. The digital image is provided by data, which is invisible to us, and to which we entrus ...criticized for jeopardizing the principle of the autonomy of art, but even art’s autonomy as a question interests me. Some examples include the video/fi
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  • ...pinning their art making, is their collective interest in the influence of digital media on society’s perception of its surroundings. Channeling language, t ...vidual stories that manifest users’ connections forged across physical and digital realms. The relationship with language, generally but also especially throu
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  • * Tactics as '''the art of the weak'''. * How relevant (and still valid) is this early 1980s text to contemporary digital media and web2.0 internet.
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  • ...computer speakers. The TV-set also visualized it’s audio-input through the digital intervention of a external audio-driver, responding with visual white noise ...formal place and meaning within a culture. Contemporary media, analogue or digital, do not hold a neutral stance in their relation to human beings as consumer
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  • *** visual culture (graphic design, art direction, motion design, visual identity, website, 3D animation) ***digital culture (design research, creative coding, light - space installations, aud
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  • ...al. The work suggests that photographic re/presentation, be it analogue or digital, is always already technological and also that what we think of as "landsca ...availability of relatively low-cost storage and networked distribution of digital data has changed the very otology of the photographic medium. Photographs f
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  • ...al. The work suggests that photographic re/presentation, be it analogue or digital, is always already technological and also that what we think of as "landsca ...availability of relatively low-cost storage and networked distribution of digital data has changed the very otology of the photographic medium. Photographs f
    5 KB (835 words) - 17:25, 23 January 2019
  • ..., and having our own standards when it comes to imagination, aesthetic and art. And, I worry that something vital is being cut off right now. There must b ...etic tool to help develop my own standards when it comes to representing a digital space visually. Lastly, I would use some of the time to work with actors, a
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  • The amount of traces/ digital traces in form of caches, cookies, footprint of the browser is ...ble to not leave traces or in other words the (im)possibility to erase the digital footprint.<br>
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  • ...back. I’m going to grab some examples what I can connect to the icon, the digital landscape. ...f the romantic cartography of mannerism. Okay what has this to do with the digital landscape? Nothing.
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  • ...n the acts of making things public and creating publics in the age of post-digital networks. XPUB’s interests in publishing are therefore twofold: first, pu
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  • My very first image production started with digital cameras, then moved on the use of film. Passing through the square format, ...ovides a comprehensive survey of the rich history and theory of decorative art
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  • -how can art be meaningfully politicized if politics are already aestheticized<br> ...history. Boris Groys compares the digital image to the Byzantine icon. The digital image is provided by data, which is invisible to us, and to which we entrus
    9 KB (1,466 words) - 15:54, 15 October 2018
  • ...prints on fabric and paper I saw in Witte de With Centre for Contemporary Art at the exhibition of Rosella Biscotti. I could imagine my pictures to be pr ...euse and rename the files…). I decided to pay more attention to archiving (digital and analogue) and to be more decisive and consistent with titling and recor
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  • * Digital rendering of spaces. 
<br /> 

First by doing experiments with the digital rendering and appearance of these spaces in the online world. By doing a cl
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  • ...er:Inge_Hoonte/Machine_Part_No.2 maintaining three actions] that upkeep my digital social life: ...otos are always in focus, and really well lit. I'm more or less looking at art here, right? Yeah, this is work, sort of.<br/>
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  • ...ission, and representation. It asks how the gaze gets channeled within the digital realm, and how empathy travels. What exactly is viewing suffering ‘at a d ...an Rights discourses as well as by the field of international contemporary art, the arena where When Things Occur is presented.
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  • 1) digital storage media (floppies, CD-ROMs and DVD-ROMs) - a Web page is a sequential list of separate elements: text blocks, images, digital video clips, and links to other pages. It is always possible to add a new e
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  • ...nd the reflection of minimalism in video art, particularly in contemporary art scene. ...Chinese ancient philosophies in Zen and Taoism can be related to abstract art closely and subtly. Therefore, in the chapter: abstraction & sound, the pap
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  • ...derland’. Alice is made of varied materials such as newspapers, magazines; digital devices like TV screens and lights (she has a media body). This body is too ...PULP FICTION, as a void and the whole story spins around this suitcase. In art you see MacGuffin all the time, as a placeholder, or as frame. for example
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  • Following art historian Ervin Panofsky’s analysis of linear perspective as a “symboli CD-ROMs and other digital storage media (floppies, and DVD-ROMs) proved to be particularly receptive
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  • ...ntity issue has been always underlining in Hong Kong’s popular culture and art but only in recent years, it has been explicitly discussed in the public sp ...as a physical form of memory, and the process of it being transmitted to a digital device (via scanner), as a metaphor of transformation and transference of m
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  • ...s and in in the countryside and and I think there's there's a lot of those art initiatives grew out of that same culture.'''<<edited bit'''
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  • * tv (Sony cube from V2) -- stricly analog machines, not always easy to show digital material ----> UPDATE (14 JUNE): MAYBE I NEED 3 * Retrograde Chapbooks: the art manifesto as media object
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  • ==Digital Recombination== ...has occurred: the increasing mutability of information as a result of the digital interface. The text begins by providing an overview of the themes in Benjam
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  • ...e go, drawing images from current work/future work, writing in shapes/word art, long form essayistic writing, fears/ worries, lyrics, recurring questions, ...thoughts, of eliciting connections, of moving whilst making, of making non-digital work, forming images through words. It stems also from a desire or frustrat
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  • ...nt from it hard to imagine. However, building imaginaries that conceive of digital collective life starting from principles of solidarity and non-extraction a Community, art and transfeminist servers create different user subjectivities by implicati
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  • ...he go, drawing images from curren work/future work, writing in shapes/word art. long form essystic writing, fears/ worries, mapping, recurring questions, ...thoughts, of eliciting connections, of moving whilst making, of making non-digital work, forming images through words'''. It '''stems also from a desire or fr
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  • ...ch was first shown in Belgrade, in the Salon of the Museum of Contemporary Art (1986), and afterwards again in Ljubljana (1986). The latter exhibition rep ...re)create the foundations of a system of art that is known as contemporary art today. The copy is here not anymore a mere replica; it is more complex and
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  • ...his is more of an internal process. However the outcome is extrovert as an art piece it aims to be shared and modified with people. ...was a kind of pretext to meet again with painting but also to abandon the digital world for a moment.
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  • ...ind there a connection between the digital image that I have observed on a digital computer screen and the printed version within a back light box. ...and the explorations of the digital lens based media and experiments with digital images. I was referring to the several exposure technique by overlying imag
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  • ...an we articulate the idea of publishing as a critical post-digital network art practice? ...publishing, participatory and crowd-sourced content, constraint and system art inspired games and rules, piracy, etc).
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  • ...n the acts of making things public and creating publics in the age of post-digital networks. XPUB’s interests in publishing are therefore twofold: first, pu ''The Smart Speaker Theatre'' questions the default mode of smart speakers as digital assistants, through an intervention that involves kidnapping a Google Home
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  • ...s thousands others have, in the darkest of times I have found sanctuary in digital spaces. Virtual communities have offered me a profound sense of belonging, # With this information, decide where to host my own digital safe space and what kind of platform is best suited.
    13 KB (2,063 words) - 13:53, 22 November 2023
  • ...ducing a combination of unique prints in the darkroom as well as editioned digital reproductions of images. Undertaking at least one journey to take more phot * The Photograph as Contemporary Art - Charlotte Cotton
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  • ...searching art in the 1990s''' have been asking where to get copies. I's a digital archive and there's lots of scanning and I'm reading lots of reading old ar ...es or people would use lots of different methods rather than your standard art criticism sort of language the magazine about it was actually a magazine th
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  • ...Marcel Duchamp's 'Readymade' art, which presents mass-produced objects as art. This has led me to explore the concept of offering mundane objects with a If anything could be art, why can't the cheap sponge? I chose the sponge as the primary object due t
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  • Patrick Talbot, « La photographie en tant qu’art », Le Portique [En ligne], 30 | 2013, document 4, mis en ligne le 01 juill La photographie en tant qu’art
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  • ...ly with photography and recently I started working with re-photography and digital manipulation techniques, such as taking photos from existing images and man ...mages; my ‘own’ images, images that are ‘built’ on others (re-photography, digital manipulation) as well as exciting images, such as iconic images. The dialog
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  • ...her in the dark room. Considering the final outcome, one can be considered digital, while the other is considered analog, but considering my physical approach ...e and sound station to have a big TIFF file that I could use to make a big digital print. The bigger the print, the more we’d see of the texture that comes
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  • ...neous, mixing different techniques, animation and photographic, analog and digital, to concoct a careful coctail of pre-rendered elements bound by clever algo ...relations) come to the foreground. ( In Media Ecologies, Fuller describes art as exploring all possible scales and relationships of a system. )
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  • ‘Ersions’ was an attempt to subcurate the kunstart 2012 art fair in Bolzano, Italy by producing 12.000 reproductions of a few chosen wo ...closed piece as we wanted to adress the thematic that was inherent to the art fair itself.
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  • ...es in the neoliberal age.(Political) Cinema has found a new home inside of art institutions, black boxes inside of white cubes, where the quality of prese ...esign. (This reflects the anxieties regarding the nature of reading in the digital age) Everything is experienced piecemeal and viewers become “traitors of
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  • ...es in the neoliberal age.(Political) Cinema has found a new home inside of art institutions, black boxes inside of white cubes, where the quality of prese ...esign. (This reflects the anxieties regarding the nature of reading in the digital age) Everything is experienced piecemeal and viewers become “traitors of
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  • ...t the Piet Zwart Institute by large concerns it self with various forms of digital and precarious labor and its bordering areas such as user-generated content In my graduction project I intend to keep focus on emerging forms of digital labor. As of now I've addressed the design-field, but I wish to broaden thi
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  • ...images representing human faces, one man and three women. They are colour digital photographs, displayed as portraits. The images are highly contrasted in th A series of seven digital colour photographs. Each image is representing a composition of objects and
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  • ...collaborative software development has proven itself as a driving force of digital networks, especially the internet. Now this approach is beginning to open u Art and design work using computers can often get stuck in the use of the same
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  • ...ally this magical function was relieved from the arts. As civilization and art progressed ''“no one believes any longer in the ontological identity of m ...of coding and de-coding. Besides, manipulation has become integral part of digital photography. Of course this already happened in analogue photography, but t
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  • *Bauerlein, M. (2008). The Dumbest Generation: How the Digital Age Stupefies Young Americans and Jeopardizes our Future (or, Don’t Trust * Life, Once More: Forms of reenactment in contemporary art By Sven Lutticken, Witte de With, Rotterdam, 2005
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  • ''Pirate libraries, shadow libraries, piratical text collections, amateur digital libraries, peer produced libraries and how to read them together.'' ...piracy, media regulation, peer-to-peer communities, underground libraries, digital archives, informal media economies. His most recent book is on the role of
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  • ...video and installation art from the 70's until now, as well as performance art, and choreography in dance. It is of my interest how in these practices the Also I have been looking at some digital archival initiatives specific from dance companies, and what has been made
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  • ...participation. Almost everyone who is a bit familiar with the internet and digital culture can in principle understand meme language and also potentially make ...late them to interventions in public spaces (operate artistically in a non-art context). My goal is to make a '''"guide to memefy your life"'''. This coul
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  • http://www.transmediale.de/content/post-digital-publishing-workshop-diy-publishing As digital content is increasingly atomized and paper assumes the role of curated 'bes
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  • ...t file of desire 3. Video vortex 4. Long tern preservation of digital art 5. Media materials 6. Code narrative ==The role of digital artist==
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  • <s><small>The usual (?) - recurrent filter-ing through the digital - remediation / shift between technologies</small></s> ...s and sculptors used to copy the masterpieces from the past to learn their art. That was the initial intention.
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  • “The Wrath of Beelzebub” is a topical and satirical art installation inside of a techno event. It was part of a series of projects “The Wrath of Beelzebub” is a digital visual work that came to be an art installation inside of a techno event. It was part of a series of projects
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  • ...xist with references drawn from visual studies, media theory, contemporary art and film history, in the form of textual excerpts as well as still images a <s>immateriality - materiality in/of (digital) images</s>
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  • ...r the previews the sound track and image where adjusted for the final DCP (Digital Cinema Package) ...odes are about 15 minutes long. The series has main characters who look at art from their perspective. During the episode the main artist is interviewed a
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  • A personal story. Protagonist with a problem. It may be a good story but the art is to tell it and structure so it remains good. ...keep the balance. Story must abstract from life and keep the essences. The art is to lift audiences beyond the imaginative level from what is to what coul
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  • A personal story. Protagonist with a problem. It may be a good story but the art is to tell it and structure so it remains good. ...keep the balance. Story must abstract from life and keep the essences. The art is to lift audiences beyond the imaginative level from what is to what coul
    20 KB (3,300 words) - 21:52, 13 March 2013
  • By looking at diverse graphic design methods, in both digital and physical realm, as well as by analyzing a selection of choreographic ap ...matter more prominently in performance than in other traditional forms of art.
    26 KB (3,759 words) - 18:08, 11 January 2016
  • ...nd along this coast in the 1700s. Also, the potential to make physical the digital space/hole through the analogy of the cave. ...e go, drawing images from current work/future work, writing in shapes/word art, long form essayistic writing, fears/ worries, lyrics, recurring questions,
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  • ...n we receive every day”, to find novel methods and tactics when practicing art related to politics, sociology, and philosophy, to be able to gain response ...Economics in Ljubljana and her MA in Photography from the AKV | St. Joost art academy in Breda (NL). In her film works, Katarina uses interdisciplinary a
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  • ...e for work. Any US resident can commission a small task for a small fee to digital workers from all around the world. A task can be digitalization, transcribi ...the theories I dealt with previously and turn it into a stable realizable art project.
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  • These artifacts serve as digital traces. A human artificial product, that find the fundamental inspiration i ...he “culturalization” process, including photographs, scans, photograms and digital manipulated visuals.
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  • These artifacts serve as digital traces. A human artificial product, that finds the fundamental inspiration ...he “culturalization” process, including photographs, scans, photograms and digital manipulated visuals.
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  • ...o capture it and which images to include in the final edit. In contrast to digital workflows, analogue photographic processes take ''more'' time—time to rev ...s into my work and contemplate the photographic medium beyond the analogue/digital binary.
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  • '''1.2) Digital – Glitch''' ...l? Is the image itself being reduced if lines of code are being deleted in digital photos or i-Frames in videos?
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  • = How to run an art school on Free Software/Open Source? = ...rtists and even a dancer. Our common interest is to critically think about digital and computer media, and create one's own media work based on that thinking
    15 KB (2,436 words) - 21:31, 23 September 2010
  • ...s with Isabelle Sully and Martino Morandi. Isabelle Sully practices across art-making, curating, editing and writing. Working with feminist histories in m *[[Materials#Van Beek Art Supplies | Van Beek Art Supplies]]
    16 KB (2,388 words) - 14:59, 23 October 2023
  • == Text from Pzwart wiki: 'Uncreative Writing: Managing Language in the Digital Age'== ...evelopment of technology became a catalyst for a new era of literature and art in complex. Contemporary artworks put to the end traditional understanding
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  • ...ntation/guest lecture Morgan Fisher (together with Fine Art and Lens-Based Digital Media)
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  • I intend to shoot a digital black and white short film, with a small crew. The film will be 3 scenes wo I consider this body of work as existing in the realm of other European art house political science fiction films, such as those made by Kubrick, Fassb
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  • ...0 0 25px PaleGoldenRod; color:grey"; text-decoration: none; ><b>PHYSICAL & DIGITAL LANDFILL</b></font>=== ...";> 2. </font></span> Thompson, N., 2017. Living as Form. Socially Engaged Art from 1991-2011. Hong Kong: The MIT Press.
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  • ...c blend style. This promotes, to me, the best of both worlds; combining my digital shooting method with the style and nostalgia of an analog look. I want thes Another big reason I want to create this type of art is because slice of life Anime was a big part of my escapism tactics in chi
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  • '''1.2) Digital – Glitch''' ...o find out whether the image is being reduced if I delete lines of code in digital photos or i-Frames in videos.
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  • 2) Texts made after visit to 'art in an age of asymmetrical warfare' Jos de Mul - The Work of Art in the Age of Digital Recombination' (2008)
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  • add:describe the broader cultural context (art-design works, film, texts which inform our understanding of the work) = 50 Bring along a text, an art object (repro) by another and a piece of popular media (film,clip &c) that
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  • ...les / https://www.rcwlitagency.com/authors/kraus-chris/ literary agency / Art Center ...TENT (Rotterdam, 2015), Móvil (Buenos Aires, 2015), Irish Museum of Modern Art (Dublin, 2014) and Het Veem Theatre (Amsterdam, 2014). In 2021 she has solo
    22 KB (3,197 words) - 16:05, 20 July 2021
  • ...k arkhē, which means government or order, origin and first place. However, digital technologies have changed and altered the status and meaning of an archive. ...er the purview of a state, with the crowd acting as the control mechanism. Digital archives have changed from a stable entity into flexible systems, referred
    27 KB (3,870 words) - 18:34, 15 September 2014
  • ...ne contemporary art and design (including the very differentiation between art and design). ...The Troubled Craftsman, 19-53; please collect and bring along examples of art/design/media/other work to discuss in this context.
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  • *Fine art / move away from individual practice, through publishing *Print is finished / digital is dynamic
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  • This page is for the PZI ResearchLab EYE On Art 2016 programme. ...premises. It provides a starting point to explore the materiality of both digital and analogue films, the poetics of cataloguing them, and the fragile semant
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  • ...gital media. I say the slightly longer name of computational and networked digital media rather than new media because I think that it sets out the parameters ...ng of reflection and experiment in relation to computational and networked digital media is key to the genesis of most of the work here today.
    18 KB (2,990 words) - 17:03, 13 February 2013
  • ...and at our ever-evolving environment. He investigates these topics through digital and analog objects such as sound, video, 3D objects, appropriated material. Bourriaud, Nicolas,(2002),Relational Art
    9 KB (1,475 words) - 10:57, 17 June 2015
  • ...and at our ever-evolving environment. He investigates these topics through digital and analog objects such as sound, video, 3D objects, appropriated material. Bourriaud, Nicolas,(2002),Relational Art
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  • ...welcomed a wide range of practitioners from the culture field, visual and digital artists, graphic designers, musicians, performances artists, architects, fi From app stores to art book fairs and zine shops, from darknets to sneakernets, from fansubs to on
    19 KB (2,882 words) - 10:28, 28 March 2018
  • ...ll look at how it (WHAT IS IT) becomes a more individual relationship with digital characters.<br><br>''The book will CONSIST of one long unfoldable page that ...om memories mixed with imagination, being fed by each others ‘pretence’ as digital individuals. By looking into a reflecting screen when communicating you are
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  • ...//www.1go1.net/index.php/Main/Tracenoizer Tracenoizer] by Zurich based net art collective LAN a unique "identity" management solution that allows for tact * [http://p-dpa.tumblr.com/ Silvio Lorusso's Post-Digital Publishing Archive]
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  • ...acts of making things public and [[creating publics]] in the age of [[post-digital]] networks. WORM is the ultimate test environment for alternative art production, experimental ways of living and non-academic knowledge developm
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  • ...he relationship with my family becomes a more individual relationship with digital characters.<br><br> ...om memories mixed with imagination, being fed by each others ‘pretence’ as digital individuals. By looking into a reflecting screen when communicating you are
    35 KB (5,890 words) - 17:05, 11 November 2015
  • ...le, and the uncertainty brought about by online platforms, everyone in the digital community may become such a puppet, and under these skins, is the carnival Duty Free Art - Hito Steyerl
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  • ...unicating reality until today. Today’s medial surround is highly shaped by digital/ Internet technologies whose roots were established in early cybernetics, f ...photographed the same way. An abstraction though is rather created by the digital artifacts of the renderings and the layer of the printing technique than by
    14 KB (2,225 words) - 16:05, 10 April 2019
  • ...the community is self-correcting. <-- this speaks about the wider field of art. ...better understood as assumptions rather than theories about reality, life, art, and photography." (178-79)
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  • ...eing part of different scenarios of publishing such as workshops, courses, art-book fairs, fanzine festivals, and exhibitions. I have had the possibility ...doubting about its own existence, have the power to imagine the impact of art publishing over the world.
    17 KB (2,466 words) - 21:44, 22 November 2021
  • ...s of images which go beyond such familiar types as a still photograph or a digital video; approaching the new super-human scale of visual data available"'' to ...bjects to be consumed by a passive bystander. Instead, there must be an an art of action, interfacing with reality, taking steps-however small-to repair t
    15 KB (2,327 words) - 19:53, 7 December 2021
  • ...vironment, datavisualisation and alternative ways of representing books in digital libraries. It aims to break the rigidness of square presentation formats an category2color["Art"] = "#ffedff";
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  • ...oups :) I am planning to work on the electronic puzzles together with tech art collective "Telemagic" at their studio in Rotterdam. ...focus lies heavily on tools of interaction and gamification, interlinking digital and
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  • tactical appropriation of the digital white cube office of the 1990s. in clip art, but it's changed--my motives are now officially different.''
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  • 2) Texts made after visit to 'art in an age of asymmetrical warfare' Jos de Mul - The Work of Art in the Age of Digital Recombination' (2008)
    19 KB (2,969 words) - 13:14, 14 November 2016
  • ...Smith on primary tendencies in the current condition of contemporaneity in art (^ footnote? &quot;in the aftermath of modernity, and the passing of the po ...t of the contemporary and the value of a macro-description of contemporary art. In his analysis Smith considers contemporaneity as a current critical and
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  • ...proceed this research by trying to find answers and turning my answers to art projects. ...ualities, fire cannot damage, reduce the Real object and its qualities. In art context there is an attempt to establish objects deeper than the features t
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  • ...souplesse artisanale de la main".Or il n'est plus possible de voir dans le digital un retour à l'artisanat au pretexte qu'effectivement l'automation permet d ...tuel selon laquelle un artiste peut modifier tous les aspects de l'œuvre d'art, y compris son contenu. J'emploie quant à moi le terme de "variabilité" p
    10 KB (1,611 words) - 23:37, 21 September 2020
  • ...ic_Work_of_Art_2014.jpg|200px|thumb|right|The Postcard is a Public Work of Art]] “''The Postcard is a Public Work of Art”'' 2014
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  • ...ng out the potential of digital publishing, and the possibility of sharing digital books.''' ...ss to books from anywhere, but the legal reality for lending and borrowing digital texts is complicated.
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  • * [https://hub.xpub.nl/bootleglibrary the digital bootleg library] (please email info(at)simonbrowne.biz for the HTTP login)< ...e traces of authenticity, marks of quality or even aesthetic enhancements, digital watermarks are being used as a way to create accountability for users. Thro
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  • * [[Digital Cadavre Exquis]] (with memory sticks) (See Also: [http://www.c3.hu/collection/form/ Form art] of [[Alexei Shulgin]])
    9 KB (1,271 words) - 17:45, 22 September 2013
  • ...proceed this research by trying to find answers and turning my answers to art projects. ...just touching certain features of the cotton just to its qualities. And in art there is an attempt to establish objects deeper than the features they are
    13 KB (2,260 words) - 11:24, 11 November 2015
  • ='''What is the difference between Cryptography, Steganography and Digital Watermarking?'''= ...ience/the-types-and-techniques-of-steganography-computer-science-essay.php Digital steganography]
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  • ...repackaged by the media, and have found a comfortable home in the world of art.<br> ...xactly the same in both. In this bizarre physical manifestation of western digital culture, jihadists participate knowinglu in entertainment as the Real. That
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  • ...lors of coral reefs. Um, to search for the phenomenon, um, because I think digital, uh, technologies changed our way also to experiment nature. Um, um, so tha To, to scientif. Like to, to combine scientific work like science with art. Mm-hmm. . Mm-hmm. . So that's something I want to go in more deeply becaus
    18 KB (3,264 words) - 15:45, 19 October 2022
  • ...where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with vid ''#3 Digital heritage''
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  • someone even wrote a fractal art manifesto. Absurd how fractals are literally everywhere. The relationship ...>''' As The letterboxd buddy I can't really not mention the visual art fractals in ''Enter the void'' from that
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  • ...rts such as textiles, papers and plexiglass, and printing techniques (both digital and analogue) to be able to compare and think about the connotations the ma ...methodology, colour, understanding of space etc. With the development of (digital) photography, the latter seems to differ from hand-made gestural image-maki
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  • 2. visual record as photographs, both on 35mm analogue film and digital<br /> What power art thou Who from below Hast made me rise Unwillingly and slow From beds of eve
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  • ...strate their stories. After each session the stories are scanned to keep a digital copy of the stories and the participants will be given their books back. Th School voor Jong Talent educators ~ know how to structure art lessons and workshops for kids<br>
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  • ...rans-disciplinary on its nature. (for me, this makes it a great subject of art) ''[oh the internet, the digital reality, how people unite around an image of a potato, culture is shaped by
    14 KB (2,294 words) - 15:54, 8 October 2019
  • ''Pirate libraries, shadow libraries, piratical text collections, amateur digital libraries, peer produced libraries and how to read them together.'' ...otential of digital publishing, and the possibility of sharing and reading digital books.'''
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  • ...at the MOMA in New York as well as in the landmark exhibition of computer art Cybernetic Serendipity, which opened at the ICA in London in 1968. In the e ...bias is based on past experience, pre-conceptions of what is structure in art, and one way of breaking away from this is to introduce a mathematical syst
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  • How do interdisciplinary teams communicate in media design and electronic art? If they do communicate well, what are the ways that artists, designs, prog ...creation of design documents that come out of networked and computational digital media? How do the cultures of open and distributed creativity and productio
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  • ...d tries to understand them in a context that is linked to the discourse of art and aesthetics, rather than to the discourse of evidence production. By dec ...how we might encode a more radically collaborative model of consent in our digital and social tools.
    14 KB (2,157 words) - 09:37, 27 May 2014
  • ...s that render “out of range” to other mis/readings whether they be analog, digital, networked or varying combinations. How might these and other errant behavi http://ahomina.com/art-horde/interview-artist-sujin-lee/5612/
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  • ...holds the power of creating the history of humanity. The existence of the digital archive of media images as an electronic memory affects the oral history, a I also have the idea of creating art pieces that consist of smaller particles such as my medical waste to create
    16 KB (2,714 words) - 01:51, 14 November 2019
  • ...tools, no matter their previous experiences and training. Visual arts and digital communication were mainly the focus of the tools I was researching, but as ...ve creative work. I aim at bringing and establishing some principles in my art and facilitation practice: openness, inclusivity, improvisation and collect
    17 KB (2,692 words) - 19:45, 18 November 2022
  • ...t while thinking about the question 'What do we do with all this invisible digital data and how do we prevent it from getting "dusty"?' ...showcasing their role in shaping a countercultural landscape. Uncover the art of establishing your own pirate radio broadcast and learn the essentials of
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  • ...and finally to explore works countering the systematic (that are from the art world mostly). The collection shall in the future be brought in new pieces Thinking Beyond is a digital software incorporated in a spatial, audio-visual installation depicting a s
    10 KB (1,552 words) - 08:23, 15 April 2019
  • ...he reflection of minimalism in video art, particularly in the contemporary art scene. ...Chinese ancient philosophies in Zen and Taoism can be related to abstract art closely and subtly. Therefore, in the chapter: abstraction, the paper would
    30 KB (5,047 words) - 16:22, 16 February 2018
  • ...rying to find a shooting style that mixes these two elements of analog and digital shooting styles. The pose is very disconnected to the camera. She’s not n ...c blend style. This promotes, to me, the best of both worlds; combining my digital shooting method with the style and nostalgia of an analog look. I want thes
    20 KB (3,576 words) - 12:50, 31 March 2022
  • ...rk I use digital media tools, formats and abstract formal languages. Being digital code, html and css structures along with various scripts my main compositio ..., reader, spectator, interactor, etc. and in this case referring to mostly digital devices. — it is though relevant to highlight the presence of the body: b
    20 KB (3,112 words) - 10:01, 19 April 2016
  • ...other in the dark room. Considering the final outcome, one can be seen as digital, while the other is analog, but considering my physical approach to the ima ...I took this pattern and created a book, of which I like to think of as an art object. At the time I defined the book as an ejection, letting these images
    7 KB (1,264 words) - 17:04, 26 June 2019
  • ...e go, drawing images from current work/future work, writing in shapes/word art, long form essayistic writing, fears/ worries, lyrics, recurring questions, ...thought, of eliciting connections, of moving whilst making, of making non-digital work, of forming images through word and discovering non-conventional narra
    12 KB (1,951 words) - 20:18, 5 July 2023
  • ...ominant forms of time-based media and their differences to recent forms of digital or “new” media. Why is new media so concerned with the immediate and th ...edia workers then became an object of “scientific management” itself. When digital media became dominant, where did this movement of working go?
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  • The thesis presented as part requirement for the award of the Master of Fine Art degree is normally equivalent to not fewer than 7,000 words and not more th ...xts (for example: relevant theories, ideas, historical and/or contemporary art and design practices)
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  • ...s and in in the countryside and and I think there's there's a lot of those art initiatives grew out of that same culture.'''<<edited bit'''
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  • ...lors of coral reefs. Um, to search for the phenomenon, um, because I think digital, uh, technologies changed our way also to experiment nature. Um, um, so tha To, to scientif. Like to, to combine scientific work like science with art. Mm-hmm. . Mm-hmm. . So that's something I want to go in more deeply becaus
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  • '''About analogue and digital, an extensive connection. ''' ...es the overall scene/stage of the performance - an immediate production of digital motion pictures. And a third possibility, being viewers’ own recording de
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  • ...ements for the final examination for the degree of: Master of Arts in Fine Art & Design: Lens-Based.''' Yoldas, Pinar. “Ecosystems of Excess.” In Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments, a
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  • ...aking of artworks enables both the maker and the viewer to think.<br>Thus, art production cannot be merely formal play.'' Art after the Machines, Mohammad Salemy <ref>Salemy, M., 2017. Supercommunity.
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  • ...aiming, that it is not being read less in general, but the omnipresence of digital media is causing the opposite. He is stating, that minute by minute mails o '''Kate Briggs''' > This little art > a translator of Roland Barthes
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  • title: "Digital Labor", title: "Media Ecologies: Materialist Energies in Art and Technoculture",
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  • Early April: THESIS DEADLINE: all theses submitted (HARD copies + digital) examination for Master of Arts in Fine Art and Design:
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  • Early April: THESIS DEADLINE: all theses submitted (HARD copies + digital) examination for Master of Arts in Fine Art and Design:
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  • I like the aesthetics (fragments from everyday life and digital culture, recognisable popular signs and symbols such as 'YouTube' in combin *[https://roodkapje.org/#hamburger-community-of-art-530 Link to the description page - Roodkapje]
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  • ...n the acts of making things public and creating publics in the age of post-digital networks. XPUB’s interests in publishing are therefore twofold: first, pu Brought to you by the Master of Arts in Fine Art and Design: Experimental Publishing (XPUB) of the Piet Zwart Institute, and
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  • ...tand East Asia, which integrates and transforms the mainstream culture and art dominated by the West. ...m, to achieve the redistribution of the sensible (Jacques Rancière). In my art, I wish to use localization as a method to explore the local context (polit
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  • In terms of relevant art works, I am interested in ''systems art'' from the 1960s/1970s. Works from this period reflect the hype around "ope ...'' (1970) at the Jewish Museum in New York, curated by the eminent systems-art theorist Jack Burnham. Physically, the work is a closed environment, inhabi
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  • ...culpture workshop '''(found no sculpture workshop, focus on wireframe/wire art)''' *+See [https://youtu.be/CcC5opK-VIU| video on wire art]
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  • ...n is digitally produced, with various potential outcomes, serving from new digital formats to the former print. While understanding the media environment as c ...uhaus interdisciplinary approach, and the acknowledgement of a new unit of art and technology; the International Typographic style, driven by functionalis
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  • ...methodology, colour, understanding of space etc. With the development of (digital) photography, the latter seems to differ from hand-made gestual image-makin ...ts on fabric and paper that I saw in Witte de With Centre for Contemporary Art at the exhibition of Rosella Biscotti. I could imagine my pictures to be pr
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  • ...of André Malraux, which establishes a discourse between ages and styles in art through super-impositions of artifacts that are geographically and historic ...hotographs heavily staged elements, mostly still lives in combination with digital collage. In several instances text, which was often a reworking of existing
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  • The screening is interrupted by a failure of the digital cinema projector, that is followed by the sequence of user interfaces or sc ...nrealistic way. This is specifically pointed out through the experience of art, history and experience that are, in the American culture reproduced or ree
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  • ...ser to nature; a life often associated with the past because life was less digital before. It felt very good to dive into a subject that deep by doing researc ...erial, in this way you could say it’s a supportive element, rather than an art piece in itself.
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  • * by 1980 several digital networks, were functioning, besides ARPANET both in US and Europe: design and art practices</p>
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  • *I like analysing art work and exhibitions. I think notes are important in this process. Analysis ...ting a series of essays in which you discuss the changing attitude towards art and the photographic image.
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  • *why: to learn about digital tools for animation *why: to learn about digital tools for animation
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  • ...the foundation of my entire practice as it was my first introduction into art making. While it has transformed in its handling of line, space, colour and ...Guin, China Mieville to be most relevant. Valve’s (a game development and digital distribution company) Portal series, The Chinese Room’s Dear Esther and D
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  • Art animation Called pseudo an art project, and said he was happy to move onto something new
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  • ...lurring borders of private and public concepts both in socio-political and digital space. Between the years '99-'03 (the good years) digital intellectual property could be released under various branches of licence,
    38 KB (5,904 words) - 20:23, 19 January 2016
  • ...nd along this coast in the 1700s. Also, the potential to make physical the digital space/hole through the analogy of the cave. ...e go, drawing images from current work/future work, writing in shapes/word art, long form essayistic writing, fears/ worries, lyrics, recurring questions,
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  • ** Witte de With Center for Contemporary Art **Witte de With Center for Contemporary Art
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  • Two quotes from Matthew Fuller's Media Ecologies, "One of the powers of art, despite its current limitations to a special case, a zone of exception, is ...colorings, we create the possibility of new things entering the world. In art, in science, in philosophy and culture, in any production of knowledge wher
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  • Other works of art visited in the text take the idea of debris as the microcosm that creates t ''' On Memory (digital or otherwise) by Vilem Flusser '''
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  • ...er 5: Henrik Olessen (and his Warburgian research in gay representation in art)<br><br> ...ys have been represented in the arts through a medium specific research in art photography and film. In the conclusion I will reflect and evaluate the pro
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  • ...view?, zines physical archive in weeks and then in categories, printed and digital material in different formats Jos de Mul - The Work of Art in the Age of Digital Recombination' (2008)
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  • ...life, On Photography. b) look at the idea of the 'everyday' in culture and art. ...rying to find a shooting style that mixes these two elements of analog and digital shooting styles.
    62 KB (10,961 words) - 11:55, 31 March 2022
  • ...o, the flash as the fundament of every experience of moving images, and of digital screens too. ...ges and screens, the materiality of these - as physical/analog and virtual/digital objects, and the related struggle to find meaning and stand in between thes
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  • ...ento e di apparizione allo stesso tempo - link to mythology and history of art (Apelle, Giorgione...)</s> ...o, the flash as the fundament of every experience of moving images, and of digital screens too.
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  • _analog turned digital through tech development ...e the following boxes: object box with osc~; object box with audio output (digital to analog converter); object for defining the volume - object box with mult
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  • The user interacts with their very own Corporate Guru through a state of the art interface. ...ese people and explore their culture; to make a printed version and a post-digital version.
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  • ...Non-linear is compact, ruptured, disjointed. Is a line linear?  - This is art speak, not sure it makes sense tbh • Lotte’s theme: Digital and Physical Space re: sexuality
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  • ...This Box Found You For A Reason — XPUB Special Issue #17 launch.</ref>, an art book shop in Den Haag (The Netherlands). Fage not Pound opened on the 25th ...of our assignment it cannot only be digital. Even if the game(s) is mainly digital, there needs to be a token(s) inside the box that can give the user some ki
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  • ...view?, zines physical archive in weeks and then in categories, printed and digital material in different formats Jos de Mul - The Work of Art in the Age of Digital Recombination' (2008)
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  • ''the art of rejection'' Bridging the physical and the digital is appealing
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  • *'''''Benjamin, Walter. The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Medi *'''''Podcast: <nowiki>https://archive.ica.art/whats-on/what-can-post-cyber-feminism-do-reproductive-justice/</nowiki>''''
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  • ...across folder paths. The result was a collective poem about censorship in art. ''thinking through the (digital) tools''
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  • Johanna Drucker’s performative materiality exposed in DHQ: Digital Humanities Quarterly Vol.7 is something that resonates immensely with worki note: A lot of different works, concepts in relation to Publishing in the art field brought at the forefront of social and academic concerns. One of the
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  • 35mm film. Scan. Analog. Digital. Immersive. Journey through/within the materiality of film. How one photogr ...is interrupted by a failiure of the digital cinema projector. Artefacts of digital video failiure and glitch add in no logical order together into total ridic
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  • ...to provide contextual documentation for the work, or publish browser-based art off the Internet. ...ing a tone at 440Hz, which is being made audible by going to the ''dac~'' (digital to analogue converter) object.
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  • ...e for work. Any US resident can commission a small task for a small fee to digital workers from all around the world. A task can be digitalization, transcribi This piece is a response for an Europe wide open application for art students organized by ELIA (European League of the Institutes of the Arts,
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  • ...truth to painting on canvas.<br><br>&#x27;Democratization&#x27; thanks to digital production methods.<br><br>SR: So how do you work with students?<br>Focus o ...edia Art educationnal program development<br><br>V2 program manager<br><br>Digital research unit univeristy of Huddersfield, with Aymeric, then leading tiards
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  • art on front and back-side of each record - stuck on rubber gloves, medals, gli Translating one type of content to another (python!) analog to digital
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  • ...upport the other elements of the course (Self-directed Research, Issues in Art & Theory, Practice-Group Critiques &c.). Therefore, the text on method will formats could include: digital - physical - interface - generative engines - formulas - external forums &
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  • ...t’s why I made a physical book because when your reading online, or in the digital world or whatever you don’t know who else is reading the same info? Becau Well it was like I had a project where I photographed the surface of our digital world, the datacenters and stuff, where our data goes through. I photograp
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  • ...gical/technical, material, semiotic, affective/existential - between their digital and analog nature. In other words, I have been concerned with the condition ...ges and screens, the materiality of these - as physical/analog and virtual/digital objects, and the related quest to find meaning and stand in between these,
    52 KB (8,461 words) - 17:04, 27 February 2024
  • ...d/music, and have an active research stream concerning the politics of the digital interface where I employ both spatial installation and written research. I Her work consists of documentary essays, CGI animation and video art. Her pieces are dislocations of reality, contaminations of the senses, in w
    25 KB (3,977 words) - 20:41, 8 September 2022
  • ...dancing is not, glamour-models are seen as sex-workers but posing nude for art is not considered sex-work. Those who participate in the latter are most li
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  • ...ooting analog makes me more focused on making clear decisions where with a digital camera I’d be constantly checking the results. in the Digital Age
    17 KB (2,942 words) - 23:47, 22 February 2022
  • ...ven set designers, since they often create immersive surroundings in their art. I’d like to investigate a bit more who I want to invite. Other than that Tools I'm going to use are: slide film, slide projectors, digital projectors, photo-printing, 3D printing, (film) camera's, editing software,
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  • In his book »Uncreative Writing: Managing Language in the Digital Age« published in 2011 Kenneth Goldsmith, poet and author, presents the co ...by authors, says Goldsmith, are the possibilities and circumstances of the digital world that provides us with a lot of tools allowing us to create, edit and
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  • ...ed as well. The observers were able to understand the totality of a cubism art works, which leads to the statement the medium is the message. Before this In his book »Uncreative Writing: Managing Language in the Digital Age« published in 2011 Kenneth Goldsmith, poet and author, presents the co
    48 KB (7,747 words) - 15:33, 24 January 2018
  • ....wikipedia.org/wiki/Vera_Moln%C3%A1r Vera Molnár], women in early computer art (since 1940s) + [https://monoskop.org/Vera_Moln%C3%A1r Monoskop page] ...://issuu.com/ghoi4wt5yhwli8/docs/300dpippp Pseudoplotter], an experimental art-zine about free non objective drawing in the spirit of Paul Klee's 'Pedagog
    27 KB (4,054 words) - 18:28, 2 May 2024
  • ...ifferent familiar forms- ex. short film with an actor (maybe me), montage, digital collage and be presented through different physical forms (mobile phone, CR ...and practice. On one side, collecting and reading relative literature and art works (both past and present) surrounding the topic, studying it, and attem
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  • ...isa Teichmann & Victor Evink, as part of the Hamburger Community of Live & Art trajectory of Roodkapje, with performances by Queer Arcana. Character building based on the players digital possession.
    15 KB (2,164 words) - 00:50, 24 November 2021
  • ...xpected result of Basinski's attempt to transfer his earlier recordings to digital format." ...20 seconds looped sample of the track called Beat Box (Diversion One) from Art of Noise (1984) that I recorded some years ago and more recently transform
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  • ...es, serving from new digital formats to the former print. In the sphere of digital media I will principally refer to computer code recognizing its major role ...uhaus interdisciplinary approach, and the acknowledgement of a new unit of art and technology; the International Typographic style, driven by functionalis
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  • ...e opportunity to interact with a server through a terminal interface, make digital food and sample our chickpea curry. Please don't hesitate to ask abut the C Do you have a key? If so, what's the password? Do you want to see some random art? What will you do once you are in the space? you're standing in at the pre
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  • Working On and With Eigensinn, Media | Art | Education[1] ...ent art media in the 20th century it proposes that a forward-looking media art education in pace with the times could rest on three pillars:
    52 KB (8,295 words) - 17:31, 13 February 2013
  • ..., and I was just using him as a nude figure, which has a long tradition in art, and has nothing to do with pornography.”'' 

For my graduation project I made an installation and photo book dummy with digital and analogue photo’s, incorporating self-portrait collages together with
    19 KB (3,118 words) - 16:37, 24 November 2017
  • ...material, semiotic, affective/existential - with particular regard to the digital realm - but not exclusively, of the theory and practice of image-making, an ...o, the flash as the fundament of every experience of moving images, and of digital screens too.''
    75 KB (13,063 words) - 11:23, 18 January 2024
  • ...peatedly invited ourselves to book launches, exhibition openings and other art fairs taking place in the city, offering guests our reinterpretation of an ...on" program at the Palais de Tokyo), and in turn present these as works of art.”
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  • ...with Makino in Worm --> making analogue film by hand and convert and edit digital to generate a 3D - effect in layers Research on my position to Art-History (thesis)
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  • ...on images and screens, their materiality - as physical/analog and virtual/digital objects, and the related quest to find meaning and stand in between these, ...es and fast flickers, windows, curtains, screens, empty/lost eyes, pixels, digital noise, black and white blank frames [tbc...]''
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  • * scan to make digital * how can you make conceptual art? medium is the idea itself
    34 KB (5,531 words) - 10:08, 6 July 2017
  • ...ten laughed at if he said it. He writes poetry and likes to participate in art projects, so he allowed this film to be screened at Eye. I showed their fac ...aspects of (in)justice, how to invite change, freedom. I am interested in art as a form of change, but also as a space that embraces diversity and provid
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  • ...For my graduation project I made an installation and photo book dummy with digital and analogue photo’s, incorporating self-portrait collages together with Shimizu, M. (2005), Wolfgang Tillmans: The Art of Equivalence (from the book, Wolfgang Tillmans truth study center), Tasch
    11 KB (1,839 words) - 14:16, 9 November 2017
  • ...ng the script, I then altered the static visual-nature of the film through digital zooms and editing to stretch the fabric of the long-take shot in providing * Zen and the Art of Street Cinema [https://www.youtube.com/watch?v=QJO5vZ3Ab8g (Film, extern
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  • ...on images and screens, their materiality - as physical/analog and virtual/digital objects, and the related quest to find meaning and stand in between these, ...es and fast flickers, windows, curtains, screens, empty/lost eyes, pixels, digital noise, black and white blank frames [tbc...]''
    63 KB (10,221 words) - 21:33, 4 April 2024
  • ...pitalism». Her thesis argues that, by appropriating our personal data, the digital giants are manipulating us and modifying our behavior, attacking our free w * OMAR KHOLEIF, Goodbye, World! — Looking at Art in the digital Age (2018)
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  • *[http://www.c3.hu/collection/form/ form art] by Alexei Shulgin https://www.artnews.com/art-news/product-recommendations/best-underglaze-drawing-tools-1234587176/
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  • ...banks of our culture. But the same memory also stores all of pre-modernist art as well as the genres, codes, and image worlds of popular cultures and mode .... In the realm of still images, things were not much better: for instance, digital still store ''Paintbox'' released by Quantel in 1990 could hold only 500 br
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  • ...rds. I am fond of the series of readers called ''Documents of Contemporary Art,'' published by Whitechapel (London) and MIT Press (Boston). I have leafed ...t realms I knew little about. ''The Cinematic'' (Documents of Contemporary Art) has introduced me to photography and film theories. I like this volume bec
    25 KB (3,902 words) - 18:21, 9 July 2019
  • <span style="color:#800080">** How even an educational institution/a fine art school can reflect a government’s /state’s rules on migration policies, a counter-archive (digital, material, both?) or a collection of fragmented knowledge that I '''place t
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  • ...er 5: Henrik Olessen (and his Warburgian research in gay representation in art)<br><br> ...enerally speaking about LGBT representation in cinema and by examining the art of Wolfgang Tillmans and Henrik Olesen. Where the former…. The latter….
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  • ...and the system they create, to start a social dialogue about media and the digital age. I try to create an unexpected perspective to these subjects, to get a ...rsonal written narratives will be translated in a visual, physical work of art, with the medium that speaks the most.
    37 KB (6,505 words) - 17:28, 29 February 2016
  • ..., and I was just using him as a nude figure, which has a long tradition in art, and has nothing to do with pornography. 
I filmed The Love that Whirls o ...For my graduation project I made an installation and photo book dummy with digital and analogue photo’s, incorporating self-portrait collages together with
    19 KB (3,192 words) - 23:21, 11 November 2017
  • ...xts (for example: relevant theories, ideas, historical and/or contemporary art and design practices) ...mple by writing about relevant theories, ideas, historical or contemporary art and design practices)
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  • -distance from digital world& concept of time ...confronted with the symbolisms of the creatures represented in renaissance art.
    12 KB (1,900 words) - 10:10, 5 October 2023
  • ...a little far from the context we are situated now but, for example, decent digital labor accreditation is not offered and remained in shadows for jobs such as Ronny: And psychology and art, religion sometimes.
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  • I will look for related found footage from TV and Digital archives. ...— <code style="background-color:lightyellow">confirmarían que la expresión artística se anticipa con frecuencia a lo que el discurso y la historia aún n
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  • ...duction, display, and distribution. A more functional relationship between art and the everyday is urgently needed, through which artists can act as inter ...e. It is the time when also some collectives and groups began to discharge art-making and creative thinking from institutions, considered unable to questi
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  • ...neweg (Rotterdam, 1998) a visual artist who balances journalism and visual art. She uses investigative, journalistic elements and combines these elements Suburban melancholic, digital nihilist, full-time flâneur. Mostly makes images move, writes in fragments
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  • ...983, 1985) and the gestural dynamic between material and conceptual in the art practices of Aïm Deüelle Lüski (1993, 2010) and Chris McCaw (2006, 2014) ...es, she moved to Rotterdam where she graduated as a Master of Arts in Fine Art and Design: Lens-Based Media at Piet Zwart Institute in Rotterdam
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  • This allow us to experience a different digital urbanism, you can't ''infinite scroll'' anywhere around Habitat. ...re defined by a need of accessability and empowerment. Not knowing how our digital extensions work make the relationship with this technology very poor.
    54 KB (8,983 words) - 19:43, 9 May 2022
  • ...ong working history in relationship to the use of computers for design and art practice. He is the author of the world first computer generated comic, bac ...looking how civil society and I guess initiatives from electronic culture digital media can mesh with those. OSSL is an advocacy organization that I think is
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  • enter the lives of two friends who devote their lives to art. Each in their own way they struggle with mortality and the meaning of lega ...story on the day I first met him, while we’re having lunch to wait for the digital copy of a Dubbel 8 film roll I found on the flea market. I didn’t plan to
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  • ...eorization of art, which in turn contributed to the (re)production of more art from the past that conformed to these ideals, i ...tion of the entire body (holon sōma) that the statue which was produced by art seemed to be a living being (empsukhon zōon) (4.76.2).79
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  • Imagine a big pile of shiny plastic boxes located in the art book store Page Not Found. Each box has a different appealing color and you ...youtube influencer) that become very obvisous in the unusual setting of an art book store.
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  • The following chapter is a collection of texts of an on-line conversation in digital communities the work of art as an object or text is based on temporary collective distributed processes
    15 KB (2,280 words) - 10:43, 27 September 2018
  • ...6 of SI23 is "live-to-tape" its about ability of recording sound (analog, digital), ... (maybe HPSCHD)... Radio Art
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  • - stories - text adventure games (how to put digital things in a box? maybe if PNF is the box) Small art and love and beauty their trudging spirits knew
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  • Transcription of the Seminar 'Digital Work' ...rk as we try to educate ourselves and move into this realm of work between art, design and culture. But, I won’t get into too much of that.
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  • EXHIBITION, MUSEUM OF MODERN ART OF THE CITY OF PARIS, PARIS, FRANCE, UNTIL 31 JANUARY 2016. ...go to the Louvre and take their photo in front of the 'Mona Lisa', so the art experience is distributed through a network and my work is explicitly deali
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  • ...nts for the final examination for the degree of the Master of Arts in Fine Art & Design: Experimental Publishing.<br> ...ow to reasonably limit the use of technology are critical for a successful digital revolution." (Bellis & al., 2020) <br>
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  • '''The Digital Universal Library and the myth of chaos''' ...say, Sanne Koevoets offers the FRAGEN database as an example of a feminist digital library which, through transparent processes and inclusive interfaces, is q
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  • <i>"Digital media researchers are starting to see that digital media, part of a family of approaches called “platform studies.”
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  • ...that is just there, simply and inertly. If vision is stable, then to make art dynamic you have to add movement. ''But if vision is already dynamic, the q ...ive, here and now, but having been many elsewheres and with times to come. Art brings that vitality affect to the fore. ( >>> dynamic unfolding)
    100 KB (15,643 words) - 22:30, 7 February 2016
  • ...pitalism». Her thesis argues that, by appropriating our personal data, the digital giants are manipulating us and modifying our behavior, attacking our free w * OMAR KHOLEIF, Goodbye, World! — Looking at Art in the digital Age (2018)
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  • 2020, single-channel video, 4k, Super 16mm transferred to digital, color, 5.1 surround sound = Art Amsterdam x IDFA 2019 (program at the EYE)=
    39 KB (6,709 words) - 13:36, 21 July 2020
  • ...r day. About this specific experiment, you can read more in a "Vice"<ref>A digital media and broadcasting company. Original reporting and documentaries on eve that’s already art<br />
    19 KB (3,200 words) - 20:14, 31 May 2018
  • ...discussed. Such contextualisation, in turn, suggests ways of developing digital media with an awareness of its social ramifications ...performed, and the balance of power and control."<ref>Brenda Laurel, ''The Art of Human Computer Interface Design'', Addison Wesley, Reading, 1990, p.xii
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  • ''Last September, during a media art festival in Amsterdam, my sister put on VR glasses for the first time. Ther Subtle methods of herding people's movement is also happens in the digital realm. This prediction of behaviour from an outsider perspective used to in
    44 KB (7,322 words) - 16:47, 7 April 2022
  • ...the course to get "hands on" experience with the substance of software and digital media. == Use open clip art and a loop to make a book of patterns ==
    37 KB (4,785 words) - 13:51, 17 December 2013
  • ...and played multiple roles<sup>4</sup>. We then switched to Neo-Benshi, an art-form where the artist speaks live alternate voice-overs for movies. More to ...and played multiple roles<sup>4</sup>. We then switched to Neo-Benshi, an art-form where the artist speaks live alternate voice-overs for movies. We will
    32 KB (5,157 words) - 15:52, 25 June 2016
  • G: this morning the text a lot about materiality ''(Johanna Drucker)''. Digital platforms as materials? plain text she sees as performative acts, not as fi Johanna Drucker’s performative materiality exposed in DHQ: Digital Humanities Quarterly Vol.7 is something that resonates immensely with worki
    74 KB (12,082 words) - 12:13, 4 December 2022
  • ...jokes, go crazy. Wait, are we working on the same thing? But everything in digital format, by using programming language. Ah, yes. And the cool part is it’s ...om/software/taag/#p=display&f=Graffiti&t=Type%20Something%20 (Online ASCII Art lettering)
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  • Why: Digital images have a way of virally proliferating media. Like a horse urged on to do battle, do thou who art allknowing rush from
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  • Using prose, music, actors, 3D modelling, video and digital interaction software, ''Will You Meet Me Here (Part II)'' invites audiences ...e on the script. Then shooting/creating, this will consist of live action, digital animating and potentially coding. Lastly, the editing period - which will a
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  • * About the materiality of digital audio: samples, sampling rate, sample width, format, channels... See [[Soun * [http://www.ubu.com/sound/ sound art on ubu]
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  • 1995 -> Infographie devient «Net Art» p.59<br> ...tes ivsuels dans notre culture: mode et publicité, supérmachés et objets d’art, programme de télé et bannières publicitiaires, bureaux et clubs techno.
    34 KB (5,858 words) - 11:26, 22 September 2020
  • Painting is an art of translation whereas photography is an art of quotation, as Berger puts it. Painting and photography might resemble ea ...wildly - only lends credence to the fact that the interaction between the art object and the spectator is, essentially, performative = and therefore, res
    111 KB (17,635 words) - 15:41, 8 March 2020
  • ...e open a window onthe larger connections that unite literature as a verbal art to its mate-rial forms. To name such works, I propose “technotexts, ==== Digital Esoterism or to be a witch in the age of surveillance capitalism ====
    61 KB (9,412 words) - 17:19, 11 April 2023
  • ...nd become part of something larger - a transnational communication through art. (Hediger 2013) I intend to read some of these literature to connect such " ...is career, as well as Guerin in his ''Guest'' (2011), a film shot with his digital camera over the course of almost two years..." (44) '''Reacting is a synony
    59 KB (9,802 words) - 16:14, 24 July 2020
  • ...there is something that is fundamentally different about the contemporary digital scenario which marks it in a very different vein from the previous disputes ...es(R) Indian princess peeks out from amidst the clutter. Nearby, expensive art deco and fifties collectibles are represented by dozens of gleaming chrome
    165 KB (27,639 words) - 22:55, 19 September 2018
  • ...or bric-a-brac, first used in the Victorian era, refers to lesser objets d'art forming collections of curios, such as elaborately decorated teacups and sm ...such "household ornaments": bric-à-brac, bibelots (trinkets) and objets d'art.
    109 KB (16,847 words) - 14:25, 24 March 2022
  • ...nutes this morning, our session today Freestyle, using FLOSS in design and art will be introduced by Calum Selkirk here to my right. ...that is feasible to do this for free and try to relate that to design and art and various cultural production as (it were). And finally I'll describe som
    107 KB (18,840 words) - 16:30, 13 February 2013
  • ** Jennie Goldstein - "Moving Bodies, Moving Things: Convergences of Art and Dance, 1960–1975" * Translating one type of content to another (python!) analog to digital
    35 KB (5,234 words) - 17:49, 8 September 2017
  • ...contracted jobs and also the relationship between this phenomenon and the digital mediated entrepreneurialism. ...ablishes the relationships among the development of the “gig-economy“, the digital context that this one lies in and the effect that both have on the rise of
    276 KB (44,274 words) - 17:55, 15 October 2018
  • ...n the acts of making things public and creating publics in the age of post-digital networks. More at xpub.nl ...ge in self-reflection and introspection. As such, it may contribute to any art publication exploring the human experience.
    977 KB (129,735 words) - 13:51, 3 April 2023