Lotte - Draft proposal

NEW DRAFT PROJECT PROPOSAL

Introduction:
Everything around the sexual act itself.

Works 

Digital rendering of spaces.

  First by doing experiments with the digital rendering and appearance of these spaces in the online world. By doing a close reading and zooming in on certain unique aspects of it like the ‘themes’ of rooms and the wallpaper that comes with it.

Corporeal spaces.

  I will try and visit different web-cam studio’s, mostly in Eastern-Europe, to document these spaces and as research for my short film. Here I will focus on what is not seen through the digital lense. Where do we find this empty spaces, neither meant for the offline and online reality.

Short film

This will be a short film based on online conversations and events. These will be the inspiration of the short narrative. The film will explore the liminality of webcam-sex by translating it into a corporeal space.

Project Proposal Second Draft

1. Introduction

For my graduation work I would like to make a show film dealing with the digital meeting space and the corporeal space relating to online intimate and sexual encounters and relationships. I have particular interest in how we view and shape sexuality and experience intimacy within this liminal, digital space. How does this mediated form of bodily representation influence us and what do the spaces they are set in tell us? What forms of relationships emerge from these settings?

My goal is to make a movie that compares or aligns the digital liminal space to the corporeal one and investigate the relationships whit in this context. I will start with different experiments, and work from there.

 “The internet is a natural environment for liminality and ekstasis, a place where self and society must be made to exist in a process where both are translated into the convention of the medium.” (Waskul 2005) 

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2. Background

My interested in these subjects started with webcam sites like chaturbate.com and myfreecams.com. These are websites where webcam-models earn money by performing (sexual) acts. Visitor’s can tip them in ‘tokens’, which are converted to dollars. In my research and work, I mainly focus on cis female performers and cis male spectators and moderators. Moderators are people that keep a chatroom ‘clean’, it’s a form of free labor, in return for private shows and/or ‘friendships’ with the performers. I emphasize the word friendship here because it is seen as a transactional medium.

During my research, I came across performers that work from home (e.g. their own bedroom, living room, etc.) and performers that work for and from webcam studios. Cam studios are company’s that hire webcam models to work for them. They provide a safe environment and ‘sets’, colorful rooms set up with lighting, a webcam, a keyboard and a mouse, a screen and a high-speed internet connection, from where the cam models can work. Sometimes these companies also provide hairdressers and make-up artist. Most of these companies are situated in Bulgaria, Romania and Russia.

The rooms that are created within these studios really intrigue me. A lot of rooms have names like ‘Los Angeles’, ’Hollywood’ and other names referring to the western world which probably sounds attractive to work in. The rooms are filled with kitsch and cliché ideas of what richdom looks like. They are in themselves liminal spaces, almost like you step into a virtual reality box. A room created just to exist in an online digital setting, for the spectator, not one to be experienced offline or unconnected. Sometimes they are even provided with a green screen.

At the same time these spaces are corporeal, they hide things in the corners that the webcam can’t reach, sometimes they even hide an ‘operator’; a person, often a guy, present in the corner of the room talking as if they were the webcam model. They also translate requests to the models and moderate the chatrooms.

This phenomena of moderators and the online community existing on these websites is another aspect of my project. For example, moderators that work within these webcam-studios have a total different relationship with the models than the moderators ‘working’ for girls that work from home. These different forms of relationships, ones that can only exist online, are also a big interest to me. What narratives are attached to these relationships? When does a viewer become a (paying) ’friend’?

For me it is important to approach subjects like online sex and the obsession that we have with it, without moral judgments. Personally, I feel like part of the attraction and obsession we have with online pornography is because it is at the same time deplorable. This duality has always existed in sexuality (dominance vs submissiveness) and is enlarged within a liminal space.

In this work my different fascinations and interest come together; sexuality, ownership of body, identity, online communities, privacy but also obsession and lust within this digital framework.

3. Project

The start of my project will be visiting these spaces in person. Right now they just exist online for me. I want to physically be present in those spaces, experience them in another sense. I’d like to document them on film and photo.

At the same time I want to start interviewing and talking to webcam performers, moderators and viewers.

The questions that I want to research within this project are ;

What do these spaces say without the digital translation and context of a website? Can we extract a different meaning from these corporeal spaces, that are liminal in itself? How do sexual encounters within digital space, being a liminal one, create forms of desire and intimacy?

For my graduation work I look at and draw parallels between the online space and the physical.

With the interviews I’m looking to create narratives that shape and explore our sexuality and intimacy in a way that only a digital space facilities. Engaging in online sex asks for us evoking a body (Waskul 2005). This is done through webcam images but also through typed words and other forms fantasy. How do we shape and form lust and desire within this liminal space?

Next to the research and experiments I am thinking of re-enacting an online space and chat-conversation on film. In this way I will make the digital space a corporeal one. Exposing the differences between these spaces. How do these online digital spaces translate to a corporeal one? This could be in the form of an adaption of the phone-scene in the film Paris, Texas (1984) by Wim Wenders. [TO INSERT PHOTOS Paris, Texas, 1984  ]

In this particular scene the two main characters, Travis (Harry Dean Stanton) and Jane (Natassja Kinski) meet for the first time in four years, through a one-way mirror of a peepshow booth she now works. This peepshow-booth for me is offline translation (or a predecessor) of what websites like chaturbate.com are. But these modern peepshows contain extra elements, things only existing in the online. The division is not only in the interface, it’s also in the way the online culture creeps into conversations. I want to take these symbols and interfaces and translate them also into the corporeal.

4. Experiments

First experiment

This experiment was inspired by a research article I read about liminality and how it helps in understanding the internet. I was curious how physical liminal space and the internet relate to each other. How does one define the other? What does an interface do to a space? How do online communities translate in connection to an offline & physical liminal space and vice versa.

I researched the different locations of where street prostitution was taking place in Holland, legal as well as illegal (Legal spots are called Tippelzones in dutch) and placed them inside a cam website interface. It’s also interesting to see what a chat does to a place like that. These offline and online liminal spaces communicate together.

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Second Experiment

I came across the website of this particular webcams studio which offers a 360 tour through the webcam studio. The rooms looked so different from online. After doing a lot of research for my previous project BRB, which meant spending a lot of time on chaturbate.com, I started recognizing these rooms. Online I went looking for the people performing from these rooms and recording their video, audio and chat. In a video I superimposed these images to search for a new tactility.

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Third Experiment

This walkthrough from the studio did not only include the webcam rooms but also the hallways, bathrooms, smoking rooms etcetera. I started creating a close reading of these spaces. (in progress)

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5. How do you plan to make it?

During the coming months I will write a script alongside my research for my thesis. This script will partly derive from interviews with performers, viewers and moderators through digital platforms like chaturbate.com. At the same time one of my first experiments is visiting the webcam companies the performers work from and documenting the offline liminal spaces.

Another part of my plan is to visit the houses / spaces of the spectators and moderators, from where do they ‘gaze’? How do these spaces relate to the digital ones?

I might use these interviews on screen and in audio, as part of the film, but could also interpret them and use them in a more fictional setting. At the same time I will use these conversations to further explore my personal voice and interests within these subjects.

All this material I will use as a starting point towards (or part of) my graduation work.

My background is in filmmaking. In my practice as a filmmaker I always tried to create films that reflect upon a certain subject without it becoming pamphletistic. Everyone already walks around with their own idea’s and opinions, as a filmmaker I want to give them the possibility to view things from a different (or closer) perspective. This room for the viewer to reflect upon is very important to me. At the same time I don’t want my work to be vague. I hope that when people see my work it’s clear to them what questions resonate through the work. Inmates standing in their cells, Prison Presido Modelo, Cuba, 1926

6. What is your timetable?

T.B.A.

7. Who can help you and how?

Productional I have a big network in film, so I have people to help and work with me on this project (hopefully). The plan I have right now is going to one of these webcam-sets. I would like to take a cinematographer with me to help me capture and document these spaces. Also I might need a translator.

Theoretically I hope to talk to some researchers, online sex workers, journalists and research into online intimacy, the online gaze and embodiment through webcam based practices.

8. Relation to previous practice 

The digital space as a place for sexual has been a subject of my work for the past years. Identity and sexuality are the major subjects in my work. More specifically I am interested in the way we view and shape our sexual identity through mediated forms of bodily representation. Often my method of working involves investigating what reveals or remains when you put pornographic or sexual content and references in another context.

In my work I try to create a space where people can reflect their own idea’s and opinions. Although theoretic research informs my work, it’s very important to me that my work communicates on its own, without people having to have a knowledgable background Still from my work BRB (2018) concerning the subjects.

One of my recent video works is BRB (2018). BRB is a poetic observation of online sex webcams where the absence of sexual acts is the focus of the work. In the form of subtitles we follow several online community chats, users talking amongst other users. In video images we see empty rooms, a poetic reflection of what is not there. The recordings are made when the girls are gone, just before they come back or go online. The chat that occurs when the girls are gone sometimes create funny situations where others have a darker context.

For a workshop I did led by artist Shimon Attie I came up with the idea of working with a website that I’ve know for a while now. It’s a dutch review site where you can review sex-workers. This research resulted in the work On Holiday (2018). Me and Salvador Miranda worked together on this project.

The reviews fascinated me because of the explicitness and the harshness (the extremeness, the shock), but also what also interested me was the fact that people would actually advise each other on sex-workers. We took these reviews as a starting point for the work and came across the term ‘holiday’ a lot. Most of the sex-workers in Holland are not originally Dutch and come here under false pretences. It’s a thing amongst these reviewers or ‘clientele’ to keep track of where the (mostly) girls are (i.e. if they moved windows/city’s, etc). They use the term holiday a lot to describe the sex-workers mostly going back home for a while to visit their family’s. The reviewers sugar-coating the sex but also the visit back home was something that stood out.

8. Relation to a larger context

-> Artist -> Jon Rafman and Ed Atkins relating to digital / physical and the meaning. Jon Rafman relates to online space as a liminal one. Ed Atkins makes hyperreal animations within a context of digital meaning and symbolism.
Paris / Texas scene

I think a strong example of an artist that works deals with sexual encounters online is Frances Stark. I’ve seen one of her works, Observate, Legette con me (2012), in the KW institute of Art in Berlin. I didn’t think about it until a month ago, when I was thinking of transcribing webcam chats. In a work I’ve seen of her online, My Best Thing (2012), she put’s her personal social encounters on sex-cam sites into animation. By taking away the explicitness of the sexual contact it’s possible for the viewer to distill a different meaning.

-> RATE ME - FYZAL BOULIFA (2015)

-> Dragon Fly Eyes by Xu Bing

-> panopticon

-> documentary CLICK ME

9. References

https://hyperallergic.com/136032/the-unbearable-lightness-of-frances-stark/

Frances Stark - My Best Thing (2012) & Observate, Leggete con me (2012)

Waskul - ekstasis and the internet

Michele White - The_Body_and_the_Screen

The Naked Self: Being a Body in Televideo Cybersex - Dennis D. Waskul Now the Orgy Is Over - Dennis D. Waskul 