== Trimester 3 2012==
* [[Prototyping NM 2011-2012 T2]]
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==Trimester projects 2012/2013==
category = 2012/2013
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==2012/2013==
* [[Prototyping|Prototyping 2012/2013]]
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#REDIRECT [[Prototyping 2011-2012]]
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#REDIRECT [[Prototyping NM 2011-2012]]
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=2012/2013=
*[[User:Jonas Lund/gradprop2012 | Grad Prop 2012]]
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[[Category: 2011/2012]]
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1. Ryder Ripps, Val Kilmer Art, 2012 <br>
2. Ryder Ripps, Git Poetry, 2011 <br>
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* LIQUID MODERNITY - Zygmunt BAUMAN, Polity press, 2012 (First published in 2000)
* IDENTITEIT - Paul VERHAEGHE, 2012
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Petra Milički, Trimester 3, 2012
Since March 2012 I've been collecting and photocopying papers tossed in the recycling bin at
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====2012/2013====
*[[An encyclopedia of media objects. |Trimester 2,2012/2013, An encyclopedia of media objects. ]]
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Janis Klimanovs, Trimester 1, 2011.
[[Category: 2011/2012]]
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[[image:Screen shot 2012-01-30 at 11.33.30 AM.png]]
[[image:Screen shot 2012-01-11 at 1.16.47 AM.png]]
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...te Research Seminar documentation here => [[Graduate Research Seminar 2011/2012]]<br/>
...r documentation here => [[Reading,_Writing_%26_Research_Methodologies_2011/2012]]
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* [[User:Mirjam Dissel/JSON audioscrobbler | JSON audioscrobbler (feb 15 2011)]]
...er:Mirjam_Dissel/Mirjam_Dissel,_In_My_Mind%27s_Eye,_2012|In My Mind's Eye, 2012 (Graduation Projects page)]] [[File:Gif-new.gif]]
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* ''Montchoisi'', 2011: from forest to the element of water/ its different states/ from frozen tow
...[[File:NHametnerMontchoisi02.jpg| frame | Nicole Hametner, ''Montchoisi'', 2011]]</td>
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Carr, N (2011) The Shallows, WW Norton & Company, New York
Goldsmith K. (2011, Columbia University Press, New York) Uncreative Writing: Managing Language
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*<font color="hotblue">[[Janis Klimanovs Trimester 3 2012]]
*<font color="hotblue">[[Janis Klimanovs Trimester 2 2012]]
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Dennis van Vreden, Trimester 2, 2012
[[Category: 2011/2012]]
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# The 'why women don't edit wikipedia' debate http://suegardner.org/2011/02/19/nine-reasons-why-women-dont-edit-wikipedia-in-their-own-words/
* Ludovico, Alessandro (2012) Post Digital Print: The Mutation of Publishing since 1894 (Eindhoven: Onop
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* Enigmax (2012) Rights Group Demands Cash So Libraries Can Read Books To Kids (March 14),
* Egnigmax (2012) ISPs To Begin Punishing BitTorrent Pirates This Summer, Torrentfreak.com,
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| 2011 |
| 2012 |
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...monoskop.org/symposium Event: Unlimited Editions], TENT Rotterdam, July 5, 2012.
Bitcoin mining rig exhibited as a readymade in July 2011.
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Marie Wocher, Trimester 3, 2012.
...e age of the internet" (1995) and the recently published "Alone Together" (2011).
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director: Susanne Kennedy, Het Nationale Toneel 2011, foto: © Deen van Meer
director: Jaap Spijkers, Het Nationale Toneel 2011
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[[Category: Graduation Projects|Loes van Dorp, Framed Memory, 2012]]
[[Category: 2011/2012]]
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* FARR, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
...Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704
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...rsen & Søren Bro Pold.(ed.)Interface criticism: Aesthetics Beyond Buttons, 2011]]
...eory, a Flood| James Gleick.The Information: A History, a Theory, a Flood, 2011]]
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| Henk-Jelle || MacbookPro 2011 || - || - || OSX || ProTools, Ableton, Logic, CS Suite 6, Max MSP, After Ef
| Artyom || MacBookPro 2011 || i7 || ? || OS X.10.6.8 || ... || -
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Trimester 2, 2012.
Installation views of The Dissolute Image at Creative Now! at WORM, 30 June 2012:<br />
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* ''Montchoisi'', 2011: photographs of a swimmingpool/ different seasons/ the element of water and
...[[File:NHametnerMontchoisi01.jpg| frame | Nicole Hametner, ''Montchoisi'', 2011]]</td>
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2. Temporary Stedeljik (7), 2012<br>
5. Ryder Ripps, Val Kilmer Art, 2012<br>
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Trimester 2, 2012
[[Category: 2011/2012]]
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''the assumptions that you want to '''confirm''''' (Fuller, 2012 - 100)
...st be '''comprehensible''' in that it helps to explain the data.'' (Witter 2011, p.387)
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SNOOZE, Trimester 2, 2012
[[Category: 2011/2012]]
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Inge Hoonte, printed matter, 2012
[[Category: 2011/2012]]
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* BAUMAN, Z. (2012). ''[[Ugo/liquidmodernity|Liquid Modernity]]''. Polity Press. (in Progress)
* MENKMAN, R. (2011). The Glitch Momentum. Network Notebooks. (in Progress)
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Javier Lloret, Trimester 3 2012
[[Category: 2011/2012]]
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* [[User:Eleanorg/annotation/Post Digital Print | Ludovico, Alessandro (2012)]] Post Digital Print: The Mutation of Publishing since 1894 (Eindhoven: On
* Ludovido, Alessandro (2012) Interview de Alessandro Ludovico (Neural.it) [online]. Accessed 17 Jan 201
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Dusan Barok, Graduation Project, Trimester 6, 2012.
The symposium in TENT on July 5, 2012 is an occasion for a public launch of the Monoskop Library and a discussion
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Trimester 3, 2012
[[Category: 2011/2012]]
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...ted artists for the Samsung Art Prize 2012. Recent awards include Current (2011) and Vital Spark (2005). Having both studied at Duncan of Jordanstone Colle
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'''Master Media Design and Communication: Networked 2011/2012'''
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Piet Zwart Institute, Willem de Kooning Academy, 2012
[[Category: 2011/2012]]
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Marie Wocher, Trimester 2, 2012.
...on the day she died and the day, I run the script, that was 29th of march 2012 (ideally it would be the current day). The amount of edits varies strongly
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Janis Klimanovs, Trimester 3 2012
[[Category: 2011/2012]]
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Bartholomäus Traubeck, Trimester 3, 2012.
[[Category: 2011/2012]]
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Trimester 2, 2012
[[Category: 2011/2012]]
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[[Media:quinten swagerman final thesis 2012.pdf | Thesis PDF]] / [[Media:thesiscope.gif | Phenakistoscope GIF]]
[[Category: 2011/2012]]
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Piet Zwart Institute, Willem de Kooning Academy, 2012
[http://vimeo.com/40957714 Test footage, 24/04/2012 PZI Rotterdam]
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Dennis van Vreden, Trimester 1, 2011.
[[Category: 2011/2012]]
3 KB (427 words) - 14:58, 24 September 2012
[[Reading, Writing & Research Methodologies 2012/2013]]
[[Reading, Writing & Research Methodologies 2011/2012]]
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...offrey Farmer (2012) Laves of grass http://www.guardian.co.uk/artanddesign/2012/jun/11/documenta-13-review
==Dec 2012==
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= Self Directed proj SNOOZE, Trimester 2, 2012 =
http://celluloidremix.openbeelden.nl/ [4th of May, 2012]
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* Allen, Gwen. Artists’ Magazines: An Alternative Space for Art, 2011.
* Goriunova, Olga, Art Platforms and Cultural Production on the Internet, 2012.
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...Mroué: A BAK Critical Reader Series in Artists' Practice, BAK Publishing, 2012<br>
...reakthroughs in Faith, World Policy Journal, Vol. 28, No. 4 (Winter 2011 / 2012), pp. 7-13<br>
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2012 - 2014 ( expected) PIET ZWART INSTITUTE (WDKA), Rotterdam, Netherl
2011 - with like-minded friends started www.weareasma.com - a small visual col
2 KB (332 words) - 14:36, 27 November 2013
Colored shadows, Trimester 1, 2012.
[[Category: 2011/2012]]
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[[Category: 2011/2012]]
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Double Projection , Trimester 2, 2012.
[[Category: 2011/2012]]
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...ish Electronic Music and creator of handwrought, drawn sound. Vocal Flame (2012) is a sound sculpture made using a Ruben's Tube, an acoustic device that vi
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Petra Milički, Trimester 2, 2012
[[Category: 2011/2012]]
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Petra Milički, Trimester 2, 2012
[[Category: 2011/2012]]
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Trimester 2, 2012.
[[Category: 2011/2012]]
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...the surface of the palimpsest <ref> Teju Cole - The city as a palimpsest (2012, November 18). Harvard GSD. https://www.youtube.com/watchv=AOq2HWveVok&fbcl
...and stone blocks of various heights and sizes” <ref>Teju Cole - Open City (2011), p.150</ref></center></I>
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Sebastian Cimpean, Graduation Project: [re]describe, 2012.
[[Category: 2011/2012]]
3 KB (478 words) - 15:31, 24 September 2012
...eory, a Flood| James Gleick.The Information: A History, a Theory, a Flood, 2011]]
...Tim.Google+ Identity Crisis: What’s at Stake With Real Names and Privacy, 2011]]
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Bartholomäus Traubeck, Trimester 2, 2012.
...les of the Top 50 movies of the ‘Top-US-Grossing Feature Films Released In 2011‘ list on IMDB. These subtitle files were then skimmed for word occurence.
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== Summary of e-publishing status quo 2012 ==
...ww.huffingtonpost.com/2011/05/19/amazon-ebook-sales-surpas_n_864387.html 5-2011: Amazon sells more e-books than printed books]
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...ex Danchev: 100 Artists' Manifestos - From the Futurists to the Stuckists (2011)
* Martin Barnes: Shadow Catchers: Camera-less Photography (2012)
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...tp://pzwart3.wdka.hro.nl/~lrochon/tmp/2012_03_BEST_PRACTICES_FOR_DICTATORS 2012 : Temporary thesis outline and a bit more]
*[[User:Laurier_Rochon/writing/constructed_languages | 2011 : A Brief Introduction to Constructed Languages]]
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...tp://pzwart3.wdka.hro.nl/~lrochon/tmp/2012_03_BEST_PRACTICES_FOR_DICTATORS 2012 : Temporary thesis outline and a bit more]
*[[User:Laurier_Rochon/writing/constructed_languages | 2011 : A Brief Introduction to Constructed Languages]]
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== Summary of e-publishing status quo 2012 ==
...ww.huffingtonpost.com/2011/05/19/amazon-ebook-sales-surpas_n_864387.html 5-2011: Amazon sells more e-books than printed books]
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==2012-13 : 18-9-2012==
...13 students have been moved to [[Reading, Writing & Research Methodologies 2012/2013]]
22 KB (3,006 words) - 15:30, 15 May 2017
:PROULX, A. (2012). Bird cloud. London, Fourth Estate.
:WOOD, M. (2012). Film: a very short introduction. Oxford, Oxford University Press.
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* [[User:Laura Macchini/notes/17-10-2011 | Notes on meeting with Steve 17 October]]
...cchini/notes/Graduation_Proposal_final| Graduation Proposal (as of January 2012)]]
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* BBC (2011). Report e-mail scams, national fraud authority urges. BBC News UK. http://
* Burrell, J. (2012). Invisible Users: Youth in the Internet Cafés of Urban Ghana. MIT Press,
4 KB (591 words) - 16:58, 8 July 2013
...stanbul Biennial, 2013. The Narrative Show, Eastside Projects, Birmingham, 2011.
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* [[Prototyping 2012/2013]]
* [[Prototyping 2011-2012 | Prototyping 2011/2012]]
9 KB (1,125 words) - 16:10, 21 November 2023
Amy, Mood Radar, Trimester 6, 2012.
Pizarro, D (2011) 'Everyday Apophenia.' Online article available at:
8 KB (1,088 words) - 17:18, 16 October 2012
Janis Klimanovs, Trimester 2, 2012
[[Category: 2011/2012]]
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= [ 2010-2011 ] =
= [ 2011-2012 ] =
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Lieven Van Speybroeck, Word in Process, 2012.
...: ‹ http://www.religion-research.org/irtc/martin.htm › [Accessed April 18, 2012].
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== Douglas Coupland, Pi to 500 Digits (2012) ==
...upland has more series of hand drawn QR codes: The first one introduced in 2011 with the title ''Memento Mori'' (Latin, more or less ‚remember that you h
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...l overview of the Open Design Symposium which took place in Linz, May 23rd 2012. At the festival, speakers spoke at length about the importance of communit
[[Category: 2011/2012]]
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[[File:2012-06-28 22.34.37.jpg|400px|thumb|center|machine]]<br><br>
[[File:2012-06-28 22.38.34.jpg|400px|thumb|center|associationmaking in action]]
9 KB (1,514 words) - 17:34, 24 October 2012
= FACTORY RESET THEAMTIC PROJECT w/ Florian Cramer, Trimester 3, 2012 =
[[Category: 2011/2012]]
5 KB (759 words) - 20:38, 9 January 2013
Astrid van Nimwegen | Trimester 2, 2012
[[Category: 2011/2012]]
5 KB (830 words) - 14:50, 24 September 2012
[[Category: 2011/2012]]
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Rushton is a founding member of Signal:Noise (2011-2012) an experimental cross-disciplinary research project that aimed to explore
3 KB (478 words) - 17:44, 13 September 2022
* supermarket customer behavior prediction, increasing sales & profit (Witter 2011)
* artificial insemination, increasing the chance of pregnancy (Witter 2011)
13 KB (1,813 words) - 15:41, 28 February 2016
Rushton is a founding member of Signal:Noise (2011-2012) an experimental cross-disciplinary research project that aimed to explore
4 KB (487 words) - 17:25, 12 September 2023
Trimester 3, 2012.
[[Category: 2011/2012]]
5 KB (946 words) - 14:52, 24 September 2012
Ferguson, Kirby – Everything is a Remix part 1, 2, 3, 4, 2011, video (http://www.everythingisaremix.info/)
...ce – Remix (http://www.scribd.com/doc/47089238/Remix#outer_page_62) [4 May 2012]
8 KB (1,230 words) - 20:35, 5 May 2012
...ty 'Game of Nonchalance' initiated by Jell HHull that was ran from 2008 to 2011 in San Fransisco. This game featured a story centering around the concept o
3 KB (517 words) - 12:26, 8 May 2024
...or further examples of this approach see Rape Crisis Scotland 2008, 2010 & 2011.)
...m to share common ground (in the collaborative writing project Open Sauce, 2011). Both these projects used debates about sexual politics as a "way in" to b
21 KB (3,194 words) - 19:32, 5 December 2012
...or further examples of this approach see Rape Crisis Scotland 2008, 2010 & 2011.)
...m to share common ground (in the collaborative writing project Open Sauce, 2011). Both these projects used debates about sexual politics as a "way in" to b
21 KB (3,192 words) - 23:21, 3 December 2012
For Kunstvlaai 2012 the Force of Freedom was asked to exhibit in Upominki's space during it's '
march 2011 - present
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...t quarter of 2012 (Facebook IPO Valuation Could Top $100 Billion: Sources, 2011).
* Kate Kelly, 2011, Facebook IPO Valuation Could Top $100 Billion: Sources, cnbc.com/id/433784
5 KB (869 words) - 02:33, 14 March 2012
-- Leguin, U.K (2012). A Non-Euclidean View of California as a Cold Place to Be. [Online]. Engla
-- The Critical Engineering Working Group (2011) The Critical Engineering Manifesto, [online]. Available at https://critica
4 KB (586 words) - 13:18, 16 November 2020
'''Looking Back, Moving Forward (July 6, 2012)'''
===Project & Research Outline, Sept 2011 - Jan 2012===
11 KB (1,681 words) - 13:44, 6 July 2012
[[Category: 2011/2012]]
3 KB (508 words) - 15:30, 24 September 2012
...r examples of this dominant approach see Rape Crisis Scotland 2008, 2010 & 2011.)
...m to share common ground (in the collaborative writing project Open Sauce, 2011). Both these projects used debates about sexual politics as a "way in" to b
22 KB (3,402 words) - 20:19, 8 December 2012
...m <http://www.urlesque.com/2010/09/08/books-wikipedia-iraq-war/> [10 April 2012]
...ds”' [online] available from <http://gawker.com/amine-derkaoui/> [10 April 2012]
14 KB (2,214 words) - 17:45, 1 May 2012
(from ‘networks without a cause’, 2011)
* A. Galloway: The Interface Effect, one chapter from the book (2012)
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Through my thesis, I want to explore how animacies (Chen, 2012), the agency and the living value that bodies and inanimate objects carry w
..., 2018), Animacies: biopolitics, racial mattering, and queer affect (Chen, 2012) and from references that might come up throughout my research. The two tex
13 KB (1,956 words) - 20:33, 11 December 2022
===2012/2014===
===2011/2013===
26 KB (3,404 words) - 23:32, 9 April 2024
Andre Castro, Radio Liberté Equalité Beyoncé, 2012, 2, 1
...m <http://www.urlesque.com/2010/09/08/books-wikipedia-iraq-war/> [10 April 2012]
17 KB (2,604 words) - 14:49, 24 September 2012
Danny, Radio Utopia, Trimester 6, 2012.
[[Category: 2011/2012]]
5 KB (788 words) - 18:26, 9 December 2012
...NCED Archaeology <span style="color:#0000FF"> Emerson, L. () Minitel, 1978-2012. Available at: https://loriemerson.net/2016/03/14/minitel-an-other-network/
...FERENCED network <span style="color:#0000FF"> Emerson, L. () Minitel, 1978-2012. Available at: https://loriemerson.net/2016/03/14/minitel-an-other-network/
12 KB (1,596 words) - 23:48, 25 January 2020
*Goldsmith, K. (2011) ''Uncreative Writing : Managing Language in The Digital Age''. New York: C
*Krauss, Rosalind. (2011) ''Under Blue Cup''. Cambridge: MIT Press.
5 KB (669 words) - 16:28, 9 December 2015
People often enjoy social media, [http://www.guardian.co.uk/technology/2012/mar/03/internet-privacy but they can't assess the risk tied to them very we
[[Category: 2011/2012]]
4 KB (634 words) - 15:29, 24 September 2012
*[http://www.wired.com/epicenter/2011/05/facebook-google-smear/all/1 Wired]
*[http://www.guardian.co.uk/technology/2011/may/12/facebook-smear-campaign-against-google Guardian]
5 KB (585 words) - 13:39, 19 July 2012
...te Research Seminar documentation here => [[Graduate Research Seminar 2011/2012]]<br/>
...r documentation here => [[Reading,_Writing_%26_Research_Methodologies_2011/2012]]
27 KB (3,974 words) - 13:59, 15 January 2014
* Evil Media, Matthew Fuller and Andrew Goffey, 2012.
* The Democracy of Objects, Levi Bryant, 2011.
10 KB (1,641 words) - 12:51, 2 December 2013
Andre Castro, Radio Liberté Equalité Beyoncé, 2012, 2, 1
...m <http://www.urlesque.com/2010/09/08/books-wikipedia-iraq-war/> [10 April 2012]
16 KB (2,541 words) - 15:35, 19 April 2012
[[Category: 2011/2012]]
4 KB (628 words) - 15:30, 24 September 2012
==17th of October 2011==
==19 of October 2011, in class?==
41 KB (7,023 words) - 23:53, 9 May 2012
* Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
...Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704
7 KB (1,026 words) - 17:08, 15 November 2019
...ishing, or aggregate existing content. Those I interviewed had come to the 2011 Barncamp, a week-long activist tech retreat, to work on Be The Media - one
...choed by the London Indymedia collective, who shut up shop in November (?) 2012 with the rationale that "this Indymedia project is for many reasons no long
5 KB (754 words) - 12:04, 10 March 2013
[[Category: 2011/2012]]
4 KB (702 words) - 15:30, 24 September 2012
[[Category: 2011/2012]]
4 KB (736 words) - 14:50, 24 September 2012
...nsional communication tool to a zero-dimensional array of points (Flusser, 2011).
* Flusser, V., 2011. Into the Universe of Technical Images, 1 edition. ed. Univ Of Minnesota Pr
10 KB (1,562 words) - 13:04, 16 October 2018
...al address to the crowd from a singular source is still important" (Pages, 2011). This is an intersting fact of the public space of today. Even though many
...les deriving from the rights to privacy and data protection" (Anthopoulos, 2011, p. 59).
20 KB (3,132 words) - 12:08, 13 December 2018
...d billion dollar? (Facebook IPO Valuation Could Top $100 Billion: Sources, 2011). Somehow Facebook has to be making a considerate amount of money for it to
...eeve. On the Facebook Adverts page (https://www.facebook.com/advertising/, 2011) they explain what they have to offer businesses:
12 KB (2,070 words) - 02:33, 14 March 2012
...d detours in the film / video and music sector, he returned to painting in 2011.
...in their image findings. For their work group ''Color Spins'', created in 2012, they have developed their own rotational apparatuses. The dynamic light s
8 KB (1,187 words) - 15:22, 18 May 2019
'''Dialhack, 2012'''
'''Flutter, 2011'''
5 KB (933 words) - 01:23, 16 January 2013
...phenomenon among editorial designers|link=http://www.nytimes.com/projects/2012/snow-fall/index.html#/?part=tunnel-creek]]
...ey are working on. The poster child of that approach is Snow Fall (Branch, 2012). This long read about an avalanche in Tunnel Creek was published by the Ne
13 KB (1,989 words) - 19:31, 12 February 2019
...nsional communication tool to a zero-dimensional array of points (Flusser, 2011), that is being transformed by complex algorithms.
* Flusser, V. (2011). Into the Universe of Technical Images. (N. A. Roth, Trans.) (1 edition).
11 KB (1,732 words) - 14:38, 1 November 2018
...Preliminary Materials for a Theory of the Young-Girl. Chicago: Semiotexte, 2012.'''''
...nt Image: A Ciné‐Geography. Editors’ Introduction.” Third Text, 25, no. 1 (2011): 1-12.'''''
13 KB (1,635 words) - 23:42, 1 December 2023
...ockholm Konsthall (2009) and Extra City Kunsthal, Antwerpen (2008) and the 2011 Folkestone Triennial among others.
...ng to finish his second feature (I, of whom I know nothing), filmed during 2012 and 2013 in the Montreuil office and basement that 86-year-old John Calder
4 KB (676 words) - 09:11, 27 January 2014
...nstein 3D (1992) and Doom (1993) both developed by ID Software (Wikipedia, 2012). These games set a lot of standards for ego shooters, especially in the wa
...erybody was interested in the new, self-titled "revolutionary" (Microsoft, 2012) interface and not the content of the new games that utilized it. It was al
22 KB (3,494 words) - 22:36, 3 May 2012
Bosma, J (2011). Nettitudes. On a journey through net art. Rotterdam: Nai. <br>
Hertz, G. and Parikka, J. (2012). Zombie Media: Circuit Bending Media Archaeology into an Art Method. Leona
5 KB (677 words) - 17:48, 21 November 2021
...y of the term ''new media'', we have been offered ''postinternet'' (Olson, 2011) and ''the new aesthetic'' (Bridle, 2013) among others. Regardless of which
Bishop, C (Sept 2012) Digital Divide, ARTFORUM<br>
11 KB (1,821 words) - 20:59, 29 November 2016
...y of the term ''new media'', we have been offered ''postinternet'' (Olson, 2011) and ''the new aesthetic'' (Bridle, 2013) among others. Regardless of which
Bishop, C (Sept 2012) Digital Divide, ARTFORUM<br>
11 KB (1,813 words) - 21:03, 29 November 2016
...y of the term ''new media'', we have been offered ''postinternet'' (Olson, 2011) and ''the new aesthetic'' (Bridle, 2013) among others. Regardless of which
Bishop, C (Sept 2012) Digital Divide, ARTFORUM<br>
11 KB (1,821 words) - 21:00, 29 November 2016
...</u>,No.53. Accessed 12 January 2013, http://www.ejumpcut.org/archive/jc53.2011/kleinhans-creatIndus/index.html
* [http://monoskop.org/log/?p=6724 Burrell, Jena. 2012. 'Invisible Users: Youth in the Internet Cafés of Urban Ghana'. MIT Press.
8 KB (1,273 words) - 21:38, 16 January 2013
Bosma, J (2011). Nettitudes. On a journey through net art. Rotterdam: Nai. <br>
Hertz, G. and Parikka, J. (2012). Zombie Media: Circuit Bending Media Archaeology into an Art Method. Leona
5 KB (692 words) - 14:55, 23 November 2021
The Hunt for AI (2012), Marcus Du Sautoy<br />
Hugo (2011), Martin Scorsese (based on the children's book by Brian Selznick)<br />
6 KB (976 words) - 18:40, 3 December 2012
* The Hunt for AI (2012), Marcus Du Sautoy
* Hugo (2011), Martin Scorsese (based on the children's book by Brian Selznick)
5 KB (940 words) - 15:56, 17 October 2012
'''A MAN OF MYSTERY, 2012'''
'''FLUFFY OBSESSION, 2011'''
6 KB (1,051 words) - 16:30, 14 October 2012
Trimester 2, 2012.
...les of the Top 50 movies of the ‘Top-US-Grossing Feature Films Released In 2011‘ list on IMDB. These subtitle files were then skimmed for word occurence.
9 KB (1,401 words) - 22:19, 3 May 2012
Erixon, F. and Lee-Makiyama, H. (2011) DIGITAL AUTHORITARIANISM: human rights, (5): 23.
Kirkpatrick, D. (2012) The Facebook Effect: The Real Inside Story of Mark Zuckerberg and the Worl
8 KB (1,044 words) - 18:26, 11 February 2020
By Rabih Mroue (2012)<br>
By Eric Baudelaire (2011)<br>
5 KB (845 words) - 18:36, 19 March 2018
Colour tests, Trimester 3, 2012.
[[Category: 2011/2012]]
9 KB (1,572 words) - 15:03, 24 September 2012
Trimester 2, 2012.
[[Category: 2011/2012]]
9 KB (1,521 words) - 14:58, 24 September 2012
...g intend of us - whether they or their programmers even know it"(Rushkoff, 2011, p.21).
...Traded_Too_Many_Stocks_and_Wall_Street_Crashed. Last accessed 1st December 2011.
14 KB (2,267 words) - 14:49, 24 September 2012
Cron, L. (2012). Wired for story. 1st ed. New York: Ten Speed Press, p.20.
LaBute, N. (2011). The shape of things. New York: Broadway Publishing.
7 KB (904 words) - 17:26, 25 April 2018
LIQUID MODERNITY – Zygmunt BAUMAN, Polity Press, 2012 (First ed. 2000)
Europe and migration – Massimo D'Alema statement (Le monde 2011). Europe needs 30millions newcomers in next 40 years to support the economy
5 KB (828 words) - 17:59, 19 November 2018
[[Category: 2011/2012]]
[http://mashable.com/2012/03/22/feel-your-facebook-pokes-with-this-poking-machine-video/ Click here f
7 KB (1,072 words) - 11:29, 19 August 2013
The Hunt for AI (2012), Marcus Du Sautoy<br />
Hugo (2011), Martin Scorsese (based on the children's book by Brian Selznick)<br />
6 KB (1,045 words) - 14:19, 28 November 2012
...a large part of his knowledge through pictorial impressions ( Vossoughian, 2011).
Vossoughian, N., 2011. Otto Neurath: the language of the global polis. Nai Publushers, Rotterdam.
12 KB (1,910 words) - 14:30, 4 November 2019
Liang, Lawrence (2011). Beyond Representation: The Figure of the Pirate in Access to Knowledge in
Joe Karaganis (ed.) (2011). Media Piracy in Emerging Economies.
9 KB (1,477 words) - 13:36, 7 October 2018
...s in which Buren criticized them, are a thing of the past. In the 2011 and 2012 shows it is difficult to see more that “spatial, plastic and aesthetic co
== From ''Under Blue Cup'' (MIT, 2011) ==
20 KB (3,327 words) - 11:43, 10 June 2015
...odology and work I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis
Bronski, M. (2012), Queer History of the United States, Beacon Press (still waiting for deliv
11 KB (1,839 words) - 14:16, 9 November 2017
...a large part of his knowledge through pictorial impressions ( Vossoughian, 2011).
Vossoughian, N., 2011. Otto Neurath: the language of the global polis. Nai Publushers, Rotterdam.
12 KB (1,897 words) - 11:32, 14 November 2019
...system for data analysis that could monitor global wellbeing. At the time (2011) the implications of our data having financial worth for commercial compani
...TV was made in response to the end of analogue broadcasting in Uk in April 2012. Primarily we wanted to raise awareness that the broadcasting medium that h
6 KB (1,083 words) - 12:50, 15 January 2014
...esearch center Creating 010, Hogeschool Rotterdam. April 10th – June 26th, 2012.''
* Star Wars Uncut (world-wide, 2012, collective)
19 KB (2,475 words) - 11:07, 3 December 2019
...ographic imagery I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis
''
A Queer history of the United States'' (2011) by Michael Bronski
<br>
19 KB (3,118 words) - 16:37, 24 November 2017
...mporary art, which he also develops in later writings. (see Smith 2011 and 2012). Given the generally accepted passage from the 'modern' and ‘postmodern
David Geers (2012) points to a recent revival of modernist tropes in artistic practice that a
21 KB (3,133 words) - 13:31, 16 February 2016
...a large part of his knowledge through pictorial impressions ( Vossoughian, 2011).
Vossoughian, N. (2011) Otto Neurath: the language of the global polis. Rotterdam: Nai Publushers.
13 KB (2,014 words) - 19:30, 3 December 2019
*What Is Meida Archaeology (Jussi Parikka, 2012)
Kluitenberg(2011) attaches the concept(the notion of media imagined relates to rethinking me
16 KB (2,483 words) - 14:15, 21 February 2016
...y graduation project as an embodied sound research around animacies (Chen, 2012); the agency and the living value that bodies and inanimate objects carry w
I have started navigating the freesound.org library (Freesound.org, 2011) with keywords such as body, machine, prosthesis, robot, cyborg, organ, sex
20 KB (3,178 words) - 21:10, 11 December 2022
...y graduation project as an embodied sound research around animacies (Chen, 2012); the agency and the living value that bodies and inanimate objects carry w
I have started navigating the freesound.org library (Freesound.org, 2011) with keywords such as body, machine, prosthesis, robot, cyborg, organ, sex
20 KB (3,144 words) - 14:33, 11 December 2022
...and they produced Funware, an international touring exhibition in 2010 and 2011 about fun in software (curated by Olga Goriunova). Since 2008 she is writin
*Matthew Fuller & Andrew Goffey (2012) Advisable Techniques for Super-Hubs: The Topological Machinery of Abstract
27 KB (3,870 words) - 18:34, 15 September 2014
...networking service owned by ByteDance, a Beijing-based company founded in 2012 by Zhang Yiming. It is used to create short dance, lip-sync, comedy, and ta
'''Initial release date''': July 8, 2011<br>
9 KB (1,289 words) - 10:32, 27 April 2020
I quit Facebook in 2012. But in “Hotel California” fashion, my data will greet me if I check ba
By Matthew Fuller, 4 May 2011
7 KB (1,194 words) - 21:33, 10 November 2015
* Liang, Lawrence (2011). ''Beyond Representation: The Figure of the Pirate'' in Access to Knowledg
...merging Economies.'' http://piracy.americanassembly.org/wp-content/uploads/2011/06/MPEE-PDF-1.0.4.pdf
20 KB (3,024 words) - 15:54, 2 June 2018
http://www.theguardian.com/film/2012/sep/14/act-of-killing-review
...oy poverty', the 2008 documentary by Renzo Martins and The Act of Killing, 2012, Joshua Oppenheimer.
25 KB (3,945 words) - 00:49, 9 July 2014
...ple in ‘The Bank of Broken Dreams’ (2014) or ‘The Emotional Stock Market’ (2012) a mass of data is accumulated, reappropriated and distributed within the a
Goldsmith, Kenneth. 2011. “Uncreative Writing”. Columbia University Press <br>
7 KB (1,179 words) - 18:40, 8 July 2014
...mporary art, which he also develops in later writings. (see Smith 2011 and 2012). Given the generally accepted passage from the 'modern' and ‘postmodern
David Geers (2012) points to a recent revival of modernist tropes in artistic practice that a
23 KB (3,468 words) - 14:17, 16 February 2016
...o that Simon Reynolds published his overtly discussed book ‘Retromania’ in 2011. Much has been made of this analysis of popular music in the three years si
* Retromania, Simon Reynolds, 2011.
24 KB (4,128 words) - 14:37, 12 March 2014
...oellstorff (2012, 2015) and many others (e.g. Nardi 2010; Snodgrass et al. 2011) have noted, yes, our online avatars are political economic actors." (Mantz
...ng in a tradeoff between consistency and availability." (Narayanan et al., 2012) However, I think we shouldn't always expect 100% availability. From my wik
11 KB (1,657 words) - 19:05, 2 December 2019
...look—most of us, at least most of the time—through two eyes’. (Gayford M. 2011, The Mind’s eye)
Gayford, M (2011) The mind’s eye
22 KB (3,843 words) - 15:00, 14 October 2012
...nic revolution really broken the state of visual hypnosis? Reading this in 2012 or 1982 makes a huge difference of course, so perhaps it is time for an iss
== ''Gutenberg Galaxy. The making of Typographic Man.'' McLuhan, M., [1962] 2011. Toronto: University of Toronto Press ==
21 KB (3,347 words) - 16:40, 13 March 2012
...facebook claims that tells about us is problematic by definition. Morozov(2011)in his book Net delusion reffers to the movie The Lives of the others to r
...opportunity for users to report other users due to fake names. Tim Carmody(2011) writes about the "great Google+ profile purge", explaining how Google+ cha
23 KB (3,550 words) - 19:47, 16 November 2014
...te who, where, and under what conditions are at the origin of spam (Burell 2012), linguists to speculate on the grammatical anomalies contained in spam (Bl
...of 419s I have been collecting since November 2012. Beginning in December 2012, I have been compiling and organizing the collected emails under this archi
30 KB (4,788 words) - 01:19, 25 March 2013
...nic revolution really broken the state of visual hypnosis? Reading this in 2012 or 1982 makes a huge difference of course, so perhaps it is time for an iss
=== ''Gutenberg Galaxy. The making of Typographic Man.'' McLuhan, M., [1962] 2011. Toronto: University of Toronto Press ===
21 KB (3,352 words) - 14:51, 29 June 2012
* Flusser, V. (2011). Into the Universe of Technical Images. (N. A. Roth, Trans.) (1 edition).
* In 2012 James Bridle established the term »New Aesthetic« in 2012, an ongoing collection of images on a tumblr blog.
13 KB (1,995 words) - 23:32, 11 November 2018
...years time we will all have our own little factory on our desks (Haegens, 2012, 0003).
...ed an image of an AR-15 semi automatic rifle on his website (haveblue.org, 2012, 0070). The whole thing was put together with over the counter parts – wh
34 KB (5,926 words) - 13:58, 24 May 2013
...ed by the ZKM | Center for Art and Media Karlsruhe and lasted from 2010 to 2012. The website documents a few case studies which are worth having a look at.
'''''iii. Once Upon, Olia Lialina and Dragan Espenschied, 2011'''''<br>
9 KB (1,463 words) - 01:32, 21 November 2014
...ographic imagery I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis
'''After Untitled 2012:'''<br>
20 KB (3,258 words) - 00:02, 17 November 2017
...uly 30). Amazon's recommendation secret. Retrieved from http://fortune.com/2012/07/30/amazons-recommendation-secret/
ZHAO, M., & XIE, J. (2011). Effects of Social and Temporal Distance on Consumers’ Responses to Peer
9 KB (1,327 words) - 16:51, 25 April 2018
Assange, J (2012) Cypherpunks: Freedom and the Future of the Internet, OR Books
<br>Heller, C (2011) Post Privacy, Beck C.H.
16 KB (2,381 words) - 16:27, 25 November 2017
Carroll, L. (2011) Through the Looking-Glass (Penguin Classics), Penguin.
Flusser V., Poster, M., Nancy Ann Roth and Ebrary, I. (2011) Does writing have a future?, University Of Minnesota Press.
19 KB (2,969 words) - 19:14, 7 June 2022
...ual frameworks (Flantua et al., 2014, Flantua & Hooghiemstra, 2017; Groot, 2012; Torres et al., 2005, 2013; Van der Hammen 1974).
...aphy of nature. Some of the projects I have done before took shape between 2011 and 2017 and were supported by many artists and technicians at the Universi
12 KB (1,863 words) - 19:34, 24 October 2017
...ual frameworks (Flantua et al., 2014, Flantua & Hooghiemstra, 2017; Groot, 2012; Torres et al., 2005, 2013; Van der Hammen 1974).
...aphy of nature. Some of the projects I have done before took shape between 2011 and 2017 and were supported by many artists and technicians at the Universi
12 KB (1,863 words) - 19:41, 24 October 2017
...ftn4">Lawrence Liang, ''Beyond Representation: The Figure of the Pirate'' (2011)</ref></blockquote>
...st about Open Access? A relational approach to copyright in the academy'' (2011)</ref></blockquote>
35 KB (5,033 words) - 13:12, 16 May 2022
...Hurdes, Werner Herzog’s Fata Morgana (1971), and Ben Rivers’s Slow Action (2011) - discourses of otherness, nature, culture, power, imperialism, ecology, a
* Framing - Chapter 7 - Irina Botea’s Picturesque (2012); Mohammadreza Farzad’s Gom o gour (Into Thin Air, 2010) and Peter Thomps
9 KB (1,330 words) - 19:29, 12 March 2023
At an earlier stage (2011) I was excited by the multi-exposure photography of Gjon Mili, Duane Michal
JÄGER, Dr. Maren 2007. Brevitas: Kürze in Rhetorik und Poetik MNDL/EUL-3: – 2011, Johannes Gutenberg-Universität Mainz.
12 KB (1,944 words) - 11:14, 6 May 2019
'''Kitchin, R. and Dodge, M. (2011) ''Code/space: software and everyday life.'' Software studies. Cambridge, M
...urnalist obtained access to internal emails from a Mexican troll farm from 2012 to 2014. This shed light on strategies of distraction, such as the fabricat
9 KB (1,336 words) - 15:08, 18 November 2019
...ual frameworks (Flantua et al., 2014, Flantua & Hooghiemstra, 2017; Groot, 2012; Torres et al., 2005, 2013; Van der Hammen 1974).
...aphy of nature. Some of the projects I have done before took shape between 2011 and 2017 and were supported by many artists and technicians at the Universi
13 KB (1,932 words) - 16:09, 26 October 2017
...ther extractive industry or activity'.(Museum of Modern Art in Warsaw, Oct 2011, [http://vimeo.com/30477574 "http://vimeo.com/30477574"] Visited April 06,
In an interview in Moscow in 2012 (Museum of Modern Art in Warsaw, Oct 2011), visited April 06, 2014), Martens opposes art in two different situations:
23 KB (3,782 words) - 14:00, 2 July 2014
...ume entitled ''Joost van den Vondel: Dutch Playwright in the Golden Age'' (2012). In this line of research I am currently finishing a manuscript entitled
...Course Director of the Master Media Design and Communication Course. From 2011-2015, I served as the Director of the Piet Zwart Institute, and currently
14 KB (2,107 words) - 10:51, 18 March 2016
...exploitation; but it’s very much in line with neoliberal rhetoric (beloso 2012).
...ys of refusing, commanding and controlling the spectator’s gaze” (attwood. 2011, p. 212) [ Note: This is only in the case of economic independence. Since t
10 KB (1,626 words) - 17:24, 23 January 2019
...uments full of intentions, deceptions, narratives ... ( Mesa del Castillo, 2012). In the hands of capitalism and its institutions, mappings have been instr
...equires its own narrative rules and rhetorical figures (Mesa del Castillo, 2012). The ubiquity of graphical formats calls for a new critical understanding
20 KB (3,009 words) - 02:08, 3 December 2019
...tworked Media from the Piet Zwart Institute, Rotterdam (MDes, 2010-12). In 2012 he has co-founded the artist collective La Société Anonyme known for its
...enting the life at a Dutch institution before it ceased to exists with the 2012 Dutch art funding cuts.
25 KB (3,382 words) - 13:15, 16 May 2022
''Tsunami by proxy (2011)''
* Galloway, A (2012) The Interface Effect
9 KB (1,538 words) - 00:44, 2 December 2013
...lled conceptual writing have been central to my artistic development since 2011, although I arrived to these issues not from practitioners such as Kenneth
...artist book μῆνιν (Menin, Ancient Greek for anger, wrath) was produced in 2012 with this artistic and cultural background in mind. μῆνιν is a book w
15 KB (2,386 words) - 13:03, 10 June 2015
...memory were inevitably accompanied by a boom in forgetting?" (Gard-Hansen, 2011, p70 ) '''''
...rily as a record as visible evidence that this family exist” (Gard-Hansen, 2011, p35 )'''''
53 KB (8,972 words) - 14:07, 9 June 2015
...ftn4">Lawrence Liang, ''Beyond Representation: The Figure of the Pirate'' (2011)</ref></blockquote>
...st about Open Access? A relational approach to copyright in the academy'' (2011)</ref></blockquote>
37 KB (5,205 words) - 13:12, 16 May 2022
...ow called conceptual writing have influenced my artistic development since 2011, although I arrived to these issues not from practitioners such as Kenneth
...ist book μῆνιν (''menin'', Ancient Greek for anger, wrath) was produced in 2012 with this artistic and cultural background in mind. μῆνιν is a book w
16 KB (2,462 words) - 15:41, 2 September 2015
...line] The New York Times. Available from : http://www.nytimes.com/projects/2012/snow-fall/index.html#/?part=tunnel-creek [Accessed 12/02/19].
Drucker, J. (2011) Humanities approaches to interface theory. ''CULTURE MACHINE'', 12, p. 20.
25 KB (3,750 words) - 14:00, 3 April 2019
...oject was a photography project about people who refused to leave Syria in 2011. I visited different cities to witness their situation. In the project I pr
I did this project at the end of 2012. I used a large format camera with a Polaroid back. I wanted to produce a s
11 KB (1,928 words) - 13:38, 15 February 2016
...eliminary Materials for a Theory of the Young-Girl''. Chicago: Semiotexte, 2012.
...ine Pollen: Ancient Medicine for a New Millennium. Springvale: Surthrival, 2012.
41 KB (4,947 words) - 20:22, 18 May 2024
...Andes Mountains. (Hooghiemstra 1984; Bogotá et al., 2011; Groot et al., 2011; Torres et al., 2005, 2013). They also found a pathway to make spatial reco
...aphy of nature. Some of the projects I have done before took shape between 2011 and 2017 and were supported by many artists and technicians at the Universi
18 KB (2,728 words) - 15:37, 9 November 2017
...ken place in Egypt in 2011. For example, by using Qaul.net (Jud & Wachter, 2012), Wifi enabled devices can form a resistant network, and communicate intern
11 KB (1,575 words) - 13:09, 13 December 2019
...ions include Masters of Reality (Sternberg Press and Piet Zwart Institute, 2012)
...and they produced Funware, an international touring exhibition in 2010 and 2011 about fun in software (curated by Olga Goriunova). Since 2008 she is writin
11 KB (1,615 words) - 15:27, 17 March 2014
Harman, Graham. (2011). The third table. Hatje Cantz
Mirror metaphors in Mantikut Tayr. (2012)
13 KB (2,151 words) - 10:00, 23 October 2023
Branded as the “Internet’s Weirdest Etsy Store” by Gawker in 2012, Brad Troemel’s Etsy store is a mix of common every day objects combined
...first round of funding by being awarded one of the Rhizome commissions in 2011. Dis Magazine is a best described as a collective run life style magazine f
24 KB (3,893 words) - 12:51, 15 April 2013
...Andes Mountains. (Hooghiemstra 1984; Bogotá et al., 2011; Groot et al., 2011; Torres et al., 2005, 2013). They also found a pathway to make spatial reco
Groot M.H.M. (2012). ‘’Solving a Piece of the puzzle’’. Reconstruction of millennial-s
17 KB (2,663 words) - 18:22, 13 November 2017
In reference to what do we do now in 2012 post financial crash.
2011.
13 KB (2,172 words) - 10:57, 28 December 2023
Gross, R. (2012). Tempo Recommendations for Dance Music. [online] Hollywood Ballroom Dance
Leblanc, S. (2011). Learning the Different Beats of Ballroom Dances. [Blog] Sheri Leblanc Mus
66 KB (10,332 words) - 19:05, 10 December 2017
...artist’s film installation, virtual reality simulation and research. Since 2012, Dobrowolska has been working in collaboration with Teo Ormond-Skeaping on
...ee in painting at the National University of Córdoba School of Arts and in 2011 earned a Doctorate in Fine Arts from the Utrecht Graduate School of Visual
12 KB (1,910 words) - 10:21, 6 June 2020
...Margaret D. Stetz, Opticon 1826, 14: 21-26, DOI: http://dx.doi.org/opt.aj, 2012.
* Evil Media, Matthew Fuller and Andrew Goffey, 2012.
48 KB (8,161 words) - 01:19, 2 December 2013
Harman, Graham. (2011). The third table. Hatje Cantz
Mirror metaphors in Mantikut Tayr. (2012)
12 KB (2,086 words) - 13:15, 16 November 2015
...ystem for data analysis that could monitor global wellbeing. At the time (2011) the implications of our data having financial worth for commercial compani
...TV was made in response to the end of analogue broadcasting in Uk in April 2012. Primarily we wanted to raise awareness that the broadcasting medium that h
12 KB (1,967 words) - 17:35, 2 October 2013
1 Sat Jan 01 2011 00:00:00 GMT+0100 (CET) <br>
2 Sun Jan 01 2012 00:00:00 GMT+0100 (CET) <br>
18 KB (2,223 words) - 15:05, 4 December 2019
Harman, Graham. (2011). The third table. Hatje Cantz
Mirror metaphors in Mantikut Tayr. (2012)
13 KB (2,260 words) - 10:00, 23 October 2023
Harman, Graham. (2011). The third table. Hatje Cantz
Mirror metaphors in Mantikut Tayr. (2012)
13 KB (2,260 words) - 11:24, 11 November 2015
...equires its own narrative rules and rhetorical figures (Mesa del Castillo, 2012). The ubiquity of graphical formats calls for a new critical understanding
...le, and if our interest is awakened do we study in detail.” ( Vossoughian, 2011) The modern man needs speculative and experimental narratives (*7) to engag
23 KB (3,381 words) - 12:01, 12 December 2019
...ographic imagery I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis
'''After Untitled 2012:'''<br>
29 KB (4,685 words) - 13:57, 1 February 2018
...e to the streets to protest or talk about their family concerns (Kanaveli, 2012)[example]. There is a connection of sound and voice with externalizing our
...t want their ads appearing next to streaming video of protesters"(Preston, 2011). Similarly, radio streaming has been a way for activists, protesters and c
55 KB (8,465 words) - 17:59, 16 February 2019
JÄGER, Dr. Maren 2007. Brevitas: Kürze in Rhetorik und Poetik MNDL/EUL-3: – 2011, Johannes Gutenberg-Universität Mainz.
STREHLE, S. 2012. Zeichenökonomie und symbolischer Tausch. In: Zur Aktualität von Jean Bau
12 KB (1,862 words) - 13:09, 22 November 2018
* The Pervert's Guide to Ideology (2012)
...narrative and politics in post-9/11 discourse by Dr. Dan Hassler-Forest (2011) https://pure.uva.nl/ws/files/3724572/89042_thesis.pdf
12 KB (2,166 words) - 00:37, 22 March 2017
...ting barriers to participation and inclusion." (World Health Organization, 2011. p.4) This part will be preceded by an examination of the concepts of norma
* World Health Organization, 2011. World report on disability 2011. Chapter 1: Understanding disabilty. World Health Organization
32 KB (5,051 words) - 15:42, 22 April 2021
''A story is real-life with the boring parts left out.'' (quoted in Cron, 2012)
...liable materials of choice: the human flesh and the human will.'' (LaBute, 2011).
13 KB (2,282 words) - 17:21, 25 April 2018
...nological innovation is the main engine of economic development." (Arthur, 2011)<br>
...arted in the late 1990s and became widespread in the late 2000s. (Maxigas, 2012)<br><br>
14 KB (2,118 words) - 00:52, 4 April 2020
...f my sketches I play with how a scene from the film The Dark Knight Rises (2012) is designed to shape the general opinion on Occupy Wall-Street by distorti
Island's Ants Path (2011)<br>
21 KB (3,460 words) - 20:54, 10 December 2014
...eing excluded from public sphere. According to Kevin Fox Gotham (Kanaveli, 2012), territorial restrictions, identities and meanings are negotiable, as they
...he Occupy Movement <ref>Occupy Movement is an international movement since 2011 for social and economic justice and new forms of democracy based on public
69 KB (10,829 words) - 11:55, 5 June 2019
...described them as a part of Reading, Writing & Research Methodologies 2011/2012 lead by tutor Steve Rushton taking this new discovery into account I am loo
14 KB (2,291 words) - 18:27, 1 March 2013
* [http://monoskop.org/log/?p=6724 Burrell, Jena. 2012. 'Invisible Users: Youth in the Internet Cafés of Urban Ghana'. MIT Press.
* Goldsmith, Kenneth. 2011. 'Uncreative Writing: Managing Language in the Digital Age'. Columbia Unive
14 KB (2,224 words) - 01:34, 11 December 2012
...ém| title = Towards a philosophy of photography| location = London| date = 2012}}
...Documentary| title = All watched over by machines of loving grace| date = 2011}}
15 KB (2,279 words) - 12:20, 17 October 2019
...emporary art, which he also develops in later writings (see Smith 2011 and 2012). Given the passage from the 'modern' and ‘postmodern' to the ‘contempo
David Geers (2012) points to a recent revival of modernist tropes in artistic practice that a
41 KB (6,261 words) - 18:55, 9 May 2016
Gross, R. (2012). Tempo Recommendations for Dance Music. [online] Hollywood Ballroom Dance
Leblanc, S. (2011). Learning the Different Beats of Ballroom Dances. [Blog] Sheri Leblanc Mus
36 KB (5,671 words) - 15:26, 15 March 2017
...ul distortions. XXX graduated with a BFA from the School of Visual Arts in 2011, and is studying Media Deisgn at the Piet Zwart Institute in Rotterdam. She
...and am basically staging them. But I have been making images of cows since 2012.
16 KB (2,819 words) - 19:00, 7 November 2015
'''Nugroho, Y., & Syarief, S. S. (2012). ''Beyond click-activism? New media and political processes in contemporar
'''Nieman Reports (2011). ''Indonesia’s Religious Violence: The Reluctance of Reporters to Tell t
40 KB (6,063 words) - 14:20, 27 October 2018
N. Thompson, Living as a Form, 2012 <br><br>
* Living As Form. Socially engaged art from 1991-2011, Nato Thompson, Creative Time Books
15 KB (2,327 words) - 19:53, 7 December 2021
...y storage spaces for precious data that has faded beyond retrieval. (Scott,2011,Online)**'''''
...parts, and manufactured the disk have gone into the Great Not Here. (Scott,2011,Online)**'''''
47 KB (7,845 words) - 21:39, 20 March 2016
...the 7th from Asia) to win the most prestigious award in the film world. In 2012, he is invited to participate in Documenta (13), one of the most well-known
...nn (2015); Salonul de proiecte, Bucharest (2013); Kunsthalle Basel, Basel (2011).
15 KB (2,278 words) - 09:26, 7 November 2023
...dow Libraries published on the e-flux online journal platform in September 2012.
...e because it was a great demand for such service in research community. In 2011, I was an active participant in various online communities for scientists (
25 KB (4,067 words) - 23:40, 3 April 2018
=== Sarah Kanouse. Take It to the Air: Radio as Public Art (2011)===
* Gilbert Simondon, 2012. ON TECHNO-AESTHETICS. PARRHESIA 14, 1–8.
59 KB (9,318 words) - 22:11, 21 January 2019
Gross, R. (2012). Tempo Recommendations for Dance Music. [online] Hollywood Ballroom Dance
Leblanc, S. (2011). Learning the Different Beats of Ballroom Dances. [Blog] Sheri Leblanc Mus
38 KB (6,063 words) - 13:58, 19 April 2017
...unities, and traffics in meanings, readings, and interpretations« (Kitchin 2011, p. ix). To figure out these exact moments of influence and these borders b
...eir scripting languages, many companies that relied on it suffered (Ullman 2012, p. 105).
79 KB (12,127 words) - 15:41, 23 March 2019
[http://www.kerrytribe.com/media/2011/03/Culture24_Tribe.pdf more on Kerry Tribe]
...n Study #1—The American Dancer, her Bucksbaum Award–winning piece from the 2012 Whitney Biennial. For this piece, the culmination of her Devotion series, M
35 KB (5,234 words) - 17:49, 8 September 2017
.../thoughtmaybe.com/google-and-the-world-brain/ Google and the World Brain] (2012)
Dan Shen (2011) Unreliability
17 KB (2,406 words) - 15:42, 28 November 2014
...storage spaces for precious data that has faded beyond retrieval.” (Scott, 2011, Online)
...rts, and manufactured the disk have gone into the Great Not Here.” (Scott, 2011, Online)
53 KB (8,752 words) - 13:10, 31 May 2016
...jpg|thumb|right|Project lead, Gavin Andresen [http://www.forbes.com/forbes/2011/0509/technology-psilocybin-bitcoins-gavin-andresen-crypto-currency.html]]]
...; [https://www.facebook.com/gavinandresen] [http://www.bitcoinbulletin.com/2011/04/09/bowling-for-bitcoins-meet-the-trader-05/ interview]
59 KB (8,364 words) - 10:20, 19 September 2011
Humans have been always bound with the act of collecting. James Gleick (2011) who wrote the book Information : a theory, a history, a flood, a study on
...ark Poster (1990) in his work The mode of information, and Evgeny Morozov (2012) with Net Delusion. Poster extends Foucault’s ideas of the panopticon an
64 KB (10,249 words) - 17:19, 3 June 2015
''Tsunami by proxy (2011)''
2. Galloway, A (2012) The Interface Effect
23 KB (3,752 words) - 13:36, 27 November 2013
...is modeling the future, as future is inscribed in code.” (Cox and McLean, 2012: foreword). Cox and McLean discuss the multifaceted properties and uses of
...until terminating condition is met, unless an infinite loop is invoked.” (2012)
66 KB (10,076 words) - 14:28, 12 May 2016
...ily as a record as visible evidence that this family exist” Page (Joanne, (2011) p35 )'''
http://ecycler.com/wp-content/uploads/2011/08/vhs-tapes.jpg
24 KB (2,791 words) - 16:11, 6 July 2015
...w.ft.com/content/9d8e4ade-0a45-11e1-85ca-00144feabdc0 Case study: Lipton] (2011)
...-lipton-ends-cruel-animal-tests/ Victory! Lipton Ends Cruel Animal Tests] (2011)
33 KB (4,811 words) - 00:08, 26 July 2017
...storage spaces for precious data that has faded beyond retrieval.” (Scott, 2011, Online)'''
...arts, and manufactured the disk have gone into the Great Not Here. (Scott, 2011, Online)'''
54 KB (8,933 words) - 19:00, 8 May 2016
==== '''27-02-2024 - Notes on Runa Islam's ''Meroë'' (2012) and Peng Zuqiang's Déjà vu''' ====
Steyerl, H., 2012, ''The Wretched of the Screen'', London: Sternberg Press.
63 KB (10,221 words) - 21:33, 4 April 2024
...my profile publicly displays my entry date on the platform on January 1st 2012, a date that sounds like a 10-year-old resolution to re-socialize by the ne
...contributing to instead of contesting repressive forces?" (Hardt & Negri, 2012, p. 137)<br>
59 KB (9,037 words) - 23:07, 7 June 2022
...ndividual outputs, of curating from within the sea of content" (IMC London 2012).
...sign of successors to the national UK Indymedia website, also closed since 2011. (Being the Media)). Practices such as facilitated booksprints - collaborat
51 KB (8,392 words) - 12:17, 20 May 2013
==== '''27-02-2024 - Notes on Runa Islam's ''Meroë'' (2012) and Peng Zuqiang's Déjà vu''' ====
Steyerl, H., 2012, ''The Wretched of the Screen'', London: Sternberg Press.
65 KB (10,615 words) - 13:40, 10 April 2024
...in the voice or actual presence of the filmmaker or a surrogate" (Corrigan 2011, cited in Yu)
...d Bazin's comment on it marks the "emergence of the essay film." (Corrigan 2011) These films involve characteristics of: artistic impulse, experimentation,
59 KB (9,802 words) - 16:14, 24 July 2020
Steyerl, H. (2012). The Wretched of the Screen
...By Frame: Rosalind E. Krauss on Tacita Dean’s ''FILM''", ''Artforum'', Sep 2011. [15]
52 KB (8,461 words) - 17:04, 27 February 2024
- <small>''Data centre Grand Tour'' – Silvio Larusso, 2012 (mapping creates a new reality - quote)</small><br />
- <small>''IP Geolocation Databases: Unreliable?'', 2011, Ingmar Poese, Steve Uhlig, Benoit Donnet, Mohamed Ali Kaafar, Bamba Guey <
29 KB (4,547 words) - 01:12, 1 December 2015
...profissional da informação no mundo do trabalho e as relações de gênero'' (2012). Traditionally a lot of the work done by women is not considered to be an
46 KB (7,453 words) - 09:39, 5 April 2018
* JONAL LUND, What you see is what you get (2012) http://whatyouseeiswhatyouget.net/
...; publisher: Questions Théoriques(2011)<br>
82 KB (12,393 words) - 21:53, 26 February 2024
..., dynamical and structural properties. <ref name="weisenberg">Weisberg, J (2012) 'The hard problem of consciousness' in J. Feiser & B. Dowden (eds.), Inter
...oni and Koch 2015), with some isolated cases of mysterianism (McGinn 1989, 2012) advocating the impossibility to solve such a mystery. In any case, the las
65 KB (9,970 words) - 21:07, 22 March 2020
...mbolic, the Sublime, and Slavoj Žižek’s Theory of Film, Matthew Flisfeder, 2012</ref> The thoughts and feelings of others are shaped, steered, and determi
...duce collectively. In Oliver Laric’s series of video works, Versions (2009-2012), he collages historical and contemporary multiplication of images and obje
87 KB (14,373 words) - 16:30, 9 May 2016
weekend with the Gonz by Mark Gonzales, 2011
Berberien Sound Studio - "a 2012 British psychological horror film. It is the second feature film by British
36 KB (6,085 words) - 14:56, 19 November 2021
===Ferreira, M.M., 2012. O profissional da informação no mundo do trabalho e as relações de gê
...dow Libraries published on the e-flux online journal platform in September 2012.
92 KB (14,814 words) - 20:01, 26 March 2018
::- Micha Cárdenas - [https://www.hastac.org/blogs/michacardenas/2012/03/15/ch-1-tara-mcpherson-us-operating-systems-mid-century Ch. 1: Tara McPh
...number of positions during and in life in order to have ‘a life’” (Berlant 2011, 182).<br>[...]<br>From the 1930s onwards computation (in technical terms)
57 KB (8,705 words) - 12:18, 15 March 2021
2012 against adv and small rate for the service > 2014 bought by fb > 2016 add a
Egypt 28/1/2011 protest vs Mubarak, government terminated national access to internet (kill
85 KB (12,751 words) - 16:31, 11 April 2019
...r the numerous urban encampments and occupations that have been born since 2011 (and continue to spring up) in the attempt on small scales to open urban sp
...zation” and the “biological automatization” of workers (The Charnel House, 2011).<br>
276 KB (44,274 words) - 17:55, 15 October 2018
