Thesis Irma - List of references

ESSAY 1: I am followed therefore I am

List of references

Aitkenhead, D. (2017). Rachel Dolezal: ‘I’m not going to stoop and apologise and grovel’. The Guardian. [online] Available at: https://www.theguardian.com/us-news/2017/feb/25/rachel-dolezal-not-going-stoop-apologise-grovel [Accessed 30 Mar. 2018].

Chafkin, M. (2016). Confessions of an Instagram Influencer. Bloomberg Businessweek. [online] Available at: https://www.bloomberg.com/news/features/2016-11-30/confessions-of-an-instagram-influencer [Accessed 20 Mar. 2018].

CNN (2015). Race of Rachel Dolezal, head of Spokane NAACP, comes under question. [TV programme] CNN. Available at: https://edition.cnn.com/2015/06/12/us/washington-spokane-naacp-rachel-dolezal-identity/ [Accessed 20 Mar. 2018].

Dickinson, E. and Johnson, T. (1952). The Complete poems of Emily Dickinson. 2nd ed. Boston: Little, Brown and Co, p.133. Dolezal, R. (2017). About Rachel. [online] Rachel Dolezal. Available at: http://racheldolezal.com/index.php/about-rachel/ [Accessed 20 Mar. 2018].

Elgot, J. (2015). Civil rights activist Rachel Dolezal misrepresented herself as black, claim parents. The Guardian. [online] Available at: https://www.theguardian.com/world/2015/jun/12/civil-rights-activist-rachel-dolezal-misrepresented-herself-as-black-claim-parents [Accessed 20 Mar. 2018].

Frontline 'Generation Like', (2014). [TV programme] Public Broadcasting Service.

Krischer, H. (2015). Growing Up Instagrammed. The New York Times, [online] p.ST1. Available at: https://www.nytimes.com/2015/11/15/fashion/meet-the-instamom-a-stage-mother-for-social-media.html [Accessed 20 Mar. 2018].

Maheshwari, S. (2017). Gaming the System: Bots Inflate Instagram Egos. The New York Times, [online] p.1. Available at: https://www.nytimes.com/2017/06/06/business/media/instagram-bots.html [Accessed 20 Mar. 2018].

The Truman Show. (1998). [DVD] Directed by P. Weir. United States of America: Paramount Pictures. van der Velden, C. (2014). Liegen over een perfect leven op Facebook is verleidelijk. Het Parool. [online] Available at: https://www.parool.nl/parool/nl/38/MEDIA/article/detail/3658281/2014/05/20/Liegen-over-een-perfect-leven-op-Facebook-is-verleidelijk.dhtml?_sp=9e1fb906-091f-4f27-b06d-25c290105895.1521562952062 [Accessed 20 Mar. 2018].

VPRO Tegenlicht: Goudzoekers in YouTubeland, (2017). [TV programme] Nederlandse Publieke Omroep.

Young, V. (1988). Voices and Visions Spotlight: Emily Dickinson. [video] Available at: https://www.youtube.com/watch?v=kFeYPCv5F48 [Accessed 30 Mar. 2018].

Bibliography

Cornwell, P. (2015) Spokane NAACP leader: ‘I do consider myself to be black’. The Seattle Times, [Online]. Available at: https://www.seattletimes.com/seattle-news/naacp-reacts-to-rachel-dolezals-curious-case/. (Accessed: 20 March 2018).

Emilydickinsonmuseum.org. (2009). The Posthumous Discovery of Dickinson's Poems | Emily Dickinson Museum. [online] Available at: https://www.emilydickinsonmuseum.org/posthumous_publication [Accessed 20 Mar. 2018].

Leader, D. (2014). [ebook] London: Icon Books, Ltd. UK. Available at: https://www.amazon.nl/Introducing-Lacan-Graphic-Guide-ebook/dp/B00OZHQF8U/ref=sr_1_1?ie=UTF8&qid=1521561071&sr=8-1&keywords=9781848318793 [Accessed 20 Mar. 2018].

PBS NewsHour : Finding Emily Dickinson in the power of her poetry, (2017). [TV programme] PBS.

ESSAY 2: Who to follow?

List of references

Amin, H., Kapp, C. and Karl, D. (2015). “Arabian Street Artists” Bomb Homeland: Why We Hacked an Award-Winning Series | Heba Amin. [online] Hebaamin.com. Available at: http://www.hebaamin.com/arabian-street-artists-bomb-homeland-why-we-hacked-an-award-winning-series/ [Accessed 21 Mar. 2018].

Bannon, S. (2018). Stephen K. Bannon. [online] IMDb. Available at: http://www.imdb.com/name/nm0052442/ [Accessed 21 Mar. 2018].

Bernays, E. (2005). Propaganda. Brooklyn, NY: Ig Publ., pp.37-38.

Beyerstein, L. (2018). On Bullshit: Harry Frankfurt, Donald Trump, and Indifference to Truth.

Chomsky, N. and Herman, E. (2002). Manufacturing consent. New York: Pantheon Books.

Chomsky, N., Kappel, R. and Wagner, M. (2017). Het einde van de Amerikaanse droom. Utrecht: Ten Have

College Tour, (2017). [TV programme] NTR.

Frankfurt, H. (2005). On bullshit. Princeton, NJ: Princeton University Press.

Get me Roger Stone. (2017). [film] Directed by D. Bank, D. DiMauro and M. Pehme. United States of America: Netflix.

Klein, N. (2008). The Shock Doctrine: The Rise of Disaster Capitalism. 1st ed. Picador.

Phipps, C. (2015). 'Homeland is racist': artists sneak subversive graffiti on to TV show. The Guardian. [online] Available at: https://www.theguardian.com/tv-and-radio/2015/oct/15/homeland-is-racist-artists-subversive-graffiti-tv-show [Accessed 21 Mar. 2018].

Rocha, H. (2017). Consulting and Conservatives: Interview with Roger Stone | Harvard Political Review. [online] Harvardpolitics.com. Available at: http://harvardpolitics.com/interviews/roger-stone/ [Accessed 30 Mar. 2018].

The Big Idea, (1996). [TV programme] 2: BBC.

The Century of the Self. (2002). [film] Directed by A. Curtis. United Kingdom: BBC Four.

The Yes Men Fix the World. (2008). [DVD] Directed by A. Bichlbaum and M. Bonanno. United States of America: Dogwoof

Toobin, J. (2008). The Dirty Trickster. The New Yorker. [online] Available at: https://www.newyorker.com/magazine/2008/06/02/the-dirty-trickster [Accessed 21 Mar. 2018].

Tye, L. (2006). Father of Spin, the. 1st ed. New York: Henry Holt & Company Inc.

Bibliography

Staal, J. (2018). Eis het onmogelijke. De Groene Amsterdammer.

ESSAY 3: Sculpting a persona

List of references Cron, L. (2012). Wired for story. 1st ed. New York: Ten Speed Press, p.20.

Hattenstone, S. (2017). Laura Poitras on her WikiLeaks film Risk: ‘I knew Julian Assange was going to be furious’. The Guardian. [online] Available at: https://www.theguardian.com/film/2017/jun/29/laura-poitras-wikileaks-film-risk-julian-assange [Accessed 21 Mar. 2018].

LaBute, N. (2011). The shape of things. New York: Broadway Publishing.

Palmen, C. (2007). Sympathie voor de duivel. [online] NRC. Available at: https://www.nrc.nl/nieuws/2007/04/06/sympathie-voor-de-duivel-11303646-a112719 [Accessed 30 Mar. 2018].

Palmen, C. (2008). Lucifer. 8st ed. Amsterdam: Prometheus.

Parkinson, H. (2015). Instagram, an artist and the $100,000 selfies – appropriation in the digital age. [online] the Guardian. Available at: https://www.theguardian.com/technology/2015/jul/18/instagram-artist-richard-prince-selfies [Accessed 30 Mar. 2018].

Risk. (2016). [film] Directed by L. Poitras. United States of America: Neon.

RT UK (2017). Assange objects to new Wikileaks documentary. [video] Available at: https://www.youtube.com/watch?v=C7uFVITDNCE [Accessed 30 Mar. 2018].

Sanders, S. (2007). Palmens Schat (3) - Vrij Nederland. [online] Vrij Nederland. Available at: https://www.vn.nl/palmens-schat-3/ [Accessed 30 Mar. 2018].

Staal, J. (2008). The Geert Wilders Works. [online] Jonasstaal.nl. Available at: http://www.jonasstaal.nl/projects/the-geert-wilders-works/ [Accessed 30 Mar. 2018].

Vishnevetsky, I. (2017). Laura Poitras’ ethically muddled Risk loses itself inside WikiLeaks. [online] Film.avclub.com. Available at: https://film.avclub.com/laura-poitras-ethically-muddled-risk-loses-itself-insi-1798191219 [Accessed 30 Mar. 2018].

Bibliography

Winternachten (2016). NRC Leesclub live: 'Lucifer' van Connie Palmen - Writers Unlimited - Winternachten Den Haag 2016. [video] Available at: https://www.youtube.com/watch?v=DNZ0kZggBEE [Accessed 21 Mar. 2018]