User:Lbattich/th - rough bilbiography

• Alberro, Alexander, and Blake Stimson, eds. (2009) Institutional Critique: An Anthology of Artists’ Writings. Cambridge: MIT Press.

• Andrade, Oswald (1928) ‘Cannibalist Manifesto‘, tr. Leslie Bary, Latin American Literary Review, Vol. 19, No. 38 (Jul. - Dec., 1991), pp. 38-47.

• Barthes, Roland. (1967) "The Death of the Author." Image / Music / Text. Trans. Stephen Heath. New York: Hill and Wang, 1977. 142-7.

• Batchelor, David. (2000) Chromophobia. London: Reaktion Books.

• Buchloh, Benjamin. (May 1980) ‘Marcel Broodthaers: Allegories of the Avant-Garde.’ Artforum, Vol. 18, no. 9. pp. 52-59

• Buchloh, Benjamin. (November 1984) ‘Theorizing the Avant-Garde.’ Art in America. pp. 19-21.

• Buchloh, Benjamin. (Autumn 1987) Ed. Special Broodthaers Issue. October, Vol. 42 Cambridge MA: MIT Press.

• Burke, Séan. (1998) The Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault, and Derrida. Edinburgh: Edinburgh University Press.

• Crimp, D. (1979) ‘Pictures’. October, Vol. 8. Cambridge MA: MIT Press. 75-88.

• Crimp, D. (1982) 'Appropriating Appropriation', in Evans, D. (ed.) (2009) Appropriation. Documents of Contemporary Art. Cambridge: MIT Press, pp. 189-193.

• Debord, G. et al (1959) ‘Détournement as Negation and Prelude’, in Knabb, K. (ed.) (2006) Situationist International Anthology. 2nd ed. Berkeley: Bureau of Public Secrets.

• De Duve, Thierry. (1996) Kant After Duchamp. Cambridge: MIT Press.

• Dell'Aria‎, Annie. (2010) ‘Appropriate Appropriation: a comparison of the reuse of images across the terms postmodern, post-communist, and postproduction.’ Re-Visions: The journal of international postgraduate students' art & design research. Vol. 1. December 2010.

• Dolar, Mladen. (2014) What’s in a Name?. Ljubljana: Aksioma – Institute for Contemporary Art.

• Foster, H. (1996) The Return of the Real. Cambridge MA: MIT Press.

• Foster, H. (2002) ‘Archives of Modern Art’. October, Vol. 99, Winter. Cambridge MA: MIT Press.

• Foucault, Michel. (1969) 'What is an Author?' Translated by Donald F. Bouchard and Sherry Simon. In Language, Counter-Memory, Practice. Ed. Donald F. Bouchard. Ithaca, New York: Cornell University Press, 1977. pp. 124-127.

• Freud, Sigmund. (1901) ‘The Forgetting of Proper Names’, in The Psychopathology of Everyday Life. tr. Alan Tyson. The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 6. London: Vintage. 2001.

• Goldsmith, K. (2005) ‘Sentences on Conceptual Writing’. Available: http://www.ubu.com/papers/kg_ol_goldsmith.html. Accessed 3 June 2015.

• Goldsmith, K. (2011) Uncreative Writing : Managing Language in The Digital Age. New York: Columbia University Press.

• Harrison, N. (2010) ‘The Pictures Generation, the Copyright Act of 1976, and the Reassertion of Authorship in Postmodernity', Art & Education. Available: http://www.artandeducation.net/paper/the-pictures-generation-the-copyright-act-of-1976-and-the-reassertion-of-authorship-in-postmodernity/. Accessed 3 June 2015.

• Kosuth, J. (1991) Art After Philosophy And After: Collected Writings, 1966-1990. Edited by Gabriele Guercio and Jean-François Lyotard. Cambridge: MIT Press.

• Krauss, Rosalind. (1999) Voyage on the North Sea: Art in the Age of the Post-Medium Condition. London: Thames and Hudson.

• Krauss, Rosalind. (2011) Under Blue Cup. Cambridge: MIT Press.

• Krauss, Rosalind. (2013) Perpetual Inventory. Cambridge: MIT Press.

• Lippard, L. R. (1973) Six Years: The Dematerialization of The Art Object From 1966 to 1972. New York: Praeger. 1973.

• Lobel, Michael. (2007) ‘Sturtevant: Inappropriate Appropriation’. Parkett, Vol. 75. Zürich: Parkett. 142-153.

• Lütticken, Sven. (2002) 'The Art of Theft'. New Left Review, Vol. 13. Jan-Feb 2002.

• Nehamas, Alexander. (1986). 'What an Author Is'. The Journal of Philosophy, 83(11), 685–691. Retrieved from http://www.jstor.org/stable/2026619

• Nietzsche, Friedrich. (1874) ‘On the Uses and Disadvantages of History for Life’, in Untimely Meditations, tr. R. J. Hollingdale. Cambridge: Cambridge University Press. 1993.

• Pappas, Nickolas. (1989). 'Authorship and Authority'. The Journal of Aesthetics and Art Criticism, 47(4), 325–332. http://doi.org/10.2307/431132

• Riley, C. A. (1995) Color Codes. New Hampshire: UPNE.

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Particularly on Deleuze and the notion of the proper name:

• Bogue, Ronald. Deleuze’s Way: Essays in Transverse Ethics and Aesthetics. Farnham: Ashgate, 2007.

• Deleuze, Gilles. Negotiations. Translated by Martin Joughin. New York: Columbia Press University, 1995.

• Deleuze, Gilles. Desert Islands and Other Texts 1953-1974. Translated by Mihcael Taormina. Los Angeles: Semiotext(e), 2004.

• Deleuze, Gilles. Difference and Repetition. Translated by Paul Patton. London: Bloomsbury, 2004.

• Deleuze, Gilles and Felix Guattari, A Thousand Plateaus. Translated by Brian Massumi. London: Bloomsbury, 2013.

• Deleuze, Gilles and Felix Guattari. (1991) What is Philosophy? Translated by Hugh Tomlinson and Graham Burchell. New York: Columbia University Press, 1994.

• O’Sullivan, Simon. Art Encounters Deleuze and Guattari. New York: Palgrave Macmillan, 2006.

Patton, Paul. Deleuze and the Political. London: Routledge, 2000.

• Smith, Daniel. Essays on Deleuze. Edinburgh: Edinburgh University Press, 2012.

• Genosko, Gary. Ed. Deleuze and Guattari: Critical Assessments of Leading Philosophers. London: Routledge. 2001