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  • * David Byrne 2012 ''How Music Works'' http://ottomen.com/justin/wp-content/uploads/2012/01/Screen-shot-2012-01-09-at-10.50.38-PM.png
    6 KB (959 words) - 17:18, 15 September 2014
  • [[Category: 2012/2013]]
    6 KB (990 words) - 11:40, 26 November 2013
  • ...ce etc) and feelings (hatred, love, anger etc).’'' - Posted on February 4, 2012 by Olivia, http://www.differencebetween.com/difference-between-icon-and-vs- ...as icon represents only items that are visible.’'' - Posted on February 4, 2012 by Olivia, http://www.differencebetween.com/difference-between-icon-and-vs-
    14 KB (2,312 words) - 21:52, 20 March 2015
  • ...phic design even is and also what it can be (Libre Graphics Research Unit, 2012). The project also attempts to highlight some problems in the broader conte ...phics Research Unit. 16 Case-Stories Re-Imagining the Practice of Lay-Out. 2012, https://gitlab.constantvzw.org/lgru/co-position-catalog.
    14 KB (2,202 words) - 14:15, 1 December 2023
  • ...uments full of intentions, deceptions, narratives ... ( Mesa del Castillo, 2012). In the hands of capitalism and its institutions, mappings have been instr ...equires its own narrative rules and rhetorical figures (Mesa del Castillo, 2012). The ubiquity of graphical formats calls for a new critical understanding
    20 KB (3,009 words) - 02:08, 3 December 2019
  • FILMS4PEACE, 2012 <br />
    6 KB (939 words) - 19:09, 28 April 2016
  • ...l gurus and teachers, for instance Eckhart Tolle (1997) and Timothy Freke (2012), talk about how each individual creates it’s own reality and about how t Freke, T., 2012. The Mystery Experience: A revolutionary approach to spiritual awakening. D
    14 KB (2,327 words) - 01:14, 9 May 2017
  • *Smith, Daniel. ''Essays on Deleuze''. Edinburgh: Edinburgh University Press, 2012.
    5 KB (669 words) - 16:28, 9 December 2015
  • ==Review: Open Design Symposium 2012, Linz==
    6 KB (925 words) - 21:42, 26 June 2012
  • Ong, W.J., Hartley, J., 2012. ''Orality and literacy: the technologizing of the word, 30th anniversary e
    6 KB (759 words) - 16:24, 14 November 2019
  • Cron, L. (2012). Wired for story. 1st ed. New York: Ten Speed Press, p.20.
    7 KB (904 words) - 17:26, 25 April 2018
  • LIQUID MODERNITY – Zygmunt BAUMAN, Polity Press, 2012 (First ed. 2000)
    5 KB (828 words) - 17:59, 19 November 2018
  • '''Parikka, Jussie (2012) What is Media Archaeology, United States of America, Polity Press'''
    6 KB (877 words) - 20:34, 23 January 2016
  • [[Category: 2011/2012]] [http://mashable.com/2012/03/22/feel-your-facebook-pokes-with-this-poking-machine-video/ Click here f
    7 KB (1,072 words) - 11:29, 19 August 2013
  • ...Young on the topic of drone warfare. The project was initiated in november 2012 during a three week residency at Upominki in Rotterdam. The result of the r
    6 KB (875 words) - 11:58, 6 January 2014
  • ...iddle ground between material reality and photographic illusion”. (Kasten, 2012)
    7 KB (1,059 words) - 12:08, 6 May 2019
  • — Armée zapatiste de libération nationale, ''communiqué du 21 décembre 2012.''</blockquote> ...dance-generale-de-larmee-zapatiste-de-liberation-national-ezln-21-decembre-2012/</nowiki> (Accessed: March 4, 2023).
    17 KB (2,619 words) - 01:00, 9 March 2023
  • The Hunt for AI (2012), Marcus Du Sautoy<br />
    6 KB (1,045 words) - 14:19, 28 November 2012
  • [[Category: 2012/2013]]
    6 KB (1,037 words) - 12:59, 10 December 2013
  • <li>Galloway, Alexander R. (2012), The Interface Effect, Cambridge, UK, Polity</li>
    7 KB (1,032 words) - 13:52, 7 December 2021
  • Colebrook, C (2012) "Framing the end of the Species", Extinction, Ed. Claire Colebrook, Open H Matts, T (2012) "The Melancholy of Extinction", M/C Journal, Vol 15, No 3 <br>
    12 KB (1,903 words) - 14:29, 30 March 2017
  • date: &date 2012
    8 KB (1,156 words) - 10:03, 16 April 2024
  • '''Project outline - 7 feb 2012'''
    6 KB (857 words) - 15:03, 16 February 2012
  • ...album I recorded under the alias Yoshimi! and was released in februari of 2012. It consists of 11 songs about conceptual disorder and existential crisis a
    6 KB (1,075 words) - 02:45, 16 January 2013
  • [[Category: 2012/2013]]
    7 KB (1,123 words) - 12:38, 23 March 2013
  • 22 Feb 2012
    6 KB (1,008 words) - 14:06, 22 February 2012
  • ...ual frameworks (Flantua et al., 2014, Flantua & Hooghiemstra, 2017; Groot, 2012; Torres et al., 2005, 2013; Van der Hammen 1974). Groot M.H.M. (2012). ‘’Solving a Piece of the puzzle’’. Reconstruction of millennial-s
    12 KB (1,863 words) - 19:34, 24 October 2017
  • ...ual frameworks (Flantua et al., 2014, Flantua & Hooghiemstra, 2017; Groot, 2012; Torres et al., 2005, 2013; Van der Hammen 1974). Groot M.H.M. (2012). ‘’Solving a Piece of the puzzle’’. Reconstruction of millennial-s
    12 KB (1,863 words) - 19:41, 24 October 2017
  • 寄件日期: 2012/11/19 (週一) 7:28 PM
    7 KB (1,365 words) - 18:28, 6 December 2012
  • http://www.juilliard.edu/sites/juilliard.edu/files/journal/2012/05/cage-john.jpg https://chrissypianist.files.wordpress.com/2012/08/imaginary-landscape-2-pg-1.jpg
    9 KB (1,243 words) - 15:19, 26 January 2017
  • ...filmmaking are adding layers of meanings to moving image content. (Brown, 2012) 1) Brown, B. (2012). ''Cinematography: theory and practice. Image making for cinematographers
    14 KB (2,313 words) - 02:54, 14 December 2011
  • ...filmmaking are adding layers of meanings to moving image content. (Brown, 2012) 1) Brown, B. (2012). Cinematography: theory and practice. Image making for cinematographers an
    14 KB (2,310 words) - 00:26, 2 October 2012
  • Saskia Sassen (2012, p.) observes that in the cities today a big mix of people coexist. The one ...n and their distribution. [S: <this could be clearer] According to Sassen (2012, p.) in movements like #occupy these technologies were intensively discusse
    20 KB (3,132 words) - 12:08, 13 December 2018
  • ...TV was made in response to the end of analogue broadcasting in Uk in April 2012. Primarily we wanted to raise awareness that the broadcasting medium that h
    6 KB (1,083 words) - 12:50, 15 January 2014
  • ...album I recorded under the alias Yoshimi! and was released in februari of 2012. It consists of 11 songs about conceptual disorder and existential crisis a
    7 KB (1,136 words) - 20:24, 5 October 2012
  • Energetic Transformation, 2012
    7 KB (1,253 words) - 22:15, 12 November 2012
  • Energetic Transformation, 2012
    7 KB (1,253 words) - 22:45, 15 January 2013
  • ...esearch center Creating 010, Hogeschool Rotterdam. April 10th – June 26th, 2012.'' * Star Wars Uncut (world-wide, 2012, collective)
    19 KB (2,475 words) - 11:07, 3 December 2019
  • ...te who, where, and under what conditions are at the origin of spam (Burell 2012), linguists to speculate on the grammatical anomalies contained in spam (Bl ...of 419s I have been collecting since November 2012. Beginning in December 2012, I have been compiling and organizing the collected emails under this archi
    30 KB (4,788 words) - 01:19, 25 March 2013
  • ...nce 1917?” (Mitt Romney, third US Presidential Debate, as quoted in Estes, 2012) ...d in 1916. Well Governor, we also have fewer horses and bayonets.” (Estes, 2012)
    29 KB (4,525 words) - 17:34, 7 April 2013
  • ...t like 'the best interface is no interface'.(http://www.cooper.com/journal/2012/08/the-best-interface-is-no-interface.html) As we have just seen, an interf Galloway, A.R. (2012) The Interface Effect, Polity Press<br>
    66 KB (10,707 words) - 23:03, 25 November 2014
  • http://www.theguardian.com/film/2012/sep/14/act-of-killing-review ...oy poverty', the 2008 documentary by Renzo Martins and The Act of Killing, 2012, Joshua Oppenheimer.
    25 KB (3,945 words) - 00:49, 9 July 2014
  • ...xplain this I will have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis Images: ''Untitled'', 2012
    19 KB (3,192 words) - 23:21, 11 November 2017
  • ...ual frameworks (Flantua et al., 2014, Flantua & Hooghiemstra, 2017; Groot, 2012; Torres et al., 2005, 2013; Van der Hammen 1974). Groot M.H.M. (2012). ‘’Solving a Piece of the puzzle’’. Reconstruction of millennial-s
    13 KB (1,932 words) - 16:09, 26 October 2017
  • ...anuary) [online]. Available: http://www.mpaa.org/news/pr (Accessed 7 April 2012). ...://www.mpaa.org/contentprotection/types-of-content-theft (Accessed 7 April 2012).
    14 KB (2,208 words) - 14:28, 7 April 2012
  • ...2/object-steganography-noah-feehan-2012 Object Steganography, Noah Feehan (2012)] * Steyerl, H. (2012). The Wretched of the Screen. SternbergPress.
    26 KB (2,953 words) - 21:07, 13 June 2018
  • [[Category: 2012/2013]]
    7 KB (1,218 words) - 01:39, 27 March 2013
  • ...e made up a small group of two couples, two relationships that exploded in 2012, when two members of the group started an affair. Since then I have remaine
    7 KB (1,168 words) - 23:22, 8 December 2016
  • *7 Peaks, 2012, 35mm, 23 min.
    6 KB (872 words) - 10:31, 4 December 2017
  • ...e made up a small group of two couples, two relationships that exploded in 2012, when two members of the group started an affair. Since then I have remaine
    7 KB (1,164 words) - 23:39, 8 December 2016
  • *7 Peaks, 2012, 35mm, 23 min.
    6 KB (872 words) - 11:12, 30 November 2017
  • <p>In may 2012 Google announces to sell it's popular 3D-modeling-software Google Sketchup. ...06/take-flight-through-new-3d-cities-on.html http://googleblog.blogspot.no/2012/06/never-ending-quest-for-perfect-map.html https://plus.google.com/+GoogleE
    16 KB (2,659 words) - 10:53, 6 May 2014
  • what happened in 2012? an end in the increase of human intelligence
    7 KB (1,161 words) - 11:46, 11 March 2015
  • Robinson, Kim Stanley. 2312. London: Orbit, 2012.
    8 KB (1,153 words) - 15:35, 16 February 2023
  • Energetic Transformation, 2012
    7 KB (1,294 words) - 10:03, 9 October 2012
  • * Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
    7 KB (1,026 words) - 17:08, 15 November 2019
  • Ain Bailey's immersive multi-channel sound piece The Pitch Sisters (2012) is a composition challenging the notion of a 'preferred pitch' of a woman'
    7 KB (1,066 words) - 11:57, 5 June 2019
  • Dreyer, C.T. (2012) Dreyer on Colour Film, in Wahl, J. 'Carl Theodor Dreyer and Ordet: My Summ Brown, S.,‎ Street, S. and Watkins, L. (2012) Color and the Moving Image: History, Theory, Aesthetics, Archive, Routledg
    16 KB (2,581 words) - 11:16, 12 May 2021
  • # error 5 sept 2012:
    8 KB (1,202 words) - 22:43, 30 January 2013
  • ...y graduation project as an embodied sound research around animacies (Chen, 2012); the agency and the living value that bodies and inanimate objects carry w Animacy (Chen, 2012) is a linguistic term that is connected with liveliness, agency, awareness,
    20 KB (3,178 words) - 21:10, 11 December 2022
  • ...y graduation project as an embodied sound research around animacies (Chen, 2012); the agency and the living value that bodies and inanimate objects carry w Animacy (Chen, 2012) is a linguistic term that is connected with liveliness, agency, awareness,
    20 KB (3,144 words) - 14:33, 11 December 2022
  • ...ww.washingtonmonthly.com/features/2001/0205.florida.html (Accessed 19 June 2012).
    7 KB (1,095 words) - 12:13, 19 June 2012
  • ...enting the life at a Dutch institution before it ceased to exists with the 2012 Dutch art funding cuts.
    6 KB (921 words) - 12:13, 15 March 2021
  • I have been VJing since 2012 starting in the underground rave parties of Vienna and moving up to club an
    7 KB (1,095 words) - 20:03, 25 December 2018
  • *Matthew Fuller & Andrew Goffey (2012) Advisable Techniques for Super-Hubs: The Topological Machinery of Abstract http://2012.sonicacts.com/index.php#friday24february
    27 KB (3,870 words) - 18:34, 15 September 2014
  • ...networking service owned by ByteDance, a Beijing-based company founded in 2012 by Zhang Yiming. It is used to create short dance, lip-sync, comedy, and ta
    9 KB (1,289 words) - 10:32, 27 April 2020
  • *[[Notes on LGRU Meet | Notes on LGRU Meet, Worm, Sep 2012]] [http://www.guardian.co.uk/world/2012/oct/23/uk-support-us-drones-pakistan-war-crime Cobain, Ian: ''UK support fo
    8 KB (988 words) - 21:22, 8 January 2022
  • Slavoj Žižek. Object a and The Function of Ideology. 2012
    8 KB (1,297 words) - 10:08, 14 April 2014
  • I quit Facebook in 2012. But in “Hotel California” fashion, my data will greet me if I check ba
    7 KB (1,194 words) - 21:33, 10 November 2015
  • == The shootingday 26th March 2012 ==
    7 KB (1,248 words) - 13:42, 3 May 2012
  • ...right, when they start as the Junior director of the National Front, from 2012 to 2014.
    7 KB (1,064 words) - 19:11, 29 October 2020
  • ...Design at Ravensbourne University in London. Before that, between 2007 to 2012 I worked back home in Norway in all kinds of jobs: as a postman, warehouse ...at Ravensbourne University. But before that I was working between 2007 to 2012 back home in Norway.
    18 KB (3,407 words) - 15:34, 3 June 2015
  • ...ographic imagery I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis '''After Untitled 2012:'''<br>
    29 KB (4,685 words) - 13:57, 1 February 2018
  • ...the day she died and the day, I run the script, that was the 29th of march 2012 (ideally it would be the current day). The amount of edits varies strongly
    16 KB (2,781 words) - 23:28, 19 November 2012
  • Hartmut Bohnacker, Benedikt Gross, Julia Laub, (2012), ‘Generative Design: Visualize, Program, and Create with Processing’,
    7 KB (1,164 words) - 03:00, 22 March 2017
  • ...ple in ‘The Bank of Broken Dreams’ (2014) or ‘The Emotional Stock Market’ (2012) a mass of data is accumulated, reappropriated and distributed within the a
    7 KB (1,179 words) - 18:40, 8 July 2014
  • * Matthew Fuller & Andrew Goffey - Evil Media (2012); [http://pzwart1.wdka.hro.nl/~manetta/annotations/html/txt/evil-media_matt
    9 KB (1,267 words) - 10:33, 4 February 2016
  • ...the day she died and the day, I run the script, that was the 29th of march 2012 (ideally it would be the current day). The amount of edits varies strongly
    16 KB (2,816 words) - 14:34, 19 November 2012
  • In an interview in Moscow in 2012 <ref>[http://vimeo.com/30477574, "http://vimeo.com/30477574"], Visited Apri In an interview in Moscow in 2012 <ref>[http://vimeo.com/30477574, "http://vimeo.com/30477574"], Visited Apri
    19 KB (3,084 words) - 15:00, 16 April 2014
  • | Side by Side (2012) || Christopher Kenneally || history of technology || 10.18 || class
    6 KB (869 words) - 21:41, 29 September 2019
  • media philosophy, Luciana Parisi (2012)
    7 KB (974 words) - 09:22, 13 April 2023
  • ...mporary art, which he also develops in later writings. (see Smith 2011 and 2012). Given the generally accepted passage from the 'modern' and ‘postmodern David Geers (2012) points to a recent revival of modernist tropes in artistic practice that a
    21 KB (3,133 words) - 13:31, 16 February 2016
  • Ong, W.J., Hartley, J., 2012. Orality and literacy: the technologizing of the word, 30th anniversary ed.
    8 KB (1,241 words) - 15:55, 12 September 2019
  • ...téphane, and Gwenola Wagon. World Brain Stéphane Degoutin & Gwenola Wagon, 2012. http://worldbrain.arte.tv.</ref>
    10 KB (1,413 words) - 13:55, 5 October 2015
  • # Hertz, Garnet & Parikka, Jussi. (2012). Zombie Media: Circuit Bending Media Archaeology into an Art Method. Leona ...and Dirty Matter.” Communication and Critical/Cultural Studies 9.1 (March 2012): 95-100. Print and Web. <br>
    16 KB (2,563 words) - 14:25, 6 December 2020
  • I have been VJing since 2012 starting in the underground rave parties of Vienna and moving up to club an
    8 KB (1,137 words) - 10:52, 7 February 2019
  • #Karen Barad, Adam Kleinmann (2012): “Intra-actions” (Interview of Karen Barad by Adam Kleinmann)
    9 KB (1,408 words) - 00:15, 19 November 2022
  • ...psychology of how people use space - [[https://softdimension.wordpress.com/2012/10/08/40/ Soft Dimensions ]]
    8 KB (1,222 words) - 12:45, 11 April 2021
  • Galloway, A. (2012) The Interface Effect
    8 KB (1,231 words) - 15:50, 24 March 2014
  • ...equires its own narrative rules and rhetorical figures (Mesa del Castillo, 2012). The ubiquity of graphical formats calls for a new critical understanding ...at visualise information constitute a political device (Mesa del Castillo, 2012) The traditional cartography ignores the political and social use of the ma
    23 KB (3,381 words) - 12:01, 12 December 2019
  • Sterne, Jonathan, (2012), Sound Studies
    9 KB (1,475 words) - 18:09, 21 June 2015
  • Sterne, Jonathan, (2012), Sound Studies
    9 KB (1,475 words) - 10:57, 17 June 2015
  • *What Is Meida Archaeology (Jussi Parikka, 2012) ...ation that puts objects and statements into inseparable proximity.(Parikka 2012:48)
    16 KB (2,483 words) - 14:15, 21 February 2016
  • ...ed by the ZKM | Center for Art and Media Karlsruhe and lasted from 2010 to 2012. The website documents a few case studies which are worth having a look at.
    9 KB (1,463 words) - 01:32, 21 November 2014
  • * Cornelia Sollfrank, ''Giving What You Don't Have'' (2012-2015) "I realised how limited the discourse on appropriation is and shifted ...Daily Post’s former London office at 88 Fleet Street, was refurbished over 2012-13 to facilitate collective gatherings and allow fluid connections between
    35 KB (5,033 words) - 13:12, 16 May 2022
  • ...anxious times. According to Mayan culture, the world should have ended in 2012 and what we have been living in since has just been a strange shadow of the
    8 KB (1,124 words) - 20:07, 30 June 2021
  • Ferreira, M.M., 2012. O profissional da informação no mundo do trabalho e as relações de gê
    7 KB (1,159 words) - 20:33, 27 March 2018
  • Geert Lovink, [2012], <What Is the Social in Social Media?>.
    9 KB (1,465 words) - 13:24, 19 April 2017
  • ...uly 30). Amazon's recommendation secret. Retrieved from http://fortune.com/2012/07/30/amazons-recommendation-secret/
    9 KB (1,327 words) - 16:51, 25 April 2018
  • ...|150px]] || Laric was awarded the Contemporary Art Society Annual Award in 2012, with a project that involves scanning works from the museum collection and
    11 KB (1,488 words) - 22:20, 10 December 2013
  • ...mporary art, which he also develops in later writings. (see Smith 2011 and 2012). Given the generally accepted passage from the 'modern' and ‘postmodern David Geers (2012) points to a recent revival of modernist tropes in artistic practice that a
    23 KB (3,468 words) - 14:17, 16 February 2016
  • ...ace Dillo, Walking the Clouds: An Anthology of Indigenous Science Fiction (2012) ...Writing and Visual Culture After the Holocaust (Columbia University Press, 2012)
    14 KB (2,266 words) - 12:10, 1 June 2023
  • * Evil Media, Matthew Fuller and Andrew Goffey, 2012. * Alien Phenomenology, or What It's Like to Be a Thing, Ian Bogost, 2012.
    24 KB (4,128 words) - 14:37, 12 March 2014
  • ==2012==
    7 KB (1,291 words) - 15:46, 15 May 2012
  • ...n Shot 2018-05-07 at 12.18.46.png|thumb|Object Steganography, Noah Feehan (2012)]] ...2/object-steganography-noah-feehan-2012 Object Steganography, Noah Feehan (2012)]
    33 KB (4,836 words) - 15:10, 22 May 2018
  • * [http://monoskop.org/log/?p=6724 Burrell, Jena. 2012. 'Invisible Users: Youth in the Internet Cafés of Urban Ghana'. MIT Press.
    8 KB (1,273 words) - 21:38, 16 January 2013
  • ...a complex artistic film that engages an external audience (Bishop, p.246, 2012). Facing the uncertain nature of participatory projects (as in a horizontal
    9 KB (1,502 words) - 20:13, 6 June 2022
  • 13 KB (1,306 words) - 17:26, 27 March 2023
  • ''Cosmopolis'', (Cronenberg, 2012) Cosmopolis, (Cronenberg, 2012)
    37 KB (6,030 words) - 17:56, 17 October 2014
  • *Zizek, Slavoj (Ed) Mapping Ideology (2012) Verso
    9 KB (1,446 words) - 12:15, 24 January 2013
  • [[User:Zigbe|Caetano//Carvalho]] 09:30, 03 October 2012 (CEST)
    12 KB (1,804 words) - 09:55, 3 October 2012
  • ...one school over a longer time, although he worked on the project from 2004-2012, but to photograph multiple classrooms all over the world. He wants to crea
    11 KB (1,903 words) - 10:15, 20 June 2012
  • ...his Story’ from ''Tiger Writing: Art, Culture & the Interdependent Self'' (2012)
    9 KB (1,351 words) - 15:17, 12 January 2024
  • Kirkpatrick, D. (2012) The Facebook Effect: The Real Inside Story of Mark Zuckerberg and the Worl
    8 KB (1,044 words) - 18:26, 11 February 2020
  • ...in Beijing 2012, the World Conference on International Telecom in Dubai in 2012, or the NetMundial in Sao Paulo 2014. I would like to set up, through some
    20 KB (3,236 words) - 00:07, 30 January 2021
  • 17 Jan 2012
    7 KB (1,149 words) - 18:13, 17 January 2012
  • ...ef name="ftn7">Memory of the World, [https://www.memoryoftheworld.org/blog/2012/11/26/end-to-end-catalog-2/ End-to-end-catalog]</ref></blockquote> ...tworked Media from the Piet Zwart Institute, Rotterdam (MDes, 2010-12). In 2012 he has co-founded the artist collective La Société Anonyme known for its
    37 KB (5,205 words) - 13:12, 16 May 2022
  • ...book about collaborative media in Prototyping Futures: http://medea.mah.se/2012/12/collaborative-media-production-consumption-and-design/ https://lists.gnu.org/archive/html/consensus/2012-12/msg00009.html
    36 KB (5,807 words) - 20:18, 27 March 2013
  • ...EADER "TAPE02; LOGAN, BOSTON ATCT; FINAL ONE, F1; 126.5 MHz; 26 JUNE 1991, 2012 TO 2212 UTC; TRANSCRIBER FR"))
    10 KB (1,494 words) - 18:40, 13 November 2018
  • * Framing - Chapter 7 - Irina Botea’s Picturesque (2012); Mohammadreza Farzad’s Gom o gour (Into Thin Air, 2010) and Peter Thomps
    9 KB (1,330 words) - 19:29, 12 March 2023
  • Dennis Paul, An Instrument for Sonification of Everyday things (2012), Leave a comment toolkit(2010), Snowplay(2009)
    8 KB (1,342 words) - 16:59, 27 November 2013
  • ...Margaret D. Stetz, Opticon 1826, 14: 21-26, DOI: http://dx.doi.org/opt.aj, 2012. * Evil Media, Matthew Fuller and Andrew Goffey, 2012.
    48 KB (8,161 words) - 01:19, 2 December 2013
  • Interview with one half of the web hosting collective OX4, on Mon 13 Feb 2012<br />
    9 KB (1,595 words) - 22:21, 13 February 2012
  • ...line] The New York Times. Available from : http://www.nytimes.com/projects/2012/snow-fall/index.html#/?part=tunnel-creek [Accessed 12/02/19]. ...he Atlantic. Available from : https://www.theatlantic.com/business/archive/2012/12/snow-fall-isnt-the-future-of-journalism/266555/ [Accessed 05/11/18].
    25 KB (3,750 words) - 14:00, 3 April 2019
  • ...urnalist obtained access to internal emails from a Mexican troll farm from 2012 to 2014. This shed light on strategies of distraction, such as the fabricat
    9 KB (1,336 words) - 15:08, 18 November 2019
  • ...a Field Guide”'', edited by David Evans, Black Dog Publishing, London, UK, 2012;
    10 KB (1,528 words) - 09:51, 16 April 2017
  • In an interview in Moscow in 2012 (Museum of Modern Art in Warsaw, Oct 2011), visited April 06, 2014), Marten In an interview in Moscow in 2012<ref>[http://vimeo.com/30477574, "http://vimeo.com/30477574"], Visited April
    23 KB (3,782 words) - 14:00, 2 July 2014
  • ...s in which Buren criticized them, are a thing of the past. In the 2011 and 2012 shows it is difficult to see more that “spatial, plastic and aesthetic co
    20 KB (3,327 words) - 11:43, 10 June 2015
  • Since March 2012 I had been collecting and photocopying papers tossed in the recycling bin a
    10 KB (1,562 words) - 15:42, 7 November 2012
  • On 22, 23 & 24 March 2012, we did a Robotics Workshop. The first one.
    9 KB (1,381 words) - 13:33, 6 March 2013
  • Nielsen's 2012 guidelines, "Repurposing vs Optimized Design" that web sites made for mobil
    13 KB (1,896 words) - 12:42, 20 December 2021
  • ...exploitation; but it’s very much in line with neoliberal rhetoric (beloso 2012).
    10 KB (1,626 words) - 17:24, 23 January 2019
  • Steyerl, Hito (2012). In Defense of the Poor Image in The Wretched of the Screen.

    9 KB (1,477 words) - 13:36, 7 October 2018
  • ...f my sketches I play with how a scene from the film The Dark Knight Rises (2012) is designed to shape the general opinion on Occupy Wall-Street by distorti Gif Cave – Umberlina Cave (2012)<br>
    21 KB (3,460 words) - 20:54, 10 December 2014
  • Sonic Acts XIV (2012) Travelling Time. Amsterdam, Sonic Acts Press
    9 KB (1,414 words) - 03:52, 5 December 2019
  • * Galloway, A (2012) The Interface Effect
    9 KB (1,538 words) - 00:44, 2 December 2013
  • ...ed toward arts and humanities to take its final form of a media library in 2012, as Dušan Barok's graduation project at the Piet Zwart Institute. ...nded toward arts and humanities to take its final form of media library in 2012 as Dusan Barok's graduation project in the Networked Media master course of
    29 KB (4,861 words) - 13:44, 24 September 2019
  • * Steyerl, Hito (2012) ''In Defense of the Poor Image'' in The Wretched of the Screen. http://the ** Est. 2012 by Marcell Mars and Tomislav Medak as a proof of concept of the Public Libr
    20 KB (3,024 words) - 15:54, 2 June 2018
  • Sonic Acts XIV, 2012, Travelling Time. Amsterdam, Sonic Acts Press
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  • Hertz, G. and Parikka, J. (2012). Zombie Media: Circuit Bending Media Archaeology into an Art Method. Leona
    10 KB (1,579 words) - 17:47, 21 November 2021
  • ...ine Pollen: Ancient Medicine for a New Millennium. Springvale: Surthrival, 2012. 6. Chen, Mel Y.. Animacies. Durham: Duke University Press, 2012.
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  • ...itutes individuals by manipulating bits of information (quoted in Rushton, 2012) . This illustrates how an identity is formed within a user profile: throug -Rushton, Steve. Masters of reality. Sternberg press, 2012
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  • ...“the big other”.''' In Sophie Fiennes’ film A Pervert’s Guide to Ideology(2012), Slovenian philosopher Slavoj Zizek brings forth that “the big other is
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  • Since March 2012 I had been collecting and photocopying papers tossed in the recycling bin a
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  • Since March 2012 I had been collecting and photocopying papers tossed in the recycling bin a
    11 KB (1,727 words) - 01:51, 6 December 2012
  • ...e plural of the term ''medium'', and ''spans a relative diversity'' (Ryan, 2012, p.1). * Olia Lialina - Turing Complete User, 2012
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  • Hertz, G. and Parikka, J. (2012). Zombie Media: Circuit Bending Media Archaeology into an Art Method. Leona
    10 KB (1,632 words) - 15:52, 7 December 2021
  • ...atlas as an artistic object started while working on my series Sunstudies (2012/2013) and Lightstudies (2015/2016). The images are always presented in a gr
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  • The Pervert's Guide to Ideology. Dir. Slavoj Žižek. Perf. Slavoj Žižek. 2012. DVD.
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  • I did this project at the end of 2012. I used a large format camera with a Polaroid back. I wanted to produce a s
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  • ...belt. she has exposed multiple human rights abuses committed by Frontex in 2012. the documents she uploaded to Wikileaks also exposed large scale embezzlem
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  • In the last few years, roughly since 2012 [REF], the field of natural language processing (NLP) merged with a particu
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  • ...o hopefulness and happiness --- (emotion detection, suicide prevention) || 2012 || [http://www.clips.ua.ac.be/sites/default/files/f_bii-fine-grained-emotio
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  • movie based on story Tallhotblond (2012) http://www.nytimes.com/2012/03/19/business/media/how-hunger-games-built-up-must-see-fever.html
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  • April 2012
    12 KB (1,966 words) - 21:57, 19 April 2012
  • ...ken place in Egypt in 2011. For example, by using Qaul.net (Jud & Wachter, 2012), Wifi enabled devices can form a resistant network, and communicate intern
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  • * Cole, T. (2012). The City as Palimpsest. [online] www.youtube.com. Available at: https://w * Wilschut, D. and Stier, M. (2012). Bouw Markthal in Rotterdam (2) Archeologie: een geotechnische uitdaging.
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  • [FROM] Mrs Maria Johnson - Nov. 28, 2012, 9 a.m.
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  • * Fuller, M., Goffey, A., 2012. Togetherness, in: Evil Media. The MIT Press, Cambridge, Mass, pp. 47–68.
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  • Trimester 1, 2012 Thematic Seminar ...chaeology” from “What is Media Archaeology?”, Jussi Parikka, Polity Press, 2012.<br>
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  • ...entities for yourself is an example of a lack of integrity." (Kirkpatrick, 2012) ...chive is the Birmingham Daily Post’s former London office refurbished over 2012 and 2013. This building is not only used as space to hold material, or as a
    23 KB (3,712 words) - 18:12, 10 February 2020
  • ...ions include Masters of Reality (Sternberg Press and Piet Zwart Institute, 2012)
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  • ...ocial networking website – is rumored to go public in the first quarter of 2012 with an estimated value of over a hundred billion dollar? (Facebook IPO Val
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  • Mirror metaphors in Mantikut Tayr. (2012)
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  • Branded as the “Internet’s Weirdest Etsy Store” by Gawker in 2012, Brad Troemel’s Etsy store is a mix of common every day objects combined ...company Wyoming Corporate Services in 2010. The duo bought the company in 2012 to “function as a special purpose vehicle for their projects”, meaning
    24 KB (3,893 words) - 12:51, 15 April 2013
  • In reference to what do we do now in 2012 post financial crash.
    13 KB (2,172 words) - 10:57, 28 December 2023
  • Mesa del Castillo, M, 2012. Víctimas de un Mapa. Phd. Universidad de Alicante, Alicante.<br>
    12 KB (1,910 words) - 14:30, 4 November 2019
  • Gross, R. (2012). Tempo Recommendations for Dance Music. [online] Hollywood Ballroom Dance Gross, R. (2012). Tempo Recommendations for Dance Music. [online] Hollywood Ballroom Dance
    66 KB (10,332 words) - 19:05, 10 December 2017
  • ...artist’s film installation, virtual reality simulation and research. Since 2012, Dobrowolska has been working in collaboration with Teo Ormond-Skeaping on
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  • Mirror metaphors in Mantikut Tayr. (2012)
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  • ...is modeling the future, as future is inscribed in code.” (Cox and McLean, 2012: foreword). Cox and McLean discuss the multifaceted properties and uses of ...until terminating condition is met, unless an infinite loop is invoked.” (2012)
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  • Mesa del Castillo, M, 2012. Víctimas de un Mapa. Phd. Universidad de Alicante, Alicante.<br>
    12 KB (1,897 words) - 11:32, 14 November 2019
  • ...n Study #1—The American Dancer, her Bucksbaum Award–winning piece from the 2012 Whitney Biennial. For this piece, the culmination of her Devotion series, M ...://whitney.org/2012BucksbaumAwardToSarahMichelson Sarah Michelson Receives 2012 Bucksbaum Award]
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  • Zygmunt Bauman, Liquid Modernity, 2012 (Sociology, Emancipation, Migration, Liquidity) http://pzwiki.wdka.nl/media
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  • ...TV was made in response to the end of analogue broadcasting in Uk in April 2012. Primarily we wanted to raise awareness that the broadcasting medium that h
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  • ...mbolic, the Sublime, and Slavoj Zizek’s Theory of Film, Matthew Flisfeder, 2012</ref> The “big Other”, qua symbolic order, is then structures configuri Oliver Laric’s Versions (2009-2012) is a series of video artworks. The videos styled like visual essay, collag
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  • 2 Sun Jan 01 2012 00:00:00 GMT+0100 (CET) <br>
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  • * Cole, T. (2012) [https://www.youtube.com/watch?v=AOq2HWveVok The City as Palimpsest]
    14 KB (2,056 words) - 12:29, 14 May 2022
  • ...e plural of the term ''medium'', and ''spans a relative diversity'' (Ryan, 2012, p.1).
    12 KB (1,957 words) - 12:56, 2 March 2016
  • Mirror metaphors in Mantikut Tayr. (2012)
    13 KB (2,260 words) - 11:24, 11 November 2015
  • Mirror metaphors in Mantikut Tayr. (2012)
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  • Sonic Acts XIV and Altena A (2012) Travelling Time, Sonic Acts Press
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  • 27 august 2012
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  • STREHLE, S. 2012. Zeichenökonomie und symbolischer Tausch. In: Zur Aktualität von Jean Bau
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  • * The Pervert's Guide to Ideology (2012)
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  • Tue 24 Jan 2012
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  • Mesa del Castillo, M (2012) Víctimas de un Mapa. Phd. Alicante: Universidad de Alicante. <br>
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  • * Gilbert Simondon, 2012. ON TECHNO-AESTHETICS. PARRHESIA 14, 1–8. === Ελιάνα Καναβέλη, Φύλο, φόβος και δημόσιος λόγος (2012) ===
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  • ...mb|left|400px|''Up pen down'', research, fonts and workshops by OSP (since 2012)]] ...pen-down-invited-designers-valence/ workshop at the ESAD Valence Grenoble (2012/2013)] + [https://raw.githubusercontent.com/no-feature/up_pen_down/master/T
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  • ::In 2014(taken around 2012) a four-year-old Syrian girl(boy), Adi Hudea ‘surrendered’ when a photo
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  • ...with the economic impact of development and exploitation from Japan. (Ha, 2012) Around that time in the late 1890s, Korea had no power as an individual co
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  • ...uuradio.fr/ Duuu is a radio dedicated to contemporary creation. Founded in 2012 by artists, this radio was born from the desire to make people hear situati === Karen Barad, Adam Kleinmann (2012), [https://www.academia.edu/1857617/_Intra_actions_Interview_of_Karen_Barad
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  • ...teyerl: The Wretched of the Screen'' (n.d.): n. pag. Sternberg Press. Web. 2012.
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  • {{:User:Vitrinekast/The ongoing headache of getting an 2012 Macbook Pro to work as a webserver}}
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  • ''A story is real-life with the boring parts left out.'' (quoted in Cron, 2012)
    13 KB (2,282 words) - 17:21, 25 April 2018
  • * Garcés, M. (2012). Honesty with the real. Journal of Aesthetics & Culture, 4(1), p.18820. do
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  • ...o Web Macba. (2017). SON[I]A - James Pritchett. 166. [ONLINE]. 15 November 2012. Available from: http://rwm.macba.cat/en/sonia/sonia_james_pritchett/capsul
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  • ...arted in the late 1990s and became widespread in the late 2000s. (Maxigas, 2012)<br><br>
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  • ...Doorn, the artistic director of WORM, to accompany their yearly report for 2012. During the last year the institute went to several reforms and lost a lot
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  • [[Category: 2011/2012]]
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  • STREHLE, S. 2012. Zeichenökonomie und symbolischer Tausch. In: Zur Aktualität von Jean Bau
    12 KB (1,944 words) - 11:14, 6 May 2019
  • I have been working as a visual jockey since 2012 starting in the underground rave parties of Vienna and moving up to club an
    13 KB (1,997 words) - 14:53, 4 December 2018
  • ...eing excluded from public sphere. According to Kevin Fox Gotham (Kanaveli, 2012), territorial restrictions, identities and meanings are negotiable, as they ...d contexts of acting, outside of the formal system<ref>Kanaveli (Kanaveli, 2012) maintains that something that is visible and can be heard is reality and c
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  • * Burrell, Jena. 2012. 'Invisible Users: Youth in the Internet Cafés of Urban Ghana'. MIT Press.
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  • :-<b>http://arstechnica.com/gadgets/2012/10/drm-be-damned-how-to-protect-your-amazon-e-books-from-being-deleted/</b> ...ich would close it off—and cannot ‘build a lasting affirmative dimension’ (2012: 400).
    14 KB (2,281 words) - 16:38, 27 March 2015
  • ...ume entitled ''Joost van den Vondel: Dutch Playwright in the Golden Age'' (2012). In this line of research I am  currently finishing a manuscript entitled
    14 KB (2,107 words) - 10:51, 18 March 2016
  • ==== '''27-02-2024 - Notes on Runa Islam's ''Meroë'' (2012) and Peng Zuqiang's Déjà vu''' ==== Steyerl, H., 2012, ''The Wretched of the Screen'', London: Sternberg Press.
    63 KB (10,221 words) - 21:33, 4 April 2024
  • ...e to the streets to protest or talk about their family concerns (Kanaveli, 2012)[example]. There is a connection of sound and voice with externalizing our ...s reflection in the space. According to Kevin Fox Gotham (Ελιάνα Καναβέλη, 2012), territorial restrictions, identities and meanings are negotiable, as they
    55 KB (8,465 words) - 17:59, 16 February 2019
  • ...my profile publicly displays my entry date on the platform on January 1st 2012, a date that sounds like a 10-year-old resolution to re-socialize by the ne ...contributing to instead of contesting repressive forces?" (Hardt & Negri, 2012, p. 137)<br>
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  • ...described them as a part of Reading, Writing & Research Methodologies 2011/2012 lead by tutor Steve Rushton taking this new discovery into account I am loo
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  • * “On November 7, 2012, Donald Trump tweeted: “It’s freezing and snowing in New York — we ne
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  • * [http://monoskop.org/log/?p=6724 Burrell, Jena. 2012. 'Invisible Users: Youth in the Internet Cafés of Urban Ghana'. MIT Press.
    14 KB (2,224 words) - 01:34, 11 December 2012
  • ...ém| title = Towards a philosophy of photography| location = London| date = 2012}}
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  • ...ke>Download Fr0st '''(doesn't seem to have a live commuity, last post from 2012; deals in *.py though)(for Win)'''</strike>
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  • 6. Thomas Ruff exhibition in The House of Art, Munich, Germany, 2012
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  • ==== '''27-02-2024 - Notes on Runa Islam's ''Meroë'' (2012) and Peng Zuqiang's Déjà vu''' ==== Steyerl, H., 2012, ''The Wretched of the Screen'', London: Sternberg Press.
    65 KB (10,615 words) - 13:40, 10 April 2024
  • ...interview with Marlon Barrios Solano, part of the Embodied Techne Series (2012), Noë discusses "Dance As A Way Of Knowing". He explores the idea that hum
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  • ...artist book μῆνιν (Menin, Ancient Greek for anger, wrath) was produced in 2012 with this artistic and cultural background in mind. μῆνιν is a book w
    15 KB (2,386 words) - 13:03, 10 June 2015
  • ...emporary art, which he also develops in later writings (see Smith 2011 and 2012). Given the passage from the 'modern' and ‘postmodern' to the ‘contempo David Geers (2012) points to a recent revival of modernist tropes in artistic practice that a
    41 KB (6,261 words) - 18:55, 9 May 2016
  • ...eir scripting languages, many companies that relied on it suffered (Ullman 2012, p. 105). ...you can hardly change anything </span><span style="color:#000000;">(Ullman 2012, p. 117)</span><span style="color:#000000;">. These kind of dependencies te
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  • *[https://www.youtube.com/watch?v=WfGMYdalClU MAN] | Steve Cutts | 2012
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  • Gross, R. (2012). Tempo Recommendations for Dance Music. [online] Hollywood Ballroom Dance * Hollywood Ballroom DC (Gross, 2012)
    36 KB (5,671 words) - 15:26, 15 March 2017
  • ...and am basically staging them. But I have been making images of cows since 2012.
    16 KB (2,819 words) - 19:00, 7 November 2015
  • ...tions: [https://calibre.constantvzw.org/book/31 Woorden uit de Berenkuil] (2012) + [https://calibre.constantvzw.org/book/108 Parlez-vous 1060] (2016)
    15 KB (2,226 words) - 16:52, 24 September 2023
  • '''Nugroho, Y., & Syarief, S. S. (2012). ''Beyond click-activism? New media and political processes in contemporar '''Steyerl, Hito (2012). ''In Defense of the Poor Image'' in The Wretched of the Screen.
'''
    40 KB (6,063 words) - 14:20, 27 October 2018
  • Ong, W.J., Hartley, J., 2012. Orality and literacy: the technologizing of the word, 30th anniversary ed.
    16 KB (2,406 words) - 14:51, 10 October 2019
  • ''''' Digital is built for speed, while print ensures stability” (Ludovico, (2012), p7) ''''' “Digital is built for speed, while print ensures stability” (Ludovico,2012 ,p7)
    53 KB (8,972 words) - 14:07, 9 June 2015
  • ...ist book μῆνιν (''menin'', Ancient Greek for anger, wrath) was produced in 2012 with this artistic and cultural background in mind. μῆνιν is a book w
    16 KB (2,462 words) - 15:41, 2 September 2015
  • N. Thompson, Living as a Form, 2012 <br><br>
    15 KB (2,327 words) - 19:53, 7 December 2021
  • ...becomes visible, unfortunately, is that the site hasn't been updated since 2012. This decline of activity can also be determined with Software Arts. But th
    18 KB (2,797 words) - 20:01, 10 December 2018
  • [https://www.behance.net/gallery/6303755/Mikser-Festival-2012 Mikser Festival 2012] take on Helvetica
    17 KB (2,646 words) - 16:23, 8 June 2018
  • ...the 7th from Asia) to win the most prestigious award in the film world. In 2012, he is invited to participate in Documenta (13), one of the most well-known
    15 KB (2,278 words) - 09:26, 7 November 2023
  • -       Poetry example from 2012    -
    19 KB (3,544 words) - 17:09, 4 November 2023
  • ...the video is to document in a narrative way a workshop we organized in may 2012. We organized this workshop during a series of events and actions we undert
    16 KB (2,661 words) - 17:06, 25 November 2012
  • ...cceleration in which technology is integrated into the live art sector. In 2012 Tate Modern launched ‘Tate Live’ ‘a series of performances commission
    19 KB (3,004 words) - 21:48, 18 February 2015
  • Gross, R. (2012). Tempo Recommendations for Dance Music. [online] Hollywood Ballroom Dance * Hollywood Ballroom DC (Gross, 2012)
    38 KB (6,063 words) - 13:58, 19 April 2017
  • Sculptural Electronic Sound Discs (SESD) (2012)
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  • Ong, W.J. and Hartley, J. (2012) Orality and literacy: the technologizing of the word. Orality and literacy
    17 KB (2,615 words) - 14:08, 29 November 2019
  • *Eliane Radigue | Feedback Works 1969-1970 [2012, Full Album]
    15 KB (2,328 words) - 21:59, 22 February 2020
  • ...ark Poster (1990) in his work The mode of information, and Evgeny Morozov (2012) with Net Delusion. Poster extends Foucault’s ideas of the panopticon an ...oice" for the cataloguer? According to critical librarian Emily Drabinsky (2012) in her work Teaching the radical catalogue, no. Nothing lies outside of t
    64 KB (10,249 words) - 17:19, 3 June 2015
  • Groot M.H.M. (2012). ‘’Solving a Piece of the puzzle’’. Reconstruction of millennial-s ...Quaternary. Quaternary Science Reviews 63, 59–72. doi:10.1016/j.quascirev.2012.11.004
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  • In this section of her 2012 book, On Being Included, feminist Sara Ahmed reflects on the experience of In her 2012 book On Being Included, Sara Ahmed examines how diversity operates in the m
    35 KB (5,585 words) - 17:16, 24 March 2018
  • the "oldies" from 2006, they started in 2012. They come because of nostalgia and because it's nice. people are nice, it'
    17 KB (2,751 words) - 14:10, 30 January 2024
  • .../thoughtmaybe.com/google-and-the-world-brain/ Google and the World Brain] (2012)
    17 KB (2,406 words) - 15:42, 28 November 2014
  • Ong, W.J. and Hartley, J. (2012) Orality and literacy: the technologizing of the word. Orality and literacy
    19 KB (2,865 words) - 16:52, 4 December 2019
  • Date: Fri, 05 Oct 2012 18:36:49 +0200
    19 KB (3,082 words) - 10:22, 16 October 2012
  • Steyerl, H. (2012). The Wretched of the Screen ...(4): "Agency and Automatism: Photography as Art Since the Sixties", Summer 2012, pp 796-818.
    52 KB (8,461 words) - 17:04, 27 February 2024
  • Groot M.H.M. (2012). ‘’Solving a Piece of the puzzle’’. Reconstruction of millennial-s ...Quaternary. Quaternary Science Reviews 63, 59–72. doi:10.1016/j.quascirev.2012.11.004.
    18 KB (2,728 words) - 15:37, 9 November 2017
  • 8. Junqueirain, I (2012) 'Is poetry untranslatable?' in Estudos Avançadosv26 n76
    19 KB (2,969 words) - 19:14, 7 June 2022
  • At LiWoLi festival, 25 May 2012
    30 KB (5,427 words) - 21:30, 26 June 2012
  • ...terms of habitation are revealed to us." - Sara Ahmed, On Being Included (2012)
    27 KB (4,022 words) - 14:13, 25 March 2018
  • 2. Galloway, A (2012) The Interface Effect * [http://thefutureofoccupy.org/2012/04/occupy-the-peer-to-peer-movement-and-marxism/ Occupy, The Peer-to-Peer M
    23 KB (3,752 words) - 13:36, 27 November 2013
  • ...nic revolution really broken the state of visual hypnosis? Reading this in 2012 or 1982 makes a huge difference of course, so perhaps it is time for an iss
    21 KB (3,347 words) - 16:40, 13 March 2012
  • ...profissional da informação no mundo do trabalho e as relações de gênero'' (2012). Traditionally a lot of the work done by women is not considered to be an
    46 KB (7,453 words) - 09:39, 5 April 2018
  • ...nic revolution really broken the state of visual hypnosis? Reading this in 2012 or 1982 makes a huge difference of course, so perhaps it is time for an iss
    21 KB (3,352 words) - 14:51, 29 June 2012
  • ..., dynamical and structural properties. <ref name="weisenberg">Weisberg, J (2012) 'The hard problem of consciousness' in J. Feiser & B. Dowden (eds.), Inter ...oni and Koch 2015), with some isolated cases of mysterianism (McGinn 1989, 2012) advocating the impossibility to solve such a mystery. In any case, the las
    65 KB (9,970 words) - 21:07, 22 March 2020
  • N. Thompson, Living as a Form, 2012<br><br>
    22 KB (3,179 words) - 13:47, 13 June 2022
  • Kirk Varnedoe, [2012], Pictures of Nothing: Abstract Art since Pollock, Part 1: Why Abstract Art
    30 KB (5,047 words) - 16:22, 16 February 2018
  • ...dow Libraries published on the e-flux online journal platform in September 2012.
    25 KB (4,067 words) - 23:40, 3 April 2018
  • ...plications" would become commonly available via the web. “**''''' (Fogarty,2012,Online) Parikka, Jussie (2012) What is Media Archaeology, United States of America, Polity Press
    47 KB (7,845 words) - 21:39, 20 March 2016
  • ...ndividual outputs, of curating from within the sea of content" (IMC London 2012).
    51 KB (8,392 words) - 12:17, 20 May 2013
  • Altena, A and Sonic Acts (2012) Sonic Acts Press
    25 KB (3,883 words) - 13:09, 29 June 2019
  • ...mbolic, the Sublime, and Slavoj Žižek’s Theory of Film, Matthew Flisfeder, 2012</ref> The thoughts and feelings of others are shaped, steered, and determi ...duce collectively. In Oliver Laric’s series of video works, Versions (2009-2012), he collages historical and contemporary multiplication of images and obje
    87 KB (14,373 words) - 16:30, 9 May 2016
  • Today we will be watching extracts from 'the perverts guide to ideology', the 2012 British documentary film directed by Sophie Fiennes and written and present
    34 KB (5,075 words) - 13:45, 22 June 2015
  • * JONAL LUND, What you see is what you get (2012) http://whatyouseeiswhatyouget.net/
    26 KB (4,237 words) - 13:47, 26 January 2022
  • ...eld and Jordana Maisel - Universal design creating inclusive environments (2012)
    32 KB (5,051 words) - 15:42, 22 April 2021
  • ...becomes visible, unfortunately, is that the site hasn't been updated since 2012. This decline of activity can also be determined with Software Arts. But th
    30 KB (4,743 words) - 22:04, 21 January 2019
  • ...bled applications" would become commonly available via the web.” (Fogarty, 2012, Online) *Parikka, Jussie (2012) What is Media Archaeology, United States of America, Polity Press
    53 KB (8,752 words) - 13:10, 31 May 2016
  • ...Steyerl: The Wretched of the Screen (n.d.): n. pag. Sternberg Press. Web. 2012.
    28 KB (4,563 words) - 23:35, 28 November 2015
  • Lepecki, A. (2012). Moving as Thing: Choreographic Critiques of the Object. October, 140, pp. ...- Alva Noë "Dance As A Way Of Knowing" part of the Embodied Techne Series (2012) ===
    100 KB (15,643 words) - 22:30, 7 February 2016
  • * Mel Y. Chen (2012) ''Animacies: Biopolitics, Racial Mattering, and Queer Affect''
    34 KB (5,304 words) - 00:54, 5 July 2022
  • - <small>''Data centre Grand Tour'' – Silvio Larusso, 2012 (mapping creates a new reality - quote)</small><br />
    29 KB (4,547 words) - 01:12, 1 December 2015
  • #Karen Barad, Adam Kleinmann (2012): “Intra-actions” (Interview of Karen Barad by Adam Kleinmann)
    38 KB (5,908 words) - 09:26, 18 November 2022
  • ===Ferreira, M.M., 2012. O profissional da informação no mundo do trabalho e as relações de gê ...dow Libraries published on the e-flux online journal platform in September 2012.
    92 KB (14,814 words) - 20:01, 26 March 2018
  • |SD Card| |USB Drive| |UNIWACK| |uyO2| 2012 89723974015179 102 |Luxembourg|
    24 KB (2,791 words) - 16:11, 6 July 2015
  • ...ed toward arts and humanities to take its final form of a media library in 2012, as Dušan Barok's graduation project at the Piet Zwart Institute.
    35 KB (5,663 words) - 15:00, 9 July 2019
  • Former manager sues Unilever over ‘illegal’ sacking (Daily Nation, June 2012)
    33 KB (4,811 words) - 00:08, 26 July 2017
  • ...have more than one entity because they are fragile and might disappear. In 2012, Public Library was initiated when Marcell was invited by Luka Prinčič to
    43 KB (7,319 words) - 14:56, 9 July 2019
  • ...esign should have a say in the design process" ~Bjogvinsson, Ehn, Hillgren 2012
    33 KB (5,264 words) - 19:21, 31 March 2024
  • * JONAL LUND, What you see is what you get (2012) http://whatyouseeiswhatyouget.net/ ...://whatyouseeiswhatyouget.net/ What you see is what you get — Jonas Lund] (2012) <br>
    82 KB (12,393 words) - 21:53, 26 February 2024
  • Berberien Sound Studio - "a 2012 British psychological horror film. It is the second feature film by British
    36 KB (6,085 words) - 14:56, 19 November 2021
  • ...ed toward arts and humanities to take its final form of a media library in 2012, as Dušan Barok's graduation project at the Piet Zwart Institute.
    47 KB (7,535 words) - 11:52, 9 July 2019
  • ...bled applications" would become commonly available via the web.” (Fogarty, 2012, Online)'''
    54 KB (8,933 words) - 19:00, 8 May 2016
  • https://whitehotmagazine.com//UserFiles/image/2012/dOCUMENTA/04_Tino-Sehgal.jpg First performed in 2012 at Documenta 13 in Kassel
    232 KB (31,744 words) - 16:52, 8 December 2022
  • ::- Micha Cárdenas - [https://www.hastac.org/blogs/michacardenas/2012/03/15/ch-1-tara-mcpherson-us-operating-systems-mid-century Ch. 1: Tara McPh ...an account for our shared “ambiguity/undecidability/ indeterminacy” (Barad 2012, 212) in our entanglements with computation. By focusing on Critter Chips,
    57 KB (8,705 words) - 12:18, 15 March 2021
  • ...ntures of the human spirit, and they're having great fun doing it" (Mekas, 2012) "When Mekas turns his camera on himself...he emphasises even more the enun
    59 KB (9,802 words) - 16:14, 24 July 2020
  • ...gy and science. Founded by a group of Indonesian artists and scientists in 2012, the so-called 'citizen initiative' is a collaborative space which invites
    64 KB (10,726 words) - 10:41, 26 December 2018
  • ...provide a better API and internals) which is planned to be launched in 1-2/2012(?!)
    59 KB (8,364 words) - 10:20, 19 September 2011
  • ...8 Thomas & Alice improvisation, Olivier Franc quintet, Comedy Club, Paris, 2012-10-28] ...6698475/Walking-Past-Spitalfields-19122012 Walking Past: Spitalfields 1912–2012] by Adam Tuck
    74 KB (11,612 words) - 14:41, 16 November 2018
  • In 2012, ten years after the war ended, Ney returned home. But people in Europe sti
    91 KB (15,595 words) - 16:21, 9 June 2018
  • 2012 against adv and small rate for the service > 2014 bought by fb > 2016 add a
    85 KB (12,751 words) - 16:31, 11 April 2019
  • Aarseth, E. (2012). ''A narrative theory of games. Proceedings of the International Conferenc Aarseth, E. (2012). ''A narrative theory of games. Proceedings of the International Conferenc
    977 KB (129,735 words) - 13:51, 3 April 2023
  • from Memory. Edited by Farr, I. (2012) Documents of Contemporary Art
    111 KB (17,635 words) - 15:41, 8 March 2020
  • This is a file published in 2012 by WikiLeaks. It forms part of WikiLeaks's Syria files database. The file i In February 2012, one year into the war, Anonymous and affiliated organizations hacked into
    276 KB (44,274 words) - 17:55, 15 October 2018

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