User:Colm/RW&RS-Review-Essay-reviewed
Typographical hallucinations and discourse network; review essay.
John Johnston introduction to F. Kittler: Media theory After Poststructuralism
In Grammophon, Film, Typewriter the example of the jet airliner as a meeting point for many media types is put forwards: the passengers are encased in a "multimedia embryonic sack". (Johnston on Kittler, 1997, p.3) Choosing this item, while still relevant today, is a sign of the times. One wonders if Kittler would have chosen a different example, had he written within today's media landscape. As the argument is constructed, the main point put forwards is one called the dependent variable —the end result of our senses perceptions being blinded by the non differentiation of media types, in the scheme of computer technologies— where the media situation and environment would end up being a collection of scenarios resulting from the collaboration between engineers and sales people. Technical and modernist knowledge holders on one end, finance driven careerists on the other, together on the mission of distribution. Kittler's depiction is some 30 years old now, it is safe to say that today's media environment is quite different to the formers. Is this example still the most illustrative of the industry working today?
Landscapes
Before any question is addressed, we will define what we mean by media landscape. A landscape is a wide angle, a far reaching view, with items in the tangible foreground, other much further away from us. We might not see all of it, we might not even recognise a lot of it, but we use the idea of a landscape as a helper to peer at media as an entity. Meanwhile let us remind ourselves that this keyword 'media' is the plural of the term medium, and spans a relative diversity (Ryan, 2012, p.1).
Kittler mournings a media landscape within which media disciplines have an associated medium. He had foreseen these distinctions disappearing completely, and he is entirely right. We now are on the entire opposite end of the spectrum; mediums coagulate to fit into a greater perspective of media, unified platforms on which we may consume most types of known mediums. Kittler forsaw this happening "with the full deployment of fiber optic cables and computer technology". Practically speaking, this is not exactly the case of today, but alternate infrastructures have made that effect happen. The internet is indeed the meeting point of networks and technologies, making possible for pretty much any medium in existence to be distributed, or a close, and in most cases, sufficient representation there of. (We could return to this trans-mediation to web fallbacks as a possible explanation of a link between the dependency variable and a deliberate control veil later on.)
The arrival of this unified shared meeting point and the adaptations of old(er) mediums to work on the web have seen the creation of categories of mediums that are considerably unique and self standing. A notable dimension of this creation is also the world of 'mobile' technologies, requiring a lot of re-inventivity and adaptations of mediums, or at least, a new sub category of medium morphisms aiming to make content accessible to smaller and simpler mini computers. I will add that most new mediums created for (and from?) the web follow the same basic pattern: starting with a category of media, then resolving it's distribution for one sub— or hypo— network. (I distinguish these types of networks as it is my understanding that all networks are concentrically embedded within each other, the only nuance is their order of relation, which is not the object of this paper.)
From this formula we discover the makings of news apps, music playing websites, image sharing networks and video distribution environments. —A more focused analysis of these origins could be made by tracing back the governing issues that are resolved by the Apple computer (and trademarked) campaign 'There is an app for that'. We now also can see that if our media landscape is different from the DN1900, our current environment is one of simple combinations of earlier divided dimensions of media. Realistically, no new categories of mediums have been invented, but our usage of these formers now tend to happen in subcategories, in conjunctions of networks and mediums.
Vocabulary
One resulting, unresolved, part of this praxis of mixing and matching is a feeling of inability for precise typification. It's increasingly hard to describe the utility or usage of our new patchwork mediums, and in the attempt there of, we've begun using terms that actually broaden narratives. Deciding when or how new vocabulary can help solve the description of doings is an uncharted field, unregulated and non maintained, if only by a marketing department associated with the distribution of products. Still, we've adopted a vocabulary in the last decade which seems to help us place the contemporaneous dimension of a product. Ad interim, these additions are again, broad terms, in opposition to what we would want them to be, specific words to narrow a topic down. Some of these words: technology, platform, app, interface, experience, users, cloud, data, mobile, ... the list goes on.
The contemporary lexicon of patchwork mediums is an echo of the development of the dependency variable: we understand from Kittler that when a medium type is encoded in digital numbers, we become dependent on the vision of reality that has been devised by the engineer —but not only— responsible for the translation. This is one level of adaptation. Today, we reach upon a second level of adaptation when the first encoding is then incorporated and revised into today's patchwork mediums. The lexical field we use for today's media shows us how far removed we have become. We no longer use computers, we use technologies, interfaces have become experiences, we are now people, no longer users. (Lialina, 2015).
Spiraling dependency
In the previous paragraph, the term adaptation is used to explain interpretation and translation from one form to an other. These translations, each time they occur, create a hierarchy between system deviser and system user. It is the dependency that Kittler warns us of. Continuing on the understanding of the exponential multiplication of medium sub-types as soon as they get crossed, the same happens to our level of dependency, and our distance away from the original form of the medium.
To not (yet) follow the path of what it may mean for the regular user to be more and more distanced from original matter in the avenance of patched mediums, a modeling substitution from the user's point of view, on the receiving end of these adaptations, would be degrees of opacity. An effect of blurriness introduces itself, an inability to distinguish, an additional difficulty to see a root comes automatically with every time an adaptation is made.
To attempt a full outline (with the only interest in the medium transformation —I will not consider here other practical, legal or ethical dimensions) of one of these processes would be as such: with the origin in recorded audio, and the end output being the branded streaming platform Spotify, x degrees of opaqueness are countable. Acoustics are recorded and digitised into digital numbers. These digital numbers undergo a compression process in the aim of distribution. These compressions get multiplied and sent out to various storage locations. The items are made available through an interface. This interface is available though a device, typically a portable one, such as a laptop, phone or tablet. This device has a portal that gives access to many interfaces, usually dubbed apps, preceding app stores. The device serves the interface, after access has been granted. The user interacts with a stack of layers that eventually lists all the available compressions and then only gets access to the recorded audio.
In observation, the packing and unpacking of the media is made as simple as possible for the end user, and made so, for their not to be a need to consider all the necessary components. But these steps, these translations, these degrees, all create distance, and crucially many dimensions of dependency.
Today's jet airliner
The landscape of media is not that different from the one at the time at which Kittler wrote the text that spawned this essay. What we have seen is an increase in subcategories and cross sections of original medium types. And the unsettling idea that while we move forwards within media, while our day to day usage is supposedly become easier, we understand less about it now more than ever.
If Kittler had had our media landscape at hand to use for examples of meeting points of embryonic multimedia, he might well have spoken of Smart TVs as a type of environment that displays amounts of unclear (or at least non explained) unattainable back end knowledge to keep the device working, parallel with cocooning of enjoyable access to a variety in type and in class of media, of content. An example of a world where if you desire to access, you have no choice but to accept a degree of blindness.
Bibiliography
- John Johnston - Introduction Friedrich Kittler: Media Theory After Poststructuralism
- Olia Lialina - Turing Complete User, 2012
- Olia Lialina - Rich User Experience, UX and Desktopization of War, 2014
- Ted Nelson, Computer Lib/Dream Machines, Revised Edition 1987
- Douglas Rushkoff, Program or be Programmed, 2010
= Process reveal =
commit 9ae610abcccfcddc830e1b50846411b0e144af11 Author: colm mail@colm.be Date: Mon Mar 21 18:39:59 2016 +0100
I'm going to end up knowing this pandoc line off by heart soon enough
commit 22ccba88a01645027f1668a450c69033b04d7ac8 Author: colm mail@colm.be Date: Mon Mar 21 18:38:53 2016 +0100
a not so generous bibliography
commit 1a7ce81f26cc3724a11bf5b62278fbdd7800ba9d Author: colm mail@colm.be Date: Mon Mar 21 18:30:13 2016 +0100
essay review :: orwellian filter
commit dd762c6d4d2082ea4ce59d7d119437496ae4ea03 Author: colm mail@colm.be Date: Sun Mar 20 17:46:29 2016 +0100
I read back over previous notes, and found I did not need to repeat myself, so I referenced myself
commit b4b7e50c393ba6dc894555c973df9f35ee8e389f Author: colm mail@colm.be Date: Sun Mar 20 17:23:50 2016 +0100
20 march notes, WIP
commit 1322c1557bc8281448549b931aac7596b5be1104 Author: colm mail@colm.be Date: Mon Mar 7 19:08:05 2016 +0100
It creates friction between the boxes
commit 3860487abb4de728e662399a224dc13c45a1c673 Author: colm mail@colm.be Date: Mon Mar 7 19:01:16 2016 +0100
pushing notes to text image link?
commit eb1151cf8aba4db51a7a0dff6f0497b8358f7ea7 Author: colm mail@colm.be Date: Fri Mar 4 12:23:48 2016 +0100
forgot important ref back to Software as a Critique event
commit f203da01b9fbb298cb3b8962ac8277a69b16a342 Author: colm mail@colm.be Date: Fri Mar 4 12:19:37 2016 +0100
black boxing, relative units and self quatification
commit 3bf8c8e70c2297243eecec23d91b2fe7dacc7839 Author: colm mail@colm.be Date: Thu Feb 18 10:18:25 2016 +0100
tutorial notes
commit 9a64f92fa5e514d828533424d6b999d37e5b11e9 Author: colm mail@colm.be Date: Mon Feb 15 04:16:57 2016 +0100
Many items: * HTML version of latest seminar essay * Update (? probably structural, I can't remember) of TP3 output project * TP3 introduction to the report text, probably a duplicate of same file in repo /pietzwart/making-it-public/ * Notes from Software as a Critique @LAG Amsterdam 2016_02_14
commit 46857f2bf9460c1dde1a9dc36aea6d0866106d2b Author: colm mail@colm.be Date: Sun Feb 7 21:10:26 2016 +0100
ok, yes this has really turned into the script for the narrator
commit 2790e8f878fbf35398c8ccfa457f152115afd04f Author: colm mail@colm.be Date: Sun Feb 7 19:17:33 2016 +0100
Sunday evening notes after a weekend of video experiments
commit 1a5e1bb30a33dc79f74f06227622f03fe6039bba Author: colm mail@colm.be Date: Tue Jan 26 18:00:32 2016 +0100
more
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version before showing it to people?
commit 2768f2d510b782487ff65adb4766bfdac2ebc39a Author: colm mail@colm.be Date: Tue Jan 26 17:33:59 2016 +0100
version because I lost my previous draft in the first computer crash I ever experienced on this machine
commit 1d4ea0d4dfcca1857ba397bec21ec48c30ae65eb Author: colm mail@colm.be Date: Tue Jan 26 15:41:58 2016 +0100
beginning of reflective work during the thematic
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pandoc version
commit efed26e30e201612aba4b9febcc8d216a7d2a872 Author: colm mail@colm.be Date: Sun Jan 24 23:29:36 2016 +0100
spellchecker
commit 800f7a89aa8e8917f9912ac474af1cae39a696c8 Author: colm mail@colm.be Date: Sun Jan 24 23:23:32 2016 +0100
I wrote a terrificable conclusion
commit 8c7e3de7414465d3ae5bf3bf489a0f029dfd757e Author: colm mail@colm.be Date: Sun Jan 24 22:50:26 2016 +0100
all elements are in place
commit 54c74c2b59701ec96027e9a0908573b53b689335 Author: colm mail@colm.be Date: Sun Jan 24 22:01:47 2016 +0100
it's comming together! I've got 3 chapters in the body, and I'm etching towards the conclusion
commit 07c347f170677f3f7df9eef592f7ae07c3a0cb7d Author: colm mail@colm.be Date: Sun Jan 24 19:43:28 2016 +0100
very rough; developping body part 1
commit e8755e692f0806ea68eff9d6baa5b57578132c99 Author: colm mail@colm.be Date: Wed Jan 20 18:15:11 2016 +0100
of course, I lost my enthusiasm as soon as the deadline got pushed back
commit af642266d5e8d14025f3cf905c36059b132d3eee Author: colm mail@colm.be Date: Tue Jan 19 22:21:28 2016 +0100
.wiki version for pzwiki
commit 0acccd85112e4864e756a0e16e768a24b04f4db7 Author: colm mail@colm.be Date: Tue Jan 19 22:19:53 2016 +0100
a lay out of body and conclusion
commit fcdc3fdea552d90dc9e18cdf0db5f31710dbd260 Author: colm mail@colm.be Date: Tue Jan 19 22:13:06 2016 +0100
intro to the review essay
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continuation
commit cc39c879850b2d3b28e0a3bf472816fa658386ef Author: colm mail@colm.be Date: Mon Jan 11 17:36:09 2016 +0100
so clean a slate I even forgot to put the text init
commit f3c116b7493c88042e766ffededa6f6077d6324a Merge: 55d043e e5163e4 Author: colm mail@colm.be Date: Mon Jan 11 17:34:58 2016 +0100
Merge branch 'master' of github.com:colmoneill/drafts
commit 55d043ef4afec548ebab2e91d1ca01cadb9fbef4 Author: colm mail@colm.be Date: Mon Jan 11 17:34:51 2016 +0100
clean slate
commit e5163e40bb10cb8d4e1efe88e89bbb250229d842 Author: Colm O'Neill mail@colm.be Date: Tue Dec 1 20:01:24 2015 +0100
Update L-a-a-d-writing-plan.md
commit 597b94716557eb6ed651e536eb443ab4c1c46591 Author: colm mail@colm.be Date: Fri Nov 13 15:10:29 2015 +0100
the initial obeservation, initial intuition
commit aaee7ee780e3bdbb4f0fd08fb20f007ca12e6789 Author: colm mail@colm.be Date: Wed Nov 11 15:24:32 2015 +0100
an ecology of practices
commit 2405c97c3ed97dbc3b353c6d7225fbabf7844a23 Author: colm mail@colm.be Date: Wed Nov 11 13:41:45 2015 +0100
formatting and references
commit a58cc4aeff53cc48c70610519d174ba59ee0756e Author: colm mail@colm.be Date: Wed Nov 11 13:24:52 2015 +0100
what do you put in the commit message when the file title says it all? that the notes are messy and in progress? or a baseline for all my work?
commit 2ab0ef4e36a9e69cfd2676361f267c17d4042f81 Author: colm mail@colm.be Date: Mon Nov 9 21:23:51 2015 +0100
pandoc markdown_github to mediawiki
commit 9af080cae758ddccb37cceb642e1f5ee3b211913 Author: colm mail@colm.be Date: Mon Nov 9 21:14:44 2015 +0100
very rough run through of the topic and the thesis
commit 5194a530c484e8789f174116b9fd7fb747cc3703 Author: colm mail@colm.be Date: Mon Nov 9 20:02:15 2015 +0100
meh, transcription of my notes I'm already lost in them
commit 5f47e02f6cd2740c9a68a5db687650c1aac65b0b Author: colm mail@colm.be Date: Mon Nov 9 19:59:57 2015 +0100
as always, I spend a shedload of time on the formatting of the tinyest things!
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writing plan
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a bit of a lenghtened relation to outside context
commit 20bf3de47daa3977704fea0b2418ea13ae7df93a Author: colm mail@colm.be Date: Thu Nov 5 09:46:51 2015 +0100
proposal in wiki to md & the opposite
commit 73cf699e3f291d0e01a84056a450709e45462e06 Author: colm mail@colm.be Date: Wed Sep 30 15:46:39 2015 +0200
ok we're not actually looking at word count
commit 75fec1bf2c888f68894ce2d80468ef20b308c2e3 Author: colm mail@colm.be Date: Wed Sep 30 14:25:37 2015 +0200
spell checker pass
commit 971b0a2b99961b27ed16477c222037575a392d3e Author: colm mail@colm.be Date: Wed Sep 30 14:23:52 2015 +0200
an editing pass
commit c93d30a3d0429fe6139df69ed317d138c5c4c599 Author: colm mail@colm.be Date: Wed Sep 30 13:42:19 2015 +0200
first full run with word count added
commit c6d51e67b601430d9884f8186eb67725dc8456e5 Author: colm mail@colm.be Date: Wed Sep 30 13:30:47 2015 +0200
getting the hang of the format enforced on the text by the limitation in characters
commit ac9b1291b6d76174f2498d9fb8c8f56f34f2d4ab Author: colm mail@colm.be Date: Wed Sep 30 13:18:24 2015 +0200
50 words is too short
commit 02f1cbc5fcc30c9e1bbfd1caf9e4fda55653003f Author: colm mail@colm.be Date: Wed Sep 30 12:47:54 2015 +0200
a selection of projects
commit 045035279072e3dc9cf941787d2e67cb70d39ac2 Author: colm mail@colm.be Date: Wed Sep 30 10:16:53 2015 +0200
post spell checker
commit e5ae16ef62a47407a4957e204377e78cd0d8fd40 Author: colm mail@colm.be Date: Wed Sep 30 00:13:40 2015 +0200
em MD syntax?
commit df7951dcc99987f33ce64842460d88c44ff98e07 Author: colm mail@colm.be Date: Wed Sep 30 00:12:38 2015 +0200
500 words is not enough
commit 4b29352fd31b86f8638df38765c7e3b1ba72feb1 Author: colm mail@colm.be Date: Wed Sep 30 00:12:13 2015 +0200
light checkup on the Coupland review, just to wake up the anger in me again
commit d2c9af20736c71a39980b55b8c5278ff25305723 Author: colm mail@colm.be Date: Mon Sep 28 22:27:14 2015 +0200
a list
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post spell checker
commit 2f15f31993cca330510d431cdfbe5ebcb5cc5251 Author: colm mail@colm.be Date: Mon Sep 28 20:23:57 2015 +0200
Small portion on being careful to not turn this into a hater's rant
commit e0801d44cf91dbe3d8c501473bb9a0347cd906fb Author: colm mail@colm.be Date: Mon Sep 28 12:01:41 2015 +0200
re-read & restructure, hoping to speak to Annet today, if not, I'll email
commit b838d505feb706a4154c32aa49cc6325c0924237 Author: colm mail@colm.be Date: Mon Sep 28 11:52:39 2015 +0200
Ugh, I'm lost in these versions, committing frantically
commit 93b418629c190d282748947b273ea10436607872 Author: colm mail@colm.be Date: Sun Sep 27 17:40:25 2015 +0200
light edits -- fast
commit 60933f9b4fe0691ea509989631730cfac44738ea Author: colm mail@colm.be Date: Sun Sep 27 17:13:15 2015 +0200
image sorting
commit c3fc41aeae62ed7777e7859b1dbcee18b9f332e2 Author: colm mail@colm.be Date: Sat Sep 26 16:40:35 2015 +0200
scenographic context
commit 0c90274e98a51a32b6f92134d1a4dd16d3a7b20e Author: colm mail@colm.be Date: Sat Sep 26 16:15:45 2015 +0200
artist context & general notes
commit 38aecd17808e7b95a19b4321f5051e82819a49d3 Author: colm mail@colm.be Date: Sat Sep 26 15:14:15 2015 +0200
ok I'm overdoing it now, this is deliberate though
commit 9520058c27cd4c72826520f67a3ef849f55a7f0a Author: colm mail@colm.be
commit 73cf699e3f291d0e01a84056a450709e45462e06 Author: colm mail@colm.be Date: Wed Sep 30 15:46:39 2015 +0200
ok we're not actually looking at word count
commit 75fec1bf2c888f68894ce2d80468ef20b308c2e3 Author: colm mail@colm.be Date: Wed Sep 30 14:25:37 2015 +0200
spell checker pass
commit 971b0a2b99961b27ed16477c222037575a392d3e Author: colm mail@colm.be Date: Wed Sep 30 14:23:52 2015 +0200
an editing pass
commit c93d30a3d0429fe6139df69ed317d138c5c4c599 Author: colm mail@colm.be Date: Wed Sep 30 13:42:19 2015 +0200
first full run with word count added
commit c6d51e67b601430d9884f8186eb67725dc8456e5 Author: colm mail@colm.be Date: Wed Sep 30 13:30:47 2015 +0200
getting the hang of the format enforced on the text by the limitation in characters
commit ac9b1291b6d76174f2498d9fb8c8f56f34f2d4ab Author: colm mail@colm.be Date: Wed Sep 30 13:18:24 2015 +0200
50 words is too short
commit 02f1cbc5fcc30c9e1bbfd1caf9e4fda55653003f Author: colm mail@colm.be Date: Wed Sep 30 12:47:54 2015 +0200
a selection of projects
commit 045035279072e3dc9cf941787d2e67cb70d39ac2 Author: colm mail@colm.be Date: Wed Sep 30 10:16:53 2015 +0200
post spell checker
commit e5ae16ef62a47407a4957e204377e78cd0d8fd40 Author: colm mail@colm.be Date: Wed Sep 30 00:13:40 2015 +0200
em MD syntax?
commit df7951dcc99987f33ce64842460d88c44ff98e07 Author: colm mail@colm.be Date: Wed Sep 30 00:12:38 2015 +0200
500 words is not enough
commit 4b29352fd31b86f8638df38765c7e3b1ba72feb1 Author: colm mail@colm.be Date: Wed Sep 30 00:12:13 2015 +0200
light checkup on the Coupland review, just to wake up the anger in me again
commit d2c9af20736c71a39980b55b8c5278ff25305723 Author: colm mail@colm.be Date: Mon Sep 28 22:27:14 2015 +0200
a list
commit 71c46ec72db7ebe8f392cdc5a471dc26f78b8cc9 Author: colm mail@colm.be Date: Mon Sep 28 20:38:14 2015 +0200
post spell checker
commit 2f15f31993cca330510d431cdfbe5ebcb5cc5251 Author: colm mail@colm.be Date: Mon Sep 28 20:23:57 2015 +0200
Small portion on being careful to not turn this into a hater's rant
commit e0801d44cf91dbe3d8c501473bb9a0347cd906fb Author: colm mail@colm.be Date: Mon Sep 28 12:01:41 2015 +0200
re-read & restructure, hoping to speak to Annet today, if not, I'll email
commit b838d505feb706a4154c32aa49cc6325c0924237 Author: colm mail@colm.be Date: Mon Sep 28 11:52:39 2015 +0200
Ugh, I'm lost in these versions, committing frantically
commit 93b418629c190d282748947b273ea10436607872 Author: colm mail@colm.be Date: Sun Sep 27 17:40:25 2015 +0200
light edits -- fast
commit 60933f9b4fe0691ea509989631730cfac44738ea Author: colm mail@colm.be Date: Sun Sep 27 17:13:15 2015 +0200
image sorting
commit c3fc41aeae62ed7777e7859b1dbcee18b9f332e2 Author: colm mail@colm.be Date: Sat Sep 26 16:40:35 2015 +0200
scenographic context
commit 0c90274e98a51a32b6f92134d1a4dd16d3a7b20e Author: colm mail@colm.be Date: Sat Sep 26 16:15:45 2015 +0200
artist context & general notes
commit 38aecd17808e7b95a19b4321f5051e82819a49d3 Author: colm mail@colm.be Date: Sat Sep 26 15:14:15 2015 +0200
ok I'm overdoing it now, this is deliberate though
commit 9520058c27cd4c72826520f67a3ef849f55a7f0a Author: colm mail@colm.be Date: Sat Sep 26 15:10:35 2015 +0200
selfishness becoming clearer on what my ambitions may be here
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description version
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image output
commit 64c6b066b131ec0cda4781750a2f858896b93dac Author: colm mail@colm.be Date: Fri Sep 25 20:18:11 2015 +0200
folder structure, wtf
commit c90828c3793ada541eac22df79c054761ec15862 Merge: a5429d4 548e8b2 Author: colm mail@colm.be Date: Fri Sep 25 20:14:03 2015 +0200
Merge branch 'master' of github.com:colmoneill/drafts
commit a5429d420d9b7b19cae46a9ff41c53699bf08826 Author: colm mail@colm.be Date: Fri Sep 25 20:13:48 2015 +0200
More git tests
commit 548e8b241c254827f5d43bc647ecdc6e560966a2 Author: Colm O'Neill mail@colm.be Date: Fri Sep 25 20:11:43 2015 +0200
Create README.md
commit 75a2e7fc9442bcb9893298dbe2b517a6125374aa Author: colm mail@colm.be Date: Fri Sep 25 20:10:12 2015 +0200
how does this self contained file referncing work again?
commit c5c5cf093eb8fa6093bdd69eacb76f4a180c152a Author: colm mail@colm.be Date: Fri Sep 25 20:08:34 2015 +0200
ground work for the first assignment
commit 01fe497c18529050b883cfe2a7df0c2a915bcac3 Author: colm mail@colm.be Date: Wed Sep 16 14:09:39 2015 +0200
a rough article stucture
commit 273941e6335ac659a4a56502c68191b1c0844acf Author: colm mail@colm.be Date: Wed Sep 16 13:58:42 2015 +0200
A rough statement setup for this idea of a text, maybe giving an explanation to the state of digital litteracy
commit a3950c0e784ab62610dd8375012c90cab3fe9679 Author: colm mail@colm.be Date: Tue Sep 15 23:01:33 2015 +0200
more rapid notes on the Coupland exhibition @ TENT Rotterdam
commit db409dda515348e754688321c31ff8fab68451d5 Author: colm mail@colm.be Date: Tue Sep 15 22:42:34 2015 +0200
first dump of this collection