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  • ...pear on this page, you would add the Categories "Technical plan" and "2012/2013", in other words: [[Category:Technical plan]] [[Category: 2012/2013]]</nowiki>
    259 bytes (28 words) - 15:37, 1 October 2012
  • ===2013=== ===2012===
    2 KB (296 words) - 20:42, 24 September 2013
  • ==2012/2013== * [[Prototyping|Prototyping 2012/2013]]
    2 KB (146 words) - 17:22, 13 February 2017
  • ...r 2013/2014 - Trimester 2| Graduate Research]][[/Graduate Research Seminar 2013/2014 - Trimester 2 II | II]]<br> [[/Graduate Research Seminar 2013/2014 - Trimester 1| Graduate Research]]<br>
    1 KB (163 words) - 13:34, 1 July 2014
  • * [[Prototyping 9 April 2013]] * [[Prototyping 16 April 2013]]
    2 KB (216 words) - 19:26, 17 March 2014
  • * Damien Hirst - Marooned On A Desert Island (2013) * The Most Amazing Strangely Weird (2013)
    181 bytes (27 words) - 21:15, 2 June 2013
  • ==Trimester projects 2012/2013== category = 2012/2013
    261 bytes (18 words) - 15:16, 24 September 2012
  • [[/Graduate Research Seminar 2013-TM6.01| <font color="black">Bio and abstract for Tent</font>]]<br> [[/Graduate Research Seminar 2013-TM5.01| <font color="black">Thesis outline</font>]]<br>
    3 KB (357 words) - 10:35, 5 May 2014
  • .../ learned --[[User:Joak|Joak]] ([[User talk:Joak|talk]]) 22:03, 9 December 2012 (CET)<br> [[Category:Technical plan]] [[Category: 2012/2013]]
    259 bytes (31 words) - 23:05, 9 December 2012
  • =2012/2013= *[[User:Jonas Lund/gradprop2012 | Grad Prop 2012]]
    501 bytes (55 words) - 20:25, 6 May 2013
  • ==2013/2014== ==2012/2013==
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  • Yoana Buzova, Trimester 2, 2013 [[Category: 2012/2013]]
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  • Marlon Harder, Trimester 2, 2012/2013. [[Category: 2012/2013]]
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  • .Nan Wang, Trimester 1, 2012/2013. [[Category: 2012/2013]]
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  • [[Category: 2012/2013]]
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  • [[Category: 2012/2013]]
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  • '''Thematic Project: Creative Industries – stARTup Camp Rotterdam 2013'''<br> [[Category: 2012/2013]]
    648 bytes (78 words) - 11:03, 1 July 2013
  • Marlon Harder, Trimester 3, 2013. [[Category: 2012/2013]]
    543 bytes (54 words) - 14:22, 11 July 2013
  • ...B. and Zarsky, Tal. (Eds.), Data Mining and Profiling in Large Databases - 2013 Fuller, M. & Goffey A., Evil Media - 2012
    311 bytes (51 words) - 22:06, 16 February 2016
  • [[Category: 2012/2013]]
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  • [[Category: 2012/2013]]
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  • [[Category:Technical plan]] [[Category: 2012/2013]]
    217 bytes (34 words) - 13:27, 12 March 2013
  • [[Category: 2012/2013]]
    284 bytes (26 words) - 21:26, 10 December 2012
  • ...vocabulary with which to analyse their artistic work."(Page 6, Vassenden, 2013) ...eating, theorising about and, not least, selling art." (Page 6, Vassenden, 2013)
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  • [[Category: 2012/2013]]
    272 bytes (30 words) - 14:53, 25 November 2013
  • [[Category:Technical plan]] [[Category: 2012/2013]]
    371 bytes (52 words) - 15:57, 1 October 2012
  • ...Google Terms of Service: current version (Nov 2013), previous version (Mar 2012) and one before that (Apr 2007). After reading each one of the text files, tdates=['Nov 11, 2013','Mar 01, 2012','Apr 16, 2007'] #no longer in use
    2 KB (265 words) - 11:51, 9 December 2013
  • ...(2013) Search results: Consensus decision making [online]. Accessed 24 Jan 2013 at: http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&fi * Cochrane, C. (2013) Consent And Consensus: Interview by Eleanor Greenhalgh [online]. http://ve
    3 KB (373 words) - 17:58, 21 May 2013
  • [[User:Menno Harder/reading, writing and research methodologies 2012 | Description of previous projects]]<br>[[User:Menno Harder/Annotations | A [[Category: 2012/2013]]
    893 bytes (114 words) - 03:02, 2 April 2013
  • Joseph K, Trimester 1, 2012/13. [[Category: 2012/2013]]
    759 bytes (88 words) - 12:17, 14 December 2012
  • * [[Lucian Wester, Trimester 1, 2012]] * [[Lucian Wester, Trimester 2, 2012]]
    1 KB (136 words) - 13:02, 14 July 2013
  • ====2013/2014==== * [[Testing the shelf life|Trimester 1,2013/2014, Testing the shelf life]]
    4 KB (491 words) - 14:57, 26 September 2022
  • 2012 - 2014 ( expected) PIET ZWART INSTITUTE (WDKA), Rotterdam, Netherl ...nd Studio in Den Haag, Netherlands ( www.rogierwieland.com ) and since May 2013 work as a freelancer in the studio
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  • .Nan Wang, Trimester 1, 2012/2013.
    612 bytes (89 words) - 02:49, 14 December 2012
  • Marlon Harder, Trimester 1, 2012. [[Category: 2012/2013]]
    857 bytes (102 words) - 22:47, 29 June 2013
  • ...rds Exhibitions", "Reprise" and "The Exhibition to Hear Read" presented in 2013 at MoMA-New York. In 2012-2013 he was the invited curator at the Jeu de Paume, Paris, and together with Ph
    1 KB (172 words) - 17:04, 24 March 2016
  • ...te Research Seminar documentation here => [[Graduate Research Seminar 2011/2012]]<br/> ...r documentation here => [[Reading,_Writing_%26_Research_Methodologies_2011/2012]]
    4 KB (602 words) - 10:07, 4 October 2012
  • [[Category:Technical plan]] [[Category: 2012/2013]]</nowiki>
    540 bytes (79 words) - 15:15, 24 September 2012
  • Lucian Wester, Graduation Project, Trimester 5, 2013. [[Category: 2012/2013]]
    1 KB (136 words) - 14:15, 24 March 2013
  • [[Category:Technical plan]] [[Category: 2012/2013]]
    3 KB (407 words) - 11:35, 10 December 2012
  • [[Category: 2012/2013]]
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  • Bertalanffy Von, L., 2013. The History and Status of General Systems Theory. Academy of Management Sonic Acts XIV, 2012, Travelling Time. Amsterdam, Sonic Acts Press
    1 KB (189 words) - 14:41, 16 November 2019
  • * [[User:Eleanorg/annotation/Post Digital Print | Ludovico, Alessandro (2012)]] Post Digital Print: The Mutation of Publishing since 1894 (Eindhoven: On ...12) Interview de Alessandro Ludovico (Neural.it) [online]. Accessed 17 Jan 2013 at: http://www.labforculture.org/fr/ressources-pour-la-recherche/contenu/re
    5 KB (637 words) - 20:28, 12 March 2013
  • [[Category:Technical plan]] [[Category: 2012/2013]]
    831 bytes (114 words) - 19:34, 25 September 2012
  • *'''12. Inge Hoonte alumnus 2012 *'''20. Andre Castro alumnus 2013
    747 bytes (104 words) - 10:28, 21 May 2014
  • [[Category: 2012/2013]]
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  • [[Category:Technical plan]] [[Category: 2012/2013]]
    839 bytes (114 words) - 12:40, 28 October 2012
  • Lucian Wester, Graduation Project, Trimester 5, 2013. [[Category: 2012/2013]]
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  • [[Category:Technical plan]] [[Category: 2012/2013]]
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  • Andre Castro, Graduation Project, Trimester 6, 2013. ...urges. BBC News UK. http://www.bbc.co.uk/news/uk-12586742 Accessed: 17-05-2013.
    4 KB (591 words) - 16:58, 8 July 2013
  • Michaela L., Trimester 1.1, Year 2012 [[Category: 2012/2013]]
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  • * RONDEAU, C (2013). [[David Claerbout: L'oeil inifini]]. Noeme. (in Progress) * BAUMAN, Z. (2012). ''[[Ugo/liquidmodernity|Liquid Modernity]]''. Polity Press. (in Progress)
    2 KB (241 words) - 12:09, 10 March 2020
  • | 2013 | | wp-content/uploads/2013/04/undercommons |
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  • ...ation of a concert by his pioneering New Music trio, CCMC. Snow in Vienna (2012) is a brand new documentation of Snow solo by Laurie Kwasnik . Snow in Vienna, Lauri Kwasnik, 34 min30, 2013
    2 KB (219 words) - 18:23, 24 January 2013
  • [[Reading, Writing & Research Methodologies 2013/2014]] [[Reading, Writing & Research Methodologies 2012/2013]]
    3 KB (393 words) - 19:03, 26 September 2022
  • ...Bologna, Italy, April 2012. Mom, Am I Barbarian?, 13th Istanbul Biennial, 2013. The Narrative Show, Eastside Projects, Birmingham, 2011.
    2 KB (302 words) - 12:39, 20 September 2016
  • ...ation of a concert by his pioneering New Music trio, CCMC. Snow in Vienna (2012) is a brand new documentation of Snow solo by Laurie Kwasnik . Snow in Vienna, Lauri Kwasnik, 34 min30, 2013
    2 KB (228 words) - 18:21, 24 January 2013
  • James Richards, Not Blacking Out, Just Turning the Lights Off (UK 2012, 17:00) Benny Nemerofsky Ramsay, Colin Is My Real Name (CA 2013, 6:00)
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  • [[Category:Technical plan]] [[Category: 2012/2013]]
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  • [[Category: 2012/2013]]
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  • Niek Hilkmann, Trimester 2, 2013 ...f-directed research than the last one. To be honest, I believe Trimester 2/2013 will go down in history as the trimester of infinite self-directed research
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  • [[Category:Technical plan]] [[Category: 2012/2013]]
    1 KB (232 words) - 15:00, 24 September 2012
  • .Nan Wang, Trimester 1, 2012/2013.
    1 KB (184 words) - 02:55, 10 January 2013
  • .Nan Wang, Trimester 1, 2012/2013.
    1 KB (213 words) - 02:05, 10 January 2013
  • ==March 2013== ...offrey Farmer (2012) Laves of grass http://www.guardian.co.uk/artanddesign/2012/jun/11/documenta-13-review
    10 KB (1,420 words) - 17:01, 20 March 2013
  • '''Do: Updated 2013'''<br> [[Category:Technical plan]] [[Category: 2012/2013]]
    3 KB (492 words) - 16:51, 4 July 2014
  • [[Category:prototyping]] [[Category: 2012/2013]]
    1 KB (233 words) - 02:40, 10 December 2012
  • Dave Young, Movable Borders: The Reposition Matrix, Trimester 5, 2013. [[Category: 2012/2013]]
    3 KB (379 words) - 11:20, 25 March 2013
  • <li>[[/inteffecttt| Alexander Galloway. The interface effect, 2012]] <li>[[/radicalcatalogue| Emily Drabinsky. Teaching the radical catalogue, 2012]]
    3 KB (325 words) - 00:45, 14 May 2015
  • ...Mroué: A BAK Critical Reader Series in Artists' Practice, BAK Publishing, 2012<br> ...evisited, International Review of Modern Sociology, Vol. 39, No. 1 (Spring 2013), pp. 29-51<br>
    4 KB (656 words) - 14:40, 20 March 2018
  • Nicole Hametner, Trimester 4, december 2013 ...lign="top">[[File:NHametnerThere.jpg | frame | Nicole Hametner, ''There'', 2012]]</td>
    2 KB (295 words) - 13:13, 10 December 2013
  • Niek Hilkmann, Trimester 3, 2013 [[User:Niek Hilkmann/prototyping 2012 - Trimester 3 | Analogue Browser]]
    4 KB (702 words) - 15:06, 1 July 2013
  • * FARR, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art). * PROULX, A. (2012). Bird cloud. London, Fourth Estate.
    3 KB (427 words) - 12:16, 8 November 2019
  • * Boon, Marcus, In Praise of Copying, 2013. * Goriunova, Olga, Art Platforms and Cultural Production on the Internet, 2012.
    8 KB (983 words) - 16:24, 29 March 2019
  • It is a photography project that I made between 2009-2012. There are also objects which I have found from ruined places such as aband It is an archive and photography project that I made in 2013. It is combining of archive and photos taken by my mobile phone. It is abo
    3 KB (489 words) - 17:47, 7 January 2015
  • It is a photography project that I made between 2009-2012. There are also objects which I have found from ruined places such as aband It is an archive and photography project that I made in 2013. It is combining of archive and photos taken by my mobile phone. It is abo
    3 KB (489 words) - 16:50, 24 September 2014
  • ...l Mattering, and Queer Affect]]. Durham and London: Duke University Press, 2012. (p23-35) * Martine Syms (2013), [https://www.kcet.org/shows/artbound/episodes/the-mundane-afrofuturist-ma
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  • | Lidia || MacbookPro 2013 || - || - || OSX 10.8.4, VirtualBox running Ubuntu || Adobe Creative Suite, | Elleke || MacBookPro 2012 || ? || ? || OS X.8 || ... || -
    2 KB (240 words) - 18:39, 26 September 2013
  • - New World Summit | Jonas Staal | 2012: - The Uprising: On Poetry and Finance | Franco Berardi | 2012
    3 KB (415 words) - 14:56, 3 October 2016
  • Roel Roscam Abbing, Trimester II, 2012 [[File:Browsing_on_2013-03-05.png |thumb| Browsing on 5th of march 2013]]
    2 KB (297 words) - 14:31, 2 April 2013
  • <li>[[Steverusthonmastersofreality| Steve Rusthon. Masters of reality, 2012]] <li>[[FacebookNation| Newton Lee.Facebook Nation:Total Information Awareness, 2013]]
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  • Nicole Hametner, Trimester 4, december 2013 <td valign="top">[[File:Thaumatrope.jpg| frame | right | Thaumatrope, 2012]]</td>
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  • [[Category:Technical plan]] [[Category: 2012/2013]]
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  • * Martine Syms (2013), [https://www.kcet.org/shows/artbound/episodes/the-mundane-afrofuturist-ma * Martine Syms (2013), [http://thirdrailquarterly.org/martine-syms-the-mundane-afrofuturist-mani
    5 KB (654 words) - 16:02, 13 April 2022
  • Bertalanffy Von, L., 2013. The History and Status of General Systems Theory. Academy of Management Sonic Acts XIV, 2012. Travelling Time. Amsterdam, Sonic Acts Press
    3 KB (477 words) - 16:13, 3 October 2019
  • :PROULX, A. (2012). Bird cloud. London, Fourth Estate. :WOOD, M. (2012). Film: a very short introduction. Oxford, Oxford University Press.
    5 KB (648 words) - 10:55, 12 May 2020
  • .Nan Wang, Trimester 1, 2012/2013.
    2 KB (328 words) - 04:18, 10 January 2013
  • ...allation. I am going to use the objects that I had collected from Syria in 2013, from destroyed houses and the video footages that I shot in Syria. During ...hat I did in Syria. First project was a photography project that I made in 2012. The first project was about remaining people who refused to leave the coun
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  • .Nan Wang, Trimester 1, 2012/2013.
    2 KB (350 words) - 02:48, 14 December 2012
  • [[Category: 2012/2013]]
    2 KB (369 words) - 10:07, 14 December 2012
  • ...‘digital labor, the internet as playground and factory’, ed Trebor Scholz, 2013) and factory’, ed. Trebor Scholz, 2013)
    6 KB (895 words) - 14:04, 9 May 2016
  • .Yoana Buzova, Trimester 1, 2012/2013
    3 KB (430 words) - 13:26, 14 December 2012
  • .Yoana Buzova, Trimester 1, 2012/2013
    3 KB (421 words) - 04:31, 14 December 2012
  • .Yoana Buzova, Trimester 1, 2012/2013
    3 KB (421 words) - 04:45, 14 December 2012
  • ...te Research Seminar documentation here => [[Graduate Research Seminar 2011/2012]]<br/> ...r documentation here => [[Reading,_Writing_%26_Research_Methodologies_2011/2012]]
    27 KB (3,974 words) - 13:59, 15 January 2014
  • Reading, Writing, and Research Methodologies 2012-2013 The specific outcome for the RW&RM seminar of 2013-14 will be a 1500 word text which reflects on your own method and situates
    15 KB (2,368 words) - 16:55, 19 November 2013
  • ...ir own tV. Retrieved November 26, 2015, from http://capuano.house.gov/news/2013/pr061313.shtml ...mile real or fake? ''MIT News Office''. Retrieved from http://news.mit.edu/2012/smile-detector-0525
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  • - Blast Theory, I'd hide you (2012): https://www.youtube.com/watch?v=CdcvOXPg3j0 (promo/teaser) - Danny Cooke, The Making of John Mayer's 'Born & Raised' Artwork (2013): https://vimeo.com/60647216
    10 KB (1,445 words) - 11:21, 4 April 2013
  • .Nan Wang, Trimester 1, 2012/2013.
    5 KB (470 words) - 02:47, 14 December 2012
  • Nicole Hametner, Trimester 2, april 2013 [[/Reading, Writing & Research Methodologies 2013-03| <font color="black">Transmediale and position vis-à-vis new technologi
    6 KB (1,030 words) - 13:32, 10 December 2013
  • ...film ‘In and Out of Synch’ first premiered at the Tate Oil Tanks, and, in 2013, will tour to Oslo and Copenhagen.  
    3 KB (385 words) - 17:08, 9 January 2013
  • * [[Prototyping 2013/2014]] * [[Prototyping 2012/2013]]
    9 KB (1,125 words) - 16:10, 21 November 2023
  • <li>[[User:Eleanorg/Eleanor Greenhalgh, Graduation Project, Trimester 5, 2013 | Assessment archive page]] [[Eleanor Greenhalgh, Trimester 3, 2012 | Trimester Project archive page]]
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  • ...enous in the Twenty-first Century. Cambridge MA: Harvard University Press, 2013. ...re Art comme on fait societé. Edited by Debaise, Didier et al Paris: Réel, 2013.
    8 KB (1,153 words) - 15:35, 16 February 2023
  • * Steyerl, H. (2012). The Wretched of the Screen. SternbergPress. * Fuller, M. (2013). Behind The Blip: Essays on the culture of software. Autonomedia.
    3 KB (514 words) - 15:44, 22 May 2018
  • [[Category: 2012/2013]]
    3 KB (424 words) - 13:17, 31 March 2013
  • [[Category: 2012/2013]]
    3 KB (424 words) - 11:34, 7 December 2012
  • Nicole Hametner, Trimester 3, july 2013 >>> [[/Reading, Writing & Research Methodologies 2013-TM3.01| <font color="black">Self directed research essay</font>]]<br>
    6 KB (1,037 words) - 12:59, 10 December 2013
  • ===2013/2015=== ===2012/2014===
    26 KB (3,404 words) - 23:32, 9 April 2024
  • <span style="color:#0000FF"> Larkin, B. (2013). The Politics and Poetics of Infrastructure. Annual Review of Anthropology ...le="color:#0000FF"> cheek, cris, Braxton Soderman and Nicole Starosielski.(2013) Network Archaeology. Amodern Journal. Vol. 2 </span>
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  • Niek Hilkmann, Trimester 1, 2012 [[User:Niek Hilkmann/prototyping 2012 | Prototyping Page]]<br>
    8 KB (1,269 words) - 11:56, 13 December 2012
  • ...a.nl/mediadesign/User:ThomasW/Notes_PostDigitalPrint Ludovico, Alessandro (2013) Post Digital Print] ...://pzwiki.wdka.nl/mediadesign/User:ThomasW/Notes_Do_Good Berman, David B. (2013) Do Good Design How Design Can Change the world ]
    12 KB (1,717 words) - 14:30, 18 May 2016
  • ...ish his second feature (I, of whom I know nothing), filmed during 2012 and 2013 in the Montreuil office and basement that 86-year-old John Calder – Samue
    4 KB (676 words) - 09:11, 27 January 2014
  • Nicole Hametner, Trimester 1, december 2012 [[Category: 2012/2013]]
    6 KB (967 words) - 12:58, 10 December 2013
  • ==2012-13 : 18-9-2012== ...udents have been moved to [[Reading, Writing & Research Methodologies 2012/2013]]
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  • ...the corporate framing of our use of technology becomes expected. (Bridle, 2013) While it may be unrealistic to enable change in the tools at our disposal, ...sentations of ongoing processes, essentially animations on pause. (Bridle, 2013) Steyerl defines the value of an image in its ease of flow and distribution
    11 KB (1,821 words) - 20:59, 29 November 2016
  • ...the corporate framing of our use of technology becomes expected. (Bridle, 2013) While it may be unrealistic to enable change in the tools at our disposal, ...sentations of ongoing processes, essentially animations on pause. (Bridle, 2013) Steyerl defines the value of an image in its ease of flow and distribution
    11 KB (1,813 words) - 21:03, 29 November 2016
  • ...the corporate framing of our use of technology becomes expected. (Bridle, 2013) While it may be unrealistic to enable change in the tools at our disposal, ...sentations of ongoing processes, essentially animations on pause. (Bridle, 2013) Steyerl defines the value of an image in its ease of flow and distribution
    11 KB (1,821 words) - 21:00, 29 November 2016
  • Nicole Hametner, Trimester 1, december 2013 ==''Energetic Transformation'', 2012==
    7 KB (1,268 words) - 13:16, 10 December 2013
  • [[Category: 2012/2013]]
    4 KB (572 words) - 15:04, 31 March 2013
  • *[[User:Amy Suo Wu/Mood Radar overview | Mood Radar overview, 2012]] * [[User:Amy Suo Wu/openday2013 | Prediction TV Open Day 2013]]
    5 KB (677 words) - 18:51, 22 March 2013
  • Michaela Lakova, Trimester 3, 2013 [[Category: 2012/2013]]
    6 KB (990 words) - 11:40, 26 November 2013
  • *Krauss, Rosalind. (2013) ''Perpetual Inventory''. Cambridge: MIT Press. ...''A Thousand Plateaus''. Translated by Brian Massumi. London: Bloomsbury, 2013.
    5 KB (669 words) - 16:28, 9 December 2015
  • ...ce at Skowhegan, the Rijksakademie, and Jan van Eyck Academy. From 1996 to 2012, she collaborated under the name De Geuzen: a foundation for multi-visual r ...ho once lived at Herengracht 401 in Amsterdam. Although she passed away in 2013 at the age of one hundred, traces of her figure can still be sensed through
    4 KB (632 words) - 02:40, 3 March 2020
  • ...adashi Kawamata’s artistic project ''Favela Café'', realised for Art Basel 2013, according to the insights and arguments of Žižek. According to Žižek i ...'<ref name="film">Sophie Fiennes (dir.),''A Pervert’s Guide to Ideology'', 2012.</ref>, Slovenian philosopher Slavoj Žižek boldly, and rightly in my opin
    11 KB (1,756 words) - 11:19, 21 January 2015
  • ...orce this by focusing either on the gentrifiers themselves (e.g. Boterman, 2012; Butler, 2003) or those displaced or under threat of displacement (e.g. Atk ...will play out between the different groups in public space. (Rose et al., 2013: 447)
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  • <font size="6">DEMET ADIGUZEL, Graduation Project, Trimester 5, 2013</font> [[Category: 2012/2013]]
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  • I explore the film ''Nightfall'' by James Benning (2012) and the video work ''Everything and More'' (2015) by Rachel Rose. I discus (book) Cage, J., Silence, University Press Of New England, 2013
    5 KB (752 words) - 16:05, 22 May 2022
  • * Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art). * Stallabrass, J. (2013) Documentary. London: Whitechapel (Documents of contemporary art).
    7 KB (1,026 words) - 17:08, 15 November 2019
  • ...l value in the face of digital technology. The exhibition The Whole Earth (2013), held at the Haus der Kulturen der Welt in Berlin, is another exam-ple of
    4 KB (663 words) - 11:27, 2 October 2021
  • - Blast Theory, I'd hide you (2012): https://www.youtube.com/watch?v=CdcvOXPg3j0 (promo/teaser) - Danny Cooke, The Making of John Mayer's 'Born & Raised' Artwork (2013): https://vimeo.com/60647216
    11 KB (1,491 words) - 20:39, 24 March 2015
  • Diary (2013) is a compression of time into a single image, an excess of data and inform ...ple in ‘The Bank of Broken Dreams’ (2014) or ‘The Emotional Stock Market’ (2012) a mass of data is accumulated, reappropriated and distributed within the a
    7 KB (1,179 words) - 18:40, 8 July 2014
  • | Side by Side (2012) || Christopher Kenneally || history of technology || 10.18 || class | American Hustle (2013) || David O. Russell || Mamet-esque dialogue...period fiction...fast cuts |
    6 KB (869 words) - 21:41, 29 September 2019
  • Piet Zwart Institute, Willem de Kooning Academy, 2013 With the introduction of the so called first fully 3D printed pistol (Forbes, 2013, 0330), there has come an end to the innocence of 3D printing, which up to
    34 KB (5,926 words) - 13:58, 24 May 2013
  • ...ographic imagery I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis '''After Untitled 2012:'''<br>
    20 KB (3,258 words) - 00:02, 17 November 2017
  • ...in their image findings. For their work group ''Color Spins'', created in 2012, they have developed their own rotational apparatuses. The dynamic light s The ephemeral light sculptures of the black-and-white series ''Ghost'' from 2012, on the other hand, step in front of the dreary backdrop of a piece of wood
    8 KB (1,187 words) - 15:22, 18 May 2019
  • ==Trimester 2: 2013-14== http://press.siff.net/SIFF_2013/2013%20Films/Features/T/The%20Pervert%27s%20Guide%20to%20Ideology/ThePervertsGui
    25 KB (3,945 words) - 00:49, 9 July 2014
  • ...,’ (2003) in ''Essays on Deleuze'' (Edinburgh: Edinburgh University Press, 2012), 342. ...''A Thousand Plateaus''. Translated by Brian Massumi. London: Bloomsbury, 2013.
    8 KB (1,214 words) - 23:58, 14 February 2016
  • ''Thank you for your application to Cove Park’s 2013 visual arts residency programme. ‘A Man Digging’ 2012
    17 KB (2,899 words) - 02:14, 25 March 2013
  • Nation Estate (2012) The Visitors (2012)
    7 KB (1,121 words) - 17:30, 2 November 2022
  • Created 18:56, 17 September 2013 Photographer Marcelo Krasilcic's online portfolio was designed and built in 2012. It consists of a home page, several galleries, a video index page, a link
    5 KB (899 words) - 13:23, 11 December 2013
  • Bertalanffy Von, L (2013) The History and Status of General Systems Theory. Academy of Management Kohn E (2013) How Forest Think, California, Universiti of California Press
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  • <br>Golden Krishna, 2013 – SXSW [http://www.theverge.com/2013/3/10/4086392/samsung-golden-krishna-the-best-interface-is-no-interface]<br> ...tement 'the best interface is no interface' (http://www.cooper.com/journal/2012/08/the-best-interface-is-no-interface.html) would then mean no interaction.
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  • 1) Questioning Crowd-sourcing: The rise of the global day-laborer (2012-2013) 2) TumblrJumpr (2013)
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  • ...,’ (2003) in ''Essays on Deleuze'' (Edinburgh: Edinburgh University Press, 2012), 342. ...''A Thousand Plateaus''. Translated by Brian Massumi. London: Bloomsbury, 2013.
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  • Through my thesis, I want to explore how animacies (Chen, 2012), the agency and the living value that bodies and inanimate objects carry w ..., 2018), Animacies: biopolitics, racial mattering, and queer affect (Chen, 2012) and from references that might come up throughout my research. The two tex
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  • Bertalanffy Von, L., 2013. The History and Status of General Systems Theory. Academy of Management Sonic Acts XIV, 2012, Travelling Time. Amsterdam, Sonic Acts Press
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  • * Evil Media, Matthew Fuller and Andrew Goffey, 2012. * Anti-Media: Ephemera On Speculative Arts, Florian Cramer, 2013.
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  • Gabrys, J. (2013). Digital rubbish a natural history of electronics. Ann Arbor, Mich. Univ. Hertz, G. and Parikka, J. (2012). Zombie Media: Circuit Bending Media Archaeology into an Art Method. Leona
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  • ...cal storage was also highlighted in the related project 'Volunteer Hosts' (2012, Fig.4), in which volunteers agreed to store a digital file about their per ...f content" which "foster[s] true collaboration and solidarity" (IMC London 2012).
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  • Assange, J (2012) Cypherpunks: Freedom and the Future of the Internet, OR Books <br>Hyde, A (2013) The Cryptoparty Handbook, Unglue.it
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  • ...cal storage was also highlighted in the related project 'Volunteer Hosts' (2012, Fig.4), in which volunteers agreed to store a digital file about their per ...f content" which "foster[s] true collaboration and solidarity" (IMC London 2012).
    21 KB (3,192 words) - 23:21, 3 December 2012
  • Gabrys, J. (2013). Digital rubbish a natural history of electronics. Ann Arbor, Mich. Univ. Hertz, G. and Parikka, J. (2012). Zombie Media: Circuit Bending Media Archaeology into an Art Method. Leona
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  • ...on Societies of Control’(Deleuze, 1992) and ‘Masters of Reality’ (Rushton, 2012).
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  • ...formulate a relationship between seeing and hearing in new ways. (Carsten, 2013, p.11-12). ...the laboratory in which the artist reconfigures the elements’’. (Carsten, 2013, p.12).
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  • ...cal storage was also highlighted in the related project 'Volunteer Hosts' (2012, Fig.4), in which volunteers agreed to store a digital file about their per ...f content" which "foster[s] true collaboration and solidarity" (IMC London 2012).
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  • ...l gurus and teachers, for instance Eckhart Tolle (1997) and Timothy Freke (2012), talk about how each individual creates it’s own reality and about how t ...also something that gives conviction to one own’s decisions (Xunwu Chen, 2013). He also says that the fate of humankind is to become “an authentic embo
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  • Ong, W.J., Hartley, J., 2012. ''Orality and literacy: the technologizing of the word, 30th anniversary e Zuckerman, E., 2013. ''Digital cosmopolitans: why we think the internet connects us, why it doe
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  • '''Anne Sophie Merryman''' - “''Mrs. Merryman's Collection''” 2012 ...d by her granddaughter Anne Sophie Merryman. http://www.firstbookaward.com/2012/interview/
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  • In 2013 classified documents proving extensive surveillance over and through the in ...Young on the topic of drone warfare. The project was initiated in november 2012 during a three week residency at Upominki in Rotterdam. The result of the r
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  • ...he techno perfect Los Angeles as portrayed in Spike Jonze's movie ''Her'' (2013). While transcribing people's thoughts and organizing their life, the digit Historian Michael Schudson (2013) argues in reaction to Kovach and Rosenstiel that gossip might be universal
    17 KB (2,766 words) - 16:21, 28 March 2019
  • ...exploitation; but it’s very much in line with neoliberal rhetoric (beloso 2012). ...from the (stigmatized) sex worker category (evans & riley, 2013; Siebler, 2013). // I have to say; this might be also the case in how we view sex-workers
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  • [[Category: 2012/2013]]
    7 KB (1,123 words) - 12:38, 23 March 2013
  • ...al., 2014, Flantua & Hooghiemstra, 2017; Groot, 2012; Torres et al., 2005, 2013; Van der Hammen 1974). Groot M.H.M. (2012). ‘’Solving a Piece of the puzzle’’. Reconstruction of millennial-s
    12 KB (1,863 words) - 19:34, 24 October 2017
  • ...al., 2014, Flantua & Hooghiemstra, 2017; Groot, 2012; Torres et al., 2005, 2013; Van der Hammen 1974). Groot M.H.M. (2012). ‘’Solving a Piece of the puzzle’’. Reconstruction of millennial-s
    12 KB (1,863 words) - 19:41, 24 October 2017
  • ...odology and work I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis Bronski, M. (2012), Queer History of the United States, Beacon Press (still waiting for deliv
    11 KB (1,839 words) - 14:16, 9 November 2017
  • ...te who, where, and under what conditions are at the origin of spam (Burell 2012), linguists to speculate on the grammatical anomalies contained in spam (Bl ...of 419s I have been collecting since November 2012. Beginning in December 2012, I have been compiling and organizing the collected emails under this archi
    30 KB (4,788 words) - 01:19, 25 March 2013
  • <br>Golden Krishna, 2013 – SXSW [http://www.theverge.com/2013/3/10/4086392/samsung-golden-krishna-the-best-interface-is-no-interface]<br> ...t like 'the best interface is no interface'.(http://www.cooper.com/journal/2012/08/the-best-interface-is-no-interface.html) As we have just seen, an interf
    66 KB (10,707 words) - 23:03, 25 November 2014
  • — Armée zapatiste de libération nationale, ''communiqué du 21 décembre 2012.''</blockquote> ...dance-generale-de-larmee-zapatiste-de-liberation-national-ezln-21-decembre-2012/</nowiki> (Accessed: March 4, 2023).
    17 KB (2,619 words) - 01:00, 9 March 2023
  • ...al., 2014, Flantua & Hooghiemstra, 2017; Groot, 2012; Torres et al., 2005, 2013; Van der Hammen 1974). Groot M.H.M. (2012). ‘’Solving a Piece of the puzzle’’. Reconstruction of millennial-s
    13 KB (1,932 words) - 16:09, 26 October 2017
  • ...tworked Media from the Piet Zwart Institute, Rotterdam (MDes, 2010-12). In 2012 he has co-founded the artist collective La Société Anonyme known for its André is a 2013 alumnus of the MMDC program and has previously studied under the Sonic Arts
    25 KB (3,382 words) - 13:15, 16 May 2022
  • ...ographic imagery I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis ''New Queer Cinema'' (2013) by B. Ruby Rich <br>
    19 KB (3,118 words) - 16:37, 24 November 2017
  • On the 22nd October, the third and final 2012 US presidential debate between Barack Obama and Mitt Romney was viewed on t ...th to Parody Tumblr in 9 Minutes">[http://www.theatlanticwire.com/politics/2012/10/it-took-less-30-minutes-horses-and-bayonets-become-meme/58227/ The Atlan
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  • ...e shared, using routing protocol such as the Open Mesh protocol (Freifunk, 2013). Community networks are bottom-up initiatives, owned and controlled by its ...ken place in Egypt in 2011. For example, by using Qaul.net (Jud & Wachter, 2012), Wifi enabled devices can form a resistant network, and communicate intern
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  • In his recent documentary “Pervert’s guide to Ideology” (2013) '''[cite=director?]''' Slavoj Zizek gives us an in-depth look into '''[his -"Pervert's Guide to Ideology" by Slavoj Žižek and Sophie Fiennes (2012)
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  • ...icone Dance School No. 1 (2012 to 2015) and at the IUPA. I produced Radio (2013). https://caterinamora.jimdofree.com ...enting the life at a Dutch institution before it ceased to exists with the 2012 Dutch art funding cuts.
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  • ...y can be found on an interview given by Oppenheimer between April and June 2013, when he says “I think the whole tradition in which documentaries tend to In an interview in Moscow in 2012 <ref>[http://vimeo.com/30477574, "http://vimeo.com/30477574"], Visited Apri
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  • Ong, W.J., Hartley, J., 2012. Orality and literacy: the technologizing of the word, 30th anniversary ed. Zuckerman, E., 2013. Digital cosmopolitans: why we think the internet connects us, why it doesn
    8 KB (1,241 words) - 15:55, 12 September 2019
  • ...ographic imagery I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis '''After Untitled 2012:'''<br>
    29 KB (4,685 words) - 13:57, 1 February 2018
  • ...Documents] presented the new volume Walter Benjamin: Recent Writings 1986-2013. The collection contains the transcript of one of Benjamin’s first lectur .../thoughtmaybe.com/google-and-the-world-brain/ Google and the World Brain] (2012)
    17 KB (2,406 words) - 15:42, 28 November 2014
  • * Alessandro Ludovico, (2013). ''Marcell Mars'' Interview, Neural 44: "Post-Digital Print".https://monos ...The Wretched of the Screen. http://thecomposingrooms.com/research/reading/2013/e-flux_Hito%20Steyerl_15.pdf
    20 KB (3,024 words) - 15:54, 2 June 2018
  • ...line] The New York Times. Available from : http://www.nytimes.com/projects/2012/snow-fall/index.html#/?part=tunnel-creek [Accessed 12/02/19]. Hegel, G.W.F., Miller, A.V. and Findlay, J.N. (2013) ''Phenomenology of spirit''. Reprint. Oxford: Oxford Univ. Press.
    25 KB (3,750 words) - 14:00, 3 April 2019
  • ...itutes individuals by manipulating bits of information (quoted in Rushton, 2012) . This illustrates how an identity is formed within a user profile: throug During her lectures What was the user, Olga Goriunova(2013) has spoken about the user as producer of himself. While this user is '''pr
    23 KB (3,550 words) - 19:47, 16 November 2014
  • ...tter conditions, and gain some control over their lives.” (Melvin, Apr-Jun 2013, An interview with Joshua Oppenheimer, [http://www.insideindonesia.org/curr In an interview in Moscow in 2012 (Museum of Modern Art in Warsaw, Oct 2011), visited April 06, 2014), Marten
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  • == Nov 24, 2013 == == Nov 6, 2013 ==
    23 KB (3,752 words) - 13:36, 27 November 2013
  • ...s in which Buren criticized them, are a thing of the past. In the 2011 and 2012 shows it is difficult to see more that “spatial, plastic and aesthetic co == From Krauss, ''Perpetual Inventory'' (essay collection. MIT, 2013), Introduction ==
    20 KB (3,327 words) - 11:43, 10 June 2015
  • Lane & Caryle, Angus,(2013) On Listening Sterne, Jonathan, (2012), Sound Studies
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  • Lane & Caryle, Angus,(2013) On Listening Sterne, Jonathan, (2012), Sound Studies
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  • Jones, M. T., Introduction to approaches and algorithms. (2013, December 12). Retrieved April 25, 2018, from http://www.ibm.com/developerw ...uly 30). Amazon's recommendation secret. Retrieved from http://fortune.com/2012/07/30/amazons-recommendation-secret/
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  • [[File:Daft Punk.jpg | thumb | 200px | Daft Punk, Random Access Memories, 2013]] * The Dodo and the Solitaire: A Natural History, Joylon C. Parish, 2013.
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  • ...<u>Jump Cut, A Review of Contemporary Media</u>,No.53. Accessed 12 January 2013, http://www.ejumpcut.org/archive/jc53.2011/kleinhans-creatIndus/index.html * [http://monoskop.org/log/?p=6724 Burrell, Jena. 2012. 'Invisible Users: Youth in the Internet Cafés of Urban Ghana'. MIT Press.
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  • .... Gaga Feminism: Sex, Gender, and the End of Normal. Boston: Beacon Press, 2013.''''' ...Preliminary Materials for a Theory of the Young-Girl. Chicago: Semiotexte, 2012.'''''
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  • ...Doorn, the artistic director of WORM, to accompany their yearly report for 2012. During the last year the institute went to several reforms and lost a lot ...reality side by side at the same time. In the year in which I am writing, 2013 to be precise, another 44 years have past and even more of these musical id
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  • ...arjah Biennial 11, UAE. He's also a recipient of the Fukuoka Prize, Japan, 2013. In late 2014, he received the Yanghyun Art Prize, one of the most prestigi ...n (2018); Bonner Kunstverein, Bonn (2015); Salonul de proiecte, Bucharest (2013); Kunsthalle Basel, Basel (2011).
    15 KB (2,278 words) - 09:26, 7 November 2023
  • * Sound - Chapter 5 - Language Gulf in the Shouting Valley (2013) by Lawrence Abu Hamdan; Erik Gandini’s Surplus: Terrorized into Being Co * Framing - Chapter 7 - Irina Botea’s Picturesque (2012); Mohammadreza Farzad’s Gom o gour (Into Thin Air, 2010) and Peter Thomps
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  • ...ng Through Biometrics, The Biopolitics of Identity”'', Palgrave Macmillan, 2013; ...a Field Guide”'', edited by David Evans, Black Dog Publishing, London, UK, 2012;
    10 KB (1,528 words) - 09:51, 16 April 2017
  • ...orbes.com/forbes/welcome/?toURL=https://www.forbes.com/sites/andygreenberg/2013/08/30/here-are-five-ridiculous-redesigns-of-the-3d-printed-gun/&refURL=&ref ...2/object-steganography-noah-feehan-2012 Object Steganography, Noah Feehan (2012)]
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  • ...-repeating-the-same-mistakes-of-the-music-industry https://netzpolitik.org/2013/interviews-with-e-book-pirates-the-book-publishing-industry-is-repeating-th * Cornelia Sollfrank, ''Giving What You Don't Have'' (2012-2015) "I realised how limited the discourse on appropriation is and shifted
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  • On 22, 23 & 24 March 2012, we did a Robotics Workshop. The first one. On 6, 7, 8 and 13, 14, & 15 March 2013, we have another Robotics Workshop.
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  • ...ttps://en.wikipedia.org/wiki/Bootstrap_(front-end_framework) On August 19, 2013, Bootstrap 3, was released. It redesigned components to use <b>flat design< Nielsen's 2012 guidelines, "Repurposing vs Optimized Design" that web sites made for mobil
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  • ...nce 1917?” (Mitt Romney, third US Presidential Debate, as quoted in Estes, 2012) ...d in 1916. Well Governor, we also have fewer horses and bayonets.” (Estes, 2012)
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  • ...nected usb stick. The media player is set to launch in the early summer of 2013 and will retail for 200 US Dollars. Dullaart points out in the specificatio Branded as the “Internet’s Weirdest Etsy Store” by Gawker in 2012, Brad Troemel’s Etsy store is a mix of common every day objects combined
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  • Gabrys, J. (2013). Digital rubbish a natural history of electronics. Ann Arbor, Mich. Univ. Hertz, G. and Parikka, J. (2012). Zombie Media: Circuit Bending Media Archaeology into an Art Method. Leona
    10 KB (1,579 words) - 17:47, 21 November 2021
  • ...ef name="ftn7">Memory of the World, [https://www.memoryoftheworld.org/blog/2012/11/26/end-to-end-catalog-2/ End-to-end-catalog]</ref></blockquote> ...tworked Media from the Piet Zwart Institute, Rotterdam (MDes, 2010-12). In 2012 he has co-founded the artist collective La Société Anonyme known for its
    37 KB (5,205 words) - 13:12, 16 May 2022
  • Gabrys, J. (2013). Digital rubbish a natural history of electronics. Ann Arbor, Mich. Univ. Hertz, G. and Parikka, J. (2012). Zombie Media: Circuit Bending Media Archaeology into an Art Method. Leona
    10 KB (1,632 words) - 15:52, 7 December 2021
  • ...as an artistic object started while working on my series Sunstudies (2012/2013) and Lightstudies (2015/2016). The images are always presented in a grid, b
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  • ...becomes visible, unfortunately, is that the site hasn't been updated since 2012. This decline of activity can also be determined with Software Arts. But th ...(and interventions via) the objects and processes of software.&quot; (Cox, 2013)
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  • This is the second project I made in Syria in 2013. This time I wanted to focus on the refugee crisis from starting point, fr I did this project at the end of 2012. I used a large format camera with a Polaroid back. I wanted to produce a s
    11 KB (1,928 words) - 13:38, 15 February 2016
  • ...belt. she has exposed multiple human rights abuses committed by Frontex in 2012. the documents she uploaded to Wikileaks also exposed large scale embezzlem ...ionary content thrives on internet and has been capitalizing on this since 2013, when he first started a YouTube channel. His earlier content were reaction
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  • ...in decision-making processes with respect to child safety online || 01/01/2013 - 31/12/2016 || [http://www.amicaproject.be/ link] ...o hopefulness and happiness --- (emotion detection, suicide prevention) || 2012 || [http://www.clips.ua.ac.be/sites/default/files/f_bii-fine-grained-emotio
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  • DOCU : Terms and Conditions May Apply (2013) https://www.youtube.com/watch?v=ncouFwTR6Qg movie based on story Tallhotblond (2012)
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  • * Fuller, M., Goffey, A., 2012. Togetherness, in: Evil Media. The MIT Press, Cambridge, Mass, pp. 47–68. * Shukaitis, Stevphen (2013). The Undercommons, Fugitive planning and black study: Stefano Harvey and F
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  • ...e 8.jpg|thumb|right|200px|Ricardo Basbaum, re-projecting (london) diagram, 2013]] ...013 image 4.jpg|thumb|right|200px|Ricardo Basbaum: re-projecting (london), 2013.]]
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  • Caryle, Angus. Lane, Cathy. (2013). On listening. Uniform books Mirror metaphors in Mantikut Tayr. (2012)
    13 KB (2,151 words) - 10:00, 23 October 2023
  • ...mstra 1984; Bogotá et al., 2011; Groot et al., 2011; Torres et al., 2005, 2013). They also found a pathway to make spatial reconstructions through time ab Groot M.H.M. (2012). ‘’Solving a Piece of the puzzle’’. Reconstruction of millennial-s
    17 KB (2,663 words) - 18:22, 13 November 2017
  • ...ace Dillo, Walking the Clouds: An Anthology of Indigenous Science Fiction (2012) ...Writing and Visual Culture After the Holocaust (Columbia University Press, 2012)
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  • Caquard, S., 2013. Cartography II: Collective Cartographies in the Social Media Era.<br> Mesa del Castillo, M, 2012. Víctimas de un Mapa. Phd. Universidad de Alicante, Alicante.<br>
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  • ...artist’s film installation, virtual reality simulation and research. Since 2012, Dobrowolska has been working in collaboration with Teo Ormond-Skeaping on ...or Take Me Somewhere Nice (2019), Import (2016) and Reizigers in de nacht (2013).
    12 KB (1,910 words) - 10:21, 6 June 2020
  • Caryle, Angus. Lane, Cathy. (2013). On listening. Uniform books Mirror metaphors in Mantikut Tayr. (2012)
    12 KB (2,086 words) - 13:15, 16 November 2015
  • Caquard, S., 2013. Cartography II: Collective Cartographies in the Social Media Era.<br> Mesa del Castillo, M, 2012. Víctimas de un Mapa. Phd. Universidad de Alicante, Alicante.<br>
    12 KB (1,897 words) - 11:32, 14 November 2019
  • ...eliminary Materials for a Theory of the Young-Girl''. Chicago: Semiotexte, 2012. '''''✨'''''<nowiki>https://zocalopoets.com/2013/08/31/problematic-jay-bernard-on-poems-performance-problem-solving/</nowiki
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  • 2 Sun Jan 01 2012 00:00:00 GMT+0100 (CET) <br> 3 Tue Jan 01 2013 00:00:00 GMT+0100 (CET) <br>
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  • ''''' Digital is built for speed, while print ensures stability” (Ludovico, (2012), p7) ''''' ...sible for the world our children will live in” - Robert L. Peters (Berman, 2013, p127) '''''
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  • Caryle, Angus. Lane, Cathy. (2013). On listening. Uniform books Mirror metaphors in Mantikut Tayr. (2012)
    13 KB (2,260 words) - 11:24, 11 November 2015
  • Caryle, Angus. Lane, Cathy. (2013). On listening. Uniform books Mirror metaphors in Mantikut Tayr. (2012)
    13 KB (2,260 words) - 10:00, 23 October 2023
  • Caquard, S. (2013) Cartography II: Collective Cartographies in the Social Media Era. Availabl Mesa del Castillo, M (2012) Víctimas de un Mapa. Phd. Alicante: Universidad de Alicante. <br>
    13 KB (2,014 words) - 19:30, 3 December 2019
  • ...mb|left|400px|''Up pen down'', research, fonts and workshops by OSP (since 2012)]] ...in the spirit of Paul Klee's 'Pedagogical Sketchbook', by Marc van Elburg (2013)
    27 KB (4,054 words) - 18:28, 2 May 2024
  • ...with the economic impact of development and exploitation from Japan. (Ha, 2012) Around that time in the late 1890s, Korea had no power as an individual co ...tle: Center for Korea Studies Publication, University of Washington Press, 2013.
    13 KB (1,992 words) - 00:53, 12 December 2019
  • ...n Shot 2018-05-07 at 12.18.46.png|thumb|Object Steganography, Noah Feehan (2012)]] ...2/object-steganography-noah-feehan-2012 Object Steganography, Noah Feehan (2012)]
    33 KB (4,836 words) - 15:10, 22 May 2018
  • ...mstra 1984; Bogotá  et al., 2011; Groot et al., 2011; Torres et al., 2005, 2013). They also found a pathway to make spatial reconstructions through time ab Groot M.H.M. (2012). ‘’Solving a Piece of the puzzle’’. Reconstruction of millennial-s
    18 KB (2,728 words) - 15:37, 9 November 2017
  • ...uuradio.fr/ Duuu is a radio dedicated to contemporary creation. Founded in 2012 by artists, this radio was born from the desire to make people hear situati * Martine Syms (2013), [https://www.kcet.org/shows/artbound/episodes/the-mundane-afrofuturist-ma
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  • ...Fight!/ facilitated six months of discussion and collaborative writing. In 2013, the project /Consentsus/ took the form of participatory research and proto ...ndividual outputs, of curating from within the sea of content" (IMC London 2012).
    51 KB (8,392 words) - 12:17, 20 May 2013
  • === Karen O`rourke. Walking and Mapping: Artists as Cartographers (2013) === * Gilbert Simondon, 2012. ON TECHNO-AESTHETICS. PARRHESIA 14, 1–8.
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  • ...ume entitled ''Joost van den Vondel: Dutch Playwright in the Golden Age'' (2012). In this line of research I am  currently finishing a manuscript entitled ...my last book Anti-Media (a collection of essays and ephemera published in 2013 by NAi010) and my essay [http://post-digital.projects.cavi.dk/?p=599 ''Wha
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  • ===Allen Frances - Normal (2013)=== ...eld and Jordana Maisel - Universal design creating inclusive environments (2012)
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  • ...ém| title = Towards a philosophy of photography| location = London| date = 2012}} ...rld War II to the psychedelic sixties| location = Chicago ; London| date = 2013}}
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  • ...Margaret D. Stetz, Opticon 1826, 14: 21-26, DOI: http://dx.doi.org/opt.aj, 2012. * Evil Media, Matthew Fuller and Andrew Goffey, 2012.
    48 KB (8,161 words) - 01:19, 2 December 2013
  • ...ed toward arts and humanities to take its final form of a media library in 2012, as Dušan Barok's graduation project at the Piet Zwart Institute. ...nded toward arts and humanities to take its final form of media library in 2012 as Dusan Barok's graduation project in the Networked Media master course of
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  • ...eing excluded from public sphere. According to Kevin Fox Gotham (Kanaveli, 2012), territorial restrictions, identities and meanings are negotiable, as they ...d contexts of acting, outside of the formal system<ref>Kanaveli (Kanaveli, 2012) maintains that something that is visible and can be heard is reality and c
    69 KB (10,829 words) - 11:55, 5 June 2019
  • Ong, W.J., Hartley, J., 2012. Orality and literacy: the technologizing of the word, 30th anniversary ed. Zuckerman, E., 2013. Digital cosmopolitans: why we think the internet connects us, why it doesn
    16 KB (2,406 words) - 14:51, 10 October 2019
  • ...entities for yourself is an example of a lack of integrity." (Kirkpatrick, 2012) ...the Birmingham Daily Post’s former London office refurbished over 2012 and 2013. This building is not only used as space to hold material, or as an infrast
    23 KB (3,712 words) - 18:12, 10 February 2020
  • ...e to the streets to protest or talk about their family concerns (Kanaveli, 2012)[example]. There is a connection of sound and voice with externalizing our ...isregarding the importance of passions and desires in politics. As Mouffe (2013) says, "[i]f there is anything that endangers democracy nowadays, it is pre
    55 KB (8,465 words) - 17:59, 16 February 2019
  • Ong, W.J. and Hartley, J. (2012) Orality and literacy: the technologizing of the word. Orality and literacy Zuckerman, E., 2013. Digital cosmopolitans: why we think the internet connects us, why it doesn
    17 KB (2,615 words) - 14:08, 29 November 2019
  • ...is modeling the future, as future is inscribed in code.” (Cox and McLean, 2012: foreword). Cox and McLean discuss the multifaceted properties and uses of ...who established the presets for the post-modern movement (Siegmund et al., 2013, p.190).
    66 KB (10,076 words) - 14:28, 12 May 2016
  • ==== '''27-02-2024 - Notes on Runa Islam's ''Meroë'' (2012) and Peng Zuqiang's Déjà vu''' ==== Steyerl, H., 2012, ''The Wretched of the Screen'', London: Sternberg Press.
    63 KB (10,221 words) - 21:33, 4 April 2024
  • '''Staal, J. and Sison, J. (2013). ''New World Academy Reader #1: Towards a people's culture''. Utrecht: BAK '''Mouffe, C. (2013). ''For an Agonistic Model of Democracy''. In: Hegemony, Radical Democracy,
    40 KB (6,063 words) - 14:20, 27 October 2018
  • ...becomes visible, unfortunately, is that the site hasn't been updated since 2012. This decline of activity can also be determined with Software Arts. But th ...(and interventions via) the objects and processes of software.&quot; (Cox, 2013)
    30 KB (4,743 words) - 22:04, 21 January 2019
  • ...Unilever invested a total of €1.04 billion in research and development in 2013.'' Former manager sues Unilever over ‘illegal’ sacking (Daily Nation, June 2012)
    33 KB (4,811 words) - 00:08, 26 July 2017
  • ==== '''27-02-2024 - Notes on Runa Islam's ''Meroë'' (2012) and Peng Zuqiang's Déjà vu''' ==== Steyerl, H., 2012, ''The Wretched of the Screen'', London: Sternberg Press.
    65 KB (10,615 words) - 13:40, 10 April 2024
  • Ong, W.J. and Hartley, J. (2012) Orality and literacy: the technologizing of the word. Orality and literacy Zuckerman, E., 2013. Digital cosmopolitans: why we think the internet connects us, why it doesn
    19 KB (2,865 words) - 16:52, 4 December 2019

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