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  • '''The work of art in the age of digital recombination <br> ...rt into an exhibition value to so called manipulation value in the present digital age.<br>
    2 KB (364 words) - 15:55, 20 November 2012
  • ...nation where the database constitutes the ontological model of the work of art. ...ries the part of Benjamin’s essay that is related to the aura of a work of art. Benjamin explained that because of the mechanical reproduction, artworks w
    2 KB (308 words) - 10:14, 18 January 2012
  • ...t & short annotation on "Art and Authenticity" extract from "Languages of art" by Nelson Goodman In Languages of art Goodman questions the authenticity of the work of art.<br>
    1 KB (211 words) - 12:27, 5 May 2013
  • ...s the work of contemporary young artists and designers, including art school students, it is obvious that these ‘old’ media are vastly mor Source: [https://aprja.net/article/view/116068 Florian Cramer's What is Post-digital article (2014, APRJA)]
    2 KB (315 words) - 17:01, 16 September 2023
  • A practical report that can sort out the logic of my art creating methodology, supplemented by the analysis of the corresponding art I am a person who is controlled by contemporary digital technology but also wants to control it in return. In my experience, my per
    2 KB (317 words) - 15:18, 15 October 2020
  • [[Annotation on The work of art in the age of digital recombination]]
    287 bytes (41 words) - 21:34, 16 January 2013
  • [[ Annotation---The work of art in the age of digital recombination ]]
    372 bytes (41 words) - 12:32, 11 February 2013
  • relationhsip materiality of art and technological advancment dematerilisation of art 70s conceptual art etc
    2 KB (351 words) - 17:28, 28 March 2014
  • ...th a background in graphic design. Her interests revolve around generative art, media specificities and the aesthetics of distortion as an inevitable part ...video uses the author's computer logs, and the video documentation of her digital routine, as a source for data visualisation. The project invites the audien
    760 bytes (110 words) - 01:30, 19 June 2018
  • ...computing, networks and user interfaces are things I would suggest to net art researchers and new media historians learn; those are essential contexts."' ...enschied, Digital Folklore, a book exploring user generated aesthetics and digital culture.
    3 KB (403 words) - 16:47, 12 October 2010
  • ...amin was a german cultural critic. In 1936 he wrote the essay “The work of Art in the Age of Mechanical Reproduction”. ...orks of Art. Benjamin, in this essay, analizes its consequences of the way Art is comtemplated, exhibited and reproduced.
    2 KB (327 words) - 17:03, 25 October 2011
  • ...es is the new digital interface. Del Mul aims to analayze the way that the digital interface constitutes and structures aesthetic experience of media. ...he supersensible, that is: between the physical materiality of the work of art and its meaningful history.
    5 KB (922 words) - 13:43, 18 February 2015
  • Annotation on "Languages of art" extract of the chapter "Art and Authenticity" by Nelson Goodman.<br> Goodman questions the authenticity of the work of art.
    3 KB (413 words) - 12:47, 17 May 2013
  • Hito Steyerl Duty Free Art : Proxy Politics - Signal and Noise ...an age defined by planetary civil war, growing inequality, and proprietary digital technology? The boundaries of such institutions have grown fuzzy. They exte
    1 KB (219 words) - 13:34, 15 December 2021
  • Film, screenwriting, phychology, horses and dogs, scenography, video art, drama excersises and didactical literature. Art
    1 KB (223 words) - 12:29, 10 February 2021
  • '''The work of art in the age of digital recombination ---Jos de Mul''' ...of the essay he believe in the age of digital recombination the “aura”of art work returned but returned with a twist(more transient and unstable) , and
    4 KB (677 words) - 05:48, 16 November 2012
  • *Digital body *https://www.e-flux.com/criticism/331113/skins-within-on-contamination-and-digital-corporeality
    2 KB (165 words) - 04:18, 21 June 2023
  • ...s and others drawn from previously unrecognized areas of visual and verbal art." ...GERED LANGUAGES, ENDANGERED POETRIES by Jerome Rothenberg, with an article Digital race to save languages, By Andy Webster
    1 KB (216 words) - 14:12, 14 May 2015
  • * <b>Art and Autonomy</b> - <i>Sebastian Olma</i> -- [https://bd.b-ok.lat/book/53404 ...ostmodernism and Consumer Society</b> - <i>Fredric Jameson</i> -- [https://art.ucsc.edu/sites/default/files/Jameson_Postmodernism_and_Consumer_Society.pdf
    6 KB (976 words) - 19:02, 24 January 2023
  • ...Mul (2009): http://www.demul.nl/nl/item/412-the-work-of-art-in-the-age-of-digital-recombination * ''Duty Free Art: Art in the Age of Planetary Civil War'', Hito Steyerl, Verso (2017)
    3 KB (515 words) - 12:06, 12 March 2019
  • ...the ways human form are represented and rendered into data. My interest in art history has drawn me towards creating works that reference that history of The digital body, the digitised body, motion capture and representation. The animations
    4 KB (679 words) - 18:09, 15 November 2018
  • ...point of the debate is water Benjamin's claim that the "cult value" of an art work has been replaced by the "exhibition value". ...combination, the database constitutes the ontological model of the work of art and, secondly, that in this transformation the exhibition value is being re
    5 KB (807 words) - 11:40, 18 February 2015
  • Read and analyze some related art works that contains very basic structure. General introduction and question Moreover, the relationship between structural film and minimalistic art.
    3 KB (510 words) - 18:02, 10 November 2017
  • *Art has to be more than the every day. On Magic. *A look at walking practices in art. #pedestrianism. #slowness #protest
    1 KB (206 words) - 12:45, 1 October 2019
  • ...xile in Paris because of the Nazi seizure of power, his essay “The work of Art in the Age of Mechanical Reproduction”, problably his best-known essay, w ...makes connections between the consequences of these changes and different art movement ideologies and politics.
    3 KB (493 words) - 19:21, 25 October 2011
  • ...ommunal life. Her work includes projects such as The Autonomous Archive, a digital database that archives the historical documents of a former squat, and The ...ectivity is a research project that studies practices of collaboration for art and education models and existent communities. In the thesis, there is an i
    1 KB (174 words) - 12:00, 3 July 2018
  • ...Media Design at the Higher School of the Arts (HKU), where he learnt that digital media might become even more powerful when they moved away from our desktop A second MA on New Media and Digital Culture received from the University of Utrecht, however, lead to a more nu
    2 KB (346 words) - 21:32, 23 September 2010
  • To be a digital artists means to have a wide range of expertise and skills (an artist has t .... Throughout history, artists had displayed, advertise and explained their art-making skills in genres specifically created for this purpose.
    7 KB (1,078 words) - 14:28, 10 February 2012
  • ...ure of the network. Her recent work is concerned with the friction between digital fabrication and material reality. ...printing, virtual models easily become physical. The relation between the digital and physical features enhances the current hype about this medium. In ''For
    1 KB (221 words) - 16:03, 13 February 2017
  • ...ion in Museums and Special Collections.” Art Documentation: Journal of the Art Libraries Society of North America 36 (2):293–311.[https://anonfile.com/F Some people argue that the digital archive is an oxymoron (Laermans and
    4 KB (542 words) - 14:30, 8 November 2017
  • ...has occurred: the increasing mutability of information as a result of the digital interface. The text begins by providing an overview of the themes in Benjam ...ts in The Work of Art, he makes a clear distinction between mechanical and digital reproducibility – the distinguishing factors being the ability to “Add,
    4 KB (544 words) - 16:25, 17 January 2012
  • ''Jos de Mul'' - 'The work of art in the age of digital recombination' <BR><BR> ...ces that not only structure the imagination of the artist, but the work of art and the aesthetic reception as well'''.
    8 KB (1,243 words) - 13:33, 18 February 2015
  • - Trash Art a) meta art (conceptual net based art) - form driven
    3 KB (468 words) - 17:57, 2 October 2012
  • <big>'''Generative art in video art'''</big> ...d by science and technology. Generative art is a typical collision between art and science.
    7 KB (1,164 words) - 03:00, 22 March 2017
  • ...point of the debate is water Benjamin's claim that the "cult value" of an art work has been replaced by the "exhibition value". ...combination, the database constitutes the ontological model of the work of art and, secondly, that in this transformation the exhibition value is being re
    8 KB (1,375 words) - 12:47, 18 February 2015
  • ...ose questions made me think of [http://theartofgooglebooks.tumblr.com/ The Art of Google Books], a collection of glitches on scanned books. In this case d
    789 bytes (136 words) - 23:16, 5 March 2012
  • Scholz - digital labor <br>* Digital labor: The internet as playground and factory (2013, book)
    3 KB (351 words) - 17:30, 12 December 2018
  • ...ion of drone warfare, in particular, the extension of human senses through digital/machinic mediation. Lisa Barnard's Drone work is characterized by the confu ...t act as our sensorial extension need to only be real enough for the human-digital relationship to sustain itself. However, the human aspects of this 'postdig
    3 KB (372 words) - 16:14, 25 October 2017
  • '''Institute of Unseen Digital Art''' ...g point of this project to give a new life to forgotten and unseen Digital Art works. In addition to the curated gallery, the institute publishes daily ar
    9 KB (1,418 words) - 15:31, 27 September 2017
  • Flat is a library for creating and manipulating digital forms of fine arts. Its aim is to enable experimentation with and testing o It grew out of the needs for generative design, architecture and art. The concept of "design" is more of a subject of study yet to be delved int
    2 KB (245 words) - 11:44, 24 January 2024
  • ...n source culture, and processes of self-education and peer learning, in an art, activist and community contexts. ...as well as WeWontFlyForArt and Zero Dollar Laptop (both part of our Media Art Ecologies programme).
    3 KB (446 words) - 16:05, 27 November 2011
  • *exploring the field of post-digital designer (creating a new universe build upon the existing one - how ? gener ...tal publishing, interaction website, app), visual culture (communication + art direction (3D+video and photography)
    2 KB (288 words) - 13:28, 4 December 2017
  • ...68c80c71e7caa5621e08f321cc59fad Jos de Mul - The work of art in the age of digital recombination] * Martin Jay: Photography and the Mirror of Art
    3 KB (416 words) - 15:12, 30 January 2021
  • '''Physical Photobook - Digital Photobook 5 February 2015''' – ''Who gives a f*ck!?'' ..., then it becomes physical. But it’s still a digital photo, so you combine digital and physical.
    6 KB (949 words) - 21:23, 15 February 2015
  • *Materiality and beyond the analogue/digital binary ...he photograph as contemporary art, Reprinted. ed, Thames & Hudson world of art. Thames & Hudson, London.<br />
    2 KB (337 words) - 15:59, 28 September 2019
  • ...Y, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5). ..., I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
    3 KB (427 words) - 12:16, 8 November 2019
  • ...of [[making things public]] and [[creating publics]] in the age of [[post-digital]] networks.
    987 bytes (151 words) - 12:44, 17 September 2023
  • ...ual language. Vanitas as a genre finds its origin in 16th and 17th century art, reflecting a cultural acceptance (and even obsession) with death and morta
    928 bytes (144 words) - 16:47, 8 December 2017
  • digital economy transforms the goals of a corporation into the belief you are makin - the current art of governance implores citizens to self-regulate and produce improvements
    2 KB (271 words) - 12:15, 6 October 2016
  • He works with digital art on an abstract representation of body movement. He uses animation and 3D pr
    951 bytes (146 words) - 20:51, 19 September 2021
  • Cut and paste, like in digital work, but it's not digital – interesting composition Why do you think it's not digital? Could be a photo cut and pasted in certain software. – But I can see the
    3 KB (463 words) - 16:01, 21 November 2018
  • ...r news, literature, art, books, scientific data and so on. There are huge digital kingdoms of libraries, which are online everyone can subscribe and read boo ...h to the art. Doing art is not just a function of the brain-matrix. In the art there is also emotions beside mind that shapes human behavior.
    3 KB (577 words) - 11:05, 17 September 2014
  • structural problems''' of archiving net art activities ,instistutional critique(art market, canon, gallery, museum)
    5 KB (783 words) - 18:30, 29 November 2013
  • ...izio Lazzaratto]], [[Brian Holmes]] and [[Laurence Rassel]] at the seminar Digital Work]] How do we work now with digital media? Have we shifted from a work culture based on the ambience of clubs t
    4 KB (631 words) - 17:18, 13 February 2013
  • ...s and stories she has a connection with. She makes photographs, using both digital and different forms of analog. She uses the still image to narrate a story
    2 KB (279 words) - 18:19, 2 July 2021
  • ** 1997 - Zeroes + Ones : Digital Women and the New Technoculture * 0[rphan]d[rift>] (art collective / video)
    3 KB (347 words) - 15:09, 14 April 2020
  • To do this my work focus into two main disciplines: art and science, and tries to incorporate my interests in philosophy and litera ...internal fragmentation of discipline and refund Design as a science of art/art of science.
    4 KB (645 words) - 13:05, 27 September 2018
  • ...the Age of Digital Recombination'', Jos de Mul describes the mutability of digital information. One piece of data can be combined, edited, juxtaposed, spun in
    2 KB (305 words) - 15:17, 3 October 2012
  • ...ng about McCall's work, I was extremely interested in the links between '''digital and physical'''. ...dium to create sculptures (adding a physical value to it!); the duality of art and cinema; the cinema vs the museum. A starting point for all the work dev
    3 KB (468 words) - 13:47, 28 October 2014
  • ...in his favour, to experiments with fog and mist, and analogue film versus digital. ...work ''Floater 99'' what’s famous in the ''Centre for International Light Art'' and in the permanent collection of the museum. It belongs to the series o
    4 KB (608 words) - 21:49, 30 September 2014
  • ...t the rise of Abstract Expressionism, Neo-dada, minimalism, and conceptual art. ...the handmade moving images and what are the possibilities for implementing digital technologies in experimental filmmaking practices.
    3 KB (457 words) - 13:11, 21 November 2023
  • How would you define a digital aesthetic, and how does it relate to contemporary art?
    10 KB (1,555 words) - 14:09, 11 December 2013
  • ...and perception. Frankort explores the intimacy between our selves and the digital objects we use. ...110000’. The work is a reflection on how early children start to play with digital devices, and how quickly they learn to work with it.
    10 KB (1,605 words) - 20:52, 8 June 2015
  • ==== <u>'''on Tautology, descriptions, conceptual art, conceptual/structural filmmaking'''</u> ==== Avant-Garde and Experimental Cinema: From Film to Digital:
    9 KB (1,313 words) - 14:02, 9 May 2023
  • ...but in a way that doesn't always begin with words. We all understand that digital tools and information technology networks contribute to this trend, but the Mediawork Pamphlets explore art, literature, design, music, and architecture in the context of emergent tec
    3 KB (424 words) - 16:52, 13 February 2013
  • ...-publishing. I choose on purpose to showcase hybrid publishing methods; in digital and printed matter for their similarities in the abstractness of resource u ...ecoration: none; >¿Question 2: How to de-abstract the material side of the digital realms?</font></span>===
    6 KB (880 words) - 22:39, 22 November 2021
  • the interface as an aesthetic and critical framework for digi.art lit-book- paint- canvas- digital info-interface
    4 KB (699 words) - 16:46, 2 February 2015
  • ==== Walter Benjamin - The Work of Art in the Age of Mechanical Reproduction (1936) ==== ''"In principle a work of art has always been reproducible."''
    9 KB (1,451 words) - 13:57, 18 February 2015
  • ...January 1997. https://www.metamute.org/editorial/articles/everything-line-digital-publishing-feature</ref> ...dam; on the MA Fine ART (2004-2018),<ref>https://www.pzwart.nl/master-fine-art/</ref> MA Lens Based Media /Network Media (2010-present)<ref> https://www.p
    3 KB (478 words) - 17:44, 13 September 2022
  • ...hat the following text will connect with Benjamin and the aura of works of art CONTRARY TO BENJAMIN AND HIS AURA to Latour a work of art has its own trajectory,or we can say its own career.
    9 KB (1,650 words) - 22:16, 27 March 2014
  • will connect with Benjamin and the aura of works of art CONTRARY TO BENJAMIN AND HIS AURA to Latour a work of art has its own trajectory,or we
    9 KB (1,650 words) - 21:30, 28 October 2013
  • ...s true, then there might not be much difference between traps and works of art. ...tical assignment during each of the sessions. Students will also work on a digital publication at the end of the workshop, that is going to bring together all
    3 KB (499 words) - 11:33, 3 June 2021
  • ...story book series, where each book presents the image of an artwork in its digital manifestation through hexadecimal code. The series is inaugurated with four ...rchiving and the impact of digital technologies in our attitude toward the art historical canon.
    3 KB (443 words) - 20:05, 18 January 2015
  • *exploring the field of post-digital designer (creating a new universe build upon the existing one - how ? gener ...tal publishing, interaction website, app), visual culture (communication + art direction (3D+video and photography)
    3 KB (389 words) - 15:23, 7 December 2018
  • Ultimately the thing about the digital is that it's a kind of "universal" writing system of recording things as on ...result be less predictable when disrupted by being manipulated. [[Glitch]] art practices often work with exploring these possibilities.
    4 KB (651 words) - 17:23, 8 October 2013
  • ...ual artist and writer based in Milan, Italy. She first approached dramatic art at the age of 10 to then embrace the visual arts at a broader scale during ...e, the roses become indexical markers of human emotion in a depersonalised digital world of anonymous blurred faces. The voiceover is interspersed with the tr
    1 KB (207 words) - 18:56, 21 September 2021
  • ...es and practices for the documentation of born-digital art and performance art (including gaming and networked practices). It will address the meaning and ...evelop an increased understanding of metadata and of rights management for digital materials.
    10 KB (1,445 words) - 11:21, 4 April 2013
  • ...Her work examines the politics of public spheres and the potentialities of digital tools, spaces and networks through collective processes and knowledges. Agg ...21), a series of interviews with individuals active at the intersection of art and politics.
    5 KB (699 words) - 19:59, 8 March 2024
  • ...st for data, digital preservation and archiving and I want to explore data art and social networking feeds. I would like to be able to create collaborativ
    2 KB (357 words) - 15:07, 29 March 2014
  • <span style="color:#FFFFFF; background:#DCDCDC"> [[The Work of Art in the Age]] </span> <span style="color:#FFFFFF; background:#DCDCDC"> [[ Digital - Slides ]] </span>
    5 KB (548 words) - 21:54, 24 August 2015
  • ...eative and critical texts on particular algorithms, logical structures and digital objects. Such objects can be drawn from any layer of computational culture ...a blind spot in the theorisation and study of computational and networked digital media. It is the very grounds and ‘stuff’ of media design. In a sense,
    6 KB (927 words) - 19:01, 19 February 2013
  • ...humble attempt to mock the improvements of modern technology and the post-digital society. ...umble attempt to mock the "improvements" of modern technology and the post-digital society.
    5 KB (734 words) - 20:54, 12 December 2018
  • :- “Virtual Reality as an exhibitory method allows the digital art formats to deliver the stories powerfully.”
    4 KB (708 words) - 16:35, 3 November 2018
  • *<b>Zeros + ones : digital women + the new technoculture</b> - <i>Sadie Plant</i> -- [https://gebseng. *<b>Fine Art Talk: Lawrence Lek </b> - <i>RCA</i> -- [https://vimeo.com/146099292 Link]
    11 KB (1,528 words) - 17:00, 27 February 2023
  • ...emke Snelting), Queering Damage (with Helen Pritchard and Femke Snelting), Digital Discomfort (with Karl Moubarak and Cristina Cochior) and Vibes & Leaks (wit Isabelle Sully practices across art-making, curating, editing and writing. Working with feminist histories in m
    6 KB (839 words) - 20:42, 9 April 2023
  • ...itute in Rotterdam, she has developed a practice based approach to digital art preservation over the years, with a focus on variability, circulation, co-a ...es) and all sorts of workshops related to media, net, generative, software art and culture.
    6 KB (921 words) - 12:13, 15 March 2021
  • -Proposition for art as propaganda (defined as a tool of worldmaking) within a world of competin -Sinclair said all art is propaganda. <br>
    7 KB (1,128 words) - 13:59, 7 November 2018
  • ...possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography. ...ee installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held de
    1 KB (214 words) - 18:56, 21 September 2021
  • ...ications include PSYOP: An Anthology (2018, edited with Karen Archey), and Digital Tarkovsky (2018).'''</span> ...om "Digital Tarkovsky" can be read here: https://strelkamag.com/en/article/digital-tarkovsky-metahaven-excerpt
    2 KB (318 words) - 12:03, 9 December 2021
  • *Film: Art Safari, The Contemporary Art Bubble (BBC documentary) *Afternoon: Reading: Nelson Goodman, The Languages of Art, on
    7 KB (954 words) - 15:28, 17 March 2014
  • ...//deletedcity.net/ || [[File:Arquivo3.png|150px]] || The Deleted City is a digital archaeology of the world wide web as it exploded into the 21st century(...) ...|| [[File:Wax.jpg|150px]] || It is known to be the first film edited in a Digital [https://en.wikipedia.org/wiki/Non-linear_editing_system Non-Linear System]
    11 KB (1,488 words) - 22:20, 10 December 2013
  • There are here the first fruits of an art of disappearance, of another strategy. The dissolution of values, of the re ...s got caught up in the game and has transformed everything into a virtual, digital, computerized, numerical ‘reality’ – the destiny of the images being
    7 KB (1,162 words) - 14:27, 15 May 2015
  • ...pitalism». Her thesis argues that, by appropriating our personal data, the digital giants are manipulating us and modifying our behavior, attacking our free w • OMAR KHOLEIF, Goodbye, World! — Looking at Art in the digital Age (2018)
    6 KB (837 words) - 12:28, 26 January 2022
  • Based on the [[Cadavre exquis]], a digital equivalent exploring a digital pipeline of varying work practices and software platforms. ...lecting a free-licensed work from a given source (for instance [[Open Clip Art]], [http://librivox.org Librivox], or the [http://commons.wikimedia.org/ Me
    3 KB (399 words) - 15:50, 17 September 2013
  • '''digital culture grant:''' https://www.stimuleringsfonds.nl/en/grants/digital-culture-grant-scheme <br> ...rvers, design agencies or cultural institutions active within the field of digital culture.<br>
    11 KB (1,611 words) - 23:31, 27 March 2023
  • * May 2004, [[Giaco Schiesser]], [[Working on and with Eigensinn - Media / Art / Education]] * [[Digital Work]] Seminar, October 11, 2003, Rotterdam
    2 KB (169 words) - 14:47, 18 March 2014
  • ...th a little humour and irony I create a socially dialogue on media and the digital age. Creating an unexpected and contrarian perspective to give a different
    3 KB (482 words) - 20:49, 8 June 2015
  • I want to shoot digital and create an analogue style.[how so?] ...but I discovered that the art that I feel hits me the most emotionally is art that I can relate my experiences or just intens moments of emotion to, almo
    4 KB (707 words) - 14:54, 4 November 2021
  • paranode - (Off the Network: Disrupting the Digital World Ulises Ali Mejias) beyond the topological limits of a distributed net art of representation v. art of action : does art need to be didactic in order to have agency for change?
    3 KB (484 words) - 13:33, 25 October 2017
  • In the next scope I will elaborate the fragility of the digital image my current field of interest reflects to the poor images as the oppon ..., rather metaphorical and philosophical notion of dematerialization of the digital image in broader context.
    4 KB (656 words) - 10:49, 30 June 2013
  • ...ist and physiocratic, forms. Political economy as a science lateral to the art of government. Digital Labor
    2 KB (235 words) - 14:56, 26 September 2018
  • ==[http://users.jyu.fi/~koskimaa/thesis/thesis.shtml Digital Literature: From Text to Hypertext and Beyond]== ===Definition of Digital Literature===
    7 KB (1,046 words) - 00:39, 8 April 2019
  • ...sion of copyright law and the open source community, and how it related to art. The way how the Situationisten deal with this discussion I can show you by ...n you work be that free? How do you lose your authorship? How can you make art what is that open for everyone? How can a work be open for development and
    7 KB (1,292 words) - 11:25, 15 April 2015
  • Vilém Flusser is interviewed at the European Media Art Festival in 1988. He expresses his thoughts about the present cultural revo ...s of thoughts has been developed by computers. They transcode numbers into digital codes, which are transcoded into synthetic images. Flusser believes that as
    2 KB (262 words) - 19:40, 17 November 2016
  • ...my original thesis proposal focused on the physical manifestations of the ‘digital experience’. I hope to take those manifestations as a given while explori ...xplored. I am more concerned with how digitally mediated realities and how digital tools influence social and political behaviour, both online and offline. Th
    9 KB (1,432 words) - 17:48, 17 January 2018
  • Through the tangibility of the digital image and the re-evaluation of the “poor images”, I will reflect upon t The website documents a series of experiments with analog and digital signal in the form of hardware and software intervention. It aims to keep t
    9 KB (1,412 words) - 12:41, 30 June 2013
  • ...that took place on various platforms and documentation of Stromajer’s net art works from 1996 to 2007. In the debate Stromajer hinted at several reasons ...ency upon noticing that digital material has a short expiration date. That digital data is different from previous material is obvious to many people, but the
    11 KB (1,559 words) - 15:26, 17 March 2014
  • ...An Archival Impulse", (2004). Here Foster analyses a trend in contemporary art which he terms the 'archival impulse.' For Foster, this trend may be motiva ...the Ubuweb archive, mentions the innate instability of the cyberspace and digital media in general.:
    3 KB (506 words) - 01:56, 18 September 2014
  • ...mages as representations. Another feature of the digital is its seriality, digital tends to produces abundance of images (for example of an event) which creat ...ormation - noise/message/redundancy to articulate on the meaning in visual art. Here as well, a work becomes ‘open’ (by implementation of noise) in or
    9 KB (1,436 words) - 21:49, 3 February 2015
  • ...last year, most of my portfolio were consists of 16:9 ratio videos or just digital images, but currently, I am focusing on how to maintain my style but using ...VR or AR technologies (moreover, the new appreciating ways of art) in the art field nowadays. <br/>
    4 KB (751 words) - 16:39, 13 September 2018
  • == Walter Benjamin – WORK OF ART IN THE AGE OF MECHANICAL REPRODUCTION == ...ed. The reproduction of works of art and the art of the film – have had on art in its traditional form.
    15 KB (2,434 words) - 17:20, 12 February 2015
  • ...l (photo) books, and the potential, limits, and rationale of photo book as digital objects. '''Why a digital photography book? What is the added value of a digital photo book?'''
    9 KB (1,562 words) - 18:51, 19 February 2015
  • <font color="#FE2EC8"> '''DIGITAL MATERIAL'''<br> Digital Material : Tracing new media in everyday life and technology<BR>
    9 KB (1,331 words) - 21:22, 3 May 2015
  • Identify contextualizing texts (art work or literature)<br> ...hy and video, from stillness towards moving image, shifting from analog to digital. The construction of the image itself and the meaning of it will be looked
    6 KB (956 words) - 15:28, 22 April 2013
  • * „Weirdy, digital pointilism“ * Katia: the picture reminds her of art by Kandinsky
    2 KB (280 words) - 23:08, 21 November 2018
  • ...fferent conversations with people from different cultures. Online chats in digital age is like fast food culture (McDonald), one time gloves, you use, you dit a.Content: It’s more personal, more private. More like a reflection of digital culture.
    8 KB (1,318 words) - 12:19, 5 April 2017
  • http://web.archive.org/web/20180124050208/https://www.marxists.org/subject/art/lit_crit/works/leguin/carrier-bag.htm also N. Katherine Hayles ¬ My Mother Was a Computer - Digital Subjects and Literary Texts (2005)
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  • ...s not enough and a higher form of expression, a code of numbers – computer digital codes is producing synthetic images. The communication og a concept you hav ...being popular art of it´s time. That people in 50 years will judge popular art nowadays very differently.
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  • ...last year, most of my portfolio were consists of 16:9 ratio videos or just digital images, but currently, I am focusing on how to maintain my style but using ...VR or AR technologies (moreover, the new appreciating ways of art) in the art field nowadays.
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  • ...emix, p. 63) These limitations are all vanished once and for all since the digital and internet revolution – not much for the delight of the leader of the c On the 'capital spelled' internet a new 'digital folklore' began to grow: this slice of the virtual world called memes.
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  • ...es and practices for the documentation of born-digital art and performance art (including gaming and networked practices). It will address the meaning and ...evelop an increased understanding of metadata and of rights management for digital materials.
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  • ...react to spacial elements and structures, either in regards to analogue or digital medias. In this case, the process of "wayfinding", getting acquainted with ...earched different choreographic approaches in the realm of performance and art, and selected three: Chance Operations, by Merce Cunningham; Wall-Floor Po
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  • ...he drive to shape society in real life? Can we make the difference between digital and analog life anymore or is Harkin right when he says that Cyburbia chang
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  • ...irst solo show in the Normalville Contemporary Art Centre for Contemporary Art ...nimation, because all of my work is really technical, but also grounded in art historical practices.
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  • binary is not equivalent to digital art books still seen secondary to the exhibition
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  • ...photography in its diverse applications and languages, photography in the digital age.<br> ...to accompany various art exhibitions and writes and lectures on time-based art and film. She lives and works in Cologne.
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  • ...of key points in our relationship with technology, trends in contemporary art have mistakenly adhered to the aesthetic qualities described in the essay, ...orical frame of reference to dislodge the capital-obsessed hegemony of the art world. This notion is the key revelation that differentiates this ''post''
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  • ...m. This photo is the selected one as the outcome, I took it directly by my digital camera, with some flash light. The photography is not only an art about how to shoot, but also the thing about what you want to choose and ex
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  • ...of key points in our relationship with technology, trends in contemporary art have mistakenly adhered to the aesthetic qualities described in the essay, ...orical frame of reference to dislodge the capital-obsessed hegemony of the art world. This notion is the key revelation that differentiates this ''post''
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  • ...of key points in our relationship with technology, trends in contemporary art have mistakenly adhered to the aesthetic qualities described in the essay, ...orical frame of reference to dislodge the capital-obsessed hegemony of the art world. This notion is the key revelation that differentiates this ''post''
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  • ...vestigated as a way to piece back together the abandoned histories of this digital landscape. ...the past but lay peacefully as archaeological sites. How can we take these digital equivalents as space for creative experiments and making whilst honouring t
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  • What follows is the emergence of fringe events, cozy web, digital gardens & the desire for vernacular design in web making<br> Blank, T.J. (2009). Folklore and the internet : vernacular expression in a digital world. Logan, Utah: Utah State University Press.<br>
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  • ...software but can always be seen by ‘computers’. A digital format remains a digital format, readable. According to the writer this is different from for exampl ...o your identity. It has not so much to do with digital images as with ‘the digital’ in general. <br/>
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  • ...that in turn inform a complete work. Works themselves often apply collage, digital manipulation, and editing to existing images and video. In parallel, I am d ...ulated, juxtaposing footage that could not easily be identified as real or digital.
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  • '''Original aesthetics, digital folklor notes''' Organisation is this sence is the manner by which art reveals itself and speaks, a modality of formation that is collective and p
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  • '''Original aesthetics, digital folklor notes''' Organisation is this sence is the manner by which art reveals itself and speaks, a modality of formation that is collective and p
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  • * Allen, Gwen. Artists’ Magazines: An Alternative Space for Art, 2011. * Cook, Sarah, Ed., Information, Documents in Contemporary Art, 2016.
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  • * Infiltration of public space as an art strategy ...Frog). In principle, everyone who is a bit familiar with the internet and digital culture can understand meme language and also potentially make memes.
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  • ...s: simple form/ minimalism. Furthermore, how does minimalism work in video art? ...oject. Moreover, the relationship between structural film and minimalistic art.
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  • Within the context of my art practice I now choose to define myself as a photomedia artist (not a photog :• The analogue/digital binary becomes irrelevant when we define work as light-space-time structure
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  • ...will be involved in producing and presenting your project?(Not limited to digital tools)
''' Scriptwriting (character development!), directing, concept development, art directing, camera work, light!, editing, colour grading!, sound design, tit
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  • ...ing like sensory deprivation. In my experience, it is rare to see works of art that attempt to stimulate the imagination in this way. The works are almost ...oke drifting by them. It is not often that I've seen a still, calm work of art that inspires audience participation. The majority of interactive works whi
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  • hand, and our finite cognitive capacities on the other. In this space, art can become a ...alization. Satellite views. Parametric architecture. Surveillance cameras. Digital image processing. Data-mashed video frames. Glitches and corruption artifac
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  • ...ty by concentrating on how the code changed common notions of text through digital and networked media. In order to see how their interactions have affected c ...easingly dependent on these technical foundations. Generative and software art/design are considered to be the results of the highest level of code-influe
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  • ...ty by concentrating on how the code changed common notions of text through digital and networked media. In order to see how their interactions have affected c ...easingly dependent on these technical foundations. Generative and software art/design are considered to be the results of the highest level of code-influe
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  • How can the strip-photography technique be translated into a digital one? Building a visual recording process using digital scanner sensors & VR Headset
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  • ...s not enough and a higher form of expression, a code of numbers – computer digital codes is producing synthetic images. The communication og a concept you hav ...being popular art of it´s time. That people in 50 years will judge popular art nowadays very differently.
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  • ...narrative and meaning, taking the original content of ads, gossip columns, art critiques and news from magazines and creating entirely new narratives usin ...reduced to the inner boundary of our homes, with all else given up to the digital.
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  • ...with video material, as uncompressed digital video occupies huge blocks of digital space. ...cal expression of the body is reduced in comparison of general performance art which sees the performer’s body or body movements as an important element
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  • ...s DNA. Join curator Hamza Walker and Kac for a conversation on his radical art practice and the many questions it poses for our genomic time Visual Art
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  • ::Point B: '''If Point A is true then the digital/analogue binary is an outdated and irrelevant marker of process''' <span st ::::1. The arrival of digital and the fetishisation of analogue processes.
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  • ...rit Rietveld Academie (Amsterdam, NL). She completed a BFA Major in Design Art from Concordia University in 2002 (Montreal, Canada), and a M.A. in Media D ...aculty Image and Sound of the Royal Conservatoire and the Royal Academy of Art in The Hague. Up until 2007 Eric also studied at Leiden University, where h
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  • === CO-WORKERS: THE NETWORK AS ARTIST EXHIBITION, MUSEUM OF MODERN ART OF THE CITY OF PARIS, PARIS, FRANCE, UNTIL 31 JANUARY 2016. === ...ored in the exhibition 'Co-Workers – The Network as Artist' at the Musée d'Art Moderne de la Ville de Paris, which brings together 28 international artist
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  • I am a student studying media art, one interest of mine is in serials of color. For internet yama-ichi I want Two parts of the digital book are in print version, I plan to present the two printed books.
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  • David Joselit, What to do with Pictures, October 138 about Digital Arts; De Mul, J. (2009). The work of art in the age of digital recombination. Digital Material. Amsterdam: Amsterdam University Press. 95-106.
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  • ...Mannerism and the Baroque to more contemporary forms of digital and media art. ...en early media art practices, conceptual art practices and current digital art.
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  • ...in 2014 and forthcoming in 2016. She is Professor of Creative Writing and Digital Media at Bath Spa University. ...e has been developing artworks and performances that both use and question digital communication systems. Since 2005 he has focused on mobile audio works and
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  • ...background in architecture and webdesign. She works at the intersection of art and design, currently focusing on the interactions between humans and compu ...ure of the Internet of Things. Make your life easier, let Cassandra make a digital copy of you.
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  • ==M. Lewis, Evolutionary Visual Art and Design== *P., Kleiwig (2006), Genetic Art
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  • ==[http://users.jyu.fi/~koskimaa/thesis/thesis.shtml Digital Literature: From Text to Hypertext and Beyond]== ===Definition of Digital Literature===
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  • ...om Mannerism , the Baroque to more contemporary forms of digital and media art . ...arly new media art practices, conceptual art practices and current digital art.
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  • ...ology, as well as the mechanisation of the non-sense. He studied media and art in Vienna and Rotterdam. http://joak.nospace.at/ ...umentaries”, or how traditional film/video model evolves in the context of digital networked media such as the Web.
    10 KB (1,451 words) - 14:34, 10 April 2022
  • ...et out of boredom. For instance: when I’m watching an obscure experimental art work, it might be a process that is from boredom to non-boredom. Moreover, ...n of boredom in 1960s to the relationship between boredom and contemporary art.
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  • ...p exhibitions, TENT presents the many-sided manifestations of contemporary art in Rotterdam. ...started in September 2009. The programme focuses on approaching animation, digital photography, and moving-image design as a single expanded field. It is a tw
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  • ‘We Want To Remember The Sea’ is a digital 3D model of the sea made digital camera would be placed. I placed the camera in such a way that it
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  • ...aduation work will mainly focus on abstraction video and sound, using both digital and analogue media. By comparing these two media, searching for new possibi ...e. Deconstruct a screen and filling with dust. Use the dust to deconstruct digital image or more romantically: attempting to bury it.
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  • ...ch was first shown in Belgrade, in the Salon of the Museum of Contemporary Art (1986), and afterwards again in Ljubljana (1986). The latter exhibition rep ...re)create the foundations of a system of art that is known as contemporary art today. The copy is here not anymore a mere replica; it is more complex and
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  • ...actically it displays how to construct a movement of a human body by using digital tools. Visual material has been reassembled and processed in a software, th ...f the diversity and complexity of his work, it is unique in the history of art photography starting from the late 1970s and up till today.
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  • **For project examples, see http://eleanorg.org/art * Democracy in the art world
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  • ...but how I’m to say. I raider show a kind of tool, what can be used in the art world. To give a different take than the traditional way. ...t that I make. The work of art is central, not the maker. But what kind of art would that be?
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  • This page is for collecting information and thoughts on the EYE On Art 2016 programme. ...vides a starting point to present work focusing on the materiality of both digital and analogue films, and the process of cataloguing them.
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  • ''ReSource'' uses pages from recycled magazines (ads, gossip columns, art critiques and news) as its source material. New sentences, poetry and narra ...reduced to the inner boundary of our homes, with all else given up to the digital.
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  • ...analog form. What used to be the standard way of working became a form of art and my point of view changed. I like to stay critical in my observation, u ...g. He often tells his story by making use of analog materials instead of a digital form.
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  • ...ays of information." '''(from annotation of Jos De Mul's Art in the Age of Digital Recombination)''' Do politicians construct a recombinant folklore?
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  • ...vier Lloret - Essay: Modernity, Film, Art | Javi - Essay: Modernity, Film, Art]] ...er Lloret - Essay draft II: Modernity, Film, Art | Javi - Modernity, Film, Art Draft]]
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  • [http://art.teleportacia.org/olia.html Olia Lialana(RU/DE)]<br> How do you call a person who is interacted with digital media?<br>
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  • .... Do these differences distort the result? If this is a work of conceptual art, the concept should remain regardless of the medium. == Digital (im)perfection ==
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  • Whether photography is defined as art can be explored through its comparison with painting. On one hand, photogra ...on. Nevertheless, it has a capacity to turn all its subjects into works of art.
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  • ...et out of boredom. For instance: when I’m watching an obscure experimental art work, it might be a process that is from boredom to non-boredom. Moreover, ...n of boredom in 1960s to the relationship between boredom and contemporary art.
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  • Master of Arts in Fine Art & Design: [Experimental Publishing or Lens-Based Media]. XPUB is a two year Master of Arts in Fine Art and Design that focuses on
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  • Why knights fought snails in medieval art ...of operating under the terms of Graphic Design, Interaction Design, Media Art or Sound Design, we want to introduce Conditional Design as a term that ref
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  • ...erart.org/magazine/slavs-and-tatars-siah-armajani-red-black-thread-and-the-art-and-act-of-reading Digital Earth
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  • The work of art in the age of digital recombination, Jos de Mul
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  • <big>'''1. Audio Visual Art.'''</big> ...ounds? In my further research, I would like to dig more about audio visual art and technology.
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  • ...rary video art is to study artists’ interpretations of the always, already digital now: the embodiment of systems—the visual representation of ideas”. The ...ixed future or past states.” Relevant to this thesis will be an account of art-based notions of resistance to this hegemony of time and space.
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  • [[File:Screen Shot 2018-03-24 at 12.34.13.png|thumb|ASCII Art created by the sonification experiments]] '''A SHORT HISTORY OF THE RUSSIAN DIGITAL SHADOW LIBRARIES—'''
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  • ...came widely known in artistic and design circles through various blogs and art/design magazines. Kempenaers toured around the ex-Yugoslavia region (now Cr ...mbolism is no longer intelligible?” But not only that, can this book as an art piece or atleast the series of photographs put together like this and distr
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  • ...elty and more a banality. Post Internet is often associated with New Media Art and Conceptualism. ...s. It is a constellation of formal-aesthetic quotations, self-aware of its art context and built to be shared and cited. It becomes the image object itsel
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  • NUMBER OF COPIES = 3 HARD COPY (2 IN COLOUR) + 1 DIGITAL VERSION ...xts (for example: relevant theories, ideas, historical and/or contemporary art and design practices)
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  • '''1. Audio Visual Art.''' ...ounds? In my further research, I would like to dig more about audio visual art and technology.
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  • BAUHAUS AND PHOTOGRAPHY – ON NEW VISIONS IN CONTEMPORARY ART Ian Nesbitt: The Art Of Moving Slowly <br>
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  • How do interdisciplinary teams communicate in media design and electronic art? If they do communicate well, what are the ways that artists, designs, prog ...creation of design documents that come out of networked and computational digital media? How do the cultures of open and distributed creativity and productio
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  • ...short lecture on a 'media object' of their choice. It might be a physical, digital object, a technique, transaction or cultural trope - but a 'media object' t ...y of Amsterdam, "Media Theory" for the post-graduate education programs in art & design and new media at Media-GN / Frank Mohr Institute and Academy Miner
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  • digital alter-ego of the analog original but only through a multitude of different digital interpretations.
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  • ...easy Chip, is the kitchen in this feminist data center which traverses the digital and physical. We have our content page on the webquilt, as well as zines an ...out the key words for cooking the recipe by deciphering the method in the digital Zine. Don't worry if you get stuck, the secret steps for making chickpea cu
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  • ...&sr=8-1&keywords=art+science+of+digital+compositing The Art and Science of digital compositing]
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  • ...rint out the content of a file. In this game, files are comprised of ASCII art that builds each wall of the room you're trying to escape out of. Instead o ====Digital Quilting====
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  • ...designers and musicians. Our common interest is to critically think about digital, lens-based, and computational media, and create one's own media work based ...cross the rapidly expanding field of hybrid media practices: from software art, e-publishing, to a variety of lens-based practices for both new and tradit
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  • Digital bl 01.jpg|The digital bootleg library, running on a homebrewed (self-hosted) server ...ibrary_sessions| bootleg library sessions]] at Varia, Onomatopee and AMRO (Art Meets Radical Openness) 2020.
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  • ...ium really started to intrigue me. In addition I had classes of history of art, where especially the era of the Baroque with the notion of vanitas and lat ...and the notion of time, these questions then result in a concrete piece of art: Underexposed videos are set against long time-exposed photographs, both de
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  • ...history. Boris Groys compares the digital image to the Byzantine icon. The digital image is provided by data, which is invisible to us, and to which we entrus ...criticized for jeopardizing the principle of the autonomy of art, but even art’s autonomy as a question interests me. Some examples include the video/fi
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  • ...pinning their art making, is their collective interest in the influence of digital media on society’s perception of its surroundings. Channeling language, t ...vidual stories that manifest users’ connections forged across physical and digital realms. The relationship with language, generally but also especially throu
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  • * Tactics as '''the art of the weak'''. * How relevant (and still valid) is this early 1980s text to contemporary digital media and web2.0 internet.
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  • ...computer speakers. The TV-set also visualized it’s audio-input through the digital intervention of a external audio-driver, responding with visual white noise ...formal place and meaning within a culture. Contemporary media, analogue or digital, do not hold a neutral stance in their relation to human beings as consumer
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  • *** visual culture (graphic design, art direction, motion design, visual identity, website, 3D animation) ***digital culture (design research, creative coding, light - space installations, aud
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  • ...al. The work suggests that photographic re/presentation, be it analogue or digital, is always already technological and also that what we think of as "landsca ...availability of relatively low-cost storage and networked distribution of digital data has changed the very otology of the photographic medium. Photographs f
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  • ...al. The work suggests that photographic re/presentation, be it analogue or digital, is always already technological and also that what we think of as "landsca ...availability of relatively low-cost storage and networked distribution of digital data has changed the very otology of the photographic medium. Photographs f
    5 KB (835 words) - 17:25, 23 January 2019
  • ..., and having our own standards when it comes to imagination, aesthetic and art. And, I worry that something vital is being cut off right now. There must b ...etic tool to help develop my own standards when it comes to representing a digital space visually. Lastly, I would use some of the time to work with actors, a
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  • The amount of traces/ digital traces in form of caches, cookies, footprint of the browser is ...ble to not leave traces or in other words the (im)possibility to erase the digital footprint.<br>
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  • ...back. I’m going to grab some examples what I can connect to the icon, the digital landscape. ...f the romantic cartography of mannerism. Okay what has this to do with the digital landscape? Nothing.
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  • ...n the acts of making things public and creating publics in the age of post-digital networks. XPUB’s interests in publishing are therefore twofold: first, pu
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  • My very first image production started with digital cameras, then moved on the use of film. Passing through the square format, ...ovides a comprehensive survey of the rich history and theory of decorative art
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  • -how can art be meaningfully politicized if politics are already aestheticized<br> ...history. Boris Groys compares the digital image to the Byzantine icon. The digital image is provided by data, which is invisible to us, and to which we entrus
    9 KB (1,466 words) - 15:54, 15 October 2018
  • ...prints on fabric and paper I saw in Witte de With Centre for Contemporary Art at the exhibition of Rosella Biscotti. I could imagine my pictures to be pr ...euse and rename the files…). I decided to pay more attention to archiving (digital and analogue) and to be more decisive and consistent with titling and recor
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  • * Digital rendering of spaces. 
<br /> 

First by doing experiments with the digital rendering and appearance of these spaces in the online world. By doing a cl
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  • ...er:Inge_Hoonte/Machine_Part_No.2 maintaining three actions] that upkeep my digital social life: ...otos are always in focus, and really well lit. I'm more or less looking at art here, right? Yeah, this is work, sort of.<br/>
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  • ...ission, and representation. It asks how the gaze gets channeled within the digital realm, and how empathy travels. What exactly is viewing suffering ‘at a d ...an Rights discourses as well as by the field of international contemporary art, the arena where When Things Occur is presented.
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  • 1) digital storage media (floppies, CD-ROMs and DVD-ROMs) - a Web page is a sequential list of separate elements: text blocks, images, digital video clips, and links to other pages. It is always possible to add a new e
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  • ...nd the reflection of minimalism in video art, particularly in contemporary art scene. ...Chinese ancient philosophies in Zen and Taoism can be related to abstract art closely and subtly. Therefore, in the chapter: abstraction & sound, the pap
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  • ...derland’. Alice is made of varied materials such as newspapers, magazines; digital devices like TV screens and lights (she has a media body). This body is too ...PULP FICTION, as a void and the whole story spins around this suitcase. In art you see MacGuffin all the time, as a placeholder, or as frame. for example
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  • Following art historian Ervin Panofsky’s analysis of linear perspective as a “symboli CD-ROMs and other digital storage media (floppies, and DVD-ROMs) proved to be particularly receptive
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  • ...ntity issue has been always underlining in Hong Kong’s popular culture and art but only in recent years, it has been explicitly discussed in the public sp ...as a physical form of memory, and the process of it being transmitted to a digital device (via scanner), as a metaphor of transformation and transference of m
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  • ...s and in in the countryside and and I think there's there's a lot of those art initiatives grew out of that same culture.'''<<edited bit'''
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  • * tv (Sony cube from V2) -- stricly analog machines, not always easy to show digital material ----> UPDATE (14 JUNE): MAYBE I NEED 3 * Retrograde Chapbooks: the art manifesto as media object
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  • ==Digital Recombination== ...has occurred: the increasing mutability of information as a result of the digital interface. The text begins by providing an overview of the themes in Benjam
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  • ...e go, drawing images from current work/future work, writing in shapes/word art, long form essayistic writing, fears/ worries, lyrics, recurring questions, ...thoughts, of eliciting connections, of moving whilst making, of making non-digital work, forming images through words. It stems also from a desire or frustrat
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  • ...nt from it hard to imagine. However, building imaginaries that conceive of digital collective life starting from principles of solidarity and non-extraction a Community, art and transfeminist servers create different user subjectivities by implicati
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  • ...he go, drawing images from curren work/future work, writing in shapes/word art. long form essystic writing, fears/ worries, mapping, recurring questions, ...thoughts, of eliciting connections, of moving whilst making, of making non-digital work, forming images through words'''. It '''stems also from a desire or fr
    9 KB (1,529 words) - 18:12, 18 March 2023
  • ...ch was first shown in Belgrade, in the Salon of the Museum of Contemporary Art (1986), and afterwards again in Ljubljana (1986). The latter exhibition rep ...re)create the foundations of a system of art that is known as contemporary art today. The copy is here not anymore a mere replica; it is more complex and
    17 KB (2,406 words) - 15:42, 28 November 2014
  • ...his is more of an internal process. However the outcome is extrovert as an art piece it aims to be shared and modified with people. ...was a kind of pretext to meet again with painting but also to abandon the digital world for a moment.
    4 KB (734 words) - 17:53, 10 December 2022
  • ...ind there a connection between the digital image that I have observed on a digital computer screen and the printed version within a back light box. ...and the explorations of the digital lens based media and experiments with digital images. I was referring to the several exposure technique by overlying imag
    18 KB (3,064 words) - 15:57, 9 January 2013
  • ...an we articulate the idea of publishing as a critical post-digital network art practice? ...publishing, participatory and crowd-sourced content, constraint and system art inspired games and rules, piracy, etc).
    13 KB (1,892 words) - 13:31, 17 April 2018
  • ...n the acts of making things public and creating publics in the age of post-digital networks. XPUB’s interests in publishing are therefore twofold: first, pu ''The Smart Speaker Theatre'' questions the default mode of smart speakers as digital assistants, through an intervention that involves kidnapping a Google Home
    9 KB (1,334 words) - 14:34, 8 July 2019
  • ...s thousands others have, in the darkest of times I have found sanctuary in digital spaces. Virtual communities have offered me a profound sense of belonging, # With this information, decide where to host my own digital safe space and what kind of platform is best suited.
    13 KB (2,063 words) - 13:53, 22 November 2023
  • ...ducing a combination of unique prints in the darkroom as well as editioned digital reproductions of images. Undertaking at least one journey to take more phot * The Photograph as Contemporary Art - Charlotte Cotton
    4 KB (679 words) - 15:51, 3 October 2019
  • ...searching art in the 1990s''' have been asking where to get copies. I's a digital archive and there's lots of scanning and I'm reading lots of reading old ar ...es or people would use lots of different methods rather than your standard art criticism sort of language the magazine about it was actually a magazine th
    8 KB (1,524 words) - 12:22, 27 September 2023
  • ...Marcel Duchamp's 'Readymade' art, which presents mass-produced objects as art. This has led me to explore the concept of offering mundane objects with a If anything could be art, why can't the cheap sponge? I chose the sponge as the primary object due t
    11 KB (1,730 words) - 21:48, 17 April 2023
  • Patrick Talbot, « La photographie en tant qu’art », Le Portique [En ligne], 30 | 2013, document 4, mis en ligne le 01 juill La photographie en tant qu’art
    8 KB (1,269 words) - 15:05, 4 February 2019
  • ...ly with photography and recently I started working with re-photography and digital manipulation techniques, such as taking photos from existing images and man ...mages; my ‘own’ images, images that are ‘built’ on others (re-photography, digital manipulation) as well as exciting images, such as iconic images. The dialog
    14 KB (2,292 words) - 20:53, 27 November 2014
  • ...her in the dark room. Considering the final outcome, one can be considered digital, while the other is considered analog, but considering my physical approach ...e and sound station to have a big TIFF file that I could use to make a big digital print. The bigger the print, the more we’d see of the texture that comes
    7 KB (1,366 words) - 12:17, 6 May 2019
  • ...neous, mixing different techniques, animation and photographic, analog and digital, to concoct a careful coctail of pre-rendered elements bound by clever algo ...relations) come to the foreground. ( In Media Ecologies, Fuller describes art as exploring all possible scales and relationships of a system. )
    17 KB (2,545 words) - 11:28, 6 April 2015
  • ‘Ersions’ was an attempt to subcurate the kunstart 2012 art fair in Bolzano, Italy by producing 12.000 reproductions of a few chosen wo ...closed piece as we wanted to adress the thematic that was inherent to the art fair itself.
    11 KB (1,636 words) - 14:50, 24 September 2012
  • ...es in the neoliberal age.(Political) Cinema has found a new home inside of art institutions, black boxes inside of white cubes, where the quality of prese ...esign. (This reflects the anxieties regarding the nature of reading in the digital age) Everything is experienced piecemeal and viewers become “traitors of
    5 KB (770 words) - 17:09, 25 October 2017
  • ...es in the neoliberal age.(Political) Cinema has found a new home inside of art institutions, black boxes inside of white cubes, where the quality of prese ...esign. (This reflects the anxieties regarding the nature of reading in the digital age) Everything is experienced piecemeal and viewers become “traitors of
    5 KB (772 words) - 14:55, 4 December 2017
  • ...t the Piet Zwart Institute by large concerns it self with various forms of digital and precarious labor and its bordering areas such as user-generated content In my graduction project I intend to keep focus on emerging forms of digital labor. As of now I've addressed the design-field, but I wish to broaden thi
    11 KB (1,727 words) - 15:21, 25 September 2013
  • ...images representing human faces, one man and three women. They are colour digital photographs, displayed as portraits. The images are highly contrasted in th A series of seven digital colour photographs. Each image is representing a composition of objects and
    8 KB (1,336 words) - 19:48, 7 November 2018
  • ...collaborative software development has proven itself as a driving force of digital networks, especially the internet. Now this approach is beginning to open u Art and design work using computers can often get stuck in the use of the same
    4 KB (697 words) - 18:50, 23 April 2013
  • ...ally this magical function was relieved from the arts. As civilization and art progressed ''“no one believes any longer in the ontological identity of m ...of coding and de-coding. Besides, manipulation has become integral part of digital photography. Of course this already happened in analogue photography, but t
    10 KB (1,739 words) - 14:23, 23 November 2016
  • *Bauerlein, M. (2008). The Dumbest Generation: How the Digital Age Stupefies Young Americans and Jeopardizes our Future (or, Don’t Trust * Life, Once More: Forms of reenactment in contemporary art By Sven Lutticken, Witte de With, Rotterdam, 2005
    7 KB (1,134 words) - 12:23, 7 November 2018
  • ''Pirate libraries, shadow libraries, piratical text collections, amateur digital libraries, peer produced libraries and how to read them together.'' ...piracy, media regulation, peer-to-peer communities, underground libraries, digital archives, informal media economies. His most recent book is on the role of
    25 KB (3,382 words) - 13:15, 16 May 2022

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