Students: Difference between revisions

Revision as of 13:53, 16 June 2023

Current students

The links presented here for current students are to "user" pages which reflect ongoing work processes

2022/2024

XPUB

LB

2021/2023

XPUB

LB

C.Y.QING

Veere

Kotryna Bu

Luca

GARVAN

falcogdf

a i t a n t v

LUIS LUJÁN ]

Melly

SMB

2020/2022

XPUB

^{☣ LOUISA}☣

ᴋⷦeͤndͩaͣl 👀

Jacopo

🗂 Floor

★ E ★ U ★ N ★ A ★

Clara

Martin

naami

Camilo*

🍭fə_erico [ Poni ]______

LB

Yuxaun

2019/2021

XPUB

Clitch

Max

🌸🌸🌸🌸🌸SANDRA🌸🌸🌸🌸🌸

𝕄𝔸ℝ𝕂

𝚊𝚗𝚗𝚊

•••iʘa̯ɳ̩a̯•••

♥Damla♥

LB

Bojan

✏

lea

2018 / 2020

XPUB

PEDRO SÁ COUTO

RITA

)biyibiyibiyi(

LB

2017 / 2019

XPUB

LB

2016 / 2018

XPUB

LB

2015 / 2017

2014 / 2016

Amy Orange

Arantxa :):):):) :(:(:(:(

Antman [VACANT]
Ruben

e

2013/2015

†B̨̞͇̫͈̮̬̟̠͔͉̙̦̲̺̠ͤ̋ͩ́̏ͮͧ̉ͭ́ͪ͠ͅA̽ͥ̾ͣ̋ͫ̓̿́҉̲̮̫̦͈̟̟͓̪̳̜̕Ņ̖̻̝̳̱̪̬͔̱̤̼͈̭͎̣̗͍̓̂̀ͦ͆̀A̷̐̉͒̈ͧ͂ͨͦͭ́̂͟͏҉̛͈͚͇̠͔̣͓͕̫͚̪̭̪̩͕̖̦͚N͂͒̓̐ͤ̇ͤ͆̀ͪ̀̂̃̈́ͨ̓̆͡҉̸̞͕̠̤̳͎̠̲͉̥̦̞̼̗̟̟̯͔͞ͅE̛̟̰͙̙̣̹̭͒̏̇͂́Ǫ̵̷̵̦̫͔̭̼̻͓̼ͦͭ̉ͧ͂͌̅͐͒̌̔ͣ͗̾ͦͣ̽ͫ̚×

2012/2014

2011/2013

Lens-based Media

Networked Media

Former exchange students

Past students

For past students + work, see Category:Student or Category:Graduation work
or jump to a particular year: 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017

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 Dear reader,
-This is an experimental publication that highlights the work of several artists and feminists, one of which is Theresa Hak Kyung Cha (1978-1982). Theresa was born in Pusan, Korea in 1952, and immigrated to the US in 1962. Although Cha died tragically at a young age, she created a considerable body of work of great significance which contributes to conceptual and experimental art of the 1970s.
+This is an experimental publication that highlights the work of several artists and feminists, mentioned during class with Isabelle
+(1) Theresa Hak Kyung Cha (1978-1982). Theresa was born in Pusan, Korea in 1952, and immigrated to the US in 1962. Although Cha died tragically at a young age, she created a considerable body of work of great significance which contributes to conceptual and experimental art of the 1970s.
 In 1976 Cha wrote:
 "The main body of my work is with language, looking for the roots of language before it is born on the tip of the tongue. Since having been forced to learn languages more ‘consciously’ at a later age, there has existed a different perception and orientation toward language. Certain areas that continue to hold interest for me are: grammatical structures of a language, syntax, how words and meaning are constructed in the language system itself, by function or usage, and how transformation is brought about through manipulation, process as changing the syntax, isolation, removing from context, repetition, and reduction to minimal units."
+=========================================================
+(2) Naomi Pearce is a writer, curator and administrator who collaborates with artists to make exhibitions, essays, books and events. Recurring themes include the politics of artistic production and gentrification as they intersect with feminist legacies, death and discourses of desire.
+"Naomi Pearce and Shirley Read
+Interview: Extract Three
+Date: 27/10/17
+Time Code: 00:72:00
+Naomi: How would you like to be remembered?
+Shirley: As far as SPACE?
+N: Yeah, I dunno, in general. I'm just interested, you know, you could have a website now with all your achievements...
+S: Yes, I should, I will.
+N: Or does it not matter? The past is the past, you're in the present, you're doing stuff and that's what...
+S: To a degree I feel that, but I also feel unfortunately that within photography there are various people who treat me as if, "What is it that you do?" [Pause] I think actually that is one of things the art does, it chews up its own past and spits is out. Because its always keen on the ...
+                        N: New thing.
+S: Little short-term stars [Pause] So I feel that makes it difficult for the arts as a whole. But for me in particular, as a woman as well, nothing has quite been recognised. I mean people like Robin [Klassnik] do and it's one of the reasons I love him to bits, because he knows that I fought for SPACE Open Studios. That...
+N: But how would you like to be recognised? It could be a show, a book?
+S: Oh, what I did?
+N: Yeah.
+S: I suppose [Sighs, breaths out] There's not a lot I want from it, but I would like to not be written out of the history. I'd like to be present, and wouldn't mind it at all if my voice and my pictures were seen."
 THANK YOU FOR READING! --->