== Trimester 3 2012==
* [[Prototyping NM 2011-2012 T2]]
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==Trimester projects 2012/2013==
category = 2012/2013
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==2012/2013==
* [[Prototyping|Prototyping 2012/2013]]
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#REDIRECT [[Prototyping 2011-2012]]
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#REDIRECT [[Prototyping NM 2011-2012]]
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[[Category: 2011/2012]]
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* LIQUID MODERNITY - Zygmunt BAUMAN, Polity press, 2012 (First published in 2000)
* IDENTITEIT - Paul VERHAEGHE, 2012
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Petra Milički, Trimester 3, 2012
Since March 2012 I've been collecting and photocopying papers tossed in the recycling bin at
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====2012/2013====
*[[An encyclopedia of media objects. |Trimester 2,2012/2013, An encyclopedia of media objects. ]]
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Janis Klimanovs, Trimester 1, 2011.
[[Category: 2011/2012]]
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...te Research Seminar documentation here => [[Graduate Research Seminar 2011/2012]]<br/>
...r documentation here => [[Reading,_Writing_%26_Research_Methodologies_2011/2012]]
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Dennis van Vreden, Trimester 2, 2012
[[Category: 2011/2012]]
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Marie Wocher, Trimester 3, 2012.
...e age of the internet" (1995) and the recently published "Alone Together" (2011).
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* FARR, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
...Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704
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| Henk-Jelle || MacbookPro 2011 || - || - || OSX || ProTools, Ableton, Logic, CS Suite 6, Max MSP, After Ef
| Artyom || MacBookPro 2011 || i7 || ? || OS X.10.6.8 || ... || -
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Trimester 2, 2012.
Installation views of The Dissolute Image at Creative Now! at WORM, 30 June 2012:<br />
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* BAUMAN, Z. (2012). ''[[Ugo/liquidmodernity|Liquid Modernity]]''. Polity Press. (in Progress)
* MENKMAN, R. (2011). The Glitch Momentum. Network Notebooks. (in Progress)
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Javier Lloret, Trimester 3 2012
[[Category: 2011/2012]]
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Trimester 3, 2012
[[Category: 2011/2012]]
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'''Master Media Design and Communication: Networked 2011/2012'''
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Marie Wocher, Trimester 2, 2012.
...on the day she died and the day, I run the script, that was 29th of march 2012 (ideally it would be the current day). The amount of edits varies strongly
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Janis Klimanovs, Trimester 3 2012
[[Category: 2011/2012]]
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Bartholomäus Traubeck, Trimester 3, 2012.
[[Category: 2011/2012]]
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Trimester 2, 2012
[[Category: 2011/2012]]
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Dennis van Vreden, Trimester 1, 2011.
[[Category: 2011/2012]]
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[[Reading, Writing & Research Methodologies 2012/2013]]
[[Reading, Writing & Research Methodologies 2011/2012]]
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= Self Directed proj SNOOZE, Trimester 2, 2012 =
http://celluloidremix.openbeelden.nl/ [4th of May, 2012]
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* Allen, Gwen. Artists’ Magazines: An Alternative Space for Art, 2011.
* Goriunova, Olga, Art Platforms and Cultural Production on the Internet, 2012.
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...Mroué: A BAK Critical Reader Series in Artists' Practice, BAK Publishing, 2012<br>
...reakthroughs in Faith, World Policy Journal, Vol. 28, No. 4 (Winter 2011 / 2012), pp. 7-13<br>
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Colored shadows, Trimester 1, 2012.
[[Category: 2011/2012]]
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Double Projection , Trimester 2, 2012.
[[Category: 2011/2012]]
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Petra Milički, Trimester 2, 2012
[[Category: 2011/2012]]
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Petra Milički, Trimester 2, 2012
[[Category: 2011/2012]]
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Trimester 2, 2012.
[[Category: 2011/2012]]
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...eory, a Flood| James Gleick.The Information: A History, a Theory, a Flood, 2011]]
...Tim.Google+ Identity Crisis: What’s at Stake With Real Names and Privacy, 2011]]
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Bartholomäus Traubeck, Trimester 2, 2012.
...les of the Top 50 movies of the ‘Top-US-Grossing Feature Films Released In 2011‘ list on IMDB. These subtitle files were then skimmed for word occurence.
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== Summary of e-publishing status quo 2012 ==
...ww.huffingtonpost.com/2011/05/19/amazon-ebook-sales-surpas_n_864387.html 5-2011: Amazon sells more e-books than printed books]
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...ex Danchev: 100 Artists' Manifestos - From the Futurists to the Stuckists (2011)
* Martin Barnes: Shadow Catchers: Camera-less Photography (2012)
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...tp://pzwart3.wdka.hro.nl/~lrochon/tmp/2012_03_BEST_PRACTICES_FOR_DICTATORS 2012 : Temporary thesis outline and a bit more]
*[[User:Laurier_Rochon/writing/constructed_languages | 2011 : A Brief Introduction to Constructed Languages]]
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== Summary of e-publishing status quo 2012 ==
...ww.huffingtonpost.com/2011/05/19/amazon-ebook-sales-surpas_n_864387.html 5-2011: Amazon sells more e-books than printed books]
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==2012-13 : 18-9-2012==
...13 students have been moved to [[Reading, Writing & Research Methodologies 2012/2013]]
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:PROULX, A. (2012). Bird cloud. London, Fourth Estate.
:WOOD, M. (2012). Film: a very short introduction. Oxford, Oxford University Press.
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* [[Prototyping 2012/2013]]
* [[Prototyping 2011-2012 | Prototyping 2011/2012]]
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Janis Klimanovs, Trimester 2, 2012
[[Category: 2011/2012]]
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...l overview of the Open Design Symposium which took place in Linz, May 23rd 2012. At the festival, speakers spoke at length about the importance of communit
[[Category: 2011/2012]]
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= FACTORY RESET THEAMTIC PROJECT w/ Florian Cramer, Trimester 3, 2012 =
[[Category: 2011/2012]]
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Astrid van Nimwegen | Trimester 2, 2012
[[Category: 2011/2012]]
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[[Category: 2011/2012]]
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Rushton is a founding member of Signal:Noise (2011-2012) an experimental cross-disciplinary research project that aimed to explore
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Trimester 3, 2012.
[[Category: 2011/2012]]
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Ferguson, Kirby – Everything is a Remix part 1, 2, 3, 4, 2011, video (http://www.everythingisaremix.info/)
...ce – Remix (http://www.scribd.com/doc/47089238/Remix#outer_page_62) [4 May 2012]
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...r examples of this dominant approach see Rape Crisis Scotland 2008, 2010 & 2011.)
...m to share common ground (in the collaborative writing project Open Sauce, 2011). Both these projects used debates about sexual politics as a "way in" to b
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Through my thesis, I want to explore how animacies (Chen, 2012), the agency and the living value that bodies and inanimate objects carry w
..., 2018), Animacies: biopolitics, racial mattering, and queer affect (Chen, 2012) and from references that might come up throughout my research. The two tex
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===2012/2014===
===2011/2013===
26 KB (3,404 words) - 23:32, 9 April 2024
Andre Castro, Radio Liberté Equalité Beyoncé, 2012, 2, 1
...m <http://www.urlesque.com/2010/09/08/books-wikipedia-iraq-war/> [10 April 2012]
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*[http://www.wired.com/epicenter/2011/05/facebook-google-smear/all/1 Wired]
*[http://www.guardian.co.uk/technology/2011/may/12/facebook-smear-campaign-against-google Guardian]
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...te Research Seminar documentation here => [[Graduate Research Seminar 2011/2012]]<br/>
...r documentation here => [[Reading,_Writing_%26_Research_Methodologies_2011/2012]]
27 KB (3,974 words) - 13:59, 15 January 2014
Andre Castro, Radio Liberté Equalité Beyoncé, 2012, 2, 1
...m <http://www.urlesque.com/2010/09/08/books-wikipedia-iraq-war/> [10 April 2012]
16 KB (2,541 words) - 15:35, 19 April 2012
* Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
...Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704
7 KB (1,026 words) - 17:08, 15 November 2019
[[Category: 2011/2012]]
4 KB (736 words) - 14:50, 24 September 2012
...d detours in the film / video and music sector, he returned to painting in 2011.
...in their image findings. For their work group ''Color Spins'', created in 2012, they have developed their own rotational apparatuses. The dynamic light s
8 KB (1,187 words) - 15:22, 18 May 2019
...Preliminary Materials for a Theory of the Young-Girl. Chicago: Semiotexte, 2012.'''''
...nt Image: A Ciné‐Geography. Editors’ Introduction.” Third Text, 25, no. 1 (2011): 1-12.'''''
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Bosma, J (2011). Nettitudes. On a journey through net art. Rotterdam: Nai. <br>
Hertz, G. and Parikka, J. (2012). Zombie Media: Circuit Bending Media Archaeology into an Art Method. Leona
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...y of the term ''new media'', we have been offered ''postinternet'' (Olson, 2011) and ''the new aesthetic'' (Bridle, 2013) among others. Regardless of which
Bishop, C (Sept 2012) Digital Divide, ARTFORUM<br>
11 KB (1,821 words) - 20:59, 29 November 2016
...y of the term ''new media'', we have been offered ''postinternet'' (Olson, 2011) and ''the new aesthetic'' (Bridle, 2013) among others. Regardless of which
Bishop, C (Sept 2012) Digital Divide, ARTFORUM<br>
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...y of the term ''new media'', we have been offered ''postinternet'' (Olson, 2011) and ''the new aesthetic'' (Bridle, 2013) among others. Regardless of which
Bishop, C (Sept 2012) Digital Divide, ARTFORUM<br>
11 KB (1,821 words) - 21:00, 29 November 2016
Trimester 2, 2012.
...les of the Top 50 movies of the ‘Top-US-Grossing Feature Films Released In 2011‘ list on IMDB. These subtitle files were then skimmed for word occurence.
9 KB (1,401 words) - 22:19, 3 May 2012
By Rabih Mroue (2012)<br>
By Eric Baudelaire (2011)<br>
5 KB (845 words) - 18:36, 19 March 2018
Colour tests, Trimester 3, 2012.
[[Category: 2011/2012]]
9 KB (1,572 words) - 15:03, 24 September 2012
Trimester 2, 2012.
[[Category: 2011/2012]]
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...g intend of us - whether they or their programmers even know it"(Rushkoff, 2011, p.21).
...Traded_Too_Many_Stocks_and_Wall_Street_Crashed. Last accessed 1st December 2011.
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Cron, L. (2012). Wired for story. 1st ed. New York: Ten Speed Press, p.20.
LaBute, N. (2011). The shape of things. New York: Broadway Publishing.
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LIQUID MODERNITY – Zygmunt BAUMAN, Polity Press, 2012 (First ed. 2000)
Europe and migration – Massimo D'Alema statement (Le monde 2011). Europe needs 30millions newcomers in next 40 years to support the economy
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[[Category: 2011/2012]]
[http://mashable.com/2012/03/22/feel-your-facebook-pokes-with-this-poking-machine-video/ Click here f
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...odology and work I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis
Bronski, M. (2012), Queer History of the United States, Beacon Press (still waiting for deliv
11 KB (1,839 words) - 14:16, 9 November 2017
...esearch center Creating 010, Hogeschool Rotterdam. April 10th – June 26th, 2012.''
* Star Wars Uncut (world-wide, 2012, collective)
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...ographic imagery I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis
''
A Queer history of the United States'' (2011) by Michael Bronski
<br>
19 KB (3,118 words) - 16:37, 24 November 2017
...y graduation project as an embodied sound research around animacies (Chen, 2012); the agency and the living value that bodies and inanimate objects carry w
I have started navigating the freesound.org library (Freesound.org, 2011) with keywords such as body, machine, prosthesis, robot, cyborg, organ, sex
20 KB (3,178 words) - 21:10, 11 December 2022
...y graduation project as an embodied sound research around animacies (Chen, 2012); the agency and the living value that bodies and inanimate objects carry w
I have started navigating the freesound.org library (Freesound.org, 2011) with keywords such as body, machine, prosthesis, robot, cyborg, organ, sex
20 KB (3,144 words) - 14:33, 11 December 2022
...and they produced Funware, an international touring exhibition in 2010 and 2011 about fun in software (curated by Olga Goriunova). Since 2008 she is writin
*Matthew Fuller & Andrew Goffey (2012) Advisable Techniques for Super-Hubs: The Topological Machinery of Abstract
27 KB (3,870 words) - 18:34, 15 September 2014
http://www.theguardian.com/film/2012/sep/14/act-of-killing-review
...oy poverty', the 2008 documentary by Renzo Martins and The Act of Killing, 2012, Joshua Oppenheimer.
25 KB (3,945 words) - 00:49, 9 July 2014
...mporary art, which he also develops in later writings. (see Smith 2011 and 2012). Given the generally accepted passage from the 'modern' and ‘postmodern
David Geers (2012) points to a recent revival of modernist tropes in artistic practice that a
23 KB (3,468 words) - 14:17, 16 February 2016
...ographic imagery I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis
'''After Untitled 2012:'''<br>
20 KB (3,258 words) - 00:02, 17 November 2017
...ftn4">Lawrence Liang, ''Beyond Representation: The Figure of the Pirate'' (2011)</ref></blockquote>
...st about Open Access? A relational approach to copyright in the academy'' (2011)</ref></blockquote>
35 KB (5,033 words) - 13:12, 16 May 2022
At an earlier stage (2011) I was excited by the multi-exposure photography of Gjon Mili, Duane Michal
JÄGER, Dr. Maren 2007. Brevitas: Kürze in Rhetorik und Poetik MNDL/EUL-3: – 2011, Johannes Gutenberg-Universität Mainz.
12 KB (1,944 words) - 11:14, 6 May 2019
...ume entitled ''Joost van den Vondel: Dutch Playwright in the Golden Age'' (2012). In this line of research I am currently finishing a manuscript entitled
...Course Director of the Master Media Design and Communication Course. From 2011-2015, I served as the Director of the Piet Zwart Institute, and currently
14 KB (2,107 words) - 10:51, 18 March 2016
...exploitation; but it’s very much in line with neoliberal rhetoric (beloso 2012).
...ys of refusing, commanding and controlling the spectator’s gaze” (attwood. 2011, p. 212) [ Note: This is only in the case of economic independence. Since t
10 KB (1,626 words) - 17:24, 23 January 2019
...tworked Media from the Piet Zwart Institute, Rotterdam (MDes, 2010-12). In 2012 he has co-founded the artist collective La Société Anonyme known for its
...enting the life at a Dutch institution before it ceased to exists with the 2012 Dutch art funding cuts.
25 KB (3,382 words) - 13:15, 16 May 2022
...ftn4">Lawrence Liang, ''Beyond Representation: The Figure of the Pirate'' (2011)</ref></blockquote>
...st about Open Access? A relational approach to copyright in the academy'' (2011)</ref></blockquote>
37 KB (5,205 words) - 13:12, 16 May 2022
...oject was a photography project about people who refused to leave Syria in 2011. I visited different cities to witness their situation. In the project I pr
I did this project at the end of 2012. I used a large format camera with a Polaroid back. I wanted to produce a s
11 KB (1,928 words) - 13:38, 15 February 2016
...ions include Masters of Reality (Sternberg Press and Piet Zwart Institute, 2012)
...and they produced Funware, an international touring exhibition in 2010 and 2011 about fun in software (curated by Olga Goriunova). Since 2008 she is writin
11 KB (1,615 words) - 15:27, 17 March 2014
...artist’s film installation, virtual reality simulation and research. Since 2012, Dobrowolska has been working in collaboration with Teo Ormond-Skeaping on
...ee in painting at the National University of Córdoba School of Arts and in 2011 earned a Doctorate in Fine Arts from the Utrecht Graduate School of Visual
12 KB (1,910 words) - 10:21, 6 June 2020
Harman, Graham. (2011). The third table. Hatje Cantz
Mirror metaphors in Mantikut Tayr. (2012)
12 KB (2,086 words) - 13:15, 16 November 2015
Harman, Graham. (2011). The third table. Hatje Cantz
Mirror metaphors in Mantikut Tayr. (2012)
13 KB (2,260 words) - 11:24, 11 November 2015
...ographic imagery I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis
'''After Untitled 2012:'''<br>
29 KB (4,685 words) - 13:57, 1 February 2018
JÄGER, Dr. Maren 2007. Brevitas: Kürze in Rhetorik und Poetik MNDL/EUL-3: – 2011, Johannes Gutenberg-Universität Mainz.
STREHLE, S. 2012. Zeichenökonomie und symbolischer Tausch. In: Zur Aktualität von Jean Bau
12 KB (1,862 words) - 13:09, 22 November 2018
* The Pervert's Guide to Ideology (2012)
...narrative and politics in post-9/11 discourse by Dr. Dan Hassler-Forest (2011) https://pure.uva.nl/ws/files/3724572/89042_thesis.pdf
12 KB (2,166 words) - 00:37, 22 March 2017
''A story is real-life with the boring parts left out.'' (quoted in Cron, 2012)
...liable materials of choice: the human flesh and the human will.'' (LaBute, 2011).
13 KB (2,282 words) - 17:21, 25 April 2018
* [http://monoskop.org/log/?p=6724 Burrell, Jena. 2012. 'Invisible Users: Youth in the Internet Cafés of Urban Ghana'. MIT Press.
* Goldsmith, Kenneth. 2011. 'Uncreative Writing: Managing Language in the Digital Age'. Columbia Unive
14 KB (2,224 words) - 01:34, 11 December 2012
...ém| title = Towards a philosophy of photography| location = London| date = 2012}}
...Documentary| title = All watched over by machines of loving grace| date = 2011}}
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