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  • LIQUID MODERNITY – Zygmunt BAUMAN, Polity Press, 2012 (First ed. 2000)
    5 KB (828 words) - 17:59, 19 November 2018
  • [[Category: 2011/2012]] [http://mashable.com/2012/03/22/feel-your-facebook-pokes-with-this-poking-machine-video/ Click here f
    7 KB (1,072 words) - 11:29, 19 August 2013
  • ...iddle ground between material reality and photographic illusion”. (Kasten, 2012)
    7 KB (1,059 words) - 12:08, 6 May 2019
  • — Armée zapatiste de libération nationale, ''communiqué du 21 décembre 2012.''</blockquote> ...dance-generale-de-larmee-zapatiste-de-liberation-national-ezln-21-decembre-2012/</nowiki> (Accessed: March 4, 2023).
    17 KB (2,619 words) - 01:00, 9 March 2023
  • <li>Galloway, Alexander R. (2012), The Interface Effect, Cambridge, UK, Polity</li>
    7 KB (1,032 words) - 13:52, 7 December 2021
  • Colebrook, C (2012) "Framing the end of the Species", Extinction, Ed. Claire Colebrook, Open H Matts, T (2012) "The Melancholy of Extinction", M/C Journal, Vol 15, No 3 <br>
    12 KB (1,903 words) - 14:29, 30 March 2017
  • ...album I recorded under the alias Yoshimi! and was released in februari of 2012. It consists of 11 songs about conceptual disorder and existential crisis a
    6 KB (1,075 words) - 02:45, 16 January 2013
  • [[Category: 2012/2013]]
    7 KB (1,123 words) - 12:38, 23 March 2013
  • 寄件日期: 2012/11/19 (週一) 7:28 PM
    7 KB (1,365 words) - 18:28, 6 December 2012
  • http://www.juilliard.edu/sites/juilliard.edu/files/journal/2012/05/cage-john.jpg https://chrissypianist.files.wordpress.com/2012/08/imaginary-landscape-2-pg-1.jpg
    9 KB (1,243 words) - 15:19, 26 January 2017
  • ...esearch center Creating 010, Hogeschool Rotterdam. April 10th – June 26th, 2012.'' * Star Wars Uncut (world-wide, 2012, collective)
    19 KB (2,475 words) - 11:07, 3 December 2019
  • ...nce 1917?” (Mitt Romney, third US Presidential Debate, as quoted in Estes, 2012) ...d in 1916. Well Governor, we also have fewer horses and bayonets.” (Estes, 2012)
    29 KB (4,525 words) - 17:34, 7 April 2013
  • http://www.theguardian.com/film/2012/sep/14/act-of-killing-review ...oy poverty', the 2008 documentary by Renzo Martins and The Act of Killing, 2012, Joshua Oppenheimer.
    25 KB (3,945 words) - 00:49, 9 July 2014
  • ...xplain this I will have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis Images: ''Untitled'', 2012
    19 KB (3,192 words) - 23:21, 11 November 2017
  • ...2/object-steganography-noah-feehan-2012 Object Steganography, Noah Feehan (2012)] * Steyerl, H. (2012). The Wretched of the Screen. SternbergPress.
    26 KB (2,953 words) - 21:07, 13 June 2018
  • *7 Peaks, 2012, 35mm, 23 min.
    6 KB (872 words) - 10:31, 4 December 2017
  • *7 Peaks, 2012, 35mm, 23 min.
    6 KB (872 words) - 11:12, 30 November 2017
  • what happened in 2012? an end in the increase of human intelligence
    7 KB (1,161 words) - 11:46, 11 March 2015
  • Robinson, Kim Stanley. 2312. London: Orbit, 2012.
    8 KB (1,153 words) - 15:35, 16 February 2023
  • * Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
    7 KB (1,026 words) - 17:08, 15 November 2019
  • Dreyer, C.T. (2012) Dreyer on Colour Film, in Wahl, J. 'Carl Theodor Dreyer and Ordet: My Summ Brown, S.,‎ Street, S. and Watkins, L. (2012) Color and the Moving Image: History, Theory, Aesthetics, Archive, Routledg
    16 KB (2,581 words) - 11:16, 12 May 2021
  • ...y graduation project as an embodied sound research around animacies (Chen, 2012); the agency and the living value that bodies and inanimate objects carry w Animacy (Chen, 2012) is a linguistic term that is connected with liveliness, agency, awareness,
    20 KB (3,178 words) - 21:10, 11 December 2022
  • ...y graduation project as an embodied sound research around animacies (Chen, 2012); the agency and the living value that bodies and inanimate objects carry w Animacy (Chen, 2012) is a linguistic term that is connected with liveliness, agency, awareness,
    20 KB (3,144 words) - 14:33, 11 December 2022
  • ...enting the life at a Dutch institution before it ceased to exists with the 2012 Dutch art funding cuts.
    6 KB (921 words) - 12:13, 15 March 2021
  • *Matthew Fuller & Andrew Goffey (2012) Advisable Techniques for Super-Hubs: The Topological Machinery of Abstract http://2012.sonicacts.com/index.php#friday24february
    27 KB (3,870 words) - 18:34, 15 September 2014
  • == The shootingday 26th March 2012 ==
    7 KB (1,248 words) - 13:42, 3 May 2012
  • ...ographic imagery I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis '''After Untitled 2012:'''<br>
    29 KB (4,685 words) - 13:57, 1 February 2018
  • Hartmut Bohnacker, Benedikt Gross, Julia Laub, (2012), ‘Generative Design: Visualize, Program, and Create with Processing’,
    7 KB (1,164 words) - 03:00, 22 March 2017
  • | Side by Side (2012) || Christopher Kenneally || history of technology || 10.18 || class
    6 KB (869 words) - 21:41, 29 September 2019
  • media philosophy, Luciana Parisi (2012)
    7 KB (974 words) - 09:22, 13 April 2023
  • ...téphane, and Gwenola Wagon. World Brain Stéphane Degoutin & Gwenola Wagon, 2012. http://worldbrain.arte.tv.</ref>
    10 KB (1,413 words) - 13:55, 5 October 2015
  • Sterne, Jonathan, (2012), Sound Studies
    9 KB (1,475 words) - 10:57, 17 June 2015
  • Sterne, Jonathan, (2012), Sound Studies
    9 KB (1,475 words) - 18:09, 21 June 2015
  • * Cornelia Sollfrank, ''Giving What You Don't Have'' (2012-2015) "I realised how limited the discourse on appropriation is and shifted ...Daily Post’s former London office at 88 Fleet Street, was refurbished over 2012-13 to facilitate collective gatherings and allow fluid connections between
    35 KB (5,033 words) - 13:12, 16 May 2022
  • ...anxious times. According to Mayan culture, the world should have ended in 2012 and what we have been living in since has just been a strange shadow of the
    8 KB (1,124 words) - 20:07, 30 June 2021
  • Geert Lovink, [2012], <What Is the Social in Social Media?>.
    9 KB (1,465 words) - 13:24, 19 April 2017
  • ...|150px]] || Laric was awarded the Contemporary Art Society Annual Award in 2012, with a project that involves scanning works from the museum collection and
    11 KB (1,488 words) - 22:20, 10 December 2013
  • ...mporary art, which he also develops in later writings. (see Smith 2011 and 2012). Given the generally accepted passage from the 'modern' and ‘postmodern David Geers (2012) points to a recent revival of modernist tropes in artistic practice that a
    23 KB (3,468 words) - 14:17, 16 February 2016
  • ...n Shot 2018-05-07 at 12.18.46.png|thumb|Object Steganography, Noah Feehan (2012)]] ...2/object-steganography-noah-feehan-2012 Object Steganography, Noah Feehan (2012)]
    33 KB (4,836 words) - 15:10, 22 May 2018
  • ...a complex artistic film that engages an external audience (Bishop, p.246, 2012). Facing the uncertain nature of participatory projects (as in a horizontal
    9 KB (1,502 words) - 20:13, 6 June 2022
  • 13 KB (1,306 words) - 17:26, 27 March 2023
  • *Zizek, Slavoj (Ed) Mapping Ideology (2012) Verso
    9 KB (1,446 words) - 12:15, 24 January 2013
  • ...one school over a longer time, although he worked on the project from 2004-2012, but to photograph multiple classrooms all over the world. He wants to crea
    11 KB (1,903 words) - 10:15, 20 June 2012
  • ...his Story’ from ''Tiger Writing: Art, Culture & the Interdependent Self'' (2012)
    9 KB (1,351 words) - 15:17, 12 January 2024
  • ...ef name="ftn7">Memory of the World, [https://www.memoryoftheworld.org/blog/2012/11/26/end-to-end-catalog-2/ End-to-end-catalog]</ref></blockquote> ...tworked Media from the Piet Zwart Institute, Rotterdam (MDes, 2010-12). In 2012 he has co-founded the artist collective La Société Anonyme known for its
    37 KB (5,205 words) - 13:12, 16 May 2022
  • ...a Field Guide”'', edited by David Evans, Black Dog Publishing, London, UK, 2012;
    10 KB (1,528 words) - 09:51, 16 April 2017
  • Since March 2012 I had been collecting and photocopying papers tossed in the recycling bin a
    10 KB (1,562 words) - 15:42, 7 November 2012
  • On 22, 23 & 24 March 2012, we did a Robotics Workshop. The first one.
    9 KB (1,381 words) - 13:33, 6 March 2013
  • Nielsen's 2012 guidelines, "Repurposing vs Optimized Design" that web sites made for mobil
    13 KB (1,896 words) - 12:42, 20 December 2021
  • ...exploitation; but it’s very much in line with neoliberal rhetoric (beloso 2012).
    10 KB (1,626 words) - 17:24, 23 January 2019
  • Hertz, G. and Parikka, J. (2012). Zombie Media: Circuit Bending Media Archaeology into an Art Method. Leona
    10 KB (1,579 words) - 17:47, 21 November 2021
  • Since March 2012 I had been collecting and photocopying papers tossed in the recycling bin a
    11 KB (1,727 words) - 01:51, 6 December 2012
  • Since March 2012 I had been collecting and photocopying papers tossed in the recycling bin a
    11 KB (1,727 words) - 01:42, 6 December 2012
  • ...atlas as an artistic object started while working on my series Sunstudies (2012/2013) and Lightstudies (2015/2016). The images are always presented in a gr
    11 KB (1,769 words) - 12:26, 20 June 2017
  • I did this project at the end of 2012. I used a large format camera with a Polaroid back. I wanted to produce a s
    11 KB (1,928 words) - 13:38, 15 February 2016
  • movie based on story Tallhotblond (2012) http://www.nytimes.com/2012/03/19/business/media/how-hunger-games-built-up-must-see-fever.html
    11 KB (1,801 words) - 11:10, 25 November 2017
  • April 2012
    12 KB (1,966 words) - 21:57, 19 April 2012
  • Trimester 1, 2012 Thematic Seminar ...chaeology” from “What is Media Archaeology?”, Jussi Parikka, Polity Press, 2012.<br>
    23 KB (3,375 words) - 18:33, 15 September 2014
  • ...ions include Masters of Reality (Sternberg Press and Piet Zwart Institute, 2012)
    11 KB (1,615 words) - 15:27, 17 March 2014
  • ...artist’s film installation, virtual reality simulation and research. Since 2012, Dobrowolska has been working in collaboration with Teo Ormond-Skeaping on
    12 KB (1,910 words) - 10:21, 6 June 2020
  • Mirror metaphors in Mantikut Tayr. (2012)
    12 KB (2,086 words) - 13:15, 16 November 2015
  • ...is modeling the future, as future is inscribed in code.” (Cox and McLean, 2012: foreword). Cox and McLean discuss the multifaceted properties and uses of ...until terminating condition is met, unless an infinite loop is invoked.” (2012)
    66 KB (10,076 words) - 14:28, 12 May 2016
  • ...n Study #1—The American Dancer, her Bucksbaum Award–winning piece from the 2012 Whitney Biennial. For this piece, the culmination of her Devotion series, M ...://whitney.org/2012BucksbaumAwardToSarahMichelson Sarah Michelson Receives 2012 Bucksbaum Award]
    35 KB (5,234 words) - 17:49, 8 September 2017
  • Zygmunt Bauman, Liquid Modernity, 2012 (Sociology, Emancipation, Migration, Liquidity) http://pzwiki.wdka.nl/media
    13 KB (1,929 words) - 17:14, 20 March 2019
  • Mirror metaphors in Mantikut Tayr. (2012)
    13 KB (2,260 words) - 11:24, 11 November 2015
  • 27 august 2012
    15 KB (2,706 words) - 14:11, 25 September 2012
  • STREHLE, S. 2012. Zeichenökonomie und symbolischer Tausch. In: Zur Aktualität von Jean Bau
    12 KB (1,862 words) - 13:09, 22 November 2018
  • * The Pervert's Guide to Ideology (2012)
    12 KB (2,166 words) - 00:37, 22 March 2017
  • ...mb|left|400px|''Up pen down'', research, fonts and workshops by OSP (since 2012)]] ...pen-down-invited-designers-valence/ workshop at the ESAD Valence Grenoble (2012/2013)] + [https://raw.githubusercontent.com/no-feature/up_pen_down/master/T
    27 KB (4,054 words) - 18:28, 2 May 2024
  • ...uuradio.fr/ Duuu is a radio dedicated to contemporary creation. Founded in 2012 by artists, this radio was born from the desire to make people hear situati === Karen Barad, Adam Kleinmann (2012), [https://www.academia.edu/1857617/_Intra_actions_Interview_of_Karen_Barad
    42 KB (6,221 words) - 18:54, 20 July 2021
  • ...teyerl: The Wretched of the Screen'' (n.d.): n. pag. Sternberg Press. Web. 2012.
    13 KB (2,282 words) - 14:57, 7 March 2016
  • ''A story is real-life with the boring parts left out.'' (quoted in Cron, 2012)
    13 KB (2,282 words) - 17:21, 25 April 2018
  • [[Category: 2011/2012]]
    14 KB (2,267 words) - 14:49, 24 September 2012
  • STREHLE, S. 2012. Zeichenökonomie und symbolischer Tausch. In: Zur Aktualität von Jean Bau
    12 KB (1,944 words) - 11:14, 6 May 2019
  • ...ume entitled ''Joost van den Vondel: Dutch Playwright in the Golden Age'' (2012). In this line of research I am  currently finishing a manuscript entitled
    14 KB (2,107 words) - 10:51, 18 March 2016
  • ==== '''27-02-2024 - Notes on Runa Islam's ''Meroë'' (2012) and Peng Zuqiang's Déjà vu''' ==== Steyerl, H., 2012, ''The Wretched of the Screen'', London: Sternberg Press.
    63 KB (10,221 words) - 21:33, 4 April 2024
  • ...my profile publicly displays my entry date on the platform on January 1st 2012, a date that sounds like a 10-year-old resolution to re-socialize by the ne ...contributing to instead of contesting repressive forces?" (Hardt & Negri, 2012, p. 137)<br>
    59 KB (9,037 words) - 23:07, 7 June 2022
  • * [http://monoskop.org/log/?p=6724 Burrell, Jena. 2012. 'Invisible Users: Youth in the Internet Cafés of Urban Ghana'. MIT Press.
    14 KB (2,224 words) - 01:34, 11 December 2012
  • ...ém| title = Towards a philosophy of photography| location = London| date = 2012}}
    15 KB (2,279 words) - 12:20, 17 October 2019
  • ...ke>Download Fr0st '''(doesn't seem to have a live commuity, last post from 2012; deals in *.py though)(for Win)'''</strike>
    14 KB (2,128 words) - 22:58, 6 May 2015
  • 6. Thomas Ruff exhibition in The House of Art, Munich, Germany, 2012
    16 KB (2,572 words) - 01:33, 28 November 2012
  • ==== '''27-02-2024 - Notes on Runa Islam's ''Meroë'' (2012) and Peng Zuqiang's Déjà vu''' ==== Steyerl, H., 2012, ''The Wretched of the Screen'', London: Sternberg Press.
    65 KB (10,615 words) - 13:40, 10 April 2024
  • ...interview with Marlon Barrios Solano, part of the Embodied Techne Series (2012), Noë discusses "Dance As A Way Of Knowing". He explores the idea that hum
    16 KB (2,478 words) - 16:19, 10 June 2015
  • *[https://www.youtube.com/watch?v=WfGMYdalClU MAN] | Steve Cutts | 2012
    15 KB (2,503 words) - 10:16, 18 June 2018
  • Gross, R. (2012). Tempo Recommendations for Dance Music. [online] Hollywood Ballroom Dance * Hollywood Ballroom DC (Gross, 2012)
    36 KB (5,671 words) - 15:26, 15 March 2017
  • ...and am basically staging them. But I have been making images of cows since 2012.
    16 KB (2,819 words) - 19:00, 7 November 2015
  • ...tions: [https://calibre.constantvzw.org/book/31 Woorden uit de Berenkuil] (2012) + [https://calibre.constantvzw.org/book/108 Parlez-vous 1060] (2016)
    15 KB (2,226 words) - 16:52, 24 September 2023
  • N. Thompson, Living as a Form, 2012 <br><br>
    15 KB (2,327 words) - 19:53, 7 December 2021
  • ...the 7th from Asia) to win the most prestigious award in the film world. In 2012, he is invited to participate in Documenta (13), one of the most well-known
    15 KB (2,278 words) - 09:26, 7 November 2023
  • -       Poetry example from 2012    -
    19 KB (3,544 words) - 17:09, 4 November 2023
  • Gross, R. (2012). Tempo Recommendations for Dance Music. [online] Hollywood Ballroom Dance * Hollywood Ballroom DC (Gross, 2012)
    38 KB (6,063 words) - 13:58, 19 April 2017
  • Sculptural Electronic Sound Discs (SESD) (2012)
    14 KB (2,275 words) - 19:47, 14 March 2017
  • the "oldies" from 2006, they started in 2012. They come because of nostalgia and because it's nice. people are nice, it'
    17 KB (2,751 words) - 14:10, 30 January 2024
  • .../thoughtmaybe.com/google-and-the-world-brain/ Google and the World Brain] (2012)
    17 KB (2,406 words) - 15:42, 28 November 2014
  • Steyerl, H. (2012). The Wretched of the Screen ...(4): "Agency and Automatism: Photography as Art Since the Sixties", Summer 2012, pp 796-818.
    52 KB (8,461 words) - 17:04, 27 February 2024
  • ...profissional da informação no mundo do trabalho e as relações de gênero'' (2012). Traditionally a lot of the work done by women is not considered to be an
    46 KB (7,453 words) - 09:39, 5 April 2018
  • Kirk Varnedoe, [2012], Pictures of Nothing: Abstract Art since Pollock, Part 1: Why Abstract Art
    30 KB (5,047 words) - 16:22, 16 February 2018
  • ...dow Libraries published on the e-flux online journal platform in September 2012.
    25 KB (4,067 words) - 23:40, 3 April 2018
  • Today we will be watching extracts from 'the perverts guide to ideology', the 2012 British documentary film directed by Sophie Fiennes and written and present
    34 KB (5,075 words) - 13:45, 22 June 2015
  • * JONAL LUND, What you see is what you get (2012) http://whatyouseeiswhatyouget.net/
    26 KB (4,237 words) - 13:47, 26 January 2022

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