Search results
- LIQUID MODERNITY – Zygmunt BAUMAN, Polity Press, 2012 (First ed. 2000)5 KB (828 words) - 17:59, 19 November 2018
- [[Category: 2011/2012]] [http://mashable.com/2012/03/22/feel-your-facebook-pokes-with-this-poking-machine-video/ Click here f7 KB (1,072 words) - 11:29, 19 August 2013
- ...iddle ground between material reality and photographic illusion”. (Kasten, 2012)7 KB (1,059 words) - 12:08, 6 May 2019
- — Armée zapatiste de libération nationale, ''communiqué du 21 décembre 2012.''</blockquote> ...dance-generale-de-larmee-zapatiste-de-liberation-national-ezln-21-decembre-2012/</nowiki> (Accessed: March 4, 2023).17 KB (2,619 words) - 01:00, 9 March 2023
- <li>Galloway, Alexander R. (2012), The Interface Effect, Cambridge, UK, Polity</li>7 KB (1,032 words) - 13:52, 7 December 2021
- Colebrook, C (2012) "Framing the end of the Species", Extinction, Ed. Claire Colebrook, Open H Matts, T (2012) "The Melancholy of Extinction", M/C Journal, Vol 15, No 3 <br>12 KB (1,903 words) - 14:29, 30 March 2017
- ...album I recorded under the alias Yoshimi! and was released in februari of 2012. It consists of 11 songs about conceptual disorder and existential crisis a6 KB (1,075 words) - 02:45, 16 January 2013
- [[Category: 2012/2013]]7 KB (1,123 words) - 12:38, 23 March 2013
- 寄件日期: 2012/11/19 (週一) 7:28 PM7 KB (1,365 words) - 18:28, 6 December 2012
- http://www.juilliard.edu/sites/juilliard.edu/files/journal/2012/05/cage-john.jpg https://chrissypianist.files.wordpress.com/2012/08/imaginary-landscape-2-pg-1.jpg9 KB (1,243 words) - 15:19, 26 January 2017
- ...esearch center Creating 010, Hogeschool Rotterdam. April 10th – June 26th, 2012.'' * Star Wars Uncut (world-wide, 2012, collective)19 KB (2,475 words) - 11:07, 3 December 2019
- ...nce 1917?” (Mitt Romney, third US Presidential Debate, as quoted in Estes, 2012) ...d in 1916. Well Governor, we also have fewer horses and bayonets.” (Estes, 2012)29 KB (4,525 words) - 17:34, 7 April 2013
- http://www.theguardian.com/film/2012/sep/14/act-of-killing-review ...oy poverty', the 2008 documentary by Renzo Martins and The Act of Killing, 2012, Joshua Oppenheimer.25 KB (3,945 words) - 00:49, 9 July 2014
- ...xplain this I will have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis Images: ''Untitled'', 201219 KB (3,192 words) - 23:21, 11 November 2017
- ...2/object-steganography-noah-feehan-2012 Object Steganography, Noah Feehan (2012)] * Steyerl, H. (2012). The Wretched of the Screen. SternbergPress.26 KB (2,953 words) - 21:07, 13 June 2018
- *7 Peaks, 2012, 35mm, 23 min.6 KB (872 words) - 10:31, 4 December 2017
- *7 Peaks, 2012, 35mm, 23 min.6 KB (872 words) - 11:12, 30 November 2017
- what happened in 2012? an end in the increase of human intelligence7 KB (1,161 words) - 11:46, 11 March 2015
- Robinson, Kim Stanley. 2312. London: Orbit, 2012.8 KB (1,153 words) - 15:35, 16 February 2023
- * Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).7 KB (1,026 words) - 17:08, 15 November 2019
- Dreyer, C.T. (2012) Dreyer on Colour Film, in Wahl, J. 'Carl Theodor Dreyer and Ordet: My Summ Brown, S., Street, S. and Watkins, L. (2012) Color and the Moving Image: History, Theory, Aesthetics, Archive, Routledg16 KB (2,581 words) - 11:16, 12 May 2021
- ...y graduation project as an embodied sound research around animacies (Chen, 2012); the agency and the living value that bodies and inanimate objects carry w Animacy (Chen, 2012) is a linguistic term that is connected with liveliness, agency, awareness,20 KB (3,178 words) - 21:10, 11 December 2022
- ...y graduation project as an embodied sound research around animacies (Chen, 2012); the agency and the living value that bodies and inanimate objects carry w Animacy (Chen, 2012) is a linguistic term that is connected with liveliness, agency, awareness,20 KB (3,144 words) - 14:33, 11 December 2022
- ...enting the life at a Dutch institution before it ceased to exists with the 2012 Dutch art funding cuts.6 KB (921 words) - 12:13, 15 March 2021
- *Matthew Fuller & Andrew Goffey (2012) Advisable Techniques for Super-Hubs: The Topological Machinery of Abstract http://2012.sonicacts.com/index.php#friday24february27 KB (3,870 words) - 18:34, 15 September 2014
- == The shootingday 26th March 2012 ==7 KB (1,248 words) - 13:42, 3 May 2012
- ...ographic imagery I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis '''After Untitled 2012:'''<br>29 KB (4,685 words) - 13:57, 1 February 2018
- Hartmut Bohnacker, Benedikt Gross, Julia Laub, (2012), ‘Generative Design: Visualize, Program, and Create with Processing’,7 KB (1,164 words) - 03:00, 22 March 2017
- | Side by Side (2012) || Christopher Kenneally || history of technology || 10.18 || class6 KB (869 words) - 21:41, 29 September 2019
- media philosophy, Luciana Parisi (2012)7 KB (974 words) - 09:22, 13 April 2023
- ...téphane, and Gwenola Wagon. World Brain Stéphane Degoutin & Gwenola Wagon, 2012. http://worldbrain.arte.tv.</ref>10 KB (1,413 words) - 13:55, 5 October 2015
- Sterne, Jonathan, (2012), Sound Studies9 KB (1,475 words) - 10:57, 17 June 2015
- Sterne, Jonathan, (2012), Sound Studies9 KB (1,475 words) - 18:09, 21 June 2015
- * Cornelia Sollfrank, ''Giving What You Don't Have'' (2012-2015) "I realised how limited the discourse on appropriation is and shifted ...Daily Post’s former London office at 88 Fleet Street, was refurbished over 2012-13 to facilitate collective gatherings and allow fluid connections between35 KB (5,033 words) - 13:12, 16 May 2022
- ...anxious times. According to Mayan culture, the world should have ended in 2012 and what we have been living in since has just been a strange shadow of the8 KB (1,124 words) - 20:07, 30 June 2021
- Geert Lovink, [2012], <What Is the Social in Social Media?>.9 KB (1,465 words) - 13:24, 19 April 2017
- ...|150px]] || Laric was awarded the Contemporary Art Society Annual Award in 2012, with a project that involves scanning works from the museum collection and11 KB (1,488 words) - 22:20, 10 December 2013
- ...mporary art, which he also develops in later writings. (see Smith 2011 and 2012). Given the generally accepted passage from the 'modern' and ‘postmodern David Geers (2012) points to a recent revival of modernist tropes in artistic practice that a23 KB (3,468 words) - 14:17, 16 February 2016
- ...n Shot 2018-05-07 at 12.18.46.png|thumb|Object Steganography, Noah Feehan (2012)]] ...2/object-steganography-noah-feehan-2012 Object Steganography, Noah Feehan (2012)]33 KB (4,836 words) - 15:10, 22 May 2018
- ...a complex artistic film that engages an external audience (Bishop, p.246, 2012). Facing the uncertain nature of participatory projects (as in a horizontal9 KB (1,502 words) - 20:13, 6 June 2022
- 13 KB (1,306 words) - 17:26, 27 March 2023
- *Zizek, Slavoj (Ed) Mapping Ideology (2012) Verso9 KB (1,446 words) - 12:15, 24 January 2013
- ...one school over a longer time, although he worked on the project from 2004-2012, but to photograph multiple classrooms all over the world. He wants to crea11 KB (1,903 words) - 10:15, 20 June 2012
- ...his Story’ from ''Tiger Writing: Art, Culture & the Interdependent Self'' (2012)9 KB (1,351 words) - 15:17, 12 January 2024
- ...ef name="ftn7">Memory of the World, [https://www.memoryoftheworld.org/blog/2012/11/26/end-to-end-catalog-2/ End-to-end-catalog]</ref></blockquote> ...tworked Media from the Piet Zwart Institute, Rotterdam (MDes, 2010-12). In 2012 he has co-founded the artist collective La Société Anonyme known for its37 KB (5,205 words) - 13:12, 16 May 2022
- ...a Field Guide”'', edited by David Evans, Black Dog Publishing, London, UK, 2012;10 KB (1,528 words) - 09:51, 16 April 2017
- Since March 2012 I had been collecting and photocopying papers tossed in the recycling bin a10 KB (1,562 words) - 15:42, 7 November 2012
- On 22, 23 & 24 March 2012, we did a Robotics Workshop. The first one.9 KB (1,381 words) - 13:33, 6 March 2013
- Nielsen's 2012 guidelines, "Repurposing vs Optimized Design" that web sites made for mobil13 KB (1,896 words) - 12:42, 20 December 2021
- ...exploitation; but it’s very much in line with neoliberal rhetoric (beloso 2012).10 KB (1,626 words) - 17:24, 23 January 2019
- Hertz, G. and Parikka, J. (2012). Zombie Media: Circuit Bending Media Archaeology into an Art Method. Leona10 KB (1,579 words) - 17:47, 21 November 2021
- Since March 2012 I had been collecting and photocopying papers tossed in the recycling bin a11 KB (1,727 words) - 01:51, 6 December 2012
- Since March 2012 I had been collecting and photocopying papers tossed in the recycling bin a11 KB (1,727 words) - 01:42, 6 December 2012
- ...atlas as an artistic object started while working on my series Sunstudies (2012/2013) and Lightstudies (2015/2016). The images are always presented in a gr11 KB (1,769 words) - 12:26, 20 June 2017
- I did this project at the end of 2012. I used a large format camera with a Polaroid back. I wanted to produce a s11 KB (1,928 words) - 13:38, 15 February 2016
- movie based on story Tallhotblond (2012) http://www.nytimes.com/2012/03/19/business/media/how-hunger-games-built-up-must-see-fever.html11 KB (1,801 words) - 11:10, 25 November 2017
- April 201212 KB (1,966 words) - 21:57, 19 April 2012
- Trimester 1, 2012 Thematic Seminar ...chaeology” from “What is Media Archaeology?”, Jussi Parikka, Polity Press, 2012.<br>23 KB (3,375 words) - 18:33, 15 September 2014
- ...ions include Masters of Reality (Sternberg Press and Piet Zwart Institute, 2012)11 KB (1,615 words) - 15:27, 17 March 2014
- ...artist’s film installation, virtual reality simulation and research. Since 2012, Dobrowolska has been working in collaboration with Teo Ormond-Skeaping on12 KB (1,910 words) - 10:21, 6 June 2020
- Mirror metaphors in Mantikut Tayr. (2012)12 KB (2,086 words) - 13:15, 16 November 2015
- ...is modeling the future, as future is inscribed in code.” (Cox and McLean, 2012: foreword). Cox and McLean discuss the multifaceted properties and uses of ...until terminating condition is met, unless an infinite loop is invoked.” (2012)66 KB (10,076 words) - 14:28, 12 May 2016
- ...n Study #1—The American Dancer, her Bucksbaum Award–winning piece from the 2012 Whitney Biennial. For this piece, the culmination of her Devotion series, M ...://whitney.org/2012BucksbaumAwardToSarahMichelson Sarah Michelson Receives 2012 Bucksbaum Award]35 KB (5,234 words) - 17:49, 8 September 2017
- Zygmunt Bauman, Liquid Modernity, 2012 (Sociology, Emancipation, Migration, Liquidity) http://pzwiki.wdka.nl/media13 KB (1,929 words) - 17:14, 20 March 2019
- Mirror metaphors in Mantikut Tayr. (2012)13 KB (2,260 words) - 11:24, 11 November 2015
- 27 august 201215 KB (2,706 words) - 14:11, 25 September 2012
- STREHLE, S. 2012. Zeichenökonomie und symbolischer Tausch. In: Zur Aktualität von Jean Bau12 KB (1,862 words) - 13:09, 22 November 2018
- * The Pervert's Guide to Ideology (2012)12 KB (2,166 words) - 00:37, 22 March 2017
- ...mb|left|400px|''Up pen down'', research, fonts and workshops by OSP (since 2012)]] ...pen-down-invited-designers-valence/ workshop at the ESAD Valence Grenoble (2012/2013)] + [https://raw.githubusercontent.com/no-feature/up_pen_down/master/T27 KB (4,054 words) - 18:28, 2 May 2024
- ...uuradio.fr/ Duuu is a radio dedicated to contemporary creation. Founded in 2012 by artists, this radio was born from the desire to make people hear situati === Karen Barad, Adam Kleinmann (2012), [https://www.academia.edu/1857617/_Intra_actions_Interview_of_Karen_Barad42 KB (6,221 words) - 18:54, 20 July 2021
- ...teyerl: The Wretched of the Screen'' (n.d.): n. pag. Sternberg Press. Web. 2012.13 KB (2,282 words) - 14:57, 7 March 2016
- ''A story is real-life with the boring parts left out.'' (quoted in Cron, 2012)13 KB (2,282 words) - 17:21, 25 April 2018
- [[Category: 2011/2012]]14 KB (2,267 words) - 14:49, 24 September 2012
- STREHLE, S. 2012. Zeichenökonomie und symbolischer Tausch. In: Zur Aktualität von Jean Bau12 KB (1,944 words) - 11:14, 6 May 2019
- ...ume entitled ''Joost van den Vondel: Dutch Playwright in the Golden Age'' (2012). In this line of research I am currently finishing a manuscript entitled14 KB (2,107 words) - 10:51, 18 March 2016
- ==== '''27-02-2024 - Notes on Runa Islam's ''Meroë'' (2012) and Peng Zuqiang's Déjà vu''' ==== Steyerl, H., 2012, ''The Wretched of the Screen'', London: Sternberg Press.63 KB (10,221 words) - 21:33, 4 April 2024
- ...my profile publicly displays my entry date on the platform on January 1st 2012, a date that sounds like a 10-year-old resolution to re-socialize by the ne ...contributing to instead of contesting repressive forces?" (Hardt & Negri, 2012, p. 137)<br>59 KB (9,037 words) - 23:07, 7 June 2022
- * [http://monoskop.org/log/?p=6724 Burrell, Jena. 2012. 'Invisible Users: Youth in the Internet Cafés of Urban Ghana'. MIT Press.14 KB (2,224 words) - 01:34, 11 December 2012
- ...ém| title = Towards a philosophy of photography| location = London| date = 2012}}15 KB (2,279 words) - 12:20, 17 October 2019
- ...ke>Download Fr0st '''(doesn't seem to have a live commuity, last post from 2012; deals in *.py though)(for Win)'''</strike>14 KB (2,128 words) - 22:58, 6 May 2015
- 6. Thomas Ruff exhibition in The House of Art, Munich, Germany, 201216 KB (2,572 words) - 01:33, 28 November 2012
- ==== '''27-02-2024 - Notes on Runa Islam's ''Meroë'' (2012) and Peng Zuqiang's Déjà vu''' ==== Steyerl, H., 2012, ''The Wretched of the Screen'', London: Sternberg Press.65 KB (10,615 words) - 13:40, 10 April 2024
- ...interview with Marlon Barrios Solano, part of the Embodied Techne Series (2012), Noë discusses "Dance As A Way Of Knowing". He explores the idea that hum16 KB (2,478 words) - 16:19, 10 June 2015
- *[https://www.youtube.com/watch?v=WfGMYdalClU MAN] | Steve Cutts | 201215 KB (2,503 words) - 10:16, 18 June 2018
- Gross, R. (2012). Tempo Recommendations for Dance Music. [online] Hollywood Ballroom Dance * Hollywood Ballroom DC (Gross, 2012)36 KB (5,671 words) - 15:26, 15 March 2017
- ...and am basically staging them. But I have been making images of cows since 2012.16 KB (2,819 words) - 19:00, 7 November 2015
- ...tions: [https://calibre.constantvzw.org/book/31 Woorden uit de Berenkuil] (2012) + [https://calibre.constantvzw.org/book/108 Parlez-vous 1060] (2016)15 KB (2,226 words) - 16:52, 24 September 2023
- N. Thompson, Living as a Form, 2012 <br><br>15 KB (2,327 words) - 19:53, 7 December 2021
- ...the 7th from Asia) to win the most prestigious award in the film world. In 2012, he is invited to participate in Documenta (13), one of the most well-known15 KB (2,278 words) - 09:26, 7 November 2023
- - Poetry example from 2012 -19 KB (3,544 words) - 17:09, 4 November 2023
- Gross, R. (2012). Tempo Recommendations for Dance Music. [online] Hollywood Ballroom Dance * Hollywood Ballroom DC (Gross, 2012)38 KB (6,063 words) - 13:58, 19 April 2017
- Sculptural Electronic Sound Discs (SESD) (2012)14 KB (2,275 words) - 19:47, 14 March 2017
- the "oldies" from 2006, they started in 2012. They come because of nostalgia and because it's nice. people are nice, it'17 KB (2,751 words) - 14:10, 30 January 2024
- .../thoughtmaybe.com/google-and-the-world-brain/ Google and the World Brain] (2012)17 KB (2,406 words) - 15:42, 28 November 2014
- Steyerl, H. (2012). The Wretched of the Screen ...(4): "Agency and Automatism: Photography as Art Since the Sixties", Summer 2012, pp 796-818.52 KB (8,461 words) - 17:04, 27 February 2024
- ...profissional da informação no mundo do trabalho e as relações de gênero'' (2012). Traditionally a lot of the work done by women is not considered to be an46 KB (7,453 words) - 09:39, 5 April 2018
- Kirk Varnedoe, [2012], Pictures of Nothing: Abstract Art since Pollock, Part 1: Why Abstract Art30 KB (5,047 words) - 16:22, 16 February 2018
- ...dow Libraries published on the e-flux online journal platform in September 2012.25 KB (4,067 words) - 23:40, 3 April 2018
- Today we will be watching extracts from 'the perverts guide to ideology', the 2012 British documentary film directed by Sophie Fiennes and written and present34 KB (5,075 words) - 13:45, 22 June 2015
- * JONAL LUND, What you see is what you get (2012) http://whatyouseeiswhatyouget.net/26 KB (4,237 words) - 13:47, 26 January 2022