READING NOTES: Difference between revisions
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[[Roland Barthes - Image - Music - Text]] | |||
[[Brené Brown]] | |||
[[The Cultural Politics of Emotion - Sara Ahmed]] | |||
[[My secret garden - Women's sexual fantasies]] | |||
[[Art & Fear, Observations on the perils (and rewards) of Artmaking]] | |||
[[Harriet Lerner - The Dance of Deception]] | |||
[[Lacan for Beginners]] | |||
[[John Berger - Ways of Seeing]] | |||
[[Harriet Lerner - The Dance of Intimicy]] | |||
[[Harriet Lerner - On Mothers and Daughters]] | |||
[[Jonathan Culler - The Fortunes of the Performative]] | [[Jonathan Culler - The Fortunes of the Performative]] | ||
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[[Rudolf Arnheim - visual thinking]] | [[Rudolf Arnheim - visual thinking]] | ||
[[Erving Goffman - the presentation of self in everyday life]] | [[Erving Goffman - the presentation of self in everyday life]] | ||
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[[Einführung:_Gender_als_Kategorie_kunsthistorischer_Forschung_(Anja_Zimmermann)|Anja Zimmermann - Introduction: Gender as a category of art history research]] | [[Einführung:_Gender_als_Kategorie_kunsthistorischer_Forschung_(Anja_Zimmermann)|Anja Zimmermann - Introduction: Gender as a category of art history research]] | ||
Latest revision as of 00:54, 11 November 2017
Roland Barthes - Image - Music - Text
The Cultural Politics of Emotion - Sara Ahmed
My secret garden - Women's sexual fantasies
Art & Fear, Observations on the perils (and rewards) of Artmaking
Harriet Lerner - The Dance of Deception
Harriet Lerner - The Dance of Intimicy
Harriet Lerner - On Mothers and Daughters
Jonathan Culler - The Fortunes of the Performative
Luka Zevnik - Critical Perspectives in Happiness Research: The Birth of Modern Happiness
Rudolf Arnheim - visual thinking
Erving Goffman - the presentation of self in everyday life
Elisabeth Bronfen - Die Diva (The Diva)
Roland Barthes - Die helle Kammer (Camera Lucida)
Annette Treibel: Introduction to contemporary sociological theories
Tom Holert - Imagineering. Visual culture and politics of visability
Daniela Hammer-Tugendhat - Art, sexuality and gender constructions in the occidental culture
Anja Zimmermann - Introduction: Gender as a category of art history research