User:活着好没意思啊: Difference between revisions
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=== Practice === | === Practice === | ||
[https://honey-yang.me/HOW-DO-YOU-throw-a-brick-through-the-window-of-a-bank HOW DO YOU throw a brick through the window of a bank?] | [https://honey-yang.me/HOW-DO-YOU-throw-a-brick-through-the-window-of-a-bank HOW DO YOU throw a brick through the window of a bank?] | ||
keywords: youth, void, liminality, boredom, solidarity, images and vulnerability, agency of non-human, justice-to-come | |||
[[VPMY|An Artist Who Only Participates in Group Exhibitions]] | [[VPMY|An Artist Who Only Participates in Group Exhibitions]] | ||
keywords: the anarchist state of nature, revolution, liminality, communism, noise, parasite, the ontology of avant-garde (Amy Ireland, Michel Serre) | |||
[[The ruined map|The Ruined Map]] | [[The ruined map|The Ruined Map]] | ||
keywords: liminality, the orgasmic force, transitions, cultural appropriation, imagined Western, epistemology of impotence, masculinity | |||
[[Writing Through Editing TMY|Echos of an Unverifiable World]] | [[Writing Through Editing TMY|Echos of an Unverifiable World]] | ||
keywords: images and music and sounds, political avant-garde and aesthetic avant-garde, | |||
[[DAF2|Sea Anemone/ Anus Utopia/ The Peach Blossom Spring]] | [[DAF2|Sea Anemone/ Anus Utopia/ The Peach Blossom Spring]] |
Revision as of 19:35, 23 March 2023
Research Methodologies
Practice
HOW DO YOU throw a brick through the window of a bank?
keywords: youth, void, liminality, boredom, solidarity, images and vulnerability, agency of non-human, justice-to-come
An Artist Who Only Participates in Group Exhibitions
keywords: the anarchist state of nature, revolution, liminality, communism, noise, parasite, the ontology of avant-garde (Amy Ireland, Michel Serre)
keywords: liminality, the orgasmic force, transitions, cultural appropriation, imagined Western, epistemology of impotence, masculinity
Echos of an Unverifiable World
keywords: images and music and sounds, political avant-garde and aesthetic avant-garde,
Sea Anemone/ Anus Utopia/ The Peach Blossom Spring
others:
What is “Japan” to white queers?
Margins and Identities: Sinophone Literature and Cultural Production
The Margins of Theory (finished)
The Margins of Language (finished)
The Margins of Gender (finished)
The Margins of Culture (finished)
Howard Chiang
- After Eunuchs
- Transtopia in the Sinophone Pacific
Reading List: Homosexual Literature and Inter-Asia (trans)Culture
Queering the Narrative
Yinyang, Transdualism
Postcolonial Astrology
Astrology is a science fiction
My Dancing Body and East Asian Perception
Feminist/Queer Theory
Donna Haraway
Paul Preciado
Guy Hocquenghem
The Screwball Asses
homosexual desire
Mel Y. Chen
Sophie Lewis
Full Surrogacy Now
Sex/Queer Ecology
Female, Mysticism, Love, and Boundaries
Elvia Wilk
Indigenous futures, Apocalypse
Pedro Neves Marques
Notes
Eduardo Viveiros de Castro
Anarchism
Tiqqun
Zapatista Army of National Liberation
Transgender and Nonbinary Methods
Anti-Orientalist Queer
Queer diaspora/against diaspora
Post-colonial, Post-Soviet, Post-Earth
Poem
Walt Whitman
René Char
Comte de Lautréamont
Yves Bonnefoy
Reading List
Watching
Luke Fowler
Maya Deren
Kenneth Anger
Cyprien Gaillard Nightlife
Cyprien Gaillard Cities of Gold and Mirrors
Fern Siva
Links
https://theanarchistlibrary.org/
https://socialtextjournal.org/journal-archive/
https://www.historicalmaterialism.org/
https://philosophyandtechnology.network/
https://www.reactfeminism.org/
https://nonbinary.wiki/wiki/Main_Page
https://read.dukeupress.edu/glq
http://www.gender.cuhk.edu.hk/zh-tw/useful-links
http://dismagazine.com/archive/