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  1. "Interrupts aren't hidden"
  2. "Orwell method"
  3. "Publiqueshions" (Published questions)
  4. "Template:Welcome"
  5. '''.from my notebook'''
  6. '''FINAL VERSIONS''' deadline early May
  7. '''Lotte's Self-Directed Research'''
  8. ''The century of the self - Happiness machines'' - Adam Curtis (documentary)
  9. ''The ontology of the photographic image'' – Andre Bazin (1945)
  10. ''photography, fixity, continuity, fluidity, liquidity, moving image ''
  11. 'All Problems of Notation Will be Solved by the Masses: Free Open FormPerformance, Free/Libre Open Source Software, and Distributive Practice' by Simon Yuil
  12. ((in)ter)dependence/Adding keywords
  13. ((in)ter)dependence/Borderlands and Monsters
  14. ((in)ter)dependence/Code of Conduct
  15. ((in)ter)dependence/Communities of Practise
  16. ((in)ter)dependence/Editorial approach
  17. ((in)ter)dependence/On the Neutrality of Data
  18. ((in)ter)dependence/Seamless and Seamful
  19. ((in)ter)dependence/What is a feminist server to us as an editorial group
  20. ((in)ter)dependence/ecological relations
  21. (Re)Prerecording a tape
  22. (TEMP) GRADUATE PROPOSAL
  23. (Un)conventional Cartographies
  24. (draft) Watching and Being Watched Through Cybernetic Filters
  25. (re)describe
  26. ))General Bibliography (Special Issue 7)
  27. * Reading Notes
  28. +1800 982 0820G.o.o.g.l.e support number @@ G.o.o.g.l.e support phone number @ G.o.o.g.l.e customer service phone number USA
  29. --5cuts assignment--
  30. --Deleuze--
  31. --Delleze--
  32. --Draft Essay--
  33. --Essay perception--
  34. --Foucault notes--
  35. --Geleuze--
  36. --Lazzarato--
  37. --Lecture Notes 18.10--
  38. --Lecture notes--
  39. --Lecture notes 28.09.2013--
  40. --assignment 11.11.2013--
  41. --astral data
  42. --fiajwiofjw--
  43. --greenscreen assignment--
  44. --lecture notes--
  45. --my previous skills--
  46. --notes video vortex--
  47. --speculative scenarios nts--
  48. -Assignment 1-review
  49. -Notes on Critique Creative Industries 1-
  50. -Notes on Critique Creative Industries 2-

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