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  • 15:53, 10 June 2024Somewhere to be (hist | edit) ‎[573 bytes]Rs (talk | contribs) (Created page with "{{Graduation work |Creator=Sara Fattahighahnaviyeh |Date=2024 |Bio=Sara Fattahighahnaviyeh (Tehran, Iran, 1997) is a visual artist based in Rotterdam. Sara's projects heavily focus on social justice, activism, and feminism. She is a visionary who always seeks to push the boundaries of storytelling and explore new methods of self-expression. |Thumbnail=Somewhere to be 1.jpg |Website= |Description=Somewhere to be is a visualization of The Iranian government's relentless qu...")
  • 15:48, 10 June 2024The Crohnicle (hist | edit) ‎[900 bytes]Rs (talk | contribs) (Created page with "{{Graduation work |Creator=Ieva Grabauskaite |Date=2024 |Bio=Ieva Grabauskaite is a Lithuanian illustrator and animator who mainly works in the 2D field, combining abstract visuals with hand-drawn sketches, VFX, and collage animations, creating abstract optical atmospheres accompanied by music. Her works incorporate subconscious, surreal, and psychological themes derived from personal experiences. |Thumbnail=Screenshot 2024-05-17 at 21.08.34.png |Website= |Description=Th...")
  • 15:46, 10 June 2024Divine Dogs, Whispering Stones (hist | edit) ‎[1,052 bytes]Rs (talk | contribs) (Created page with "{{Graduation work |Creator=Luni Milda Jančoraitė |Date=2024 |Bio=Luni Jančoraitė, is a visual artist from Vilnius (LT) based in Rotterdam (NL), often creating films in the genre of poetic documentary. Her work blends classic, experimental, and essayistic styles of documentary filmmaking, intertwining personal and historical narratives. Exploring the historical and cultural contexts of her homeland, her films reflect on the intricate entanglement of past and present....")
  • 15:43, 10 June 2024Memories I don’t remember (hist | edit) ‎[1,030 bytes]Rs (talk | contribs) (Created page with "{{Graduation work |Creator=Nina Rojc |Date=2024 |Bio=Nina Rojc was born in Slovenia but considers herself a citizen of the world. She is interested and inspired by anything unusual, especially human relationships and behaviour, our relationship to nature and how to decolonize, change and revolutionize systems of oppression and our learned ways of seeing. Her work might appear simple at first, but she intentionally strips it of all unnecessary layers, to bring audience cl...")
  • 15:12, 10 June 2024Living Monuments of the Deep + Pale Futures (hist | edit) ‎[971 bytes]Rs (talk | contribs) (Created page with "{{Graduation work |Creator=Nosh Neneh |Date=2024 |Bio=Nosh Neneh (1993, NL) is a visual artist and researcher who works at the intersection of ecology, art and activism. In her work, Neneh experiments with a variety of materials, including fabrics made from bacteria, algae, and plants. These materials not only offer new possibilities for displaying her photography, but also serve as a reminder of the interconnectedness of all living things. |Thumbnail=LivingMonumentsof...")
  • 15:09, 10 June 2024Painting it Pink (hist | edit) ‎[780 bytes]Rs (talk | contribs) (Created page with "{{Graduation work |Creator=Lau Zautsen |Date=2024 |Bio=Lau Zautsen is a visual artist and filmmaker, based in Utrecht. In their practice Lau challenges and explores the dominant narratives that shape our subjective understanding. They explore this interest in a playful approach through various mediums: film, text and performance. They are also part of a queer performance collective called KALEIDO. |Thumbnail=Drie prinsen op een rij.jpg |Website= |Description=Through an...")
  • 15:07, 10 June 2024Dream Weaver 555 (hist | edit) ‎[578 bytes]Rs (talk | contribs) (Created page with "{{Graduation work |Creator=Panida Petchara (Te) |Date=2024 |Bio=Panida Petchara (Te) is a photographer and visual artist working between Bangkok and Rotterdam. She transforms everyday objects into fictional narratives, sparking reflection with satirical humor and playfully exploring superstitions, capitalism, and socio-political themes. |Thumbnail=SANFUN555.png |Website= |Description=The newly released enigmatic amulet 'Dream Weaver 555' promises to unlock the gateway to...")
  • 15:04, 10 June 2024A Dismissal is a Piece of Paper (hist | edit) ‎[773 bytes]Rs (talk | contribs) (Created page with "{{Graduation work |Creator=Aitana López Rodrigo |Date=2024 |Bio=Aitana López is a Spanish artist working between Rotterdam and Madrid. Drawing on her own work and personal experiences, her work is based on a critique of the patriarchal and neoliberal values that surround us. With a language that lies between the audiovisual and the plastic, her practice also proposes an active reflection between form and content. |Thumbnail=Still APieceOfPaper 5.png |Website= |Descript...")
  • 15:02, 10 June 2024As Cliffs Roar, Caves Whisper (hist | edit) ‎[834 bytes]Rs (talk | contribs) (Created page with "{{Graduation work |Creator=Arabella Turner |Date=2024 |Bio=Arabella Turner (UK/NL) is an artist and filmmaker using video, sound, digital 3D modelling, and text. Her films intricately layer timelines, merging historical and contemporary narratives, revealing the present in the past. In her scripts and text-based works, she explores the shapes and structures of storytelling. |Thumbnail=WORM IMAGE 2.jpg |Website= |Description=In 1783 two riding officers survey a horizon fr...")
  • 14:54, 10 June 2024BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES (hist | edit) ‎[761 bytes]Rs (talk | contribs) (Created page with "{{Graduation work |Creator=Claudio Tola |Date=2024 |Bio=Suburban melancholic, digital nihilist, full-time flâneur. Mostly makes images move, writes in fragments, endlessly edits. His recent practice questions material and immaterial stakes of images, vision and visibility, lingering on thresholds, edges and moments of failures. He is a member of artist-run film lab Filmwerkplaats. |Thumbnail=Screenshot 2024-05-15 at 12.24.15.png |Website= |Description=BLIND SPOTS, LIGHT...")
  • 14:51, 10 June 2024Octopus in Drag (hist | edit) ‎[918 bytes]Rs (talk | contribs) (Created page with "{{Graduation work |Creator=Muyang Teng |Date=2024 |Bio=Muyang Teng, born in 1998 in Changzhou, Jiangsu, is a QPOC poet and image-maker. They explore how racial melancholy affects individual and collective identities, utilizing various cultural symbols and performance styles to transcend archival, cultural, and geographical boundaries, creating a new way of interpretation that challenges the traditional understanding of history and reality. |Thumbnail=Cut31 2(24) DeMa...")
  • 14:47, 10 June 2024Bodies of Water (hist | edit) ‎[864 bytes]Rs (talk | contribs) (Created page with "{{Graduation work |Creator=Clara Franke |Date=2024 |Bio=Clara Franke (1998, Hamburg), multidisciplinary artist/designer shaped a practice moving swiftly between photography, filmmaking, ceramics and costume design. The intimate, calming world she builds evolves around topics of community/collaboration, the body, (spiritual) eco-feminism, mysticality, and contemplation of consumerism. |Thumbnail=Super 8.2.jpg |Website= |Description=Bodies of Water contemplates humans disc...") Tag: Visual edit: Switched
  • 14:42, 10 June 2024Éva (hist | edit) ‎[696 bytes]Rs (talk | contribs) (Created page with "{{Graduation work |Creator=Yalou Groeneweg |Date=2024 |Bio=Yalou Groeneweg (Rotterdam, 1998) a visual artist who balances journalism and visual art. She uses investigative, journalistic elements and combines these elements with more artistic and personal visualisations. This provides a dance between objective inquiry and subjective interpretation. Her main focus is on personal and familial narratives, history, religion, and consciousness. |Thumbnail=Éva looking in the c...")
  • 15:08, 5 June 2024A device to read the city (hist | edit) ‎[15,760 bytes]Anita! (talk | contribs) (Created page with "Heòò")
  • 15:08, 4 June 2024Prototyping/2023-2024/XPUB2/Technical-Rider (hist | edit) ‎[1,975 bytes]Joak (talk | contribs) (Created page with "{| class="wikitable" |- style="background-color:#c0c0c0;" ! Technical Rider ! Needs from Worm ! |- | | | |- | | | |- | | | |- | | | |- | | | |- | | | |}")
  • 14:12, 4 June 2024Geochoreography (hist | edit) ‎[648 bytes]Anita! (talk | contribs) (Created page with "Hello, this is Mania and Anita")
  • 20:09, 3 June 202410:45 gang glossary (hist | edit) ‎[2,048 bytes]Alessia (talk | contribs) (Created page with "a page that could change name")
  • 14:20, 2 June 2024Vape Hacking (hist | edit) ‎[2,754 bytes]Louisa (talk | contribs) (Created page with "<pre style="font-weight: bold"> ━─━─━━─━「ѵąքҽ հąçҟìղց 」━━─━─━─━ </pre> =opening the case=") Tag: Visual edit: Switched
  • 10:20, 2 June 2024✩FINAL ASSESSMENT ADA (hist | edit) ‎[2,586 bytes]Ada (talk | contribs) (Created page with "* 20 minutes: Your presentation (see below) We will be evaluating your 2 years at XPUB, the presentation should reflect this. A useful structure for the presentation: # your individual contributions to the special issues, # the development of your reading/writing practice across the 2 years, # the development of your prototyping practice across the 2 years, # your thesis (only a brief overview for context, as this has been assessed separately in depth), # your final w...") Tag: Visual edit
  • 16:45, 31 May 2024Printer Jam (hist | edit) ‎[6,460 bytes]Vitrinekast (talk | contribs) (Created page with "Printer Jam is a semi-improvised, audio-visual performance by Rosa Schuurmans and Riviera Taylor. By drawing together live coding and hardware hacking practices we aim to illustrate the “if this then that” of software and hardware. Printer Jam features a modular and extensible setup, tru the power of OSC(!) and the very accessible motor shield, you’d be able to hook up anything with a motor (toothbrushes, blenders, ventilators). Printer Jam is also very much an ex...")
  • 09:36, 29 May 2024Vitrinekast'ed annotated reader/Sisters with transistors (hist | edit) ‎[659 bytes]Vitrinekast (talk | contribs) (Created page with " {| class="wikitable |+ Properties |- ! Type | reading |- ! Author | |- ! Year | 2022 |- ! Date read | |- ! Source | |- ! Tags | docu, annotated_reader, |} Gives an interesting overview but not an in depth story unfortunately. References Maryanne Amacher, Bebe Barron, Suzanne Ciani, Delia Derbyshire, Pauline Oliveros, Daphne Oram, Éliane Radigue, Clara Rockmore, Wendy Carlos and Laurie Spiegel. <p style="background: lightcyan;color: darkcyan;display: block;p...")
  • 09:35, 29 May 2024Vitrinekast'ed annotated reader/Circuit bending & DIY Culture (hist | edit) ‎[1,299 bytes]Vitrinekast (talk | contribs) (Created page with " {| class="wikitable |+ Properties |- ! Type | reading |- ! Author | Alexandre Marino Fernandez And Fernando Iazzetta |- ! Year | 2011 |- ! Date read | |- ! Source | https://nusom.eca.usp.br/sites/default/files/KISMIF-Alexandre%20Fernandez%20e%20Fernando%20Iazzetta.pdf |- ! Tags | annotated_reader, circuitbending, DIYCulture, |} On the one hand, this article gives me a toolset of linking circuit bending/DIY culture to broader political/economical developments, b...")
  • 16:27, 28 May 2024Vitrinekast'ed annotated reader/My Mother Was a Computer (hist | edit) ‎[1,822 bytes]Vitrinekast (talk | contribs) (Created page with " {| class="wikitable |+ Properties |- ! Type | reading |- ! Author | N. Katherine Hayles |- ! Year | 2005 |- ! Date read | atm |- ! Source | |- ! Tags | annotated_reader, |} <span id="why"></span> === why? === Recommendation by lydia, not to push the feminist agenda but to push the feminist agenda. (The other recommendation was Technofeminism) - impact of code on everyday life. <span id="annotations"></span> = (An)notations = <span id="prologue"></span> =...")
  • 16:25, 28 May 2024Vitrinekast'ed annotated reader/Inside the CBM 8032 AV Project (hist | edit) ‎[1,785 bytes]Vitrinekast (talk | contribs) (Created page with " {| class="wikitable |+ Properties |- ! Type | reading |- ! Author | Robert Henke |- ! Year | 2016 |- ! Date read | |- ! Source | http://monolake-research.com/concerts/cbm8032av.html |- ! Tags | annotated_reader, music, |} This era of computers was hackable by design. Sole reason this performance was possible. Products nowadays are end of life the moment they are created (related to Methodologies%20of%20reuse%20in%20the%20media%20arts%20exploring%20black%20box...")
  • 16:24, 28 May 2024Vitrinekast'ed annotated reader/Zombie Media Circuit Bending Media Archaeology into an Art Method (hist | edit) ‎[981 bytes]Vitrinekast (talk | contribs) (Created blank page) originally created as "Vitrinekast'ed annotated reader/Build Your Own Alien Instruments"
  • 16:24, 28 May 2024Vitrinekast'ed annotated reader/MIDI Scrapyard Challenge Workshops (hist | edit) ‎[956 bytes]Vitrinekast (talk | contribs) (Created page with " {| class="wikitable |+ Properties |- ! Type | reading |- ! Author | Katherine Moriwaki |- ! Year | |- ! Date read | |- ! Source | |- ! Tags | e-waste, workshop, |} Paper regarding the “MIDI Scrapyard challenge”, a series of workshops where participants are invited to create midi controllers using scrap material. Not very insightful. <span id="keysannotations"></span> = Keys/annotations: = * ''“Democratization of Technology”'' * Cook’s principle of...")
  • 16:22, 28 May 2024Vitrinekast'ed annotated reader/Principles for Designing Computer Music Controllers (hist | edit) ‎[1,339 bytes]Vitrinekast (talk | contribs) (Created page with " {| class="wikitable |+ Properties |- ! Type | reading |- ! Author | Perry Cook |- ! Year | 2001 |- ! Date read | 11/05/2024 |- ! Source | https://soundlab.cs.princeton.edu/publications/prc_chi2001.pdf?ref=dont-call-it-world-music.com |- ! Tags | annotated_reader, |} This paper mentions various creative midi controllers. Re-enforces the idea of <span style="background-color: yellow;">KISS</span>, or my personal lazy developer syndrome. Hacking by design creat...")
  • 16:19, 28 May 2024Vitrinekast'ed annotated reader/Permacomputing and the dance of repair (hist | edit) ‎[1,068 bytes]Vitrinekast (talk | contribs) (Created page with " {| class="wikitable |+ Properties |- ! Type | reading |- ! Author | NANCY MAURO-FLUDE |- ! Year | 2023 |- ! Date read | |- ! Source | https://networkcultures.org/performanceofcode/2023/09/05/the-dance-of-repair-amid-the-vestiges-of-digital-obsolescence/ |- ! Tags | permacomputing, e-waste, deleting_data, |} Part of a series; “To show the ongoing potential of technologies many lives and after lives” This article lists some ongoing ideas/projects/movements w...")
  • 16:17, 28 May 2024Vitrinekast'ed annotated reader/Design For Hackability (Panel) (hist | edit) ‎[1,978 bytes]Vitrinekast (talk | contribs) (Created page with " {| class="wikitable |+ Properties |- ! Type | reading |- ! Author | |- ! Year | 2004 |- ! Date read | 08/05/2024 |- ! Source | https://www.researchgate.net/publication/221441240_Design_for_hackability |- ! Tags | annotated_reader, |} <span id="annotations"></span> == Annotations == A description of a panel(????!!?) around Design for Hackability. Altho not a super interesting read, it does contain some good definitions of terms, which are relevant and I’d lik...")
  • 16:15, 28 May 2024Vitrinekast'ed annotated reader/Monodeck II (hist | edit) ‎[1,241 bytes]Vitrinekast (talk | contribs) (Created page with " {| class="wikitable |+ Properties |- ! Type | reading |- ! Author | Robert Henke |- ! Year | 2010 |- ! Date read | |- ! Source | https://roberthenke.com/technology/monodeck.html |- ! Tags | annotated_reader, |} This text describes the custom MIDI device of Robert Henke, the Monodeck II, designed specifically for live performance. Which is another <span style="background:yellow;">hackable/expandable</span> device due to MIDI!. According to Henke, a Midi controll...")
  • 15:43, 28 May 2024Vitrinekast'ed annotated reader/Methodologies of reuse in the media arts exploring black boxes, tactics and archeologies (hist | edit) ‎[2,840 bytes]Vitrinekast (talk | contribs) (Created page with "is this a sub page?") originally created as "Vitrinekast'ed annotated reader/oioi"
  • 15:39, 28 May 2024Vitrinekast'ed annotated reader (hist | edit) ‎[83 bytes]Vitrinekast (talk | contribs) (Created page with "Readings: - Vitrinekast'ed annotated reader/Methodologies of reuse in the media arts exploring black boxes, tactics and archeologies")
  • 08:54, 27 May 2024Loitering Glossary/blasé attitude (hist | edit) ‎[355 bytes]ZUZU (talk | contribs) (Created page with "A specific psychological and emotional state developed by individuals living in highly urbanized modern cities. The urban environment bombards people with a plethora of visual, auditory, and activity-based stimuli, leading to sensory saturation. Individuals lack strong emotional responses to events and experiences that would typically elicit a reaction.")
  • 19:56, 26 May 2024Loitering Glossary/Unsmoothness in a city (hist | edit) ‎[639 bytes]Thijshijsijsjss (talk | contribs) (Create unsmoothness in a city page with existing entry from the loitering glossary)
  • 19:55, 26 May 2024Loitering Glossary/Smooth city (hist | edit) ‎[491 bytes]Thijshijsijsjss (talk | contribs) (Create smooth city page with existing entry from the loitering glossary)
  • 17:20, 22 May 2024Loitering Glossary/"God created the world but the Dutch created the Netherlands" (hist | edit) ‎[382 bytes]Senka (talk | contribs) (Created page with "A saying in the Netherlands that came about because about 2/3 of the country was underwater, and raised from it through dykes, dunes and pumps. This process is also called land reclamation, and originated here because of the prevention of floods. As a result of people meddling with what used to be swampland, so much of the landscape of the Netherlands is artificial, uncanny even.")
  • 17:17, 22 May 2024Loitering Glossary/Third Places (hist | edit) ‎[84 bytes]Senka (talk | contribs) (Created page with "A place to socialize which in not your work or your home but a [secret] third place.")
  • 17:13, 22 May 2024Loitering Glossary/Non-places (hist | edit) ‎[706 bytes]Senka (talk | contribs) (Created page with "The non-places of our everyday life are places of anonymity, circulation, communication and consumption, opposite from the home. An intimate space such as home is structured according to human features, while non-places are made of instructions in which the individual loses themself (and their relation to the place). In non-places the only identity you are offered as a passerby is a consumer one, and you are stripped of all other identity signifiers and information. A pl...")
  • 17:09, 22 May 2024Loitering Glossary/Liminal spaces (hist | edit) ‎[543 bytes]Senka (talk | contribs) (Created page with "==liminal spaces== Transitory, in-between spaces which lack identity yet feel strangely familiar. Hotel rooms, hallways, airports, trains stations... Their structure and organization is similar through-out, same as how whenever you enter into a McDonalds in a different country, you are struck by the similarity to all of the other McDonalds you've ever been to. Some find this familiarity a place of comfort and anonymity, or a place to be social in and loiter around in, wh...") Tag: Visual edit: Switched
  • 14:26, 22 May 2024Loitering Glossary/Pedestrian (hist | edit) ‎[1,720 bytes]Lor.ensō (talk | contribs) (Created page with "**What does it mean to be a pedestrian?**")
  • 14:10, 22 May 2024Loitering Glossary/Benchmarking (hist | edit) ‎[2,684 bytes]Lor.ensō (talk | contribs) (Created page with " _verb_ verb: **benchmark**; 3rd person present: **benchmarks**; past tense: **benchmarked**; past participle: **benchmarked**; gerund or present participle: **benchmarking** 1. evaluate (something) by comparison with a standard. "we are **benchmarking** our performance **against** external criteria" When walking around, make a pitstop at a bench. Just sit there in the middle part. Look forward. Make yourself comfortable and take an unlimited time to see eva...")
  • 13:57, 22 May 2024Loitering Glossary/Interactionism (hist | edit) ‎[340 bytes]Mxrwho (talk | contribs) (Created page with "Studying the ways that interactions (as defined by actions, reactions and mutual adaptation) shape and are shaped by individuals within a broader social context. It is connected to the phenomenological concept of intentionality and reader-response theory, in the sense that all parties in an interaction are shaped by the other parties.")
  • 21:26, 20 May 2024Loitering Glossary/Apophenia (hist | edit) ‎[621 bytes]Michel W (talk | contribs) (Created page with "Apophenia is the tendency to perceive meaningful connections between unrelated things. For example, the feeling of wonder and meaning associated with angel numbers can be explained by a perceptual error known as apophenia. Can we transform this into inspiration for art or other therapeutic healing methods to enhance one's happiness? If we could find a balance between embracing and managing apophenia, could it be an interesting way to help you think more creatively? [...")
  • 21:13, 20 May 2024Loitering Glossary/pen-plotting-state-of-mind (hist | edit) ‎[359 bytes]ØverLørd (talk | contribs) (made page, added entry)
  • 15:09, 20 May 2024Loitering Glossary/Counter-tourism (hist | edit) ‎[17 bytes]Alessia (talk | contribs) (Created page with "Tourism is boring")
  • 15:06, 20 May 2024Loitering Glossary/Mythogeography (hist | edit) ‎[1,357 bytes]Alessia (talk | contribs) (Created page with "work in progress!")
  • 14:14, 20 May 2024Loitering Glossary/Loitering in Theory (hist | edit) ‎[2,015 bytes]Thijshijsijsjss (talk | contribs) (Create page for loitering in theory)
  • 14:14, 20 May 2024Loitering Glossary (hist | edit) ‎[1,737 bytes]Thijshijsijsjss (talk | contribs) (Create loitering glossary page with transcluded, currently non-existent loitering in theory entry)
  • 11:30, 18 May 2024PPP/Portfolio-WORM-20240521 (hist | edit) ‎[4,965 bytes]Thijshijsijsjss (talk | contribs) (Create page for portfolio dump)
  • 11:30, 18 May 2024PPP (hist | edit) ‎[450 bytes]Thijshijsijsjss (talk | contribs) (Create PPPPage)
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