User:Martin

Work 🡢 Martin Foucaut

Prototyping

With Pyhton

→ 1.  Generating 100 000 billions of poems
          from 100 000 milliards de poèmes — Raymond Queneau (1961)
→ 2.  Trump speeches words occurences counter
→ 3.  Computer assisted licensing
→ 4.  Making a Gradient Patch (Coordinated by Manetta and Michael)

With Processing

→ 1.  Learning Processing

Thematic Projects

Workshops

Collaboration, Conflict & Consent with Eleanor Greenhalgh

→ 1.  Workshop page
→ 2.  Freeze

Special Issue 13

Words for the Future

Words/publications to read/annotate : Tense, Practical Vision, Eco-Swaraj
Team: Pon, Floor & Martin

→ 1. TENSE PDF PADMAP
        Simon(e) van Saarloos / from Words of the Future - Nienke Scholts (2017)
→ 2. Practical Vision PDFPAD
        Moses Kilolo / from Words of the Future - Nienke Scholts (2017)
→ 3. Eco-Swaraj PDF PAD
        Ashish Kothari / from Words of the Future - Nienke Scholts (2017)

Licensing

→ 1.  Writting a General License - group work with Floor, Pon & Camillo (in Progress) PAD
→ 2.  License to Sub-License - individual work (in Progress) PAD

Mapping readings

→ 1.  Mapping the map - group work with XPUB1 / coordinated by Steve PAD

→ 2.  A3 MAP TEMPLATE (FOR PRINT TEST)

The Map of maps

→ 1.  TEMPLATE
→ 2.  PAD FOR "MAP OF THE MAPS" GUIDELINES / QUESTIONS / DEADLINES

Meta-map

Making a image that describe itself as an image, a map that describes itself as a map, by using Ascii aalib (Keywords: reflexivity; embodied aesthetic; meta-cognitive; representation; sublime; attention; paradox; mise en abyme;)
→ 1.  The meta as an aesthetic category Bruno Trentini (2014)
→ 2.  File:RMZ ARTIST WRITING(2).pdf The eye tells the story by Rosa Maria Zangenberg (2017) → 3. 

Design department Special ISSUE XIII

→ 1.  HOTLINE
→ 2.  PAD

Reading Notes (based on personal interests/research)

Books

→ 1.  L'art comme expérience — John Dewey (french) (yet to be filled)
         publisher: Gallimard (1934)
→ 2.  L'œuvre d'art à l'époque de sa reproductibilité technique — Walter Benjamin (french
         publisher: Alia (1939)
→ 3.  La Galaxie Gutemberg — Marshall McLuhan (french)
         publisher: University of Toronto Press (1962)
→ 3.  Pour comprendre les médias — Marshall McLuhan (french)
         publisher: McGraw-Hill Education (1964)
→ 4.  Dispositif — Jean-Louis Baudry (french)
         publisher: Raymond Bellour, Thierry Kuntzel et Christian Metz (1975)
→ 5.  L’Originalité de l’avant-garde et autres mythes modernistes — Rosalind Krauss (french) (yet to be filled)
         publisher: Macula (1993)
→ 6.  L'art de l'observateur: vision et modernité au XIXe siècle — Jonathan Crary (french)
         publisher: Jacqueline Chambon (Editions) (1994)
→ 7.  Inside the White Cube, the Ideology of Gallery Space — Brian O'Doherty (english) (yet to be filled)
         publisher: Les presses du réel (2008)
→ 8.  Préçis de sémiotique générale — Jean-Marie Klinkenbeg (french) (yet to be filled)
         publisher: Point (2000)
→ 9.  Langage des nouveaux médias — Lev Manovitch (french) (yet to be filled)
         publisher: Presses du Réel (2001)
→ 10. L'empire cybernétique — Cécile Lafontaine (french)
         publisher: Seuil (2004)
→ 11.  La relation comme forme — Jean Louis Boissier (french)
         publisher: Genève, MAMCO(2004)
→ 12.  Le Net Art au musée — Anne Laforêt (french)
         publisher: Questions Théoriques(2011)
→ 13.  Narrative comprehension and Film communication — Edward Branigan (english)
         publisher: Routledge (2013)
→ 14. Statement and counter statement / Notes on experimental Jetset — Experimental Jetset (english)
          publisher: Roma (2015)
→ 15. Post Digital Print — Alessandro Ludovico (french) ≈
          publisher: B42 (2016)
→ 16. L'écran comme mobile — Jean Louis Boissier (french)
          publisher: Presses du réel (2016)
→ 17. Design tactile — Josh Clark (french)
          publisher: Eyrolles (2016)
→ 18. Espaces de l'œuvre, espaces de l'exposition — Pamela Bianchi (french)
          publisher: Eyrolles (2016)
→ 19. Imprimer le monde (french)
          publisher: Éditions HYX et les Éditions du Centre Pompidou (2017)
→ 20. Version 0 - Notes sur le livre numérique (french)
          publisher: ECRIDIL (2018)

Articles

→ 1. Frederick Kiesler — artiste- architecte (yet to be filled)
        (communiqué de presse) Centre pompidou; source : centrepompidou.fr (1996)
→ 2. Oublier l'exposition (yet to be filled)
        Artpress special numéro 21 (2000)
→ 3. Composer avec l’imprévisible: Le questionnaire sur les médias variables (yet to be filled)
        Jon Ippolito; source : variablemedia.net/pdf/Permanence (2003)
→ 4. Esthétique du numérique : rupture et continuité
        Fred Forest; source : archives.icom.museum (2010)
→ 5. La narration interactive (yet to be filled)
        Dragana Trgovčević source : ensci.com/file_intranet/mastere_ctc/etude_Dragana_Trgovcevic.pdf (2011)
→ 6. Des dispositifs aux appareils - L'Espacement d'un calcul
        Anthony Masure source :  anthonymasure.com (2013)

References (based on personal interests/research)

About questioning the exhibition space

→  Prouns Spaces — El lissitzky (1920)
→  City in Space — Frederick Kiesler (1920)
→  The air conditionning Show — Terry Atkinson & Michael Baldwin(1966-67)
→  Sans titre — Michael Asher (1973)
→  Serra Corner prop n°7 (for Nathalie) Richard Serra (1983)

About nothingness

→  4’’33’ — John Cage (1952)
→  Untitled - A Curse — Tom Friedman (1965)
→  The air conditionning Show — Terry Atkinson & Michael Baldwin(1966-67)
→  Sans titre — Michael Asher (1973)

About enhancing the media

→  4’’33’ — John Cage (1952)
→  TV Garden — Nam June Paik (1974)
→  Presents — Michael Snow (soon to be translated)
→  Lost Formats Preservation Society — Experimental Jetset (2000)
→  Lost Formats Winterthur — Experimental Jetset (2000)

About flags

→  Netflag — Mark Napier (2002)
→  019 - Flag show (2015)

About the Internet points of view

→  What you see is what you get — Jonas Lund (2012)

About media time

→  Present Continuous Past — Dan Graham's (1974)

About interactive cinema

→  KINOAUTOMAT — Radúz Činčera (1967)

About interactive music

→  DIMI Ballet — Erkki Kurenniemi (1971)

About experimental cinema

→  Presents — Michael Snow (soon to be translated)
→  Displacements — Michael Naimark (1980)
→  BE NOW HERE — Michael Naimark (1995)

About unusual Web interfaces

→  http://eliaskurth.net/projects/broken-spaces-are-more-likely
→  https://iad-lab.ch/
→  https://www.powerhouse-company.com/
→  https://nonymous.com/
→  https://www.samyrio.fr/
→  https://noplans.show/
→  https://springkids.gucci.com/
→  http://www.danielsannwald.com/
→  https://neuhaus.world/
→  https://carolinedussuel.com/
→  http://www.wir-publizieren.ch/
→  http://www.jayapelupessy.com/
→  http://differentrecordings.com/
→  http://www.maximilienpellegrini.com/
→  https://www.thomasdemonaco.com/
→  http://dexternavy.com/
→  http://act.mit.edu/cavs
→  http://torquetorque.net/
→  https://lewonder.com/
→  https://data-orbit.ch/
→  https://thexx.info/home/
→  https://uncannyvalley.studio/

Personal Works (Media Art)

→ 1. Incidences Médiatiques — Martin Foucaut (2018)
→ 2. Media Spaces — Martin Foucaut (2019)