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  • 12:56, 22 March 2024((in)ter)dependence/Seamless and Seamful (hist | edit) ‎[2,285 bytes]Thijshijsijsjss (talk | contribs) (Add entry on seamless and seamful)
  • 12:30, 22 March 2024Chan's Final Top (hist | edit) ‎[36 bytes]Parmesanfish (talk | contribs) (Created page with "thumb|Chan_TOP") Tag: Visual edit
  • 12:13, 22 March 2024((in)ter)dependence/Play (hist | edit) ‎[9,590 bytes]Thijshijsijsjss (talk | contribs) (Add main entry on play with essay and comments (to be styled more later?))
  • 02:31, 22 March 2024Luca's Final ToP (hist | edit) ‎[102 bytes]Luca (talk | contribs) (Created page with "thumb")
  • 01:48, 22 March 2024Riccardo's Final ToP (hist | edit) ‎[66 bytes]Rick (talk | contribs) (Created page with "thumb|center|Text on Practice")
  • 01:05, 22 March 2024Noura's Final ToP (hist | edit) ‎[24 bytes]Nourabb (talk | contribs) (Created page with "When starting this programme I had some themes in mind that I wanted to focus on, being: preserving memory, senses of home, migration and diaspora, the subconsciousness, community, nostalgia and decolonization. The inspiration for my themes stems from my cultural background. As my grandparents had to flee and leave their homelands, I’ve been born and raised in a country that on the one hand I call home, but geographically and culturally I have multiple references. Spec...")
  • 00:20, 22 March 2024Tesse's Final ToP (hist | edit) ‎[54 bytes]Tesse B (talk | contribs) (Created page with "thumb")
  • 18:28, 21 March 2024Yana's 3rd Day WIP version of ToP (hist | edit) ‎[22 bytes]Yanalin (talk | contribs) (Created page with "thumb")
  • 17:51, 21 March 2024Jingfeng text on practice 3rd draft (hist | edit) ‎[8,998 bytes]Jingfeng Shen (talk | contribs) (Created page with "'''Rotterdam Syndrome, Photography, 2023-''' File:Rotterdam Syndrome Selected.jpg '''1.What have you been making?''' This is my first practice project since I came to Rotterdam. When I was new to the city, I wanted to find my connection with it through visual exploration, and at the same time express some of my feelings about it during the process. The outcome is a collective of photos, about Rotterdam city and its suburban places. I may have some personal perspec...") Tag: Visual edit
  • 17:06, 21 March 2024Tesse slightly more recent (hist | edit) ‎[58 bytes]Tesse B (talk | contribs) (Created page with "thumb")
  • 16:39, 21 March 2024Chan's latest version (hist | edit) ‎[11,073 bytes]Parmesanfish (talk | contribs) (Created page with "(1,518 words) ===What have you been making?=== I'm currently working on a project to explore the potential of storytelling extracted from digital media. In my short film, "The Drone", I aimed to explore various narrative structures that a specific subject could generate, inspired by a chance encounter with random clip on YouTube, the largest video-sharing platform on the internet. The primary focus is on capturing the essence of original footage while introducing a fres...") Tag: Visual edit
  • 16:15, 21 March 2024Toto's latest version (hist | edit) ‎[11,006 bytes]Totoleheros (talk | contribs) (Created page with "My name is Toto and I want to share with you my journey of creating, reflecting, and positioning myself during my first two semesters studying LBM. During this time, I have created several video works, most of which can be described as non-fiction, socially engaged, reflective, and nonlinear. An exemplary work for my self-directed research was short film called 'The Tallinn Cruise', which explored conflicting narratives surrounding cruise ships in Rotterdam. This film wa...")
  • 15:06, 21 March 2024Aratrika's latest version (hist | edit) ‎[10,178 bytes]Aratrikak (talk | contribs) (Created page with "[in the process of restructuring and editing for repetition] Image-making for me is the first step to discovery and meaning-making. I follow the rhythms of my body and moods to make images and then look back on them and see what they could mean to me, what narrative they create for me and my experiences. They also are a way of discovery and documentation of the world around me. Portals, a film I have been working on a short film for the EYE-project, titled “where is...")
  • 13:57, 21 March 2024Nihal's latest version (hist | edit) ‎[47 bytes]Nihal Goel (talk | contribs) (Created page with "685x685px") Tag: Visual edit
  • 13:37, 21 March 2024Luca's latest version (hist | edit) ‎[114 bytes]Luca (talk | contribs) (Created page with "https://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File%3AText_on_practice_3rd_day_draft_in_progress.pdf&page=4")
  • 13:31, 21 March 2024Do's latest version (hist | edit) ‎[8,699 bytes]Do.westphal (talk | contribs) (Created page with "thumb")
  • 13:21, 21 March 2024Riccardo's latest version (hist | edit) ‎[79 bytes]Rick (talk | contribs) (Created page with "This year I have been researching on the ways of perceiving and the ways of deploying colours and light, nurturing growing interest toward the writing of software for creating digital animations, engaging with the landscape to observe and document atmospherical changes, attending the course seminars with curiosity toward the deployment of narrative devices to contextualise and expand my research through story telling. In the work For Seven Time We Woke Up developed for...")
  • 13:19, 21 March 2024Tesse's latest version (hist | edit) ‎[52 bytes]Tesse B (talk | contribs) (Created page with "thumb")
  • 12:53, 21 March 2024Jingfeng text on practice 2nd draft (hist | edit) ‎[8,618 bytes]Jingfeng Shen (talk | contribs) (Created page with "'''Rotterdam Syndrome, Photography, 2023-''' File:Rotterdam Syndrome Selected.jpg '''1.What have you been making?''' This is my first practice project since I came to Rotterdam. When I was new to the city, I wanted to find my connection with it through visual exploration, and at the same time express some of my feelings about it during the process. The outcome is a collective of Photos, about Rotterdam city and its suburban places. I may have some personal perspec...") Tag: Visual edit
  • 12:11, 21 March 2024Do's second full draft TOP (hist | edit) ‎[8,719 bytes]Do.westphal (talk | contribs) (Created page with "This year my goal was to focus on elaborating my own vision and developing my skills as a director of photography. This journey began with the kickoff of the EYE research labs which was a major inspiration for me. With no specific guidelines, I was challenged to create a prototype of a final short film of about 3 minutes within 2 weeks. I immediately gravitated towards a topic that I haven’t let go of to this day: TIME. Time is everywhere and nowhere. It’s somethin...")
  • 05:40, 21 March 2024Tom's second draft (hist | edit) ‎[74 bytes]Tparolin (talk | contribs) (Created page with "Second draft")
  • 03:08, 21 March 2024Tessa's second draft (hist | edit) ‎[37 bytes]Tessalangeveld (talk | contribs) (Created page with "[[ thumb ]]")
  • 23:59, 20 March 2024Chan's second draft (hist | edit) ‎[10,667 bytes]Parmesanfish (talk | contribs) (Created page with "What have you been making? I'm currently working on a project to explore the potential of storytelling within digital media. "The Drone" project aimed to explore various narrative structures that a specific subject could generate, inspired by a chance encounter with random clip on YouTube, the largest video-sharing platform on the internet. The primary focus is on capturing the essence of original footage while introducing a fresh perspective as drones take on perso...") Tag: Visual edit: Switched
  • 22:42, 20 March 2024Nihal's second draft (hist | edit) ‎[10,329 bytes]Nihal Goel (talk | contribs) (Created page with "In my time so far in Piet Zwart's master program, I have worked on several films. A recurring pattern that appears in my work is a use of symbolism and metaphors to explore topics of inaction, deprived desires and effects of environment on the consciousness. The short film I made for the eye film museum's research labs is titled "I'm here" and it explores the phenomena of the distance between subconscious thought and conscious action. The film constitutes of moving ima...") Tag: Visual edit
  • 22:40, 20 March 2024Rodolfo's second draft (hist | edit) ‎[43 bytes]Rodolfovferro (talk | contribs) (Created page with "thumb")
  • 22:14, 20 March 2024Tesse's second draft (hist | edit) ‎[50 bytes]Tesse B (talk | contribs) (Created page with "thumb")
  • 21:37, 20 March 2024Luca's second draft (hist | edit) ‎[45 bytes]Luca (talk | contribs) (Created page with "thumb")
  • 21:18, 20 March 2024Yana's second draft (hist | edit) ‎[43 bytes]Yanalin (talk | contribs) (Created page with "thumb")
  • 19:46, 20 March 2024Riccardo's second draft (hist | edit) ‎[9,526 bytes]Rick (talk | contribs) (Created page with "80 words to much -- This year I have been researching on the ways of perceiving and the ways of deploying colours and light. I did so by carrying on different approaches. In the work For Seven Time We Woke Up developed for the Eye Research Labs, I have been studying the technological staging of colours - as editable materialities in the context of software editing and software development - and their effects on perception. I started this process after founding, durin...")
  • 17:54, 20 March 2024((in)ter)dependence/Adding keywords (hist | edit) ‎[835 bytes]Michel W (talk | contribs) (Created page with "Category:Wordquilt Category:((in)ter)dependence (from the first editorial team meeting 2024-01-24, first patch creation) '''Protocol for writing the keywords:''' It seems like the protocol can differ per keyword. To start, we have chosen the keyword ((in)ter)dependence (our name). We will go about this quilt patch as follows: 0 We have the idea to use 'recursive definitions' 1 On paper, discuss how we want to dissect this word and how these subwords r...") originally created as "((in)ter)dependence/Nested entry adding keywords"
  • 17:38, 20 March 2024Noura's second draft (hist | edit) ‎[7,296 bytes]Nourabb (talk | contribs) (Created page with "When starting this programme I had some themes in mind that I wanted to focus on being: preserving memory, senses of home, migration and diaspora, the subconsciousness, community, nostalgia and decolonization. Even though my interests are not limited to, it is a big interest of mine that I have worked with in previous projects as well. Currently, due to the current circumstances, I feel an even bigger sense of urgency to inform, humanize, spread a hopeful message and to...")
  • 17:29, 20 March 2024WordQuilt Colophon (hist | edit) ‎[788 bytes]Marloes (talk | contribs) (Created page with "= Colophon = The Word Quilt Reader is a publication by XPUB1, patched together during Special Issue 23: ''Quilting infrastructures'', led by Cristina Cochior and Alice Strete, between January 15 and March 28 2024. The work on the reader was done by three editorial teams: ((in)ter)dependence: Senka, Alessia, Thijs and Michel. Quilt INC: Riviera, Rosa. Anita, Lorenzo and Wang. Editorial Services LTD: Maria, Zuzu, Victor, Mania and Bernardette.")
  • 17:28, 20 March 2024((in)ter)dependence/Editorial approach (hist | edit) ‎[1,011 bytes]Michel W (talk | contribs) (Created page with "Category:Wordquilt Category:((in)ter)dependence 1. We will preserve the spatial approach to writing that we have started with (but not every text needs to fully embrace this). We started writing spatially to make sense of every part of a given keyword and its origin. 2. We will not strive for objectivity or a lack of contradiction. 3. We will attempt to preserve multiple voices—who is coming from which point of view. The conversational element in our writin...") originally created as "((in)ter)dependence/Editorial approach and CoC"
  • 17:04, 20 March 2024Zhuang's second draft ToP (hist | edit) ‎[4,443 bytes]Lengzhuang97 (talk | contribs) (Created page with "1. What have you been making? 2. How did you do it? (method) Since last winter, I have been constantly going to several sites around the Rotterdam Port with cameras and microphones, where I started to develop a short film around Hook van Holland, a recreational area located on the edge of the industrial expanse of the Rotterdam Port. Initiated by my interest in industrial landscapes and fuelled by my curiosity to explore the city of Rotterdam as a newcomer, I began to...")
  • 17:03, 20 March 2024((in)ter)dependence/What is a feminist server to us as an editorial group (hist | edit) ‎[630 bytes]Michel W (talk | contribs) (Created page with "Category:Wordquilt Category:((in)ter)dependence * A feminist server is a server that is equally a learning ground, in which the people who are a part of it are dedicated to each other and to learning with each other. * Somehow i think a feminist server is one that also makes use of its idle time to dream, so not to have a life geared towards productivity and efficiency, but one where there is enough time to take a breather and actually imagine and dream of wha...")
  • 16:56, 20 March 2024((in)ter)dependence/Care (hist | edit) ‎[3,722 bytes]Thijshijsijsjss (talk | contribs) (Add entry on care)
  • 16:19, 20 March 2024Quilt INC/VALIDITY (hist | edit) ‎[3,616 bytes]Lor.ensō (talk | contribs) (Created page with "== Validity == - bit of a fictional intro Validity comes in multiple badges. It has the sacred I P R V code imprinted in its labels. These four labels stand for the four regions of the tanssgressiv validitrain. it is something to be found in the real world but could it be that Validity is also based on the journey Ironia / Paralogia / Rhizomia / Voluptia are all areas waiting to be explored.    - what is the keyword? our definition TL;DR noun: validity; plu...")
  • 16:19, 20 March 2024((in)ter)dependence/On the Neutrality of Data (hist | edit) ‎[4,436 bytes]Thijshijsijsjss (talk | contribs) (Add entry on the neutrality of data)
  • 16:17, 20 March 2024Quilt INC riviera (hist | edit) ‎[2,197 bytes]Riviera (talk | contribs) (created page)
  • 16:15, 20 March 2024Quilt INC/STANDARDIZATION (hist | edit) ‎[3,904 bytes]Lor.ensō (talk | contribs) (Created page with "== STANDARDIZATION == - bit of a fictional intro Bzzzt bzzt error of approval. This bug does not have followed standardized procedure.    - what is the keyword? our definition From what I read / think / assume, standardization means to bring things, stuff, objects into one standard. And that to me is quite troublesome because when a norm or standard is made, there always will be conflicts with the things that are not standard. But then again, adaptation, nuance an...")
  • 16:10, 20 March 2024Fictitious event: strike against mobile payments (hist | edit) ‎[224 bytes]ZUZU (talk | contribs) (Created page with "Group discussion to have a virtual strike about using cash to boycott mobile payments.[https://hub.xpub.nl/chopchop/~zz1/cash_only/index.html A promotional webpage] for it.")
  • 15:52, 20 March 2024Mapping the Feminist data center. What makes it feminists? (hist | edit) ‎[653 bytes]Mania (talk | contribs) (Created page with "thumb thumb thumb thumb")
  • 15:49, 20 March 2024Quilt INC lorenzo (hist | edit) ‎[3,736 bytes]Lor.ensō (talk | contribs) (Created page with "{{:Quilt INC./Method(ol(atry)ogy) is a way of surviving experience}}  == STANDARDIZATION == - bit of a fictional intro Bzzzt bzzt error of approval. This bug does not have followed standardized procedure.    - what is the keyword? our definition From what I read / think / assume, standardization means to bring things, stuff, objects into one standard. And that to me is quite troublesome because when a norm or standard is made, there always will be conflicts with...")
  • 15:45, 20 March 2024Low-mid-high-tech (hist | edit) ‎[1,847 bytes]ØverLørd (talk | contribs) (made entry for fun)
  • 15:43, 20 March 2024Quilt INC anita (hist | edit) ‎[4,042 bytes]Anita! (talk | contribs) (Created page with "Hello this is my Quilt INC page for methods and the reader")
  • 14:02, 20 March 2024ToP phase two - restructured to be a text - Tesse (hist | edit) ‎[9,240 bytes]Tesse B (talk | contribs) (Created page with "text only - layout and images not preserved. TEXT ON PRACTISING Collect transitive verb to bring together into one body or place to gather or exact from a number of persons or sources to gather an accumulation of (objects) especially as a hobby (Merriam Webster https://www.merriam-webster.com/dictionary/collect) I have been going to the beach and watching the waves. Listening to them breaking, touching the foam that they spit out. I have been drawing lines...")
  • 12:47, 20 March 2024Bojan's first draft ToP (hist | edit) ‎[2,913 bytes]Bojan Salaj (talk | contribs) (Created page with "Based on some new knowledge regarding the method or the approach to structured thinking and consequently realization, my work and research in the last few months revolves around three projects in the process, which, however, intertwine in certain segments. And if I try to find a common denominator – a word for all three projects in process, the word would be archive. Archive as a collection and classification of documents of all possible materials and forms. Archive as...")
  • 10:07, 20 March 2024Tom's first draft top (hist | edit) ‎[84 bytes]Tparolin (talk | contribs) (Created page with "First ToP Draft")
  • 08:19, 20 March 2024Chan's first draft ToP (hist | edit) ‎[6,976 bytes]Parmesanfish (talk | contribs) (Created page with "1. What have you been making? "The Drone" project aimed to explore various narrative structures that a specific subject could generate, inspired by a chance encounter with a YouTube video. It focused on exploring how the drone, as the main theme, could create fresh, altered narratives derived from the original video material. The project aimed to understand the potential for storytelling within digital media, particularly concerning the use of drones. Digital media...")
  • 22:21, 19 March 2024Luca's first full draft ToP (hist | edit) ‎[6,374 bytes]Luca (talk | contribs) (Created page with "I have been working on further developing my embodied artistic practice into new ways of moving image making within my practice. I have been taking the next step in combining dance/movement and film in the work I make. I want to evolve as artist to someone that really works from within the body. That uses this embodied artistic research to make work that embodies dance / movement / choreografie as a hole and becomes it. In structure, time, space, flow, physicality etc. T...")
  • 22:19, 19 March 2024Lucas first full draft ToP (hist | edit) ‎[6,374 bytes]Luca (talk | contribs) (Created page with "I have been working on further developing my embodied artistic practice into new ways of moving image making within my practice. I have been taking the next step in combining dance/movement and film in the work I make. I want to evolve as artist to someone that really works from within the body. That uses this embodied artistic research to make work that embodies dance / movement / choreografie as a hole and becomes it. In structure, time, space, flow, physicality etc. T...")
  • 17:28, 19 March 2024Chan's First Draft Top (hist | edit) ‎[1,800 bytes]Parmesanfish (talk | contribs) (Created page with "1. What have you been making? I want to build upon my previous EYE project, which involved delving into images associated with digital media. I aim to apply these tools to my own research or focus on a topic of interest. Exploring the potentialities as an individual amidst the diverse images and stories floating within the digital media (the internet) was my intention. I attempted to reinterpret the fragmented contents within this digital space through my own perspec...")
  • 17:26, 19 March 2024Tom First Draft ToP (hist | edit) ‎[60 bytes]Tparolin (talk | contribs) (Created page with "test")
  • 17:25, 19 March 2024Toto's first draft ToP (hist | edit) ‎[7,849 bytes]Totoleheros (talk | contribs) (Created page with "First draft 1. What have you been making? Over the past two semesters at Lens Based Media, Piet Zwart Institute, I have been making several video works. Most of the produced video work’s could be identified as non-fiction, socially engaged, reflective, non-linear. An exemplary work, for my self-directed practice throughout the first two semesters, was my short film: ‘The Tallinn Cruise’, a work made for the Eye Research Lab. The 4.5 minutes Eye version, that I woul...")
  • 17:23, 19 March 2024Noura's first draft (hist | edit) ‎[7,746 bytes]Nourabb (talk | contribs) (Created page with "What have you been making? during the past months I've been working on different projects. my most recent finalized work is the short film 'Fur Fur and the watermelon', which was made for the Eye Film Museum. It’s an animation based on a childhood children's story that highlights the occupation in Palestine. the emphasis on the story is on the dialogue, through letting the thoughts of the storyteller bleed through. How did you do it? The outcome of Fur Fur being...")
  • 17:21, 19 March 2024First Full Draft (hist | edit) ‎[83 bytes]Tparolin (talk | contribs) (Created page with "thumb")
  • 17:19, 19 March 2024Tessa's first draft top (hist | edit) ‎[3,521 bytes]Tessalangeveld (talk | contribs) (Created page with "What have you been making? Around December I started working on an animation piece. The only guideline that I made for myself was that it had to be an object falling into a void, and it had to be loopable. A 3,5 minute animation piece which includes a sample of Chopin’s 15th Nocturne. How did you do it? Relation to previous practice I have been using the same medium in the past, the difference is that there was no specific end goal in mind, whereas here there was...")
  • 17:18, 19 March 2024Zhuang's first draft ToP (hist | edit) ‎[3,372 bytes]Lengzhuang97 (talk | contribs) (Created page with "1. What have you been making? I have been making a short film around Hook Van Holland, a recreational area located on the edge of the industrial landscape of the Rotterdam Port. The film consists of optic and sonic observations from the site, through visual and structural arrangement of these observations, it explores the edge between a personal and an industrial landscape. 2. How did you do it? (method) From last winter I have been constantly going to several sites...")
  • 17:17, 19 March 2024Riccardo's first draft ToP (hist | edit) ‎[8,104 bytes]Rick (talk | contribs) (Created page with "1. What have you been making? 2. How did you do it? (method) 3. Relation to previous practice Through different means during this year I have been relating with color and light, focusing on their technological staging and contextual meaning. By taking in consideration theories on visual perception as much as playful approaches involving the emplacement of light and colours, I have been observing how from-human-to-objects we all interact with these emanations. My approa...")
  • 17:06, 19 March 2024Luca's first draft ToP (hist | edit) ‎[7,654 bytes]Luca (talk | contribs) (Created page with "What have you been making? General introduction I have been working on further developing my embodied artistic practice into new ways of moving image making within my practice. I have been taking the next step in combining of dance/movement and film in my practice. Adding an extra layer and diving deeper into this fusion of dance and film. I want to make the border between the two narrower. Focusing on making and going beyond the performative/ video registration format...")
  • 16:59, 19 March 2024Do's first full draft TOP (hist | edit) ‎[8,717 bytes]Do.westphal (talk | contribs) (Created page with "FIRST DRAFT TEXT ON PRACTICE My goal for this year was to draw as much inspiration as possible from seminars, to undertake numerous assignments and projects where I could both expand my commercial network and elaborate on my own ‘vision’, and ultimately embark on a project where I could apply my vision and skills as a director of photography. This journey began with the kickoff of the EYE Research Labs, which I’ll discuss more later because it was a major inspirat...")
  • 16:59, 19 March 2024Chan's First draft TOP (hist | edit) ‎[1,876 bytes]Parmesanfish (talk | contribs) (TOP draft) Tag: Visual edit
  • 16:52, 19 March 2024Aratrika text on practice 1st draft (hist | edit) ‎[8,145 bytes]Aratrikak (talk | contribs) (Created page with "1. What have you been making? I have been working on a short film for the EYE-project, titled “where is a portal?”. It is a visual poem about gateways to other worlds I noticed, looked for and found, or were thrust upon me in my everyday life. I have also been gathering self-recorded clips of myself, in my room where I spend most of my time, filmed in moments of moments of joy and euphoria, or whenever the sun is out. Often along with clips of things I see from my b...")
  • 16:15, 19 March 2024Rodolfo's first draft TOP (hist | edit) ‎[6,917 bytes]Rodolfovferro (talk | contribs) (Created page with "1. What have you been making? / 2. How did you do it? (method) In my last and-or current project (Your Presence Was Cancelled - YPWC) I have been, mostly, looking at and working with a still image, scanning fragments - and possible meanings - of it. The project emerged after focusing on and writing about memories related to the death of my grandparents. After going through my personal archive,I realized I had several photos from the day after my grandmother passed away...")
  • 16:13, 19 March 2024Jingfeng text on practice 1st draft (hist | edit) ‎[7,191 bytes]Jingfeng Shen (talk | contribs) (Created page with "'''Rotterdam Syndrome, Photography, 2023-''' # '''What have you been making?''' This is my first practice project since I came to Rotterdam. When I was new to the city, I wanted to find my connection with it through visual exploration, and at the same time express some of my feelings about it during the process. The outcome is a collective of Photos, about Rotterdam city and its suburban places. I may have some personal perspective about this place, because I don’t h...") Tag: Visual edit
  • 16:12, 19 March 2024Yana’s first draft ToP (hist | edit) ‎[7,867 bytes]Yanalin (talk | contribs) (Created page with "WHAT For this ToP I would like to focus on three works which were my main focus in the past 6 months. 1. The first one was the video I created for the pre-Eye workshop. This work was centred around a topic I thought would be my area of interest throughout the master’s - how connection can arise between people with conflicting identity politics. I decided to interview a friend of mine who was the inspiration for this interest as her relationship with a colleague of h...")
  • 16:11, 19 March 2024ToP (hist | edit) ‎[28 bytes]Luca (talk | contribs) (Created page with "https://pzwiki.wdka.nl/mediadesign/Draft_tekst_on_practise")
  • 16:10, 19 March 2024Nihal text on practice 1st draft (hist | edit) ‎[10,494 bytes]Nihal Goel (talk | contribs) (Created page with " ''What have you been making?'' "I'm here" is a short film which explores the phenomena of the distance between subconscious thought and conscious action. The film constitutes of moving images of everyday residential surroundings that takes the perspective of the viewer as the key character and walks them through sequences of images layered with text. The images are symbolic in nature and are meant to emphasise feelings of neglect and inaction despite awareness of the...") Tag: Visual edit
  • 16:09, 19 March 2024Draft tekst on practise (hist | edit) ‎[0 bytes]Luca (talk | contribs) (Created page with "What have you been making? General introduction I have been working on further developing my embodied artistic practice into new ways of moving image making within my practice. I have been taking the next step in combining of dance/movement and film in my practice. Adding an extra layer and diving deeper into this fusion of dance and film. I want to make the border between the two narrower. Focusing on making and going beyond the performative/ video registration format...")
  • 16:07, 19 March 2024ToP phase one - answering the questions - Tesse (hist | edit) ‎[14,405 bytes]Tesse B (talk | contribs) (Created page with " 1. What have you been making? pre-EYE: Waving, Waving This short video is an exploration of the online surveillance and datafication of the sea and the coast, compared to the experience of actually being there. It does so through a combination of homevideo-like footage of me being at the beach intercut with screen recordings of live video feeds of the coast, comments of viewers, statistics of high and low tides, etc. in-between: Chère Alice This short video is a let...")
  • 13:36, 19 March 2024Texts on practice drafts (hist | edit) ‎[1,598 bytes]NatashaS (talk | contribs) (Created page with "Please post a link to your wiki page for each successive draft you work on. Notes for Draft 1: End of Day 1: End of Day 2: Day 3 - Drafts-in-progress")
  • 10:53, 18 March 2024Texts on Practice 2024 (hist | edit) ‎[386 bytes]NatashaS (talk | contribs) (Created page with "Darfts-in-progress:") Tag: Visual edit
  • 11:47, 16 March 2024Infrastructure (quilt inc) (hist | edit) ‎[2,637 bytes]Riviera (talk | contribs) (created page)
  • 16:32, 14 March 2024Peripheral Centers and Feminist Servers/Communication (hist | edit) ‎[17,438 bytes]Thijshijsijsjss (talk | contribs) (Create page for SI23 communication production team)
  • 12:59, 14 March 2024Tedimancy (hist | edit) ‎[189 bytes]Ada (talk | contribs) (Created page with "== 🧸🧸🧸🧸🧸🧸 == * mirror star * clay rough star * felted star * light up star * squishy star * cold star correspondences to oracle teddy bear with velcro belly fake knife") Tag: Visual edit
  • 00:19, 14 March 2024Things I watch(ed recently) (hist | edit) ‎[5,008 bytes]Rodolfovferro (talk | contribs) (Created page with "- Le Mépris, Jean-Luc Godard (1963) - Letzter Abend, Lukas Nathrath (2023) - La llamada, Gustavo Vinagre (short 2014) - Filme para Poeta Cego, Gustavo Vinagre (short 2012) - Três Tristes Tigres, Gustavo Vinagre (2022) - Seams, Karim Ainouz (short 1993) - Past Lives, Celine Song (2023)")
  • 16:36, 13 March 2024Peripheral Centers and Feminist Servers/TL;DR (hist | edit) ‎[20,740 bytes]Thijshijsijsjss (talk | contribs) (Create page for tl;dr project) originally created as "/tl;dr"
  • 16:15, 13 March 2024Peripheral Centers and Feminist Servers (hist | edit) ‎[1,018 bytes]Thijshijsijsjss (talk | contribs) (Create page for Peripheral Centers and Feminist Servers)
  • 01:04, 13 March 2024SI24 (hist | edit) ‎[152 bytes]Joak (talk | contribs) (Created page with "= SI24 = == Kick off - WEEK I == === Monday 8. April 2024 - Kick-off === * ??10:00 - 16:00: KICK-OFF SI-24 today in the large WH4.316?? === Tuesday 9. April 2024 - Prototyping - 10:00 - 17:00 === * Prototyping with Joseph and Louisa ** Microcontroller 101 - session 1 == ???TOPIC?? - WEEK II == === Monday 15. April 2024 - ??topic?? === Lore ipsum ... === Tuesday 16. April 2024 - Prototyping - 10:00 - 17:00 === * Prototyping with Joseph and Louisa ** Microcontroller 1...")
  • 22:06, 12 March 2024Tech rider ada (hist | edit) ‎[2,433 bytes]Ada (talk | contribs) (Created page with "===cakeplaces=== ===Short description of the work=== *Is it a performance, installation, workshop,...? *What is it made of? *What does it do? ===space requirements=== *~36m2 space ( Length x Width x Height: 6m x 6m x 3m) *the installation requires the possibility to mount a beamer on the ceiling *the installation requires the possibility to mount light spots on the wall *wall color ===if performance: Seating / placement=== *should the audience sit? on what? chairs, floor...") Tag: Visual edit
  • 12:12, 12 March 2024Technical rider (hist | edit) ‎[2,694 bytes]Joak (talk | contribs) (Created page with "=== Title of work === === Short description of the work === * Is it a performance, installation, workshop,...? * What is it made of? * What does it do? === space requirements === * ~36m2 space ( Length x Width x Height: 6m x 6m x 3m) * the installation requires the possibility to mount a beamer on the ceiling * the installation requires the possibility to mount light spots on the wall * wall color === if performance: Seating / placement === * should the audience s...")
  • 21:55, 10 March 2024LB Handbook 2023-2024 (hist | edit) ‎[29 bytes]Rs (talk | contribs) (Created page with "File:LB HANDBOOK 2324.pdf")
  • 11:29, 7 March 2024SI 24 Contributors (hist | edit) ‎[4,963 bytes]Martino (talk | contribs) (Created page with " ==== Alex Zakkas ==== Alex Zakkas practices design as a critical and experimental mode of research, using any media unstable enough to observe life in its synthetic condition, systems of thought and behaviour accustomed to designed or wild-grown entanglements with technology, opportunistic workarounds and techno-poetic acrobatics. He works as a teacher and researcher in The Hague University of Applied Sciences and the Rietveld Academie, as well as independently, often w...") Tag: Visual edit: Switched
  • 11:29, 7 March 2024ON LOITERING and other forms of in-situ computation (hist | edit) ‎[12,470 bytes]Martino (talk | contribs) (Created page with "=== People ===") Tag: Visual edit: Switched originally created as "On Loitering"
  • 19:10, 6 March 2024Introductory text Feminist Datacenter (hist | edit) ‎[4,062 bytes]ØverLørd (talk | contribs) (Created page for exercise done in methods class)
  • 16:01, 5 March 2024Claudio's Thesis - printing page (hist | edit) ‎[518 bytes]123cld (talk | contribs) (Created page with "= '''''BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES. A STUDIO DIARY. (EXCERPTS)''''' = === <big>'''Foreword (out of word count?)'''</big> === I wrote this thesis as an attempt to track and annotate the unfolding of my work over the course of the second year of this program. It is intended to be a complement to "making". A direct, on-going reflection on/of it. A device to think through, to delve in, to dissect and clarify the reasons and stakes of the practic...") Tag: Visual edit: Switched
  • 15:54, 5 March 2024T2 Assessment (hist | edit) ‎[3,612 bytes]Michael Murtaugh (talk | contribs) (Created page with "'''Suggested Presentation Structure''' * 15 minutes: give a presentation, making use of the wiki to show us: your contributions to special issues 16 and 17 + tell if in the past 2 trimesters you have started to engage with things you would like to carry on in your second year as part of your graduation project and thesis (such things can be a subject, a tool, a format, a medium, etc) * 5 minutes: the panel can ask questions regarding what you presented * 5 Minutes: we a...")
  • 18:05, 4 March 2024Open licenses session (hist | edit) ‎[6,557 bytes]Manetta (talk | contribs) (Created page with "==4 free software freedoms== <blockquote> - The freedom to run the program as you wish, for any purpose (freedom 0).<br> - The freedom to study how the program works, and change it so it does your computing as you wish (freedom 1). Access to the source code is a precondition for this.<br> - The freedom to redistribute copies so you can help others (freedom 2).<br> - The freedom to distribute copies of your modified versions to others (freedom 3). By doing this you can g...")
  • 17:05, 27 February 2024Claudio's Thesis - SECOND EDIT (hist | edit) ‎[64,375 bytes]123cld (talk | contribs) (Created page with "<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;"><u>GRS2023 </u> = '''''BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES. A STUDIO DIARY.''''' = === <big>'''Foreword (out of word count)'''</big> === I wrote this thesis to annotate and field-report the unfolding of my work over the course of the second year of this program. It is intended to be a complement to "making". A direct, on-going reflection on/...") Tag: Visual edit: Switched
  • 12:00, 27 February 2024A history of hand-made film and experimental cinema (hist | edit) ‎[1,070 bytes]Nan Wang (talk | contribs) (Created page with " {{#widget:YouTube|id=R_kceafWtbE}} {{#widget:YouTube|id=Pbu9X8ZKdcg}} Dreams that Money Can Buy (1947) excerpt -  Marcel Duchamp John Cage dream sequence {{#widget:YouTube|id=d3QGoADBZFs}} watch the full film here: https://www.dailyartmagazine.com/dreams-that-money-can-buy/ {{vimeo|213289955}} {{vimeo|7734447}} {{#widget:YouTube|id=FcHsysPGSt0}} {{#widget:YouTube|id=fOEqTwwkB3Y}} {{#widget:YouTube|id=HgxtzFGtfIg}} {{#widget:YouTube|id=LpAOHBHxaSM}} https:/...")
  • 11:31, 27 February 2024Thematic Seminar handmade film2024 (hist | edit) ‎[502 bytes]Nan Wang (talk | contribs) (Created page with "'''March 5th:''' 1. Day one: Lecture and screenings: A history of hand-made film and experimental cinema| Workshop: introduction to TouchDesigner '''March 7th:''' 2. Day two: Lecture and screenings: Visual music & expanded cinema Workshop: How to build audio active networks in TouchDesigner. '''March 12th''' 3. Day three: Prototyping a small audiovisual work in TouchDesigner inspired by the aesthetics, narr...") Tag: Visual edit: Switched
  • 14:03, 26 February 2024Web audio (hist | edit) ‎[923 bytes]Manetta (talk | contribs) (Created page with "How to work with audio on the web? ==Tone.js== A nice place to start is: [https://tonejs.github.io Tone.js] <blockquote> Tone.js is a Web Audio framework for creating interactive music in the browser. The architecture of Tone.js aims to be familiar to both musicians and audio programmers creating web-based audio applications. On the high-level, Tone offers common DAW (digital audio workstation) features like a global transport for synchronizing and scheduling events a...")
  • 12:40, 21 February 2024Te Steve Suggests FirstDraft (hist | edit) ‎[0 bytes]Steven Rushton (talk | contribs) (Created page with "Te Steve Suggests Transclusion 2 Te Steve Suggests give me luck = GIVE ME LUCK. FEED ME HOPE. = '''THESIS DRAFT''' '''GIVE ME LUCK. FEED ME HOPE''' Thesis submitted to: Piet Zwart Institute, Willem de Kooning Academy, in partial fulfilment of the requirements for the final examination for the degree of: Master of Arts in Fine Art & Design: Lens-Based. Adviser: Steve Rushton Second Reader: ** 2023-24 Word count:  8258 (First Draft) '''Contents:''' ''...")
  • 14:40, 20 February 2024User:Thijshijsijsjss/Gossamery/60-songs-that-explain-the-90s (hist | edit) ‎[4,822 bytes]Thijshijsijsjss (talk | contribs) (Create page with entries for Dummy and Merchandise) originally created as "User/Thijshijsijsjss/Gossamery/60-songs-that-explain-the-90s"
  • 13:34, 18 February 2024Wang SI23 (hist | edit) ‎[12,528 bytes]Wang ziheng (talk | contribs) (Created page with "I’ve been using the Surround Panner to create a surround stereo sound experience with 4 speakers through a 4-output audio interface. The ARP sound runs through the speakers in a circular pattern. The main tools for this are the "surround panner" Max for Live plugin and "Hocket." While still in the experimental phase, I am working to ensure its seamless functionality. The tools I've been using: Surround Panner Hocket During the visit to "Sonic Acts" in Amsterdam, I a...")
  • 16:43, 15 February 2024Chère Alice (hist | edit) ‎[829 bytes]Tesse B (talk | contribs) (Created page with "What was gonna be my eye film and got shelved because of the election result but also because I wasn't really feeling it anymore. It is a letter to Alice Guy(-Blaché), the person considered to be the first female filmmaker, and also inventor/developer of quite some important narrative techniques. I am fascinated by her position in film history and her (very realistic) fear of being written out of it. I feel less of a connection to her as a person and her style, which...")
  • 14:00, 9 February 2024Free, Libre, and Open Source Software publishing practices (hist | edit) ‎[3,361 bytes]Manetta (talk | contribs) (Created page with "==Publications== ===WALKIE-TALKIE=== Etherpads, Paged.js [https://media.xpub.nl/2022/walkie-talkie-final.printer.pdf WALKIE-TALKIE] * conceptualised, designed, created, edited, produced, published and distributed by the XPUB class of 2020-2022: Kendal Beynon, Martin Foucaut, Camilo García A., Clara Gradel, Nami Kim, Euna Lee, Jacopo Lega, Floor van Meeuwen, Federico Poni, Louisa Teichmann ===Content/Form=== ===Toward a Minor Tech=== ===Tracks in electr(on)ic...")
  • 12:48, 8 February 2024NoshThesisWikiPage (hist | edit) ‎[19,651 bytes]Steven Rushton (talk | contribs) (Created page with " '''DRAFT 1 - INTERVIEW NOSH NENEH- Thesis material''' In 2023 I used the ‘lens’ of Google Ocean (Google Street View underwater) to search for a phenomenon called color bleaching. For a long time I have been interested in the eco-system of coral reefs, with the focus on the vanishing of coral reefs. You probably know about the bleaching events of coral reefs where they become white. But more and more cases are popping up, especially around the Great Barrier Reef, th...")
  • 16:49, 7 February 2024Editorial Services LTD: Code of Conduct (hist | edit) ‎[3,441 bytes]Mxrwho (talk | contribs) (Created page with " Code of Conduct Tone: / strict / welcoming / enthusiastic / humorustic / corporate / kind form: dialogue / script / list / Contents Methods can always be changed to meet different needs, therefore this code of conduct is never finished 1. Scope and transitional provisions 1.1 To which activities does this Code apply? -knowledge building and sharing -editorial services provided -dunch -mapping and/or counter-mapping - brainstorms...")
  • 16:34, 6 February 2024Pen plotters/zine (hist | edit) ‎[1,017 bytes]Manetta (talk | contribs) (Created page with "{{ :Pen plotters }}")
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