READING NOTES: Difference between revisions
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[[Rudolf Arnheim - visual thinking]] | [[Rudolf Arnheim - visual thinking]] | ||
[[On Rudolf Arnheim]] | [[On Rudolf Arnheim]] | ||
[[Erving Goffman - the presentation of self in everyday life]] | [[Erving Goffman - the presentation of self in everyday life]] | ||
[[Die_Diva_(Elisabeth_Bronfen)|Elisabeth Bronfen - Die Diva (The Diva)]] | [[Die_Diva_(Elisabeth_Bronfen)|Elisabeth Bronfen - Die Diva (The Diva)]] | ||
[[Die_helle_Kammer_(Roland_Barthes)|Roland Barthes - Die helle Kammer (Camera Lucida)]] | [[Die_helle_Kammer_(Roland_Barthes)|Roland Barthes - Die helle Kammer (Camera Lucida)]] | ||
[[Notes_On_Camp_(Susan_Sonntag)|Susan Sonntag - Notes On Camp]] | [[Notes_On_Camp_(Susan_Sonntag)|Susan Sonntag - Notes On Camp]] | ||
[[The_naked_portrait|The naked portrait]] | [[The_naked_portrait|The naked portrait]] | ||
[[Einführung_in_soziologische_Theorien_der_Gegenwart_(Annette_Treibel)|Annette Treibel: Introduction to contemporary sociological theories]] | [[Einführung_in_soziologische_Theorien_der_Gegenwart_(Annette_Treibel)|Annette Treibel: Introduction to contemporary sociological theories]] | ||
[[Gendertrouble_(Judith_Butler)|Judith Butler - Gendertrouble]] | [[Gendertrouble_(Judith_Butler)|Judith Butler - Gendertrouble]] | ||
[[Imagineering._Visuelle_Kultur_und_Politik_der_Sichtbarkeit_(Tom_Holert)|Tom Holert - Imagineering. Visual culture and politics of visability]] | [[Imagineering._Visuelle_Kultur_und_Politik_der_Sichtbarkeit_(Tom_Holert)|Tom Holert - Imagineering. Visual culture and politics of visability]] | ||
[[Kunst_Sexualität_und_Geschlechterkonstruktionen_in_der_abendländischen_Kultur_(Daniela_Hammer-Tugendhat)|Daniela Hammer-Tugendhat - Art, sexuality and gender constructions in the occidental culture]] | [[Kunst_Sexualität_und_Geschlechterkonstruktionen_in_der_abendländischen_Kultur_(Daniela_Hammer-Tugendhat)|Daniela Hammer-Tugendhat - Art, sexuality and gender constructions in the occidental culture]] | ||
[[Einführung:_Gender_als_Kategorie_kunsthistorischer_Forschung_(Anja_Zimmermann)|Anja Zimmermann - Introduction: Gender as a category of art history research]] | [[Einführung:_Gender_als_Kategorie_kunsthistorischer_Forschung_(Anja_Zimmermann)|Anja Zimmermann - Introduction: Gender as a category of art history research]] | ||
[[The_concept_of_Queer_-_and_its_visibility_in_selected_positions_of_American_and_European_art_history_of_the_20th_century|The concept of Queer - and its visibility in American and European art history of the 20th century]] | [[The_concept_of_Queer_-_and_its_visibility_in_selected_positions_of_American_and_European_art_history_of_the_20th_century|The concept of Queer - and its visibility in American and European art history of the 20th century]] | ||
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Revision as of 16:05, 20 November 2016
Rudolf Arnheim - visual thinking
Erving Goffman - the presentation of self in everyday life
Elisabeth Bronfen - Die Diva (The Diva)
Roland Barthes - Die helle Kammer (Camera Lucida)
Annette Treibel: Introduction to contemporary sociological theories
Tom Holert - Imagineering. Visual culture and politics of visability
Daniela Hammer-Tugendhat - Art, sexuality and gender constructions in the occidental culture
Anja Zimmermann - Introduction: Gender as a category of art history research
The concept of Queer - and its visibility in American and European art history of the 20th century