...pear on this page, you would add the Categories "Technical plan" and "2012/2013", in other words:
[[Category:Technical plan]] [[Category: 2012/2013]]</nowiki>
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===2013===
===2012===
2 KB (296 words) - 20:42, 24 September 2013
==2012/2013==
* [[Prototyping|Prototyping 2012/2013]]
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* [[Prototyping 9 April 2013]]
* [[Prototyping 16 April 2013]]
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==Trimester projects 2012/2013==
category = 2012/2013
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...vocabulary with which to analyse their artistic work."(Page 6, Vassenden, 2013)
...eating, theorising about and, not least, selling art." (Page 6, Vassenden, 2013)
3 KB (465 words) - 17:56, 21 September 2022
...Google Terms of Service: current version (Nov 2013), previous version (Mar 2012) and one before that (Apr 2007). After reading each one of the text files,
tdates=['Nov 11, 2013','Mar 01, 2012','Apr 16, 2007'] #no longer in use
2 KB (265 words) - 11:51, 9 December 2013
====2013/2014====
* [[Testing the shelf life|Trimester 1,2013/2014, Testing the shelf life]]
4 KB (491 words) - 14:57, 26 September 2022
...te Research Seminar documentation here => [[Graduate Research Seminar 2011/2012]]<br/>
...r documentation here => [[Reading,_Writing_%26_Research_Methodologies_2011/2012]]
4 KB (602 words) - 10:07, 4 October 2012
[[Category: 2012/2013]]
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Lucian Wester, Graduation Project, Trimester 5, 2013.
[[Category: 2012/2013]]
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* RONDEAU, C (2013). [[David Claerbout: L'oeil inifini]]. Noeme. (in Progress)
* BAUMAN, Z. (2012). ''[[Ugo/liquidmodernity|Liquid Modernity]]''. Polity Press. (in Progress)
2 KB (241 words) - 12:09, 10 March 2020
[[Reading, Writing & Research Methodologies 2013/2014]]
[[Reading, Writing & Research Methodologies 2012/2013]]
3 KB (393 words) - 19:03, 26 September 2022
...Mroué: A BAK Critical Reader Series in Artists' Practice, BAK Publishing, 2012<br>
...evisited, International Review of Modern Sociology, Vol. 39, No. 1 (Spring 2013), pp. 29-51<br>
4 KB (656 words) - 14:40, 20 March 2018
* FARR, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
* PROULX, A. (2012). Bird cloud. London, Fourth Estate.
3 KB (427 words) - 12:16, 8 November 2019
* Boon, Marcus, In Praise of Copying, 2013.
* Goriunova, Olga, Art Platforms and Cultural Production on the Internet, 2012.
8 KB (983 words) - 16:24, 29 March 2019
It is a photography project that I made between 2009-2012. There are also objects which I have found from ruined places such as aband
It is an archive and photography project that I made in 2013. It is combining of archive and photos taken by my mobile phone. It is abo
3 KB (489 words) - 16:50, 24 September 2014
It is a photography project that I made between 2009-2012. There are also objects which I have found from ruined places such as aband
It is an archive and photography project that I made in 2013. It is combining of archive and photos taken by my mobile phone. It is abo
3 KB (489 words) - 17:47, 7 January 2015
...l Mattering, and Queer Affect]]. Durham and London: Duke University Press, 2012. (p23-35)
* Martine Syms (2013), [https://www.kcet.org/shows/artbound/episodes/the-mundane-afrofuturist-ma
6 KB (802 words) - 07:21, 14 June 2022
| Lidia || MacbookPro 2013 || - || - || OSX 10.8.4, VirtualBox running Ubuntu || Adobe Creative Suite,
| Elleke || MacBookPro 2012 || ? || ? || OS X.8 || ... || -
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- New World Summit | Jonas Staal | 2012:
- The Uprising: On Poetry and Finance | Franco Berardi | 2012
3 KB (415 words) - 14:56, 3 October 2016
<li>[[Steverusthonmastersofreality| Steve Rusthon. Masters of reality, 2012]]
<li>[[FacebookNation| Newton Lee.Facebook Nation:Total Information Awareness, 2013]]
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* Martine Syms (2013), [https://www.kcet.org/shows/artbound/episodes/the-mundane-afrofuturist-ma
* Martine Syms (2013), [http://thirdrailquarterly.org/martine-syms-the-mundane-afrofuturist-mani
5 KB (654 words) - 16:02, 13 April 2022
:PROULX, A. (2012). Bird cloud. London, Fourth Estate.
:WOOD, M. (2012). Film: a very short introduction. Oxford, Oxford University Press.
5 KB (648 words) - 10:55, 12 May 2020
...allation. I am going to use the objects that I had collected from Syria in 2013, from destroyed houses and the video footages that I shot in Syria. During
...hat I did in Syria. First project was a photography project that I made in 2012. The first project was about remaining people who refused to leave the coun
2 KB (394 words) - 11:18, 18 January 2016
...te Research Seminar documentation here => [[Graduate Research Seminar 2011/2012]]<br/>
...r documentation here => [[Reading,_Writing_%26_Research_Methodologies_2011/2012]]
27 KB (3,974 words) - 13:59, 15 January 2014
Reading, Writing, and Research Methodologies 2012-2013
The specific outcome for the RW&RM seminar of 2013-14 will be a 1500 word text which reflects on your own method and situates
15 KB (2,368 words) - 16:55, 19 November 2013
- Blast Theory, I'd hide you (2012): https://www.youtube.com/watch?v=CdcvOXPg3j0 (promo/teaser)
- Danny Cooke, The Making of John Mayer's 'Born & Raised' Artwork (2013): https://vimeo.com/60647216
10 KB (1,445 words) - 11:21, 4 April 2013
* [[Prototyping 2013/2014]]
* [[Prototyping 2012/2013]]
9 KB (1,125 words) - 16:10, 21 November 2023
...enous in the Twenty-first Century. Cambridge MA: Harvard University Press, 2013.
...re Art comme on fait societé. Edited by Debaise, Didier et al Paris: Réel, 2013.
8 KB (1,153 words) - 15:35, 16 February 2023
[[Category: 2012/2013]]
3 KB (424 words) - 11:34, 7 December 2012
===2013/2015===
===2012/2014===
26 KB (3,404 words) - 23:32, 9 April 2024
==2012-13 : 18-9-2012==
...udents have been moved to [[Reading, Writing & Research Methodologies 2012/2013]]
22 KB (3,006 words) - 15:30, 15 May 2017
...the corporate framing of our use of technology becomes expected. (Bridle, 2013) While it may be unrealistic to enable change in the tools at our disposal,
...sentations of ongoing processes, essentially animations on pause. (Bridle, 2013) Steyerl defines the value of an image in its ease of flow and distribution
11 KB (1,821 words) - 20:59, 29 November 2016
...the corporate framing of our use of technology becomes expected. (Bridle, 2013) While it may be unrealistic to enable change in the tools at our disposal,
...sentations of ongoing processes, essentially animations on pause. (Bridle, 2013) Steyerl defines the value of an image in its ease of flow and distribution
11 KB (1,813 words) - 21:03, 29 November 2016
...the corporate framing of our use of technology becomes expected. (Bridle, 2013) While it may be unrealistic to enable change in the tools at our disposal,
...sentations of ongoing processes, essentially animations on pause. (Bridle, 2013) Steyerl defines the value of an image in its ease of flow and distribution
11 KB (1,821 words) - 21:00, 29 November 2016
I explore the film ''Nightfall'' by James Benning (2012) and the video work ''Everything and More'' (2015) by Rachel Rose. I discus
(book) Cage, J., Silence, University Press Of New England, 2013
5 KB (752 words) - 16:05, 22 May 2022
* Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
* Stallabrass, J. (2013) Documentary. London: Whitechapel (Documents of contemporary art).
7 KB (1,026 words) - 17:08, 15 November 2019
...l value in the face of digital technology. The exhibition The Whole Earth (2013), held at the Haus der Kulturen der Welt in Berlin, is another exam-ple of
4 KB (663 words) - 11:27, 2 October 2021
- Blast Theory, I'd hide you (2012): https://www.youtube.com/watch?v=CdcvOXPg3j0 (promo/teaser)
- Danny Cooke, The Making of John Mayer's 'Born & Raised' Artwork (2013): https://vimeo.com/60647216
11 KB (1,491 words) - 20:39, 24 March 2015
| Side by Side (2012) || Christopher Kenneally || history of technology || 10.18 || class
| American Hustle (2013) || David O. Russell || Mamet-esque dialogue...period fiction...fast cuts |
6 KB (869 words) - 21:41, 29 September 2019
...ographic imagery I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis
'''After Untitled 2012:'''<br>
20 KB (3,258 words) - 00:02, 17 November 2017
...in their image findings. For their work group ''Color Spins'', created in 2012, they have developed their own rotational apparatuses. The dynamic light s
The ephemeral light sculptures of the black-and-white series ''Ghost'' from 2012, on the other hand, step in front of the dreary backdrop of a piece of wood
8 KB (1,187 words) - 15:22, 18 May 2019
==Trimester 2: 2013-14==
http://press.siff.net/SIFF_2013/2013%20Films/Features/T/The%20Pervert%27s%20Guide%20to%20Ideology/ThePervertsGui
25 KB (3,945 words) - 00:49, 9 July 2014
''Thank you for your application to Cove Park’s 2013 visual arts residency programme.
‘A Man Digging’ 2012
17 KB (2,899 words) - 02:14, 25 March 2013
Through my thesis, I want to explore how animacies (Chen, 2012), the agency and the living value that bodies and inanimate objects carry w
..., 2018), Animacies: biopolitics, racial mattering, and queer affect (Chen, 2012) and from references that might come up throughout my research. The two tex
13 KB (1,956 words) - 20:33, 11 December 2022
Gabrys, J. (2013). Digital rubbish a natural history of electronics. Ann Arbor, Mich. Univ.
Hertz, G. and Parikka, J. (2012). Zombie Media: Circuit Bending Media Archaeology into an Art Method. Leona
5 KB (677 words) - 17:48, 21 November 2021
...cal storage was also highlighted in the related project 'Volunteer Hosts' (2012, Fig.4), in which volunteers agreed to store a digital file about their per
...f content" which "foster[s] true collaboration and solidarity" (IMC London 2012).
22 KB (3,402 words) - 20:19, 8 December 2012
'''Anne Sophie Merryman''' - “''Mrs. Merryman's Collection''” 2012
...d by her granddaughter Anne Sophie Merryman. http://www.firstbookaward.com/2012/interview/
9 KB (1,468 words) - 17:50, 5 February 2015
...exploitation; but it’s very much in line with neoliberal rhetoric (beloso 2012).
...from the (stigmatized) sex worker category (evans & riley, 2013; Siebler, 2013). // I have to say; this might be also the case in how we view sex-workers
10 KB (1,626 words) - 17:24, 23 January 2019
[[Category: 2012/2013]]
7 KB (1,123 words) - 12:38, 23 March 2013
...odology and work I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis
Bronski, M. (2012), Queer History of the United States, Beacon Press (still waiting for deliv
11 KB (1,839 words) - 14:16, 9 November 2017
— Armée zapatiste de libération nationale, ''communiqué du 21 décembre 2012.''</blockquote>
...dance-generale-de-larmee-zapatiste-de-liberation-national-ezln-21-decembre-2012/</nowiki> (Accessed: March 4, 2023).
17 KB (2,619 words) - 01:00, 9 March 2023
...tworked Media from the Piet Zwart Institute, Rotterdam (MDes, 2010-12). In 2012 he has co-founded the artist collective La Société Anonyme known for its
André is a 2013 alumnus of the MMDC program and has previously studied under the Sonic Arts
25 KB (3,382 words) - 13:15, 16 May 2022
...ographic imagery I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis
''New Queer Cinema'' (2013) by B. Ruby Rich <br>
19 KB (3,118 words) - 16:37, 24 November 2017
On the 22nd October, the third and final 2012 US presidential debate between Barack Obama and Mitt Romney was viewed on t
...th to Parody Tumblr in 9 Minutes">[http://www.theatlanticwire.com/politics/2012/10/it-took-less-30-minutes-horses-and-bayonets-become-meme/58227/ The Atlan
15 KB (2,356 words) - 13:31, 2 November 2012
In his recent documentary “Pervert’s guide to Ideology” (2013) '''[cite=director?]''' Slavoj Zizek gives us an in-depth look into '''[his
-"Pervert's Guide to Ideology" by Slavoj Žižek and Sophie Fiennes (2012)
12 KB (2,131 words) - 09:58, 26 June 2014
...icone Dance School No. 1 (2012 to 2015) and at the IUPA. I produced Radio (2013). https://caterinamora.jimdofree.com
...enting the life at a Dutch institution before it ceased to exists with the 2012 Dutch art funding cuts.
10 KB (1,451 words) - 14:34, 10 April 2022
...ographic imagery I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis
'''After Untitled 2012:'''<br>
29 KB (4,685 words) - 13:57, 1 February 2018
...Documents] presented the new volume Walter Benjamin: Recent Writings 1986-2013. The collection contains the transcript of one of Benjamin’s first lectur
.../thoughtmaybe.com/google-and-the-world-brain/ Google and the World Brain] (2012)
17 KB (2,406 words) - 15:42, 28 November 2014
Lane & Caryle, Angus,(2013) On Listening
Sterne, Jonathan, (2012), Sound Studies
9 KB (1,475 words) - 10:57, 17 June 2015
Lane & Caryle, Angus,(2013) On Listening
Sterne, Jonathan, (2012), Sound Studies
9 KB (1,475 words) - 18:09, 21 June 2015
.... Gaga Feminism: Sex, Gender, and the End of Normal. Boston: Beacon Press, 2013.'''''
...Preliminary Materials for a Theory of the Young-Girl. Chicago: Semiotexte, 2012.'''''
13 KB (1,635 words) - 23:42, 1 December 2023
...arjah Biennial 11, UAE. He's also a recipient of the Fukuoka Prize, Japan, 2013. In late 2014, he received the Yanghyun Art Prize, one of the most prestigi
...n (2018); Bonner Kunstverein, Bonn (2015); Salonul de proiecte, Bucharest (2013); Kunsthalle Basel, Basel (2011).
15 KB (2,278 words) - 09:26, 7 November 2023
...ng Through Biometrics, The Biopolitics of Identity”'', Palgrave Macmillan, 2013;
...a Field Guide”'', edited by David Evans, Black Dog Publishing, London, UK, 2012;
10 KB (1,528 words) - 09:51, 16 April 2017
...orbes.com/forbes/welcome/?toURL=https://www.forbes.com/sites/andygreenberg/2013/08/30/here-are-five-ridiculous-redesigns-of-the-3d-printed-gun/&refURL=&ref
...2/object-steganography-noah-feehan-2012 Object Steganography, Noah Feehan (2012)]
26 KB (2,953 words) - 21:07, 13 June 2018
...-repeating-the-same-mistakes-of-the-music-industry https://netzpolitik.org/2013/interviews-with-e-book-pirates-the-book-publishing-industry-is-repeating-th
* Cornelia Sollfrank, ''Giving What You Don't Have'' (2012-2015) "I realised how limited the discourse on appropriation is and shifted
35 KB (5,033 words) - 13:12, 16 May 2022
On 22, 23 & 24 March 2012, we did a Robotics Workshop. The first one.
On 6, 7, 8 and 13, 14, & 15 March 2013, we have another Robotics Workshop.
9 KB (1,381 words) - 13:33, 6 March 2013
...ttps://en.wikipedia.org/wiki/Bootstrap_(front-end_framework) On August 19, 2013, Bootstrap 3, was released. It redesigned components to use <b>flat design<
Nielsen's 2012 guidelines, "Repurposing vs Optimized Design" that web sites made for mobil
13 KB (1,896 words) - 12:42, 20 December 2021
...nce 1917?” (Mitt Romney, third US Presidential Debate, as quoted in Estes, 2012)
...d in 1916. Well Governor, we also have fewer horses and bayonets.” (Estes, 2012)
29 KB (4,525 words) - 17:34, 7 April 2013
Gabrys, J. (2013). Digital rubbish a natural history of electronics. Ann Arbor, Mich. Univ.
Hertz, G. and Parikka, J. (2012). Zombie Media: Circuit Bending Media Archaeology into an Art Method. Leona
10 KB (1,579 words) - 17:47, 21 November 2021
...ef name="ftn7">Memory of the World, [https://www.memoryoftheworld.org/blog/2012/11/26/end-to-end-catalog-2/ End-to-end-catalog]</ref></blockquote>
...tworked Media from the Piet Zwart Institute, Rotterdam (MDes, 2010-12). In 2012 he has co-founded the artist collective La Société Anonyme known for its
37 KB (5,205 words) - 13:12, 16 May 2022
...as an artistic object started while working on my series Sunstudies (2012/2013) and Lightstudies (2015/2016). The images are always presented in a grid, b
11 KB (1,769 words) - 12:26, 20 June 2017
This is the second project I made in Syria in 2013. This time I wanted to focus on the refugee crisis from starting point, fr
I did this project at the end of 2012. I used a large format camera with a Polaroid back. I wanted to produce a s
11 KB (1,928 words) - 13:38, 15 February 2016
DOCU : Terms and Conditions May Apply (2013) https://www.youtube.com/watch?v=ncouFwTR6Qg
movie based on story Tallhotblond (2012)
11 KB (1,801 words) - 11:10, 25 November 2017
...artist’s film installation, virtual reality simulation and research. Since 2012, Dobrowolska has been working in collaboration with Teo Ormond-Skeaping on
...or Take Me Somewhere Nice (2019), Import (2016) and Reizigers in de nacht (2013).
12 KB (1,910 words) - 10:21, 6 June 2020
Caryle, Angus. Lane, Cathy. (2013). On listening. Uniform books
Mirror metaphors in Mantikut Tayr. (2012)
12 KB (2,086 words) - 13:15, 16 November 2015
Caryle, Angus. Lane, Cathy. (2013). On listening. Uniform books
Mirror metaphors in Mantikut Tayr. (2012)
13 KB (2,260 words) - 11:24, 11 November 2015
...mb|left|400px|''Up pen down'', research, fonts and workshops by OSP (since 2012)]]
...in the spirit of Paul Klee's 'Pedagogical Sketchbook', by Marc van Elburg (2013)
27 KB (4,054 words) - 18:28, 2 May 2024
...n Shot 2018-05-07 at 12.18.46.png|thumb|Object Steganography, Noah Feehan (2012)]]
...2/object-steganography-noah-feehan-2012 Object Steganography, Noah Feehan (2012)]
33 KB (4,836 words) - 15:10, 22 May 2018
...uuradio.fr/ Duuu is a radio dedicated to contemporary creation. Founded in 2012 by artists, this radio was born from the desire to make people hear situati
* Martine Syms (2013), [https://www.kcet.org/shows/artbound/episodes/the-mundane-afrofuturist-ma
42 KB (6,221 words) - 18:54, 20 July 2021
...ume entitled ''Joost van den Vondel: Dutch Playwright in the Golden Age'' (2012). In this line of research I am currently finishing a manuscript entitled
...my last book Anti-Media (a collection of essays and ephemera published in 2013 by NAi010) and my essay [http://post-digital.projects.cavi.dk/?p=599 ''Wha
14 KB (2,107 words) - 10:51, 18 March 2016
...ém| title = Towards a philosophy of photography| location = London| date = 2012}}
...rld War II to the psychedelic sixties| location = Chicago ; London| date = 2013}}
15 KB (2,279 words) - 12:20, 17 October 2019
...is modeling the future, as future is inscribed in code.” (Cox and McLean, 2012: foreword). Cox and McLean discuss the multifaceted properties and uses of
...who established the presets for the post-modern movement (Siegmund et al., 2013, p.190).
66 KB (10,076 words) - 14:28, 12 May 2016
==== '''27-02-2024 - Notes on Runa Islam's ''Meroë'' (2012) and Peng Zuqiang's Déjà vu''' ====
Steyerl, H., 2012, ''The Wretched of the Screen'', London: Sternberg Press.
63 KB (10,221 words) - 21:33, 4 April 2024
...Unilever invested a total of €1.04 billion in research and development in 2013.''
Former manager sues Unilever over ‘illegal’ sacking (Daily Nation, June 2012)
33 KB (4,811 words) - 00:08, 26 July 2017
==== '''27-02-2024 - Notes on Runa Islam's ''Meroë'' (2012) and Peng Zuqiang's Déjà vu''' ====
Steyerl, H., 2012, ''The Wretched of the Screen'', London: Sternberg Press.
65 KB (10,615 words) - 13:40, 10 April 2024
Steyerl, H. (2012). The Wretched of the Screen
...v, Snow, Farocki: Machine Vision and the Posthuman'', Bloomsbury Academic, 2013, 304 pp. (English)
52 KB (8,461 words) - 17:04, 27 February 2024
Today we will be watching extracts from 'the perverts guide to ideology', the 2012 British documentary film directed by Sophie Fiennes and written and present
+ ''The Men Who Made Us Spend'' (part 1) Scott Kilgour (2013)
34 KB (5,075 words) - 13:45, 22 June 2015
* JONAL LUND, What you see is what you get (2012) http://whatyouseeiswhatyouget.net/
Copyright: 2013 - Publisher: Amsterdam University Press Series: Framing Film
82 KB (12,393 words) - 21:53, 26 February 2024
http://livingarchives.mah.se/2013/04/performing-and-sharing-memories/
Portanova, S. (n.d.). Moving without a body. 2013 The MIT Press
100 KB (15,643 words) - 22:30, 7 February 2016
...of something larger - a transnational communication through art. (Hediger 2013) I intend to read some of these literature to connect such "transnational"
...ntures of the human spirit, and they're having great fun doing it" (Mekas, 2012) "When Mekas turns his camera on himself...he emphasises even more the enun
59 KB (9,802 words) - 16:14, 24 July 2020
...onomic relations. One can trace a clear line, for example, between Spain’s 2013 “marea blanca” protests against health care budget cuts, which brought
...ed manner as ‘links’ between one atomic unit and another” (Hui and Halpin, 2013). Presiding not only over our online, but also over our offline lives, thes
276 KB (44,274 words) - 17:55, 15 October 2018
Aarseth, E. (2012). ''A narrative theory of games. Proceedings of the International Conferenc
Lambert, G. (2013). A Thousand Plateaus. ''The Deleuze and Guattari Dictionary.'' doi:https:/
977 KB (129,735 words) - 13:51, 3 April 2023
