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  • 22:21, 19 March 2024Luca's first full draft ToP (hist | edit) ‎[6,374 bytes]Luca (talk | contribs) (Created page with "I have been working on further developing my embodied artistic practice into new ways of moving image making within my practice. I have been taking the next step in combining dance/movement and film in the work I make. I want to evolve as artist to someone that really works from within the body. That uses this embodied artistic research to make work that embodies dance / movement / choreografie as a hole and becomes it. In structure, time, space, flow, physicality etc. T...")
  • 22:19, 19 March 2024Lucas first full draft ToP (hist | edit) ‎[6,374 bytes]Luca (talk | contribs) (Created page with "I have been working on further developing my embodied artistic practice into new ways of moving image making within my practice. I have been taking the next step in combining dance/movement and film in the work I make. I want to evolve as artist to someone that really works from within the body. That uses this embodied artistic research to make work that embodies dance / movement / choreografie as a hole and becomes it. In structure, time, space, flow, physicality etc. T...")
  • 17:28, 19 March 2024Chan's First Draft Top (hist | edit) ‎[1,800 bytes]Parmesanfish (talk | contribs) (Created page with "1. What have you been making? I want to build upon my previous EYE project, which involved delving into images associated with digital media. I aim to apply these tools to my own research or focus on a topic of interest. Exploring the potentialities as an individual amidst the diverse images and stories floating within the digital media (the internet) was my intention. I attempted to reinterpret the fragmented contents within this digital space through my own perspec...")
  • 17:26, 19 March 2024Tom First Draft ToP (hist | edit) ‎[60 bytes]Tparolin (talk | contribs) (Created page with "test")
  • 17:25, 19 March 2024Toto's first draft ToP (hist | edit) ‎[7,849 bytes]Totoleheros (talk | contribs) (Created page with "First draft 1. What have you been making? Over the past two semesters at Lens Based Media, Piet Zwart Institute, I have been making several video works. Most of the produced video work’s could be identified as non-fiction, socially engaged, reflective, non-linear. An exemplary work, for my self-directed practice throughout the first two semesters, was my short film: ‘The Tallinn Cruise’, a work made for the Eye Research Lab. The 4.5 minutes Eye version, that I woul...")
  • 17:23, 19 March 2024Noura's first draft (hist | edit) ‎[7,746 bytes]Nourabb (talk | contribs) (Created page with "What have you been making? during the past months I've been working on different projects. my most recent finalized work is the short film 'Fur Fur and the watermelon', which was made for the Eye Film Museum. It’s an animation based on a childhood children's story that highlights the occupation in Palestine. the emphasis on the story is on the dialogue, through letting the thoughts of the storyteller bleed through. How did you do it? The outcome of Fur Fur being...")
  • 17:21, 19 March 2024First Full Draft (hist | edit) ‎[83 bytes]Tparolin (talk | contribs) (Created page with "thumb")
  • 17:19, 19 March 2024Tessa's first draft top (hist | edit) ‎[3,521 bytes]Tessalangeveld (talk | contribs) (Created page with "What have you been making? Around December I started working on an animation piece. The only guideline that I made for myself was that it had to be an object falling into a void, and it had to be loopable. A 3,5 minute animation piece which includes a sample of Chopin’s 15th Nocturne. How did you do it? Relation to previous practice I have been using the same medium in the past, the difference is that there was no specific end goal in mind, whereas here there was...")
  • 17:18, 19 March 2024Zhuang's first draft ToP (hist | edit) ‎[3,372 bytes]Lengzhuang97 (talk | contribs) (Created page with "1. What have you been making? I have been making a short film around Hook Van Holland, a recreational area located on the edge of the industrial landscape of the Rotterdam Port. The film consists of optic and sonic observations from the site, through visual and structural arrangement of these observations, it explores the edge between a personal and an industrial landscape. 2. How did you do it? (method) From last winter I have been constantly going to several sites...")
  • 17:17, 19 March 2024Riccardo's first draft ToP (hist | edit) ‎[8,104 bytes]Rick (talk | contribs) (Created page with "1. What have you been making? 2. How did you do it? (method) 3. Relation to previous practice Through different means during this year I have been relating with color and light, focusing on their technological staging and contextual meaning. By taking in consideration theories on visual perception as much as playful approaches involving the emplacement of light and colours, I have been observing how from-human-to-objects we all interact with these emanations. My approa...")
  • 17:06, 19 March 2024Luca's first draft ToP (hist | edit) ‎[7,654 bytes]Luca (talk | contribs) (Created page with "What have you been making? General introduction I have been working on further developing my embodied artistic practice into new ways of moving image making within my practice. I have been taking the next step in combining of dance/movement and film in my practice. Adding an extra layer and diving deeper into this fusion of dance and film. I want to make the border between the two narrower. Focusing on making and going beyond the performative/ video registration format...")
  • 16:59, 19 March 2024Do's first full draft TOP (hist | edit) ‎[8,717 bytes]Do.westphal (talk | contribs) (Created page with "FIRST DRAFT TEXT ON PRACTICE My goal for this year was to draw as much inspiration as possible from seminars, to undertake numerous assignments and projects where I could both expand my commercial network and elaborate on my own ‘vision’, and ultimately embark on a project where I could apply my vision and skills as a director of photography. This journey began with the kickoff of the EYE Research Labs, which I’ll discuss more later because it was a major inspirat...")
  • 16:59, 19 March 2024Chan's First draft TOP (hist | edit) ‎[1,876 bytes]Parmesanfish (talk | contribs) (TOP draft) Tag: Visual edit
  • 16:52, 19 March 2024Aratrika text on practice 1st draft (hist | edit) ‎[8,145 bytes]Aratrikak (talk | contribs) (Created page with "1. What have you been making? I have been working on a short film for the EYE-project, titled “where is a portal?”. It is a visual poem about gateways to other worlds I noticed, looked for and found, or were thrust upon me in my everyday life. I have also been gathering self-recorded clips of myself, in my room where I spend most of my time, filmed in moments of moments of joy and euphoria, or whenever the sun is out. Often along with clips of things I see from my b...")
  • 16:15, 19 March 2024Rodolfo's first draft TOP (hist | edit) ‎[6,917 bytes]Rodolfovferro (talk | contribs) (Created page with "1. What have you been making? / 2. How did you do it? (method) In my last and-or current project (Your Presence Was Cancelled - YPWC) I have been, mostly, looking at and working with a still image, scanning fragments - and possible meanings - of it. The project emerged after focusing on and writing about memories related to the death of my grandparents. After going through my personal archive,I realized I had several photos from the day after my grandmother passed away...")
  • 16:13, 19 March 2024Jingfeng text on practice 1st draft (hist | edit) ‎[7,191 bytes]Jingfeng Shen (talk | contribs) (Created page with "'''Rotterdam Syndrome, Photography, 2023-''' # '''What have you been making?''' This is my first practice project since I came to Rotterdam. When I was new to the city, I wanted to find my connection with it through visual exploration, and at the same time express some of my feelings about it during the process. The outcome is a collective of Photos, about Rotterdam city and its suburban places. I may have some personal perspective about this place, because I don’t h...") Tag: Visual edit
  • 16:12, 19 March 2024Yana’s first draft ToP (hist | edit) ‎[7,867 bytes]Yanalin (talk | contribs) (Created page with "WHAT For this ToP I would like to focus on three works which were my main focus in the past 6 months. 1. The first one was the video I created for the pre-Eye workshop. This work was centred around a topic I thought would be my area of interest throughout the master’s - how connection can arise between people with conflicting identity politics. I decided to interview a friend of mine who was the inspiration for this interest as her relationship with a colleague of h...")
  • 16:11, 19 March 2024ToP (hist | edit) ‎[28 bytes]Luca (talk | contribs) (Created page with "https://pzwiki.wdka.nl/mediadesign/Draft_tekst_on_practise")
  • 16:10, 19 March 2024Nihal text on practice 1st draft (hist | edit) ‎[10,494 bytes]Nihal Goel (talk | contribs) (Created page with " ''What have you been making?'' "I'm here" is a short film which explores the phenomena of the distance between subconscious thought and conscious action. The film constitutes of moving images of everyday residential surroundings that takes the perspective of the viewer as the key character and walks them through sequences of images layered with text. The images are symbolic in nature and are meant to emphasise feelings of neglect and inaction despite awareness of the...") Tag: Visual edit
  • 16:09, 19 March 2024Draft tekst on practise (hist | edit) ‎[0 bytes]Luca (talk | contribs) (Created page with "What have you been making? General introduction I have been working on further developing my embodied artistic practice into new ways of moving image making within my practice. I have been taking the next step in combining of dance/movement and film in my practice. Adding an extra layer and diving deeper into this fusion of dance and film. I want to make the border between the two narrower. Focusing on making and going beyond the performative/ video registration format...")
  • 16:07, 19 March 2024ToP phase one - answering the questions - Tesse (hist | edit) ‎[14,405 bytes]Tesse B (talk | contribs) (Created page with " 1. What have you been making? pre-EYE: Waving, Waving This short video is an exploration of the online surveillance and datafication of the sea and the coast, compared to the experience of actually being there. It does so through a combination of homevideo-like footage of me being at the beach intercut with screen recordings of live video feeds of the coast, comments of viewers, statistics of high and low tides, etc. in-between: Chère Alice This short video is a let...")
  • 13:36, 19 March 2024Texts on practice drafts (hist | edit) ‎[1,598 bytes]NatashaS (talk | contribs) (Created page with "Please post a link to your wiki page for each successive draft you work on. Notes for Draft 1: End of Day 1: End of Day 2: Day 3 - Drafts-in-progress")
  • 10:53, 18 March 2024Texts on Practice 2024 (hist | edit) ‎[386 bytes]NatashaS (talk | contribs) (Created page with "Darfts-in-progress:") Tag: Visual edit
  • 11:47, 16 March 2024Infrastructure (quilt inc) (hist | edit) ‎[2,637 bytes]Riviera (talk | contribs) (created page)
  • 16:32, 14 March 2024Peripheral Centers and Feminist Servers/Communication (hist | edit) ‎[17,438 bytes]Thijshijsijsjss (talk | contribs) (Create page for SI23 communication production team)
  • 12:59, 14 March 2024Tedimancy (hist | edit) ‎[189 bytes]Ada (talk | contribs) (Created page with "== 🧸🧸🧸🧸🧸🧸 == * mirror star * clay rough star * felted star * light up star * squishy star * cold star correspondences to oracle teddy bear with velcro belly fake knife") Tag: Visual edit
  • 00:19, 14 March 2024Things I watch(ed recently) (hist | edit) ‎[5,008 bytes]Rodolfovferro (talk | contribs) (Created page with "- Le Mépris, Jean-Luc Godard (1963) - Letzter Abend, Lukas Nathrath (2023) - La llamada, Gustavo Vinagre (short 2014) - Filme para Poeta Cego, Gustavo Vinagre (short 2012) - Três Tristes Tigres, Gustavo Vinagre (2022) - Seams, Karim Ainouz (short 1993) - Past Lives, Celine Song (2023)")
  • 16:36, 13 March 2024Peripheral Centers and Feminist Servers/TL;DR (hist | edit) ‎[20,740 bytes]Thijshijsijsjss (talk | contribs) (Create page for tl;dr project) originally created as "/tl;dr"
  • 16:15, 13 March 2024Peripheral Centers and Feminist Servers (hist | edit) ‎[1,018 bytes]Thijshijsijsjss (talk | contribs) (Create page for Peripheral Centers and Feminist Servers)
  • 22:06, 12 March 2024Tech rider ada (hist | edit) ‎[2,433 bytes]Ada (talk | contribs) (Created page with "===cakeplaces=== ===Short description of the work=== *Is it a performance, installation, workshop,...? *What is it made of? *What does it do? ===space requirements=== *~36m2 space ( Length x Width x Height: 6m x 6m x 3m) *the installation requires the possibility to mount a beamer on the ceiling *the installation requires the possibility to mount light spots on the wall *wall color ===if performance: Seating / placement=== *should the audience sit? on what? chairs, floor...") Tag: Visual edit
  • 12:12, 12 March 2024Technical rider (hist | edit) ‎[2,694 bytes]Joak (talk | contribs) (Created page with "=== Title of work === === Short description of the work === * Is it a performance, installation, workshop,...? * What is it made of? * What does it do? === space requirements === * ~36m2 space ( Length x Width x Height: 6m x 6m x 3m) * the installation requires the possibility to mount a beamer on the ceiling * the installation requires the possibility to mount light spots on the wall * wall color === if performance: Seating / placement === * should the audience s...")
  • 21:55, 10 March 2024LB Handbook 2023-2024 (hist | edit) ‎[29 bytes]Rs (talk | contribs) (Created page with "File:LB HANDBOOK 2324.pdf")
  • 11:29, 7 March 2024SI 24 Contributors (hist | edit) ‎[4,963 bytes]Martino (talk | contribs) (Created page with " ==== Alex Zakkas ==== Alex Zakkas practices design as a critical and experimental mode of research, using any media unstable enough to observe life in its synthetic condition, systems of thought and behaviour accustomed to designed or wild-grown entanglements with technology, opportunistic workarounds and techno-poetic acrobatics. He works as a teacher and researcher in The Hague University of Applied Sciences and the Rietveld Academie, as well as independently, often w...") Tag: Visual edit: Switched
  • 11:29, 7 March 2024ON LOITERING and other forms of in-situ computation (hist | edit) ‎[12,456 bytes]Martino (talk | contribs) (Created page with "=== People ===") Tag: Visual edit: Switched originally created as "On Loitering"
  • 19:10, 6 March 2024Introductory text Feminist Datacenter (hist | edit) ‎[4,062 bytes]ØverLørd (talk | contribs) (Created page for exercise done in methods class)
  • 16:01, 5 March 2024Claudio's Thesis - printing page (hist | edit) ‎[518 bytes]123cld (talk | contribs) (Created page with "= '''''BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES. A STUDIO DIARY. (EXCERPTS)''''' = === <big>'''Foreword (out of word count?)'''</big> === I wrote this thesis as an attempt to track and annotate the unfolding of my work over the course of the second year of this program. It is intended to be a complement to "making". A direct, on-going reflection on/of it. A device to think through, to delve in, to dissect and clarify the reasons and stakes of the practic...") Tag: Visual edit: Switched
  • 15:54, 5 March 2024T2 Assessment (hist | edit) ‎[3,612 bytes]Michael Murtaugh (talk | contribs) (Created page with "'''Suggested Presentation Structure''' * 15 minutes: give a presentation, making use of the wiki to show us: your contributions to special issues 16 and 17 + tell if in the past 2 trimesters you have started to engage with things you would like to carry on in your second year as part of your graduation project and thesis (such things can be a subject, a tool, a format, a medium, etc) * 5 minutes: the panel can ask questions regarding what you presented * 5 Minutes: we a...")
  • 18:05, 4 March 2024Open licenses session (hist | edit) ‎[6,557 bytes]Manetta (talk | contribs) (Created page with "==4 free software freedoms== <blockquote> - The freedom to run the program as you wish, for any purpose (freedom 0).<br> - The freedom to study how the program works, and change it so it does your computing as you wish (freedom 1). Access to the source code is a precondition for this.<br> - The freedom to redistribute copies so you can help others (freedom 2).<br> - The freedom to distribute copies of your modified versions to others (freedom 3). By doing this you can g...")
  • 17:05, 27 February 2024Claudio's Thesis - SECOND EDIT (hist | edit) ‎[64,375 bytes]123cld (talk | contribs) (Created page with "<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;"><u>GRS2023 </u> = '''''BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES. A STUDIO DIARY.''''' = === <big>'''Foreword (out of word count)'''</big> === I wrote this thesis to annotate and field-report the unfolding of my work over the course of the second year of this program. It is intended to be a complement to "making". A direct, on-going reflection on/...") Tag: Visual edit: Switched
  • 12:00, 27 February 2024A history of hand-made film and experimental cinema (hist | edit) ‎[1,070 bytes]Nan Wang (talk | contribs) (Created page with " {{#widget:YouTube|id=R_kceafWtbE}} {{#widget:YouTube|id=Pbu9X8ZKdcg}} Dreams that Money Can Buy (1947) excerpt -  Marcel Duchamp John Cage dream sequence {{#widget:YouTube|id=d3QGoADBZFs}} watch the full film here: https://www.dailyartmagazine.com/dreams-that-money-can-buy/ {{vimeo|213289955}} {{vimeo|7734447}} {{#widget:YouTube|id=FcHsysPGSt0}} {{#widget:YouTube|id=fOEqTwwkB3Y}} {{#widget:YouTube|id=HgxtzFGtfIg}} {{#widget:YouTube|id=LpAOHBHxaSM}} https:/...")
  • 11:31, 27 February 2024Thematic Seminar handmade film2024 (hist | edit) ‎[502 bytes]Nan Wang (talk | contribs) (Created page with "'''March 5th:''' 1. Day one: Lecture and screenings: A history of hand-made film and experimental cinema| Workshop: introduction to TouchDesigner '''March 7th:''' 2. Day two: Lecture and screenings: Visual music & expanded cinema Workshop: How to build audio active networks in TouchDesigner. '''March 12th''' 3. Day three: Prototyping a small audiovisual work in TouchDesigner inspired by the aesthetics, narr...") Tag: Visual edit: Switched
  • 14:03, 26 February 2024Web audio (hist | edit) ‎[923 bytes]Manetta (talk | contribs) (Created page with "How to work with audio on the web? ==Tone.js== A nice place to start is: [https://tonejs.github.io Tone.js] <blockquote> Tone.js is a Web Audio framework for creating interactive music in the browser. The architecture of Tone.js aims to be familiar to both musicians and audio programmers creating web-based audio applications. On the high-level, Tone offers common DAW (digital audio workstation) features like a global transport for synchronizing and scheduling events a...")
  • 12:40, 21 February 2024Te Steve Suggests FirstDraft (hist | edit) ‎[0 bytes]Steven Rushton (talk | contribs) (Created page with "Te Steve Suggests Transclusion 2 Te Steve Suggests give me luck = GIVE ME LUCK. FEED ME HOPE. = '''THESIS DRAFT''' '''GIVE ME LUCK. FEED ME HOPE''' Thesis submitted to: Piet Zwart Institute, Willem de Kooning Academy, in partial fulfilment of the requirements for the final examination for the degree of: Master of Arts in Fine Art & Design: Lens-Based. Adviser: Steve Rushton Second Reader: ** 2023-24 Word count:  8258 (First Draft) '''Contents:''' ''...")
  • 14:40, 20 February 2024User:Thijshijsijsjss/Gossamery/60-songs-that-explain-the-90s (hist | edit) ‎[4,822 bytes]Thijshijsijsjss (talk | contribs) (Create page with entries for Dummy and Merchandise) originally created as "User/Thijshijsijsjss/Gossamery/60-songs-that-explain-the-90s"
  • 13:34, 18 February 2024Wang SI23 (hist | edit) ‎[12,528 bytes]Wang ziheng (talk | contribs) (Created page with "I’ve been using the Surround Panner to create a surround stereo sound experience with 4 speakers through a 4-output audio interface. The ARP sound runs through the speakers in a circular pattern. The main tools for this are the "surround panner" Max for Live plugin and "Hocket." While still in the experimental phase, I am working to ensure its seamless functionality. The tools I've been using: Surround Panner Hocket During the visit to "Sonic Acts" in Amsterdam, I a...")
  • 16:43, 15 February 2024Chère Alice (hist | edit) ‎[829 bytes]Tesse B (talk | contribs) (Created page with "What was gonna be my eye film and got shelved because of the election result but also because I wasn't really feeling it anymore. It is a letter to Alice Guy(-Blaché), the person considered to be the first female filmmaker, and also inventor/developer of quite some important narrative techniques. I am fascinated by her position in film history and her (very realistic) fear of being written out of it. I feel less of a connection to her as a person and her style, which...")
  • 14:00, 9 February 2024Free, Libre, and Open Source Software publishing practices (hist | edit) ‎[3,361 bytes]Manetta (talk | contribs) (Created page with "==Publications== ===WALKIE-TALKIE=== Etherpads, Paged.js [https://media.xpub.nl/2022/walkie-talkie-final.printer.pdf WALKIE-TALKIE] * conceptualised, designed, created, edited, produced, published and distributed by the XPUB class of 2020-2022: Kendal Beynon, Martin Foucaut, Camilo García A., Clara Gradel, Nami Kim, Euna Lee, Jacopo Lega, Floor van Meeuwen, Federico Poni, Louisa Teichmann ===Content/Form=== ===Toward a Minor Tech=== ===Tracks in electr(on)ic...")
  • 12:48, 8 February 2024NoshThesisWikiPage (hist | edit) ‎[19,651 bytes]Steven Rushton (talk | contribs) (Created page with " '''DRAFT 1 - INTERVIEW NOSH NENEH- Thesis material''' In 2023 I used the ‘lens’ of Google Ocean (Google Street View underwater) to search for a phenomenon called color bleaching. For a long time I have been interested in the eco-system of coral reefs, with the focus on the vanishing of coral reefs. You probably know about the bleaching events of coral reefs where they become white. But more and more cases are popping up, especially around the Great Barrier Reef, th...")
  • 16:49, 7 February 2024Editorial Services LTD: Code of Conduct (hist | edit) ‎[3,441 bytes]Mxrwho (talk | contribs) (Created page with " Code of Conduct Tone: / strict / welcoming / enthusiastic / humorustic / corporate / kind form: dialogue / script / list / Contents Methods can always be changed to meet different needs, therefore this code of conduct is never finished 1. Scope and transitional provisions 1.1 To which activities does this Code apply? -knowledge building and sharing -editorial services provided -dunch -mapping and/or counter-mapping - brainstorms...")
  • 16:34, 6 February 2024Pen plotters/zine (hist | edit) ‎[1,017 bytes]Manetta (talk | contribs) (Created page with "{{ :Pen plotters }}")
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