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[http://www.deloods.org/apparaatje/nov15_02/www.html '''Walkmandisco''' (2001/2002)] is one of my earliest performance pieces. | [http://www.deloods.org/apparaatje/nov15_02/www.html '''Walkmandisco''' (2001/2002)] is one of my earliest performance pieces. | ||
== | ==What I do== | ||
Last night, I pressed the PAUSE button. I froze time for a split second. <br/> | Last night, I pressed the PAUSE button. I froze time for a split second. <br/> | ||
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Aiming to capture and elongate these rapid, fleeting intimate encounters, I am a dreamlike storyteller with a sense for timing, detail and architectural setting. Alongside a rigorous editing process, I carefully collage seemingly disparate information into a dense and rich construction, leaving space for the audience to insert themselves and form their own associative experience. | Aiming to capture and elongate these rapid, fleeting intimate encounters, I am a dreamlike storyteller with a sense for timing, detail and architectural setting. Alongside a rigorous editing process, I carefully collage seemingly disparate information into a dense and rich construction, leaving space for the audience to insert themselves and form their own associative experience. | ||
Revision as of 15:26, 12 December 2011
WorkWorkWork
11:11:11
2nd Year Seminar & Formulation Thesis Work
2nd Year Proposal Writing
1st Thematic: Build, Break & Broadcast
2nd Thematic: Sniff, Scrape, Crawl
3rd Thematic: History Will Repeat Itself
Essay: The Machines Are Restless Tonight...
"The act of programming a computer invokes a set of reading practices both in the literary and cultural sense."
-- Allucquere Rosanne Stone, Will the real body please stand up?, 1991
Assembled Writing: For Language to Program to Speak to Write
- chapter 11 - roman d'amour et d'aventure
- chapter 10 - heart, owner's manual
- chapter 9 - cage cave
- chapter 8 1/2 - sealed with a kiss
- chapter 8 - dear inge
- chapter 7 - before you break my heart
- chapter 6 - february 14
- chapter 5 - simulated travel
- chapter 4 - cables with ladies (1971)
- chapter 3 - people pay to have all their music stored in the cloud
- chapter 2 - gnome support
- chapter 1 - installing linux: a conversation
Prototyping
- sh > mg > midi
- Nederlanders emigreren massaal naar Turkije
- Clapping simulated 2-channel on Arduino
- dot rocks the dot
- turtle
- madhatter shuffle
- svg
- operating system
class notes
Electronics & Stocking
Digital Media Theory
- Ted Nelson, Dream Machines
- Personal Computers
- Vannevar Bush, As We May Think (1945)
- Thierry Bardini, Bootstrapping
- Blog This!
- Andrew Keen, The Cult of the Amateur
- Hackts
- YOUstuff
- Olia Lialina
- Mirko Schaefer
- hidden secret pocket of links
Exercises
Selection Previous Projects
I'll Miss You, Postcard (2010)
Art City Public Library (2010)
I was 28 in 1923, w/ Noe Kidder, Artist Book (2009)
Action Passing, w/Michelle Tupko, Performance (2008)
Action Passing Dance Move on flickr
Walkmandisco (2001/2002) is one of my earliest performance pieces.
What I do
Last night, I pressed the PAUSE button. I froze time for a split second.
I wandered through streets and living rooms, passing neighbors dozing off
on their stoop, future lovers right before their first kiss, a spark in
someone’s eye, and a little boy carrying a dog his own size around the
supermarket. I zoomed in to register the smallest detail. I guessed words
on lips and formed sentences of unfinished thoughts hanging in mid air.
I studied, I memorized, I remembered. I bit my lip, smiled, and looked away.
Then I pressed PLAY.
Combining real and imagined narratives, I document human interaction through observational writing, performance, photography, video, and sound. I investigate the space between people, and the attempt to connect with one another across this undetermined terrain: a constantly changing landscape amid physical, emotional, sociopolitical, and psychogeographical boundaries, among many other. Examining the play between reaching out and keeping one’s distance in both intimate and everyday relationships, I require myself, as well as participants and audience, to be playful and vulnerable, while embracing the unknown outcome when our paths collide.
Aiming to capture and elongate these rapid, fleeting intimate encounters, I am a dreamlike storyteller with a sense for timing, detail and architectural setting. Alongside a rigorous editing process, I carefully collage seemingly disparate information into a dense and rich construction, leaving space for the audience to insert themselves and form their own associative experience.