User:Paula Winkler: Difference between revisions
No edit summary |
No edit summary |
||
| Line 31: | Line 31: | ||
[[Einführung: Gender als Kategorie kunsthistorischer Forschung (Anja Zimmermann)|Anja Zimmermann - Einführung: Gender als Kategorie kunsthistorischer Forschung (Introduction: Gender as a category of art history research)]] | [[Einführung: Gender als Kategorie kunsthistorischer Forschung (Anja Zimmermann)|Anja Zimmermann - Einführung: Gender als Kategorie kunsthistorischer Forschung (Introduction: Gender as a category of art history research)]] | ||
<span style='display:block;font-size:18px;font-weight:bold;text-transform:uppercase;font-family:Courier,Sans;padding:5px;background:# | <span style='display:block;font-size:18px;font-weight:bold;text-transform:uppercase;font-family:Courier,Sans;padding:5px;background:#7D7C7B;color:#fff;'>Writings</span> | ||
[[The concept of Queer - and its visibility in selected positions of American and European art history of the 20th century ]] | [[The concept of Queer - and its visibility in selected positions of American and European art history of the 20th century ]] | ||
Revision as of 22:50, 14 October 2016
Writing Methods
Vilém Flusser vs Marshall McLuhan
Erving Goffman - the presentation of self in everyday life
Reading notes
Reality TV: The Work of Being Watched (Mark Andrejevic) --> Check out!
Techniques of the Observer (Jonathan Crary) --> Check out! Steve has PDF
Elisabeth Bronfen - Die Diva (The Diva)
Roland Barthes - Die helle Kammer (Camera Lucida)
Writings
