User:Inge Hoonte: Difference between revisions
Inge Hoonte (talk | contribs) |
Inge Hoonte (talk | contribs) No edit summary |
||
| Line 21: | Line 21: | ||
===2nd Year Proposal Writing=== | ===2nd Year Proposal Writing=== | ||
===Build, Break & Broadcast=== | ===1st Thematic: Build, Break & Broadcast=== | ||
*[[User:Inge Hoonte/Surveillant sorting the city | Surveillant sorting the city]] | *[[User:Inge Hoonte/Surveillant sorting the city | Surveillant sorting the city]] | ||
*[[User:Inge Hoonte/the Shock of the Old | the Shock of the Old]] | *[[User:Inge Hoonte/the Shock of the Old | the Shock of the Old]] | ||
| Line 27: | Line 27: | ||
*[[User:Inge Hoonte/references | reference material]] | *[[User:Inge Hoonte/references | reference material]] | ||
===Sniff, Scrape, Crawl=== | ===2nd Thematic: Sniff, Scrape, Crawl=== | ||
*[[User:Fabien Labeyrie/feb14 | Quatorze Fevrier]] | *[[User:Fabien Labeyrie/feb14 | Quatorze Fevrier]] | ||
*[[User:Inge Hoonte/shippingnews | shippingnews code]] | *[[User:Inge Hoonte/shippingnews | shippingnews code]] | ||
| Line 35: | Line 35: | ||
*[[User:Inge Hoonte/captain tweet | captain tweet]] | *[[User:Inge Hoonte/captain tweet | captain tweet]] | ||
===History Will Repeat Itself=== | ===3rd Thematic: History Will Repeat Itself=== | ||
*[[User:Inge Hoonte/Roodkapje space | photos Roodkapje space]] | *[[User:Inge Hoonte/Roodkapje space | photos Roodkapje space]] | ||
*[[User:Inge Hoonte/notes | notes]] | *[[User:Inge Hoonte/notes | notes]] | ||
| Line 122: | Line 122: | ||
==Bio== | ==Bio== | ||
My work has appeared at the Whitney Biennial through Neighborhood Public Radio, Brooklyn Arts Council Gallery, FiveMyles, 3rd Ward (Brooklyn/NYC); Diaspora Vibe Gallery (Miami); 321 Colton School (New Orleans); NPR Radio, Columbia College A+D Gallery, Museum of Contemporary Art (Chicago); Southern Exposure (San Francisco); labotanica (Houston); Saskatchewan Communications Network, Toronto Free Gallery, aceartinc (Toronto/Winnipeg/CAN); Museum of Contemporary Art (Helsinki, FIN); Consortium (Amsterdam), and TENT (Rotterdam, NL). | My work has appeared at the Whitney Biennial through Neighborhood Public Radio, Brooklyn Arts Council Gallery, FiveMyles, 3rd Ward (Brooklyn/NYC); Diaspora Vibe Gallery (Miami); 321 Colton School (New Orleans); NPR Radio, Columbia College A+D Gallery, Museum of Contemporary Art (Chicago); Southern Exposure (San Francisco); labotanica (Houston); Saskatchewan Communications Network, Toronto Free Gallery, aceartinc (Toronto/Winnipeg/CAN); Museum of Contemporary Art (Helsinki, FIN); Consortium (Amsterdam), Ace Belhuis, Urban Video Lounge, and TENT (Rotterdam, NL). | ||
I received my MFA from the School of the Art Institute of Chicago, with a BFA in Visual Art and Public Space from the School of the Arts Arnhem, NL. I have taught various workshops, most recently at the [http://www.ahk.nl/en/architecture/ Academy of Architecture], Amsterdam, the Cleveland Institute of Art, OH, and ArtCity, inc, Winnipeg, Canada. I'm an active member on the board of [http://www.labotanica.org labotanica], a Houston, TX, based project that intersects creativity and social transformation. As a Creative Consultant, I freelance for [http://www.noordkaap.org Noordkaap Foundation], a Dordrecht based artist-run organization that researches the rise of populism in Europe in its 2011-2013 program. | I received my MFA from the School of the Art Institute of Chicago, with a BFA in Visual Art and Public Space from the School of the Arts Arnhem, NL. I have taught various workshops, most recently at the [http://www.ahk.nl/en/architecture/ Academy of Architecture], Amsterdam, the Cleveland Institute of Art, OH, and ArtCity, inc, Winnipeg, Canada. I'm an active member on the board of [http://www.labotanica.org labotanica], a Houston, TX, based project that intersects creativity and social transformation. As a Creative Consultant, I freelance for [http://www.noordkaap.org Noordkaap Foundation], a Dordrecht based artist-run organization that researches the rise of populism in Europe in its 2011-2013 program. | ||
Revision as of 09:19, 24 October 2011
WorkWorkWork
11:11:11
2nd Year Seminar & Formulation Thesis Work
2nd Year Proposal Writing
1st Thematic: Build, Break & Broadcast
2nd Thematic: Sniff, Scrape, Crawl
3rd Thematic: History Will Repeat Itself
Essay: The Machines Are Restless Tonight...
"The act of programming a computer invokes a set of reading practices both in the literary and cultural sense."
-- Allucquere Rosanne Stone, Will the real body please stand up?, 1991
Assembled Writing: For Language to Program to Speak to Write
- chapter 11 - roman d'amour et d'aventure
- chapter 10 - heart, owner's manual
- chapter 9 - cage cave
- chapter 8 1/2 - sealed with a kiss
- chapter 8 - dear inge
- chapter 7 - before you break my heart
- chapter 6 - february 14
- chapter 5 - simulated travel
- chapter 4 - cables with ladies (1971)
- chapter 3 - people pay to have all their music stored in the cloud
- chapter 2 - gnome support
- chapter 1 - installing linux: a conversation
Prototyping
- sh > mg > midi
- Nederlanders emigreren massaal naar Turkije
- Clapping simulated 2-channel on Arduino
- dot rocks the dot
- turtle
- madhatter shuffle
class notes
Electronics & Stocking
Digital Media Theory
- Ted Nelson, Dream Machines
- Personal Computers
- Vannevar Bush, As We May Think (1945)
- Thierry Bardini, Bootstrapping
- Blog This!
- Andrew Keen, The Cult of the Amateur
- Hackts
- YOUstuff
- Olia Lialina
- Mirko Schaefer
- hidden secret pocket of links
Workshop Notes
Selection Previous Projects
I'll Miss You, Postcard (2010)
Art City Public Library (2010)
I was 28 in 1923, w/ Noe Kidder, Artist Book (2009)
Action Passing, w/Michelle Tupko, Performance (2008)
Action Passing Dance Move on flickr
Walkmandisco (2001/2002) is one of my earliest performance pieces.
Artist Statement
Last night, I pressed the PAUSE button. I froze time for a split second.
I wandered through streets and living rooms, passing neighbors dozing off
on their stoop, future lovers right before their first kiss, a spark in
someone’s eye, and a little boy carrying a dog his own size around the
supermarket. I zoomed in to register the smallest detail. I guessed words
on lips and formed sentences of unfinished thoughts hanging in mid air.
I studied, I memorized, I remembered. I bit my lip, smiled, and looked away.
Then I pressed PLAY.
Combining real and imagined narratives, I document human interaction through observational writing, performance, photography, video, and sound. I investigate the space between people, and the attempt to connect with one another across this undetermined terrain: a constantly changing landscape amid physical, emotional, sociopolitical, and psychogeographical boundaries, among many other. Examining the play between reaching out and keeping one’s distance in both intimate and everyday relationships, I require myself, as well as participants and audience, to be playful and vulnerable, while embracing the unknown outcome when our paths collide.
Aiming to capture and elongate these rapid, fleeting intimate encounters, I am a dreamlike storyteller with a sense for timing, detail and architectural setting. Alongside a rigorous editing process, I carefully collage seemingly disparate information into a dense and rich construction, leaving space for the audience to insert themselves and form their own associative experience.
Bio
My work has appeared at the Whitney Biennial through Neighborhood Public Radio, Brooklyn Arts Council Gallery, FiveMyles, 3rd Ward (Brooklyn/NYC); Diaspora Vibe Gallery (Miami); 321 Colton School (New Orleans); NPR Radio, Columbia College A+D Gallery, Museum of Contemporary Art (Chicago); Southern Exposure (San Francisco); labotanica (Houston); Saskatchewan Communications Network, Toronto Free Gallery, aceartinc (Toronto/Winnipeg/CAN); Museum of Contemporary Art (Helsinki, FIN); Consortium (Amsterdam), Ace Belhuis, Urban Video Lounge, and TENT (Rotterdam, NL).
I received my MFA from the School of the Art Institute of Chicago, with a BFA in Visual Art and Public Space from the School of the Arts Arnhem, NL. I have taught various workshops, most recently at the Academy of Architecture, Amsterdam, the Cleveland Institute of Art, OH, and ArtCity, inc, Winnipeg, Canada. I'm an active member on the board of labotanica, a Houston, TX, based project that intersects creativity and social transformation. As a Creative Consultant, I freelance for Noordkaap Foundation, a Dordrecht based artist-run organization that researches the rise of populism in Europe in its 2011-2013 program.