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<i style="font-size:2vw;color:#4E5EC5;">Federico or <span style="color:black">Poni</span> who likes pigeons and purple and to unzip folders</i>
<i style="font-size:2vw;color:#0f0;">Federico or <span style="color:black">Poni</span> who likes pigeons and purple and to unzip folders</i>


<i style="font-size:2vw;">Federico or <span style="color:#4E5EC5;">Poni</span> who doesn't like yellow and labor and neither php</i>
<i style="font-size:2vw;">Federico or <span style="color:#0f0;">Poni</span> who doesn't like yellow and labor and php neither</i>


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[[File:summary.jpg|700px|right]]
[[File:TERMINAL.jpg|500px|right]]


__TOC__
__TOC__


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= <i>Towards a cosmology for Rural Computing</i> =


==Thesis wip==
[[Federico-Thesis-again|Just Here]]


Important:
==Thesis Outline==
 
[[Federico-thesis_outline|Just here]]
 
==Project Proposal==
 
[[Federico-project_proposal|Just here]]
 
== Hackpact ==
 
[https://pzwiki.wdka.nl/mw-mediadesign/index.php?title=User:Federico/hackpact Hackpact]
 
Yes, hackpact
 
<i style='color: #0f0'>hackpact</i>
 
 
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=WIP & NEXT=
 
Yes I will tidy and fill this...
<hr>
 
* Workshops soon:
** Scrape the means of production @ Spread Zine Groningen (Yo Floor)
** Speech-to-derive: the myth of natural language / with Kamo @ Roodkapje (Yo Louisa)
** (N)P~(A)WP > Non-Permanent ~-Autonomous Words Processor ]]] / with Mika @ ZineCamp Rotterdam (Yo Floor, Kenny, Milo)
*** > Part2: <i>Not-completely-fully automated {luxury} layouting %%</i>
 
++Habitat stuff, I did different things there, like
* Kinda Arte Povera's sculpture with Louisa (idk but it happened, very funny)
* a nice zine with tesseract/tfidf/paged.js from a poems archive, iper- ozio % versi (in the library noew)
* A Collective Portfolio Maker based on a wireless local network (RPI), PHP stuff (omg) + you can see the layouting already in the browser
* Played a lot the violin with live electronics (put a piezo + reverb/delay and everything sounds good)
 
 
* [http://earthrise.zhouwei.network/ Earthrise], with Lou and Milo, in may
* [https://www.meetcenter.it/en/ai4future-days-the-programme/ Speculative Imagineries for a Crying World], a workshop I did at MEET Milan, in june
* [http://almostwelcome.com You're Almost Welcome], website for the master <b>Photography & Society</b> of KABK with Erica, in june/july
* Caution Weird Floor [http://weirdfloor.thehaguecontemporary.nl/ THC] with Martin, in july
* wifi poetry, at window.open()
 
* Publication @ [http://greencube.gallery/ greencubegallery], creation of a publication through data scraping (from <b>food delivery</b> services, contrast between bad reviews and glossy tasty pictures), going to be publish soon yeeeeee
* praxis@RGBXYZ, Amsterdam 23rd sept
* Developing a boardgame for the exhibition of Erik Peters with Louisa Milo and liminal.vision eheh
 
 
Ok it disn't happen but:
* [http://pnofrc.github.io/clara2/ web for an harpist friend] moving images --> web, proto experiment also for SI14 documentation
 
<br>
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=3rd Trim=
 
Special Issue 15[https://pzwiki.wdka.nl/mediadesign/Category:Implicancies Radio Implicancies]
 
===First week===
With Nami, sugar&sugar
mixing ads
 
===Second week===
 
With Camilo, Pomiloni
telegram chat of the class, scraped and analyzed with NLTK
following the CCRU's numogram system as 'sequencer' we composed an audible concrete poet.
Each xpubber had a generated sentence made with the most frequency words used in the past months
 
===Third week===
Caretaking with Isa
GAN videostream with OBS on a PeerTube instance
 
// summary texts
// what we did
 
===Fourth week===
Aymeric's PD workshop
detourning story
granulizer -> create new cosmos
 
===Fifth week===
WS with Angeliki
Wireless Phone... Breaking voices, natural speech into speech synthesis...
with Ken
 
===Sixth week===
IRL Manetta!
Questioning about the meaning of "Knoweldge System"
Flask
 
with Martin
prototyping little audio JS app based on device spec
 
===Seventh===
 
 
===LAST===
:( :( :(
 
 
<br><div style="background-color:#0f0; padding: 4px; text-decoration:none;"></div><br>
====IDEAS====
* analyze and 'resonate' [https://www.youtube.com/watch?v=hy3W-3HPMWg](Terry Riley: A Rainbow in Curved Air) with the same logic of Femke's proposal; TOFIND sheetmusic and with CV get the notes (C4, D#3, Bb4 ...) or get them via FFT? Sounds very challengy :S
 
* [DONE] generate video with [deepsing https://github.com/deepsing-ai/deepsing](deepsing) for the videostream (check also the ecological implicancies)
 
* LIVE ELECTRONICS, performing with piano of wdka [https://stackoverflow.com/questions/56178261/real-time-fft-plotting-in-python-matplotlib](resource) // probably will propose to Tisa to work together
 
* [in prog] LIVE CODING, ORCA // VCV Rack // Tidal Cycles
 
* RAP-ML, generate new rap songs (base+voice) to have a look onto the flow vs the meaning, language vs communication, etc (to fill)
 
 
<br>
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=2nd Trim=
"So nice so good" <I>(Louisa, 54:9, holy telegram chat)</i>
 
I have read a loooot of theory, but I usually take note on paper
 
[[File:LAZY.jpg|thumb|sorry i'm lazy]]
 
The first week I tried to take notes with <b>[foambubble.github.io/ Foam]</b> but I feel for me it's better just go with the flow.<br>
Or maybe I'm just lying with myself
 
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==Prototyping Times==
This trimester I think I did a lot in facts of prototypes, maybe not a lot in XPUB itself but more outside -- thanks to XPUB.
<br>
I have to say I really didn't enjoy TIC80 for mainly the painful font of the software but also the aesthetic is something that doesn't belong to me.
I played with a lot of other stuff and I tried to mix the tools up.
<br>
We have a retropie but atm just Camilo and I played.
 
[[File:Ticponi.mp4|thumb|A (f)lying pigeon in Tic80]]
 
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===Tools I particularly used in the second trimester===
 
* [HTTP://foambubble.github.io/ foam] — to take notes and to develop my "webgarden"
* distribusi
* beautifulsoup — to scrape stuff, [https://hub.xpub.nl/sandbot/pon/try.mov this mixing also DeepSpeech]
* [https://slade.mancubus.net/ slade] — to modify doom - better on windows
* [http://www.doombuilder.com/ doombuilder] — to modify doom more - only windows
* ffmpeg — [https://github.com/pnofrc/instagrid to create fancy Instagram snippets for musical albums]
* ImageMagick — to deal with pics faster, like to make the gif of the praxis' zine
* OpenCV — [https://hub.xpub.nl/sandbot/~poni/anoicipiacelimmaginepoveraautomatica/ to segment faces :B]
* [https://github.com/zerodevx/zero-md zero-md] — [https://github.com/pnofrc/clara3/blob/main/index.html to develop websites but without CMS]
* youtube-dl — I have just to say that is a standard in my life since a while
 
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==Lectures of the second trimester==
 
We had very cool lectures, here a list of our pads:
* [https://pad.xpub.nl/p/marxarcade Jamie Woodcock]
* [https://pad.xpub.nl/p/whatremains Aymeric's game]
* [https://pad.xpub.nl/p/03022021 a Steve's day]
 
<br>
And others but I've been quite lazy sometimes these months.
 
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==Special Issue 14==
 
Situationist Manifesto on Foam:
https://github.com/pnofrc/situationist_times
[[File:SituationistsManifestoGraph.png|200px|thumb|SI manifesto on foam's graph]]
 
<br>
Theoretical line I tried to write:
https://pad.xpub.nl/p/si14
 
<br>
Stuff that I don't know how to call: (a summary?)
 
Local networks as situations, situations as concrete building of ephemeral scenarios of life, local networks as ephemeral manifestations of interactions of life. The publishing process become a means for distributing (not-only) knowledge and the constitution of a public space of deliberation, where different points of social intersection could come across. Pleasure, intrigue and playfulness together in a "beautiful distribution" which embrace the site-specificness as a way to re-approach the way we share and assimilate contents. We aim to see the City as playground, or as a pinball table, hotspots as pinball elements (bumpers?)
People as balls of the pinball, their trajectory defined both by factors of randomness and control
How those people can inhabit the situations?
Our project is not an attempt to change the world but to suspend the meaning of time.
Like in a playground where people make tribes and socialise, our local networks are micro-cosmos to speculate ephemeral realities. We’re building hidden urban environments which dwell in our devices.
How encourage free play?
How let people interact between the networks? Is it necessary? Or are the networks independent micro world?
 
[[File:Milo and I.jpg|thumb|Camilo and I around Chinatown in Den Haag]]
 
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===Collective Contribution: I don't know where we're going, but...===
[[File:Derive escalation.png|200px|thumb|right|Derive Escalation]]
 
As collective contributions I worked on:
* [https://pzwiki.wdka.nl/mediadesign/The_Ultimate_RPi_Installation_Guide#Use_your_Pi_as_a_wireless_hotspot hotspots], with the techno-team
* [HTTP://issue.xpub.nl/14 interfaces], helping Martin
* [https://pad.xpub.nl/p/license_14 license], with Nami and Camilo
 
<br>
<br>
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====About the hotspots====
[[File:Spiega connections.png|200px|thumb|left|slkc dfv93ihv03be v03ikncfoeruhv0e3ivbprevb0r3ijvpvn fiejviepfjv0irhv3'irbh3iwn i0'rhv3]]
<br>
The trickiest part was to find the working driver for the dongles and mostly to not waste all the work for some mistake about the kernel.
It was just so funny
 
[[File:Rebus.jpg|250px|thumb|rebus]]
[[File:Rpi in spinoza.jpg|200px|thumb]]
 
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====About the interfaces====
 
It was mostly dealing with dictionaries (now is a meme) and find out a map system which works. It happened two days after the launch.
<br>
[https://hub.xpub.nl/sandbot/PrototypingTimes/HOTSPOTS/4%20shoppingstreet/ Hotspot Interface (4th)]
<br>
[https://issue.xpub.nl/14/ Web Interface]
<br>
Martin and I disperated around Den Haag to update hotspots:
 
[[File:Ssh.mp4|thumb]]<br>
<br>
 
[[File:Openstreetmap si14.png|200px|thumb|center|get coordinates through open street map]]
 
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====About the License====
 
It's a modification of the original Situationist Times license.
 
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===Personal Contribution: PRAXIS===
 
<br>
[[File:Praxis.jpg|500px|frameless|center]]
<br>
 
I evocated the sacred act of detournament and:<br>
I worked on a DOOM's mod and a zine based on it: <br>
PRAXIS
<br>
<br>
For my MOD, I took inspiration from [http://doomer.online/ doomer] and from [https://www.moddb.com/mods/the-bar/downloads/the-bar1 the bar] <br>
 
[[File:SladeHow.png|200px|left|thumb|Slade]]
[[File:Doombuilder1.png|200px|left|thumb|DoomBuilder]]
 
In PRAXIS you have to fight the CEOs of the big tech corps in order to redistribute the source codes and the servers to create a decentralized world
 
 
[[File:Zuck.png|thumb|right|200px|spidazuck attacks]]
SCREENSHOTS' GALLERY: https://hub.xpub.nl/sandbot/pon/
 
 
<i><b>The year 2020. <br>
The Big Tech Corps join forces to create a monopoly of services, centralizing all their servers.  <br>
Their political, social and economic power is bigger than the ones of any country... <br>
It’s time to get their source code as well as the servers in order to redistribute them open source! <br>
Join the force now! </b></i>
 
 
 
To modify DOOM I used slade and DoomBuilder, the first mostly to add or modify the textures and the second one to build the map as a 3D software.
 
 
<b>The ZINE: https://hub.xpub.nl/sandbot/PrototypingTimes/HOTSPOTS/4%20shoppingstreet/praxis/</b>


===Random Volountaries Picker from XPUB1 2020/21===


<b>A random picker for 'volountaries' from XPUB1 2020/21</b>


Download the file from [http://www.federicoponi.it/public/xpub.py here] and store it in the home folder of your computer<br>
Just open the terminal/cmd and digit:


<syntaxhighlight lang="python"> python3 xpub.py</syntaxhighlight>






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sudo reboot
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=1st Trim=
=1st Trim=
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[[User:Federico/PrototypingPatches1|Here]] there are the patches I created the first trimester. There is also a [https://git.xpub.nl/poni/SI13_federico_patches repo].
[[User:Federico/PrototypingPatches1|Here]] there are the patches I created the first trimester. There is also a [https://git.xpub.nl/poni/SI13_federico_patches repo].
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===Tools I particularly used the first trimester===
===Tools I particularly used the first trimester===
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* SCSS
* SCSS
* P5.js
* P5.js
* Pandoc
* Pillow
* WeasyPrint
* WeasyPrint
* DeepSpeech
* and HTML, CSS, JS and Python, of course
* and HTML, CSS, JS and Python, of course


=Special Issue 13=
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==Lectures of the first trimester==
 
* [https://pzwiki.wdka.nl/mediadesign/Freeze Eleonor]
* [https://pzwiki.wdka.nl/mediadesign/User:Federico/Licensing Aymeric]
* [https://hub.xpub.nl/sandbot/~poni/riders/ David Benque] (not finished :)) )
<br>
and other friends
 
 
[[File:Free Software Song.png|700px|thumb|center|The Free Software Song ]]
===Writing a License: First Attempt===
 
This is a first attempt to write a license, with [[User:Camilo| <span style="font-family: Alike Angular; font-size: 15px; color:#663399"> Camilo* </span>]], [[User:Flo| <span style="text-shadow: 0 0 10.5px red; color:blue"; font-family: comic sans; text-decoration: none; ><b>🗂 Floor</b></font>]] and [[User:Martin|<span style="color:black; font-family: helvetica; text-decoration: none; ><b>Martin&nbsp;&nbsp;&nbsp;</b></font>]]<img src="https://freight.cargo.site/w/40/q/94/i/ee42c094769ac064880630e7dcacb16e4ba0f751c52b5b3c01a6f281f98bff36/LOGO_MARTINFOUCAUT_2020-01.png" style="width:27px; height:27px;">.
 
<br>
 
<div style="text-align: centered; width: 90%; border: 15px solid #0f0; padding: 3vw;">
 
-------------------
 
'''XPUB - Words for the future Vol.2'''
<br><br>
General License
<br><br>
© 2020 XPUB
<br><br>
We are really happy that you are reading this, so please continue to read this short license you will be rewarded:
<br><br>
'''Permissions:'''
 
Any individual, group(s), non-profit organization(s)
may morally use, modify, distribute the content of this work.
We also encourage to translate the contents into other languages
<br><br>
User(s) may extend this license, as long as these initial conditions remain in force.
<br>
You are free to use, modify and republish the contents as long as you follow all of the conditions stated in the '''Obligations''' section of this license
<br><br>
'''Obligations:'''
 
Any re-publication of the contents must explicitly provide the name(s) of the original author(s).
If you want to republish the contents, you must upload it on the *link/web/git* in order to keep track of the dialogue between all the re-publications.
<br><br>
'''Prohibitions:'''
 
Not for commercial use.
Users must not remove this license from the work.
<s>No put in microwave, in IKEA bookshelves, in pink usb sticks.</s>
<br><br>
'''Warranty'''
 
This license remains active as long as the Internet exists.
<br><br>
<s>'''Sanction'''
 
Users recognise breach of the above terms may be sanctioned to the maximum extent applicable by Karma.[1]
 
[1] Karma is the name of my lawer</s>
 
<br><br>
Thank you if you have finished to read it
 
-------------------
 
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<br>
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==Special Issue 13==


[[File:Stick.jpg|200px|thumb|Stickers from Contributions :)]]
[[File:Stick.jpg|200px|thumb|Stickers from Contributions :)]]
So I guess we're dealing with [https://pzwiki.wdka.nl/mediadesign/Category:WordsfortheFuture#Issue_13 it]
So I guess we're dealing with [https://pzwiki.wdka.nl/mediadesign/Category:WordsfortheFuture#Issue_13 it]


<h2>Analyzing Words</h2>
===Analyzing Words===
<br>
<br>
Team:  [[User:Flo| <span style="text-shadow: 0 0 10.5px red; color:blue"; font-family: comic sans; text-decoration: none; ><b>🗂 Floor</b></font>]], [[User:Martin|<span style="color:black; font-family: helvetica; text-decoration: none; ><b>Martin&nbsp;&nbsp;&nbsp;</b></font>]]<img src="https://freight.cargo.site/w/40/q/94/i/ee42c094769ac064880630e7dcacb16e4ba0f751c52b5b3c01a6f281f98bff36/LOGO_MARTINFOUCAUT_2020-01.png" style="width:27px; height:27px;">, [[User:Federico| <span style="background-color:white;">🍭<span><span style="color:white; font-size: 20px; text-shadow: 30px 20px 3px #4E5EC5;">fə_erico [ Poni ]______ ]]</span>
Team:  [[User:Flo| <span style="text-shadow: 0 0 10.5px red; color:blue"; font-family: comic sans; text-decoration: none; ><b>🗂 Floor</b></font>]], [[User:Martin|<span style="color:black; font-family: helvetica; text-decoration: none; ><b>Martin&nbsp;&nbsp;&nbsp;</b></font>]]<img src="https://freight.cargo.site/w/40/q/94/i/ee42c094769ac064880630e7dcacb16e4ba0f751c52b5b3c01a6f281f98bff36/LOGO_MARTINFOUCAUT_2020-01.png" style="width:27px; height:27px;">, [[User:Federico| <span style="background-color:white;">🍭<span><span style="color:white; font-size: 20px; text-shadow: 30px 20px 3px #0f0;">fə_erico [ Poni ]______ ]]</span>


<br><br>
<br><br>
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==Collective Contribution: Wor(l)ds for the Future==
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===Collective Contribution: Wor(l)ds for the Future===


As collective contributions I worked on:
As collective contributions I worked on:
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* [https://issue.xpub.nl/13 the web side], with Louisa
* [https://issue.xpub.nl/13 the web side], with Louisa
* I pushed the stuff on the git: Michael revealed me the magic power
* I pushed the stuff on the git: Michael revealed me the magic power
* Documentation of the launch + photoshoot in studio with Naami
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<br>
====About the License====
===About the License===


Licenses are lovely, I have to say.
Licenses are lovely, I have to say.
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[https://pzwiki.wdka.nl/mediadesign/Category:WordsfortheFuture/XPUB_License_v0.1 So here it is the license]
[https://pzwiki.wdka.nl/mediadesign/Category:WordsfortheFuture/XPUB_License_v0.1 So here it is the license]


===About the Communication===
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====About the Communication====


We had very nice dinners together deciding what to do for the launch etc.
We had very nice dinners together deciding what to do for the launch etc.
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Camilo and I, at Floor's Birthday, gifted her a lytchee can. <b>Fun fact</b>: was already expired since a few months.
Camilo and I, at Floor's Birthday, gifted her a lytchee can. <b>Fun fact</b>: was already expired since a few months.


===About the web===
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====About the web====
[[File:Old index.png|200px|thumb]]
[[File:Old index.png|200px|thumb]]


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And we wrote it in JavaScript.<br>
And we wrote it in JavaScript.<br>
And why not after all, why not copy paste here the code.<br>
And why not after all, why not copy paste here the code.<br>
<br>
<br>
<syntaxhighlight lang="javascript">let NN = ["punctuation", "symbol", "conflict", "matter", "flux", "loop", "visibility", "multiplicity", "imagination", "democracy","darkness", "subjectivity", "reciprocity","corn", "water", "communities", "Kanye West", "cunt", "god", "language", "knowledge", "web", "ruins", "interdependence", "oneness", "identity", "values", "systems", "democracy"];
<syntaxhighlight lang="javascript">let NN = ["punctuation", "symbol", "conflict", "matter", "flux", "loop", "visibility", "multiplicity", "imagination", "democracy","darkness", "subjectivity", "reciprocity","corn", "water", "communities", "Kanye West", "cunt", "god", "language", "knowledge", "web", "ruins", "interdependence", "oneness", "identity", "values", "systems", "democracy"];
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let AC = ["boundless","political","pluralistic","accessible", "organic", "sublime", "imaginistic", "linguistic", "undecidable", "potential", "autonomous", "indigenous", "systemic", "reciprocal", "plural", "collective", "foreign", "unrelated", "suspicious", "other", "descriptive", "feminist", "alive", "ecologic", "harmonous"];
let AC = ["boundless","political","pluralistic","accessible", "organic", "sublime", "imaginistic", "linguistic", "undecidable", "potential", "autonomous", "indigenous", "systemic", "reciprocal", "plural", "collective", "foreign", "unrelated", "suspicious", "other", "descriptive", "feminist", "alive", "ecologic", "harmonous"];


//main words
//main words
let NNP = ["liquid", "tense",];
let NNP = ["liquid", "tense",];
var TS = ["?!", "atata", "resurgence", "hope", "practical vision", "otherness","undecidability","eco swaraj"]
var TS = ["?!", "atata", "resurgence", "hope", "practical vision", "otherness","undecidability","eco swaraj"]


function shuffleArray(inputArray){
function shuffleArray(inputArray){
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     "interdependece": "R",
     "interdependece": "R",
}
}


let message = `In the <a2 onClick="window.location.reload();" id="future">future</a2>, the world could be full of <a class="${icons[TS[0]]}" target="_blank" href="${links[TS[0]]}">${TS[0]} <span class="${icons[TS[0]]}">${icons[TS[0]]}</span></a>.\n\
let message = `In the <a2 onClick="window.location.reload();" id="future">future</a2>, the world could be full of <a class="${icons[TS[0]]}" target="_blank" href="${links[TS[0]]}">${TS[0]} <span class="${icons[TS[0]]}">${icons[TS[0]]}</span></a>.\n\
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</syntaxhighlight>
</syntaxhighlight>


===About the Git===
<div style="background-color:#0f0; padding: 2px; text-decoration:none;"></div><br>
 
====About the Git====


[[File:Git.jpg|center|frame]]
[[File:Git.jpg|center|frame]]


==Personal Contribution: Practical Vision==
<div style="background-color:#0f0; padding: 2px; text-decoration:none;"></div><br>
 
====About the Shooting====
 
[https://drive.google.com/drive/folders/15pRlQwk8Lxzv82AnXdngUlt2wUOVHeEy here]
 
<div style="background-color:#0f0; padding: 2px; text-decoration:none;"></div><br>
<div style="background-color:#0f0; padding: 4px; text-decoration:none;"></div><br>
<div style="background-color:#0f0; padding: 8px; text-decoration:none;"></div><br>
 
===Personal Contribution: Practical Vision===


I re-published the text  <I><b>Practical Vision</b></i>.
I re-published the text  <I><b>Practical Vision</b></i>.
Line 393: Line 785:
* Map Side:
* Map Side:
** Official Artistic Response's shapes are the elements for my map
** Official Artistic Response's shapes are the elements for my map
** Squares seem like to move from the grid of the map
** Squares seem to like to move from the grid of the map
** Think to more variables if colours allowed
** Think to more variables if colours allowed
[[File:Vvvv.mp4|200px|thumb|I still used vvvv]]


* Texts side:
* Texts side:
** In any case:
** In any case:
*** Telegram Dictionary Bot explaination [a bot created in order to store translated sentences in every languages users wants] [maybe have a 'weekly sentence' to translate] [people can ask to bot to discover a random translated sentence]  
*** Telegram Dictionary Bot explanation [a bot created in order to store translated sentences in every language users wants] [maybe have a 'weekly sentence' to translate] [people can ask to the bot to discover a random translated sentence]  
**** i.e. the bot [http://salta.su we did] in Senegal, Coubanao: [https://t.me/jolanetbot @jolanetbot] and [https://docs.google.com/spreadsheets/d/1cD9Go4Z2iaViSbIGUV8cL0JwtdK8ApUh4UVc9MnDRpA/edit?usp=sharing here the database]
**** i.e. the bot [http://salta.su we did] in Senegal, Coubanao: [https://t.me/jolanetbot @jolanetbot] and [https://docs.google.com/spreadsheets/d/1cD9Go4Z2iaViSbIGUV8cL0JwtdK8ApUh4UVc9MnDRpA/edit?usp=sharing here the database]
*** Original Text w/ arrows which link certain words to my thoughts on:
*** Original Text w/ arrows which link certain words to my thoughts on:
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<br>
<br>
<br>
<br>
<div style="background-color:#0f0; padding: 4px; text-decoration:none;"></div><br>
<div style="background-color:#0f0; padding: 2px; text-decoration:none;"></div><br>
<br>
<br>
<br>
<br>
<b>DONE THOUGHTS</b>
<b>DONE THOUGHTS:</b>
<br>
<br>
For the republication I used P5.js to generate hand-drawing style shapes in order to highlight the most important (for me) passage in the text.  
For the republication, I used P5.js to generate hand-drawing style shapes in order to highlight the most important (for me) passage in the text. <br>
Since the text is about the importance to deal also with not-western languages I asked to a senegales friend and to the author some translations of  <I><b>Practical Vision</b></i> in different African languages, and I think it pretty worked.
Since the text is about the importance to deal also with not-western languages I asked to a Senegalese friend and to the author, some translations of  <I><b>Practical Vision</b></i> in different African languages, and I think it pretty worked.
<br>
<br>
<div style="background-color:#0f0; padding: 1px; text-decoration:none;"></div><br>


[[File:PV.png|400px|frameless|left]] [[File:PV1.png|400px|frameless|center]] [[File:Boxt.jpg|200px|frameless|right]]  
[[File:PV.png|400px|frameless|left]] [[File:PV1.png|400px|frameless|center]] [[File:Boxt.jpg|200px|frameless|right]]  
<br>
<br>
As personal contribution I made an overview of possible links with the inner meaning of <I><b>Practical Vision</b></i> and the web result is an interactive map based on anchor links, in the pdf is just static.
As personal contribution, I made an overview of possible links from the inner meaning of <I><b>Practical Vision</b></i> with the Complexity and hyperobjects. <br>
[https://issue.xpub.nl/13/PRACTICAL_VISION/ The web version is an interactive map based on anchor links]
 
<div style="background-color:#0f0; padding: 2px; text-decoration:none;"></div><br>


<br>
<br>
I also made a <b>telegram bot</b>:
I also made a <b>telegram bot</b>:
  This Telegram BOT makes a crowd-sourced dictionary with your translations.  
  This Telegram BOT makes a crowd-sourced dictionary with your translations.  
  You can add every word/sentence you want from english to be translated into any language!           
  You can add every word/sentence you want from English to be translated into any language!           


<br>
<br>




Technically speaking, the bot works, it stores the dictionary in the sandbot but is not a <I>catchy</i> tool. Maybe is not urgent, nor a necessity. I also didn't really propose it to a public, onestly.
Technically speaking the bot works, it stores the dictionary in the sandbot but... is not a <I>catchy</i> tool. Maybe is not an urgent thing, nor a necessity. I also didn't really propose it to the public, honestly.
<br>
<br>
Firsts annotations: https://pad.xpub.nl/p/Practical_Vision_Jalada
Firsts annotations: https://pad.xpub.nl/p/Practical_Vision_Jalada
Line 441: Line 842:
** [https://t.me/practical_vision_bot BOT]
** [https://t.me/practical_vision_bot BOT]


=2nd Trim=
==Prototyping Times==
==Special Issue 14==
===Collective Contribution: I don't know where we're going, but...===
===Personal Contribution: PRAXIS===
=3rd Trim=
=Thesis=
<br>
<div style="background-color:#4E5EC5; padding: 2px; text-decoration:none;"></div><br>
<div style="background-color:#4E5EC5; padding: 4px; text-decoration:none;"></div><br>
==<h1>Issue 13</h1>==
<b>Elements for my republish [Practical Vision]:</b>
* Map Side:
** Official Artistic Response's shapes are the elements for my map
** Squares seem like to move from the grid of the map
** Think to more variables if colours allowed
* Texts side:
** In any case:
*** Telegram Dictionary Bot explaination [a bot created in order to store translated sentences in every languages users wants] [maybe have a 'weekly sentence' to translate] [people can ask to bot to discover a random translated sentence]
**** i.e. the bot [http://salta.su we did] in Senegal, Coubanao: [https://t.me/jolanetbot @jolanetbot] and [https://docs.google.com/spreadsheets/d/1cD9Go4Z2iaViSbIGUV8cL0JwtdK8ApUh4UVc9MnDRpA/edit?usp=sharing here the database]
*** Original Text w/ arrows which link certain words to my thoughts on:
**** "PICTURE AS INTERFACE OF LANGUAGE" + M. Fisher about language capitalism non-heritage --> neo-colonialism
**** Touring, relationship language with stuff
**** F. Cramer, various kind of languages --> "computer language"
** if w/ color:
*** Grammar Visualization
**if w/out color:
*** Another Visualization?
<br>
<div style="background-color:#4E5EC5; padding: 7px; text-decoration:none;"></div><br>
<div style="background-color:#4E5EC5; padding: 3px; text-decoration:none;"></div>
<br>
[https://pzwiki.wdka.nl/mediadesign/Category:WordsfortheFuture The Wiki of the Special Issue 13: Words for the future.]
===<h2>Analyzing Words</h2>===
<br>
Team:  [[User:Flo| <span style="text-shadow: 0 0 10.5px red; color:blue"; font-family: comic sans; text-decoration: none; ><b>🗂 Floor</b></font>]], [[User:Martin|<span style="color:black; font-family: helvetica; text-decoration: none; ><b>Martin&nbsp;&nbsp;&nbsp;</b></font>]]<img src="https://freight.cargo.site/w/40/q/94/i/ee42c094769ac064880630e7dcacb16e4ba0f751c52b5b3c01a6f281f98bff36/LOGO_MARTINFOUCAUT_2020-01.png" style="width:27px; height:27px;">, [[User:Federico| <span style="background-color:white;">🍭<span><span style="color:white; font-size: 20px; text-shadow: 30px 20px 3px #4E5EC5;">fə_erico [ Poni ]______ ]]</span>
<br><br>
Words/publications to read/annotate from [https://www.nienkescholts.com/words-for-the-future Words of the Future]:
# [[TENSE_ISSUE13|TENSE]] [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/src/branch/master/pdfs-small/Words-for-the-Future---TENSE---ESSAY-resampled.pdf PDF] [https://pad.xpub.nl/p/TENSE PAD] Simon(e) van Saarloos
# [[Practical Vision_ISSUE13|Practical Vision]] [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/src/branch/master/pdfs-small/Words-for-the-Future---PRACTICAL-VISION---singles-resampled.pdf PDF][https://pad.xpub.nl/p/Practical_Vision_Jalada PAD] Moses Kilolo
# [[Eco-Swaraj_ISSUE13|Eco-Swaraj]] [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/src/commit/e7e3b5038a5781f790072462aa3da051cd6086d0/pdfs/Words-for-the-Future---ECO-SWARAJ---FINAL-SINGLES.pdf PDF] [https://pad.xpub.nl/p/Eco_swaraj%E2%80%93Ashish_Kothari PAD] Ashish Kothari
<br>
<div style="background-color:#4E5EC5; padding: 3px; text-decoration:none;"></div><br>
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===<h1>Creating Licenses</h1>===
<br>
[[File:Free Software Song.png|700px|thumb|center|The Free Software Song ]]
====<h3>Writing a License: First Attempt</h3>====
This is a first attempt to write a license, with [[User:Camilo| <span style="font-family: Alike Angular; font-size: 15px; color:#663399"> Camilo* </span>]], [[User:Flo| <span style="text-shadow: 0 0 10.5px red; color:blue"; font-family: comic sans; text-decoration: none; ><b>🗂 Floor</b></font>]] and [[User:Martin|<span style="color:black; font-family: helvetica; text-decoration: none; ><b>Martin&nbsp;&nbsp;&nbsp;</b></font>]]<img src="https://freight.cargo.site/w/40/q/94/i/ee42c094769ac064880630e7dcacb16e4ba0f751c52b5b3c01a6f281f98bff36/LOGO_MARTINFOUCAUT_2020-01.png" style="width:27px; height:27px;">.
<br>
<div style="text-align: centered; width: 90%; border: 15px solid #4E5EC5; padding: 3vw;">
-------------------
'''XPUB - Words for the future Vol.2'''
<br><br>
General License
<br><br>
© 2020 XPUB
<br><br>
We are really happy that you are reading this, so please continue to read this short license you will be rewarded:
<br><br>
'''Permissions:'''
Any individual, group(s), non-profit organization(s)
may morally use, modify, distribute the content of this work.
We also encourage to translate the contents into other languages
<br><br>
User(s) may extend this license, as long as these initial conditions remain in force.
<br>
You are free to use, modify and republish the contents as long as you follow all of the conditions stated in the '''Obligations''' section of this license
<br><br>
'''Obligations:'''
Any re-publication of the contents must explicitly provide the name(s) of the original author(s).
If you want to republish the contents, you must upload it on the *link/web/git* in order to keep track of the dialogue between all the re-publications.
<br><br>
'''Prohibitions:'''
Not for commercial use.
Users must not remove this license from the work.
<s>No put in microwave, in IKEA bookshelves, in pink usb sticks.</s>
<br><br>
'''Warranty'''
This license remains active as long as the Internet exists.
<br><br>
<s>'''Sanction'''
Users recognise breach of the above terms may be sanctioned to the maximum extent applicable by Karma.[1]
[1] Karma is the name of my lawer</s>
<br><br>
Thank you if you have finished to read it
-------------------
</div>
====<h1>Intro</h1>====
<blockquote><i>"The idea of copyleft is basic to the natural propagation of digital information among humans in a society"</i>
<ref>https://www.gnu.org/philosophy/nonsoftware-copyleft.en.html</ref></blockquote>
* The freedom to run the program as you wish, for any purpose <b>(freedom 0)</b>.
* The freedom to study how the program works, and change it so it does your computing as you wish <b>(freedom 1)</b>. Access to the source code is a precondition for this.
* The freedom to redistribute copies so you can help others <b>(freedom 2)</b>.
* The freedom to distribute copies of your modified versions to others <b>(freedom 3)</b>. By doing this you can give the whole community a chance to benefit from your changes. Access to the source code is a precondition for this.
<i>Reading [https://www.bleu255.com/~aymeric/dump/aymeric_mansoux-sandbox_culture_phd_thesis-2017.pdf PhD's thesis] of [[User:Aymeric_Mansoux | Aymeric]].</i>
====<h2>In Search of Pluralism</h2>====
<i>About the link between free software (and open source) and its expansion into other forms of cultural production (pp. 76-91)</i>
* The word "free" refers to freedom, not price: Any individual has the freedo of copying, distribuiting and modifying * for personal, noncommercial purpose
* Copyright not very useful to the digital interworked realm
* From 1998 people from every field started to write their own license
** Different understandings of what freedom and openness mean in the context of culture and knoweldge
** Licenses as expressive tools to empower and materialise various ideology
*** 'BUT' this proliferation is not necessarily a positive semantic disorder. Every licenses seem to connect theirself under the same umbrella but they have <b>distinctive</b> <i>ft</i>s and attitudes on the understanding of the free/open software template
* Metaphor with liberalism?
** but the proliferation of licenses is not driven for <b>competition</b> but for an <b>emergence</b> of identity politics!
** but democratic system depends on the multiplication of discourse
** <b>multi attempts to protect cultural freedom and openness as a whole</b>.
* What about the legality of these licenses?
** Here arrives CreativeCommons: more generic approach to openness in culture
** CC embraces the strategy of economics by providing a <b>collection of licences</b> to fit <b>every purpose</b>
** Cascading, license's communities which did not embrace CC started to aggregate theirselves
;Proto free culture definitions:
<i>Four kinds of free knowledge</i> by Pena-Lopez
# The freedom to use the knowledge, for any purpose (freedom 0).
# The freedom to study how the knowledge applies, and adapt it to your needs (freedom 1). Access to the source information is a precondition for this.
# The freedom to redistribute knowledge so you can help your neighbour (freedom 2).
# The freedom to improve the knowledge, and release your im- provements to the public, so that the whole community bene- fits (freedom 3). Access to the source information is a precon- dition for this.
<i>The Open Knowledge Definition</i> (three meanings of open: legally socially technologically <b>open</b>)
# Access
# Redistribution
# Re-Use
# Absence of Technological Restriction
# Attribution
# Integrity
# No Discrimination Against Persons or Groups 8. No Discrimination Against Fields of Endeavor 9. Distribution of License
# License Must Not Be Specific to a Package
# License Must Not Restrict the Distribution of Other Works
<i>4Rs Framework</i> Willey's distinction between <b>rework</b> and <b>remix</b>
# Reuse – Use the work verbatim, just exactly as you found it
# Revise – Alter or transform the work so that it better meets your needs
# Remix – Combine the (verbatim or altered) work with other works to better meet your needs
# Redistribute – Share the verbatim work, the reworked work, or the remixed work with others
* Moral --> different readings of the free software template are possible.
* But --> "As the concept spreads so we are seeing of proliferation of licences and a potential blurring of what is open and what is not": <b>Important to preserve compability</b>
We assume that the Free Software template is a model for large-scale productive social relation where generous collaboration take place and <b>not</b> just a more effective and liberal form of efficient production and sharing:
<span style="font-size: 20px;">RELATIONS > PRODUCTIONS</span>


 
<div style="background-color:#0f0; padding: 4px; text-decoration:none;"></div><br>
;Critical appropriation of technologies + Subvertion of hegemony
 
* Copyleft, DIY, consensus-based decision-making and free-open source software
* breakin down barriers between producer and consumer is an example of collective intelligence
* changes in aesthetic, economic and social paradigms
 
 
"...the role of free and open source software in forging a culture that goes beyond software and exist outside of the “economical time of unlimited profit”; where new ways of learning, creating, and participating, offer an alternative to a dominant productive model of time. [...] free culture was therefore more than a chaotic collection of definitions and licenses, it was also the concrete manifestation of different ideas about society, structured and grounded by the free software template." <== :)
 
====<h2>From Techno-Legal Templates to Sandbox Culture</h2>====
 
<i>About the problematics/limits of unrestricted sharing, remix, appropriation, etc (pp.285-297)</i>
 
* Free software is a model to develop free culture:
** Innovation is central in this discourse
* <b>Remix</b> has been increasingly used to demonstrate the power of combinational practice
** is not a poor practice per se, that solely exemplifies the failure of artists to change the productive apparatus
** Change modalities, not content: <b>Ecological choice</b>
** Remix as appropiation of a certain medium and instruments
** Also be a framework to analyse the semantics of political discourse
** Remix as a folk political tool <-- <b>But then, commodification arrived?</b>
*** For example 1800+- Paris: folk songs used as a vector to memorise and spread commentary and critiques on pubblic affairs: original lyrics replaced by critical texts
* From entertainment to political communication network! <b>Other necessities</b>
* Remix as a <i>cultural glue</i> instead of a movement/something framed
 
<b>Remix and free culture relate to each other in file-sharing culture</b>
 
<span style="font-size: 20px">Read Only vs Read-Write file system permission?</span>
 
* With the internet + P2P filesharing > increased democratization of practices > used to accelerate the spread of new ideas
* CC used remix as
# inspiration
# shortcut to communicate about licensing changes
# to show potentiality
 
* Bourriaud, 2002, fuck new, what can we do with what we have?
** Artists as remixers
** consumption and production of informations are no longer so separate
** Ecology again, extractive datas issue
** Artists as <i>seminauts</i>
*** produce endless <b>narratives</b> and journeys within informations
*** Artist as comunicator? yes
 
Remix as creative mechanism VS remix as a controlled environment
 
/// Issues on Dub Reggae culture and industry: precarious conditions of musician and copyrights... ///
Public domain derived corporation +-
 
<span style="font-size: 20px"><b>Free circulation and transformation of informations cannot be directly linked to an egalitarian participation in a liberated productive apparatus</b></span>
Ignoring the aspect of political economy in relation to these practices
 
* OCIO: "According to Veal, the whole versioning process can therefore be sensed as a direct result of capitalist influence in the making of music, that turns folkloric practices into a calculated economic strategy based on a complex and possibly endless archaeology."
** Hegemony eats folk.
* who infrings copyright remixing stuff is often potrayed as a kind of hero?
* but also who prevent the free circulation of information are sustematically impersonated as evil entities
** Ressentiment, hostility from free culture supporters
 
"The author-centered regime of the information society that Boyle had warned against35 is therefore not resolved in free culture but only displaced.
How such information comes into existence, what kind of technological, social, and political frameworks permit its access, what networks of software it requires or gives rise to, its wider aesthetic inherences and affordances.
* It should also become clear how such frameworks influence the groups that inhabit the structures formed by these templates.
 
# who owns the file?
# Where is it located?
# Why can it be accessed?
# Who benefits from reading from or writing to it?
# Full permissions over a small element of a system does not imply complete control over the latter.
 
 
 
<br>
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==Ground 0: Various Lectures==
<br>
[https://pzwiki.wdka.nl/mediadesign/2020_xpub1_Collaboration,_Conflict_%26_Consent Collaboration, Conflict & Consent with Eleonor]
 
Here our proposal about the the issue of Rhode statue at Cambridge: [[freeze|<span style="color= blue; font-size=20px;">𝕗𝕣𝕖𝕖𝕫𝕖]]
<br>
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<br>
David Benque here
<br>
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<br>
 
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<div style="background-color:#4E5EC5; padding: 3px; text-decoration:none;"></div><br>
 
<br>


=Maybe you wanna know what I do=
=Maybe you wanna know what I do=
* Here [http://federicoponi.it my web]
* Here [http://federicoponi.it my web]
* Here [http://funix.xyz my playground]
* Here my [http://github.com/pnofrc git]
* Here [http://salta.su un * salta] web, not yet mobile-friendly neither in english but still 😎
* Here [http://salta.su un * salta] web, not yet mobile-friendly neither in english but still 😎
* Here my [http://are.na/federico-poni are.na]
* Here my [http://are.na/federico-poni are.na]
<br>
<br>


Oh god I have to tidy and fix everything sigh
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=Important=        //Deprecated


<b>A random picker for 'volunteers' from XPUB 2020/23</b>


Download the file from [http://www.federicoponi.it/public/xpub.py here] and store it in the home folder of your computer<br>
Just open the terminal/cmd and digit:


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python3 xpub.py
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Latest revision as of 18:05, 30 March 2022

Federico or Poni who likes pigeons and purple and to unzip folders

Federico or Poni who doesn't like yellow and labor and php neither






TERMINAL.jpg



Towards a cosmology for Rural Computing

Thesis wip

Just Here

Thesis Outline

Just here

Project Proposal

Just here

Hackpact

Hackpact

Yes, hackpact

hackpact





WIP & NEXT

Yes I will tidy and fill this...


  • Workshops soon:
    • Scrape the means of production @ Spread Zine Groningen (Yo Floor)
    • Speech-to-derive: the myth of natural language / with Kamo @ Roodkapje (Yo Louisa)
    • (N)P~(A)WP > Non-Permanent ~-Autonomous Words Processor ]]] / with Mika @ ZineCamp Rotterdam (Yo Floor, Kenny, Milo)
      • > Part2: Not-completely-fully automated {luxury} layouting %%

++Habitat stuff, I did different things there, like

  • Kinda Arte Povera's sculpture with Louisa (idk but it happened, very funny)
  • a nice zine with tesseract/tfidf/paged.js from a poems archive, iper- ozio % versi (in the library noew)
  • A Collective Portfolio Maker based on a wireless local network (RPI), PHP stuff (omg) + you can see the layouting already in the browser
  • Played a lot the violin with live electronics (put a piezo + reverb/delay and everything sounds good)


  • Publication @ greencubegallery, creation of a publication through data scraping (from food delivery services, contrast between bad reviews and glossy tasty pictures), going to be publish soon yeeeeee
  • praxis@RGBXYZ, Amsterdam 23rd sept
  • Developing a boardgame for the exhibition of Erik Peters with Louisa Milo and liminal.vision eheh


Ok it disn't happen but:




3rd Trim

Special Issue 15Radio Implicancies

First week

With Nami, sugar&sugar mixing ads

Second week

With Camilo, Pomiloni telegram chat of the class, scraped and analyzed with NLTK following the CCRU's numogram system as 'sequencer' we composed an audible concrete poet. Each xpubber had a generated sentence made with the most frequency words used in the past months

Third week

Caretaking with Isa GAN videostream with OBS on a PeerTube instance

// summary texts // what we did

Fourth week

Aymeric's PD workshop detourning story granulizer -> create new cosmos

Fifth week

WS with Angeliki Wireless Phone... Breaking voices, natural speech into speech synthesis... with Ken

Sixth week

IRL Manetta! Questioning about the meaning of "Knoweldge System" Flask

with Martin prototyping little audio JS app based on device spec

Seventh

LAST

:( :( :(




IDEAS

  • analyze and 'resonate' [1](Terry Riley: A Rainbow in Curved Air) with the same logic of Femke's proposal; TOFIND sheetmusic and with CV get the notes (C4, D#3, Bb4 ...) or get them via FFT? Sounds very challengy :S
  • LIVE ELECTRONICS, performing with piano of wdka [2](resource) // probably will propose to Tisa to work together
  • [in prog] LIVE CODING, ORCA // VCV Rack // Tidal Cycles
  • RAP-ML, generate new rap songs (base+voice) to have a look onto the flow vs the meaning, language vs communication, etc (to fill)





2nd Trim

"So nice so good" (Louisa, 54:9, holy telegram chat)

I have read a loooot of theory, but I usually take note on paper

sorry i'm lazy

The first week I tried to take notes with [foambubble.github.io/ Foam] but I feel for me it's better just go with the flow.
Or maybe I'm just lying with myself



Prototyping Times

This trimester I think I did a lot in facts of prototypes, maybe not a lot in XPUB itself but more outside -- thanks to XPUB.
I have to say I really didn't enjoy TIC80 for mainly the painful font of the software but also the aesthetic is something that doesn't belong to me. I played with a lot of other stuff and I tried to mix the tools up.
We have a retropie but atm just Camilo and I played.

File:Ticponi.mp4




Tools I particularly used in the second trimester



Lectures of the second trimester

We had very cool lectures, here a list of our pads:


And others but I've been quite lazy sometimes these months.



Special Issue 14

Situationist Manifesto on Foam: https://github.com/pnofrc/situationist_times

SI manifesto on foam's graph


Theoretical line I tried to write: https://pad.xpub.nl/p/si14


Stuff that I don't know how to call: (a summary?)

Local networks as situations, situations as concrete building of ephemeral scenarios of life, local networks as ephemeral manifestations of interactions of life. The publishing process become a means for distributing (not-only) knowledge and the constitution of a public space of deliberation, where different points of social intersection could come across. Pleasure, intrigue and playfulness together in a "beautiful distribution" which embrace the site-specificness as a way to re-approach the way we share and assimilate contents. We aim to see the City as playground, or as a pinball table, hotspots as pinball elements (bumpers?)
People as balls of the pinball, their trajectory defined both by factors of randomness and control
How those people can inhabit the situations?
Our project is not an attempt to change the world but to suspend the meaning of time.
Like in a playground where people make tribes and socialise, our local networks are micro-cosmos to speculate ephemeral realities. We’re building hidden urban environments which dwell in our devices.
How encourage free play?
How let people interact between the networks? Is it necessary? Or are the networks independent micro world?
Camilo and I around Chinatown in Den Haag



Collective Contribution: I don't know where we're going, but...

Derive Escalation

As collective contributions I worked on:



About the hotspots

slkc dfv93ihv03be v03ikncfoeruhv0e3ivbprevb0r3ijvpvn fiejviepfjv0irhv3'irbh3iwn i0'rhv3


The trickiest part was to find the working driver for the dongles and mostly to not waste all the work for some mistake about the kernel. It was just so funny

rebus
Rpi in spinoza.jpg


About the interfaces

It was mostly dealing with dictionaries (now is a meme) and find out a map system which works. It happened two days after the launch.
Hotspot Interface (4th)
Web Interface
Martin and I disperated around Den Haag to update hotspots:

File:Ssh.mp4

get coordinates through open street map


About the License

It's a modification of the original Situationist Times license.


Personal Contribution: PRAXIS


Praxis.jpg


I evocated the sacred act of detournament and:
I worked on a DOOM's mod and a zine based on it:
PRAXIS

For my MOD, I took inspiration from doomer and from the bar

Slade
DoomBuilder

In PRAXIS you have to fight the CEOs of the big tech corps in order to redistribute the source codes and the servers to create a decentralized world


spidazuck attacks

SCREENSHOTS' GALLERY: https://hub.xpub.nl/sandbot/pon/


The year 2020.
The Big Tech Corps join forces to create a monopoly of services, centralizing all their servers.
Their political, social and economic power is bigger than the ones of any country...
It’s time to get their source code as well as the servers in order to redistribute them open source!
Join the force now!


To modify DOOM I used slade and DoomBuilder, the first mostly to add or modify the textures and the second one to build the map as a 3D software.


The ZINE: https://hub.xpub.nl/sandbot/PrototypingTimes/HOTSPOTS/4%20shoppingstreet/praxis/




sudo reboot


1st Trim

Prototyping-pong

Here there are the patches I created the first trimester. There is also a repo.



Tools I particularly used the first trimester

  • local jupyter-lab
  • NLTK
  • Pandoc
  • SCSS
  • P5.js
  • Pillow
  • WeasyPrint
  • DeepSpeech
  • and HTML, CSS, JS and Python, of course



Lectures of the first trimester


and other friends


The Free Software Song

Writing a License: First Attempt

This is a first attempt to write a license, with Camilo* , 🗂 Floor and Martin   .



XPUB - Words for the future Vol.2

General License

© 2020 XPUB

We are really happy that you are reading this, so please continue to read this short license you will be rewarded:

Permissions:

Any individual, group(s), non-profit organization(s) may morally use, modify, distribute the content of this work. We also encourage to translate the contents into other languages

User(s) may extend this license, as long as these initial conditions remain in force.
You are free to use, modify and republish the contents as long as you follow all of the conditions stated in the Obligations section of this license

Obligations:

Any re-publication of the contents must explicitly provide the name(s) of the original author(s). If you want to republish the contents, you must upload it on the *link/web/git* in order to keep track of the dialogue between all the re-publications.

Prohibitions:

Not for commercial use. Users must not remove this license from the work. No put in microwave, in IKEA bookshelves, in pink usb sticks.

Warranty

This license remains active as long as the Internet exists.

Sanction

Users recognise breach of the above terms may be sanctioned to the maximum extent applicable by Karma.[1]

[1] Karma is the name of my lawer



Thank you if you have finished to read it






Special Issue 13

Stickers from Contributions :)

So I guess we're dealing with it

Analyzing Words


Team: 🗂 Floor, Martin   , 🍭fə_erico [ Poni ]______



Words/publications to read/annotate from Words of the Future:

  1. TENSE PDF PAD Simon(e) van Saarloos
  2. Practical Vision PDFPAD Moses Kilolo
  3. Eco-Swaraj PDF PAD Ashish Kothari






Collective Contribution: Wor(l)ds for the Future

As collective contributions I worked on:

  • the license, with Euna and Nami
  • the communication, with Camilo and Floor
  • the web side, with Louisa
  • I pushed the stuff on the git: Michael revealed me the magic power
  • Documentation of the launch + photoshoot in studio with Naami




About the License

Licenses are lovely, I have to say. My favorite is the json one:

The Software shall be used for Good, not Evil.


So here it is the license



About the Communication

We had very nice dinners together deciding what to do for the launch etc.
And we watched a lot of videos of very old expired cans, after that we promised to ourselves to buy a fruit can and in 20years we'll meet and we'll open it.
Camilo and I, at Floor's Birthday, gifted her a lytchee can. Fun fact: was already expired since a few months.



About the web

Old index.png


  • we thought about a first version which attempted to resonate on the printed version of the repub, an interactive whiteboard that you could fill with more or less the same stuff of the printed version
    • Fortunately, Manetta pointed out some days before the launch that it didn't make sense
    • we agree and in 30minutes we prepared some sketches for the current web version:



New hypothetical not real landing page

LandingNotLanding.png
LandingNotCoding.png


In the World of Atata there is a lot of eco swaraj.
People, in the past, demandad for liquid and now
there is also an abundance of practical vision!
Also ?!, resurgence, tense and hope
have an important role on the well-being of this beautiful land.
Otherness and undecidability are the next goals to reach.


In the World of Resurgence there is a lot of undecidability.
People, in the past, demandad for tense and now
there is also an abundance of practical vision!
Also otherness, liquid, eco swaraj and atata
have an important role on the well-being of this beautiful land.
Hope and ?! are the next goals to reach.


At the end we used that logic but with a slightly different text asking people to choose certain words from their text.
And we wrote it in JavaScript.
And why not after all, why not copy paste here the code.



let NN = ["punctuation", "symbol", "conflict", "matter", "flux", "loop", "visibility", "multiplicity", "imagination", "democracy","darkness", "subjectivity", "reciprocity","corn", "water", "communities", "Kanye West", "cunt", "god", "language", "knowledge", "web", "ruins", "interdependence", "oneness", "identity", "values", "systems", "democracy"];

let VB = ["embrace", "flow", "combine", "reinterpret", "understand","perform", "dominate", "argue", "overuse", "express", "imagine", "perform", "coexist", "give", "receive", "reflect", "translate", "disseminate", "learn", "weave", "complicate", "demoralise", "experience", "expand", "dominate", "overuse", "express", "happen", "arrive", "submit", "self-govern", "reworld"];

let AC = ["boundless","political","pluralistic","accessible", "organic", "sublime", "imaginistic", "linguistic", "undecidable", "potential", "autonomous", "indigenous", "systemic", "reciprocal", "plural", "collective", "foreign", "unrelated", "suspicious", "other", "descriptive", "feminist", "alive", "ecologic", "harmonous"];

//main words
let NNP = ["liquid", "tense",];
var TS = ["?!", "atata", "resurgence", "hope", "practical vision", "otherness","undecidability","eco swaraj"]

function shuffleArray(inputArray){
    inputArray.sort(()=> Math.random() - 0.5);
}

shuffleArray(NN);
shuffleArray(NNP);
shuffleArray(VB);
shuffleArray(AC);
shuffleArray(TS);

var links = {
    "?!": "00/",
    "dominate" : "00/",
    "overuse" : "00/",
    "express" : "00/",
    "punctuation" : "00/",
    "symbol" : "00/",
    "conflict" : "00/",
    "political" : "00/",
    "imaginistic" : "00/",
    "linguistic" : "00/",
    "liquid": "LIQUID/",
    "flow": "LIQUID/",
    "combine": "LIQUID/",
    "reinterpret": "LIQUID/",
    "matter": "LIQUID/",
    "flux": "LIQUID/",
    "loop": "LIQUID/",
     "boundless": "LIQUID/",
    "organic": "LIQUID/",
    "sublime": "LIQUID/",
    "undecidability": "UNDECIDABILITY/",
    "visibility": "UNDECIDABILITY/",
    "multiplicity": "UNDECIDABILITY/",
    "imagination": "UNDECIDABILITY/",
    "imagine": "UNDECIDABILITY/",
    "perform": "UNDECIDABILITY/",
    "coexist": "UNDECIDABILITY/",
    "undecidable": "UNDECIDABILITY/",
    "potential": "UNDECIDABILITY/",
    "autonomous": "UNDECIDABILITY/",
    "hope": "HOPE/",
    "embrace": "HOPE/",
    "understand": "HOPE/",
    "argue": "HOPE/",
    "democracy": "HOPE/",
    "darkness": "HOPE/",
    "subjectivity": "HOPE/",
    "political": "HOPE/",
    "pluralistic": "HOPE/",
    "accessible": "HOPE/",
    "atata": "ATATA/",
    "give": "ATATA/",
    "receive": "ATATA/",
    "reflect": "ATATA/",
    "reciprocity": "ATATA/",
    "corn": "ATATA/",
    "water": "ATATA/",
    "indigenous": "ATATA/",
    "systemic": "ATATA/",
    "reciprocal": "ATATA/",
    "practical vision": "PRACTICAL_VISION/printing/",
    "translate": "PRACTICAL_VISION/printing/",
    "disseminate": "PRACTICAL_VISION/printing/",
    "learn": "PRACTICAL_VISION/printing/",
    "plural": "PRACTICAL_VISION/printing/",
    "collective": "PRACTICAL_VISION/printing/",
    "foreign": "PRACTICAL_VISION/printing/",
    "language": "PRACTICAL_VISION/printing/",
    "knowledge": "PRACTICAL_VISION/printing/",
    "web": "PRACTICAL_VISION/printing/",
    "otherness": "OTHERNESS/",
    "experience": "OTHERNESS/",
    "expand": "OTHERNESS/",
    "understand": "OTHERNESS/",
    "oneness": "OTHERNESS/",
    "identity": "OTHERNESS/",
    "values": "OTHERNESS/",
    "unrelated": "OTHERNESS/",
    "suspicious": "OTHERNESS/",
    "other": "OTHERNESS/",
    "tense": "TENSE/",
    "happen": "TENSE/",
    "arrive": "TENSE/",
    "submit": "TENSE/",
    "Kanye West": "TENSE/",
    "cunt": "TENSE/",
    "god": "TENSE/",
    "descriptive": "TENSE/",
    "feminist": "TENSE/",
    "alive": "TENSE/",
    "eco swaraj": "ECO-SWARAJ/",
    "ecologic": "ECO-SWARAJ/",
    "harmonous": "ECO-SWARAJ/",
    "political": "ECO-SWARAJ/",
    "self-govern": "ECO-SWARAJ/",
    "communities": "ECO-SWARAJ/",
    "systems": "ECO-SWARAJ/",
    "democracy": "ECO-SWARAJ/",
    "resurgence": "RESURGENCE/",
    "weave": "RESURGENCE/",
    "complicate": "RESURGENCE/",
    "demoralise": "RESURGENCE/",
    "reworld":"RESURGENCE/",
    "ruins": "RESURGENCE/",
    "interdependece": "RESURGENCE/",    
}

var icons = {
    "?!": "M",
    "dominate" : "M",
    "overuse" : "M",
    "express" : "M",
    "punctuation" : "M",
    "symbol" : "M",
    "conflict" : "M",
    "political" : "M",
    "imaginistic" : "M",
    "linguistic" : "M",
    "liquid": "L",
    "flow": "L",
    "combine": "L",
    "reinterpret": "L",
    "matter": "L",
    "flux": "L",
    "loop": "L",
     "boundless": "L",
    "organic": "L",
    "sublime": "L",
    "undecidability": "U",
    "visibility": "U",
    "multiplicity": "U",
    "imagination": "U",
    "imagine": "U",
    "perform": "U",
    "coexist": "U",
    "undecidable": "U",
    "potential": "U",
    "autonomous": "U",
    "hope": "H",
    "embrace": "H",
    "understand": "H",
    "argue": "H",
    "democracy": "H",
    "darkness": "H",
    "subjectivity": "H",
    "political": "H",
    "pluralistic": "H",
    "accessible": "H",
    "atata": "A",
    "give": "A",
    "receive": "A",
    "reflect": "A",
    "reciprocity": "A",
    "corn": "A",
    "water": "A",
    "indigenous": "A",
    "systemic": "A",
    "reciprocal": "A",
    "practical vision": "P",
    "translate": "P",
    "disseminate": "P",
    "learn": "P",
    "plural": "P",
    "collective": "P",
    "foreign": "P",
    "language": "P",
    "knowledge": "P",
    "web": "P",
    "otherness": "O",
    "experience": "O",
    "expand": "O",
    "understand": "O",
    "oneness": "O",
    "identity": "O",
    "values": "O",
    "unrelated": "O",
    "suspicious": "O",
    "other": "O",
    "tense": "T",
    "happen": "T",
    "arrive": "T",
    "submit": "T",
    "Kanye West": "T",
    "cunt": "T",
    "god": "T",
    "descriptive": "T",
    "feminist": "T",
    "alive": "T",
    "eco swaraj": "E",
    "ecologic": "E",
    "harmonous": "E",
    "political": "E",
    "self-govern": "E",
    "communities": "E",
    "systems": "E",
    "democracy": "E",
    "resurgence": "R",
    "weave": "R",
    "complicate": "R",
    "demoralise": "R",
    "reworld": "R",
    "ruins": "R",
    "interdependece": "R",
}

let message = `In the <a2 onClick="window.location.reload();" id="future">future</a2>, the world could be full of <a class="${icons[TS[0]]}" target="_blank" href="${links[TS[0]]}">${TS[0]} <span class="${icons[TS[0]]}">${icons[TS[0]]}</span></a>.\n\

Beings could <a target="_blank" class="${icons[VB[0]]}" href="${links[VB[0]]}">${VB[0]} <span class="${icons[VB[0]]}">${icons[VB[0]]}</span></a> and <a target="_blank" class="${icons[VB[1]]}" href="${links[VB[1]]}">${VB[1]} <span class="${icons[VB[1]]}">${icons[VB[1]]}</span></a> in 

<a target="_blank" class="${icons[NNP[0]]}"href="${links[NNP[0]]}">${NNP[0]} <span class="${icons[NNP[0]]}">${icons[NNP[0]]}</span></a> <a target="_blank" class="${icons[NNP[1]]}" href="${links[NNP[1]]}">${NNP[1]} <span class="${icons[NNP[1]]}">${icons[NNP[1]]}</span></a>.\n\

The <a target="_blank" class="${icons[TS[2]]}" href="${links[TS[2]]}">${TS[2]} <span class="${icons[TS[2]]}">${icons[TS[2]]}</span></a> would no longer be <a target="_blank" class="${icons[AC[4]]}" href="${links[AC[4]]}">${AC[4]} <span class="${icons[AC[4]]}">${icons[AC[4]]}</span></a>, but 

<a target="_blank" class="${icons[AC[2]]}" href="${links[AC[2]]}">${AC[2]} <span class="${icons[AC[2]]}">${icons[AC[2]]}</span></a> and <a target="_blank" class="${icons[AC[5]]}" href="${links[AC[5]]}">${AC[5]} <span class="${icons[AC[5]]}">${icons[AC[5]]}</span></a>.\n\ 

Only with <a target="_blank" class="${icons[AC[3]]}" href="${links[AC[3]]}">${AC[3]} <span class="${icons[AC[3]]}">${icons[AC[3]]}</span></a> <a target="_blank" class="${icons[TS[3]]}" href="${links[TS[3]]}">${TS[3]} <span class="${icons[TS[3]]}">${icons[TS[3]]}</span></a>, there could finally be 

<a target="_blank" class="${icons[TS[4]]}" href="${links[TS[4]]}">${TS[4]} <span class="${icons[TS[4]]}">${icons[TS[4]]}</span></a>.\n\ 

Without <a target="_blank" class="${icons[TS[5]]}" href="${links[TS[5]]}">${TS[5]} <span class="${icons[TS[5]]}">${icons[TS[5]]}</span></a>, <a target="_blank" class="${icons[NNP[1]]}" href="${links[NNP[1]]}">${NNP[1]} <span class="${icons[NNP[1]]}">${icons[NNP[1]]}</span></a> <a target="_blank" class="${icons[TS[6]]}" href="${links[TS[6]]}">${TS[6]} <span class="${icons[TS[6]]}">${icons[TS[6]]}</span></a> could never <a  target="_blank" class="${icons[VB[3]]}" href="${links[VB[3]]}">${VB[3]} <span class="${icons[VB[3]]}">${icons[VB[3]]}</span></a>.\n\ 

This is why we have to <a target="_blank" class="${icons[VB[2]]}" href="${links[VB[2]]}">${VB[2]} <span class="${icons[VB[2]]}">${icons[VB[2]]}</span></a> for the <a target="_blank" class="${icons[TS[7]]}" href="${links[TS[7]]}">${TS[7]} <span class="${icons[TS[7]]}">${icons[TS[7]]}</span></a> in ever-changing <a  target="_blank" class="${icons[NN[0]]}" href="${links[NN[0]]}">${NN[0]} <span class="${icons[NN[0]]}">${icons[NN[0]]}</span></a>.`

document.querySelector('#showMessage').innerHTML = message


About the Git

Git.jpg


About the Shooting

here




Personal Contribution: Practical Vision

I re-published the text Practical Vision.


OLDER THOUGHTS:

  • Map Side:
    • Official Artistic Response's shapes are the elements for my map
    • Squares seem to like to move from the grid of the map
    • Think to more variables if colours allowed

File:Vvvv.mp4

  • Texts side:
    • In any case:
      • Telegram Dictionary Bot explanation [a bot created in order to store translated sentences in every language users wants] [maybe have a 'weekly sentence' to translate] [people can ask to the bot to discover a random translated sentence]
      • Original Text w/ arrows which link certain words to my thoughts on:
        • "PICTURE AS INTERFACE OF LANGUAGE" + M. Fisher about language capitalism non-heritage --> neo-colonialism
        • Touring, relationship language with stuff
        • F. Cramer, various kind of languages --> "computer language"
    • if w/ color:
      • Grammar Visualization
    • if w/out color:
      • Another Visualization?







DONE THOUGHTS:
For the republication, I used P5.js to generate hand-drawing style shapes in order to highlight the most important (for me) passage in the text.
Since the text is about the importance to deal also with not-western languages I asked to a Senegalese friend and to the author, some translations of Practical Vision in different African languages, and I think it pretty worked.


PV.png
PV1.png
Boxt.jpg


As personal contribution, I made an overview of possible links from the inner meaning of Practical Vision with the Complexity and hyperobjects.
The web version is an interactive map based on anchor links



I also made a telegram bot:

This Telegram BOT makes a crowd-sourced dictionary with your translations. 
You can add every word/sentence you want from English to be translated into any language!          



Technically speaking the bot works, it stores the dictionary in the sandbot but... is not a catchy tool. Maybe is not an urgent thing, nor a necessity. I also didn't really propose it to the public, honestly.
Firsts annotations: https://pad.xpub.nl/p/Practical_Vision_Jalada



Maybe you wanna know what I do



=Important= //Deprecated

A random picker for 'volunteers' from XPUB 2020/23

Download the file from here and store it in the home folder of your computer
Just open the terminal/cmd and digit:

python3 xpub.py