User:Mia: Difference between revisions
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==[[Mia/THE_FOCAL_CAMERA|1. The Focal Camera]]== | ==[[Mia/THE_FOCAL_CAMERA|1. The Focal Camera]]== | ||
==[[Mia/History_of_the_Photobook|2. the Photobook]]== | ==[[Mia/History_of_the_Photobook|2. the Photobook]]== | ||
==[[Mia/EYE_project_18/19|3. EYE project 18/19]]== | |||
== | ==[[Mia/DIY_Film|4. DIY Film in Filmwerkplaats]]== | ||
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==[[Mia/VR|5. VR]]== | ==[[Mia/VR|5. VR]]== | ||
==[[Barricades_(working_title,_2020)|6. Barricades 2020]]== | |||
='''Reading & Writing Methods'''= | ='''Reading & Writing Methods'''= | ||
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=Exhibitions and Presentations= | =Exhibitions and Presentations= | ||
==[[Mia/City_Traces_(exhibition_in_Pivka,_SI,_2019)|City Traces (exhibition in Pivka, SI, 2019)]]== | ==[[Mia/City_Traces_(exhibition_in_Pivka,_SI,_2019)|City Traces (exhibition in Pivka, SI, 2019)]]== | ||
==[[Mia/Photoupsets_(exhibition_in_Kranj,_SI,_2019)|Photoupsets (exhibition in Kranj, SI, 2019)]]== | |||
='''[[Mia/Project proposal|Project Proposal 2019-20]]'''= | ='''[[Mia/Project proposal|Project Proposal 2019-20]]'''= | ||
='''[[Mia/Thesis|Thesis]]'''= | ='''[[Mia/Thesis|Thesis 2019-20]]'''= | ||
='''[[Mia/PROTOTYPES|Prototypes 2019-20]]'''= | |||
='''Notebook'''= | ='''Notebook'''= | ||
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[[Mia/References|Personal References]] | [[Mia/References|Personal References]] | ||
='''[https://pzwiki.wdka.nl/mw-mediadesign/images/3/32/2021_PORTFOLIO-Mia-Paller.pdf MIA PALLER: PORTFOLIO 2021 (download)]'''= | |||
Latest revision as of 10:12, 29 September 2021
Something to Begin With
Visual Nomads
Our visual environment is a complex net of signs, pictures and texts whose origins are hard to track. The references are constantly intersecting one another and appearances are traveling across the world. I regard picture as a proto-screen where the layering of visual material is being projected as the confrontation with the flood of images. I have been analysing how disparate elements are converging mostly through painting, collage and animation. I was interested in recycling in its physical as well as conceptual sense. On the other hand I often use found images from magazines, photos from the internet or reproductions of artworks and therefore deal with appropriation. The latter raises questions about authorship and originality and stimulates the examination of modern communication and reproducibility of images. Combining and manipulating the visual material results in a picture within a picture. Images are not isolated, but changeable entities that are constantly migrating – they are visual nomads.
Projects
1. The Focal Camera
2. the Photobook
3. EYE project 18/19
4. DIY Film in Filmwerkplaats
5. VR
6. Barricades 2020
Reading & Writing Methods
Session 1 (20.9. 2018) short texts: What, how, why
Session 2 (17.10. 2018) interview: Self-directed methods
Session 3 (7.11. 2018) thesis: Synopsis, annotation, notes and argument
Session 4 (21.11. 2018) image: image analysis
Session 5 (5.12. 2018) synopsis and comparison: Second synopsis and comparative essay
Session 6 (7.1. 2019) exercises in style: Exercises in style (logline, synopsis)
Session 7 (23.1. 2019) description of my own work: FOCAL CAMERA & PHOTOBOOK
Session 8 (6.2. 2019) structure of a story: main workshop page with guidelines AND pad (abstraction of an existing story)
Individual Session (9) (19.2. 2019)second comparative essay: Krauss-Duchamp: The understanding of art, medium and creative act
Session 10 (6.3. 2019) Annotated Reader: BOARD behind the scenes: What is the Apparatus?, The black box - content of annotated reader
Session 12 (10.4. 2019) Draft of Text on Method Trim3 assessment slideshow (june 2019)
Session 13 or more (self-organised individual session, 26.5. 2019) Essay: Mia Paller: Few Thoughts on Drawing (Prospects)
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