SPECIAL ISSUE 13 MARTIN BOARD: Difference between revisions
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→ 2. [https://pad.xpub.nl/p/28_10_20_SPECIAL_ISSUE_13_IDEAS PAD FOR "MAP OF THE MAPS" GUIDELINES / QUESTIONS / DEADLINES] | → 2. [https://pad.xpub.nl/p/28_10_20_SPECIAL_ISSUE_13_IDEAS PAD FOR "MAP OF THE MAPS" GUIDELINES / QUESTIONS / DEADLINES] | ||
===<p style="font-family:helvetica">About Meta | ===<p style="font-family:helvetica">About the notion of "Meta"</p>=== | ||
Making a image that describe itself as an image, a map that describes itself as a map, by using Ascii aalib (Keywords: reflexivity; embodied aesthetic; meta-cognitive; representation; sublime; attention; paradox; mise en abyme;)<br> | Making a image that describe itself as an image, a map that describes itself as a map, by using Ascii aalib (Keywords: reflexivity; embodied aesthetic; meta-cognitive; representation; sublime; attention; paradox; mise en abyme;)<br> | ||
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→ 2. [https://pad.xpub.nl/p/Design_Team_WFTF PAD] | → 2. [https://pad.xpub.nl/p/Design_Team_WFTF PAD] | ||
===<p style="font-family:helvetica"> | ===<p style="font-family:helvetica">General Links</p>=== | ||
* Tense link: https://issue.xpub.nl/13/TENSE/<br> | |||
* Wor(l)ds for the Future link: https://issue.xpub.nl/13/ | |||
==ALL PADS== | ==ALL PADS== | ||
Revision as of 10:15, 11 April 2021
WHAT DID I DO?
- During this Special Issue 13, on one hand, I have been involved into the creation of the visual identity of the project with the design team. Creating the map of maps, the colophon, and the cover of our book all entirely with a WebtoPrint process and by using free licensed typefaces and materials. I also gave a little help on the launch page, but it remained a very small contribution on that part. Finally an even smaller but still relevant contribution to the collective work was my title suggestion: Wor(l)ds for the Future.
- On the other hand, I have been working on the essay called TENSE, by creating 4 different HTML printable pages. With my interpreation, I amplify the author’s discourse on descriptive language by using and overusing meta-descriptions (html tags). Meta language is undeniably descriptive, as it allows a machine to interpret content and to give the structure of a Web page. By making these meta tags visible, I wish to affect the reader/user experience and interepreation of the text.
WORKLINKS
Workshops
Collaboration, Conflict & Consent with Eleanor Greenhalgh
→ 1. Workshop page
→ 2. Freeze
Annotating
Words/publications to read/annotate : Tense, Practical Vision, Eco-Swaraj
Team: Pon, Floor & Martin
→ 1. TENSE PDF PADMAP
Simon(e) van Saarloos / from Words of the Future - Nienke Scholts (2017)
→ 2. Practical Vision PDFPAD
Moses Kilolo / from Words of the Future - Nienke Scholts (2017)
→ 3. Eco-Swaraj PDF PAD
Ashish Kothari / from Words of the Future - Nienke Scholts (2017)
Licensing
→ 1. Writting a General License - group work with Floor, Pon & Camillo (in Progress) PAD
→ 2. License to Sub-License - individual work (in Progress) PAD
Mapping readings
→ 1. Mapping the map - group work with XPUB1 / coordinated by Steve PAD
→ 2. A3 MAP TEMPLATE (FOR PRINT TEST)
Creating a map of maps
→ 1. TEMPLATE
→ 2. PAD FOR "MAP OF THE MAPS" GUIDELINES / QUESTIONS / DEADLINES
About the notion of "Meta"
Making a image that describe itself as an image, a map that describes itself as a map, by using Ascii aalib (Keywords: reflexivity; embodied aesthetic; meta-cognitive; representation; sublime; attention; paradox; mise en abyme;)
→ 1. The meta as an aesthetic category Bruno Trentini (2014)
→ 2. File:RMZ ARTIST WRITING(2).pdf The eye tells the story by Rosa Maria Zangenberg (2017)
→ 3. Leonardo Da Vinci - Paragone by Louise Farago
Design department Special ISSUE XII
General Links
- Tense link: https://issue.xpub.nl/13/TENSE/
- Wor(l)ds for the Future link: https://issue.xpub.nl/13/
ALL PADS
- Mapping Key words
- Overview on the project
- SI13 general Pad
- Communication Pad
- PUBLIC_COPYRIGHT_LICENSES_RESEARCH
- Licensing
- TENSE
TEXTS
https://pzwiki.wdka.nl/mediadesign/Category:WordsfortheFuture
| Word | Authors | PDF (small) |
|---|---|---|
| LIQUID | Rachel Armstrong, Andrea Božic & Julia Willms (TILT) | link |
| OTHERNESS | Daniel L. Everett, Sarah Moeremans | link link link |
| PRACTICAL VISION | Moses Kilolo (Jalada), Klara van Duijkeren & Vincent Schipper (The Future) | link link link |
| ECO-SWARAJ | Ashish Kothari, Rodrigo Sobarzo | link link |
| HOPE | Gurur Ertem, Ogutu Muraya | link |
| TENSE | Simon(e) van Saarloos, Eilit Marom & Anna Massoni & Elpida Orfanidou & Adina Secretan & Simone Truong | link link |
| UNDECIDABILITY | Silvia Bottiroli, Jozef Wouters | link |
| RESURGENCE | Isabelle Stengers, Ola Macijewska | link |
| !? | Nina Power, Michiel Vandevelde | link |
| ATATA | Natalia Chavez Lopez, Hilda Moucharrafieh | link |
Prototyping
With Pyhton
→ 1. Generating 100 000 billions of poems
from 100 000 milliards de poèmes — Raymond Queneau (1961)
→ 2. Trump speeches words occurences counter
→ 3. Computer assisted licensing
→ 4. Making a Gradient Patch (Coordinated by Manetta and Michael)
SPECIAL ISSUE VISUAL DESIGN
Creating the map with Web to Print
Creating the cover and colophon with Web to Print
Map preview IRL
Book preview IRL
TENSE
- Link to original text: https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/src/branch/master/pdfs-small/Words-for-the-Future---TENSE---ESSAY-resampled.pdf
Our process in pads
- Pad with annotations on the original text: https://pad.xpub.nl/p/TENSE
- Pad with notes: https://pad.xpub.nl/p/TENSEnotes
Our process in Figma
A note about the text
Because the text itself is very spontaneously written and quiet 'apocalyptic' in a way. It has different motions to adress. Sometimes personal thoughts. Sometimes philosophical thoughts. It is not an essay with a conclusion, but more a flow of ideas. After reading it we had a lot of thoughts and discussions about what it really means. The text self is not easy to understand and we needed to use the dictionairy frequently. To explain this text we would need a lot more text. The summary would count more words than the actual essay so we're currently working on alternative way(s) to make this essay intelligible.
Work in progress mapping the essay with visual parts https://www.figma.com/file/QFNnwDTXWSxFIjZQC65pcr/Tense?node-id=0%3A1
TENSE Web to Print Process
Post-Launch TENSE Motion Design Process
Working from a Web interation video capture
Trying to play around with the Browser window resizing in order to create a playful animation decidaced be a thumbnail of the project. The two first screen capture will be the basis of the upcoming motion. I will first try to smooth the window movement and make the two screen capture fit togehter before synchronizing them and looping them.
Smoothing/Combining/Synchronizing Frames
Working from a videocapture and trying to smooth the quiet laggy movment of the window was quiet tricky, I got there after a while.
Final Result Square + Rectangle Format
