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== Radio Implicancies ==
= <span style="text-shadow: 0 0 30px fuchsia;>Radio Implicancies</span> =
'''''If technological systems are implicated in the structuring of knowledge and knowledge systems are implicated in how technology operates … how do we start to think the world otherwise?'''''


The question above triggered Special Issue #12. It might sound impossibly abstract, but '''Radio Implicancies''' is rooted in a concrete concern. From the way the Latin alphabet has become ubiquitous in human-machine interfaces to the naturalized alignment of computation with binary separations, from mis-directed critiques on algorithmic discrimination, or harm done to marginalised knowledges by on-line learning platforms<ref>Taskeen Adam (2019), Digital neocolonialism and massive open online courses (MOOCs): colonial pasts and neoliberal futures</ref>, to eco-solutionism immersed in technocapitalism<ref>“I'm very pro-technology, but I belong to a crowd that is quite skeptical of the projects of what we might call the “techno-fix,” in part because of their profound immersion in technocapitalism and their disengagement from communities of practice.” Donna Haraway (2019), ''A Giant Bumptious Litter: Donna Haraway on Truth, Technology, and Resisting Extinction'' https://logicmag.io/nature/a-giant-bumptious-litter/?</ref> …  we ''know'' that technology orients knowledge and constrains what world(s) can be thought, studied, imagined and critiqued. We also know that dominant knowledge systems and technological systems are soaked in colonial thought, if not practice.<ref>“It is not so much that computing has a colonial impulse, but rather —as decolonial thinkers might argue— it is colonial through and through.” Syed Mustafa Ali (2016), ''A brief introduction to decolonial computing''</ref> But where do we start?
'''Radio Implicancies''' is about practicing interdependencies. About how to stay with the complex entanglements between the personal, the economical, the political and the computational. About thinking, using and making technology with mutual relations in mind.


Special Issue #12 invites you to experiment with propositions by feminist, non-binary, queer, anti-colonial and other disobedient researchers in response to this complex knot. Their resistant praxes widen the toolset for ‘thinking the world’ by paying attention to both matter and form. Their work considers feelings, intuitions, inventions, humour, diffractions and figurations in order to expand epistomologies (knowledge systems) as well as ontologies (thinking about what exists). They imagine knowledge infrastructures beyond binary separation, ask what non-exclusionary categories could do, or what other ways of calculating, validating, ordering collections of digital material could emerge. Of course none of them offers simple fixes to any of the issues on the table.
<gallery widths=300px heights=200px>
File:Yarn.png|thumb|none|300px|[https://papertiger.org/donna-haraway-reads-the-national-geographic-on-primates Donna Haraway Reads “The National Geographic” on Primates], Paper Tiger TV, 1987
File:Implicancies.png|thumb|300px|none|''4 waters: deep implicancy'' (filmstill), Denise Ferreira Da Silva + Arjuna Neuman, 2019
File:Tumblr_fd8926e676b0c0077b14705b67213562_e95978bb_1280.jpg|none|thumb|300px|Edouard Glissant, One world in relation. Manthia Diawara, 2009
</gallery>


I borrowed the term “implicancies” from Denise Ferreira Da Silva and Arjuna Neumann. In their film ‘4 Waters: Deep Implicancy’, “implicancy” stands for entangled forms of responsibility that keep modern operations in place: extraction, disposession, segregation, externalisation and optimisation.<ref>Denise Ferreira Da Silva, Arjuna Neumann (2018), ''4 Waters: Deep Imlicancy'' https://vimeo.com/287255021</ref> But “implicancy” is also a technical term used in propositional calculus, explained as ‘the hypothesis of an implication’. Without having much experience with this type of mathematical logic, to me it suggests the possibility of a paradigm shift, not just by external agents, but by the power of imagination. As Da Silva writes: ‘What will have to be relinquished for us to unleash the imagination’s radical creative capacity and draw from it what is needed for the task of thinking The World otherwise? Nothing short of a radical shift in how we approach matter and form.’<ref>Denise Fereira Da Silva (2016), ''On difference without separability''</ref>


'''Radio Implicancies''' starts in the middle. It asks you to take a deep breath and jump in so we can work together on ways that knowledge and technology might intersect differently. Let’s not wait for tomorrow to pay attention to the colonial conditionings of contemporary techno-cultures!<ref>“I feel that the knowledges and methods our disciplines use have a very slim chance of survival. The epistemologies privileged by digital spaces and the various platforms that now (and maybe for the foreseeable future) become existential tools for teaching are not well suited to our epistemologies: What is the PowerPoint document, YouTube-Video, or interactive PDF that best simulates the experience of reading and discussing Gender Trouble for the first time? How do I do "mood work" (Carolyn Padwell) when teaching 20 people in a virtual classroom on BigBlueButton? How do you and I discuss the overt or residual racism and politics of Birth of Nation (1915) or The Green Book (2017), and my own position as a white person behind a MacBook using Zoom (unable to broadcast my system audio, and I do not know whether I should send the video-feed showing myself because of bandwidth issues)?” Simon Strick (2020), ''Digitally Drunk'' https://www.zfmedienwissenschaft.de/online/blog/digitally-drunk</ref>
If everything is mixed up with everything else, where do you start? Does it ever end? What does it mean to mean to say “stop” or “cut”? And how could anything change? '''Radio Implicancies''' invites you to experiment with practical and theoretical propositions by feminist, non-binary, queer, anti-colonial and other disobedient researchers/practitioners who each in their own way tug at the threads of techno-ecologies.<ref name="ftn1">"Seems to me that the cultural critic is faced by a world that is very much like tangled balls of yarn. And that one way to approach the situation is to pull on a thread and begin to untangle the ball of meanings. And begin to trace through one thread, and then another, what gets to count as nature, for whom, and when. And how much it costs to produce nature at a particular moment in history, for a particular group of people." Paper Tiger TV, ''Donna Haraway Reads “The National Geographic” on Primates'', 1987 [https://papertiger.org/donna-haraway-reads-the-national-geographic-on-primates/ https://papertiger.org/donna-haraway-reads-the-national-geographic-on-primates/]</ref> They crack jokes and demand the impossible but also pay attention to feelings of discomfort and despair. From and with them we learn about things like refusal, diffraction and figuration and about the openings these might make for imagining technology otherwise.


I borrowed the term “implicancies” from Denise Ferreira Da Silva and Arjuna Neumann. Their film ''4 Waters: Deep Implicancy'' is a poethical exploration of rivers, histories, volcanoes and schools of thought that flow together.<ref name="ftn2">Denise Ferreira Da Silva, Arjuna Neumann (2018), ''4 Waters: Deep Implicancy'' https://vimeo.com/287255021</ref> The “Deep implicancies” in the title of their film signals the entangled responsibilities for maintaining colonial hierarchies between what and who is considered to be of value or not. The film argues that to change this, we first of all need to displace the logics that make extraction, disposession, and segregation work. In an e-mail conversation with Neumann, Da Silva explains that she therefore prefers the term “deep implicancies” over “entanglement” because to her, entanglement is still informed by the possibility of separation, of de-tanglement or a return to a moment before the knot was made.<ref name="ftn3">“Deep Implicancy is an attempt to move away from how separation informs the notion of entanglement.” Denise Ferreira Da Silva in conversation with Arjuna Neumann</ref> This is the challenge we face: how to deal with deep implications and being implicated without falling into the trap of undoing and restoring; of falling for the promise of ''fair algorithms'', ''good data'' and ''zero carbon technologies''.


[[File:Catalogue.png|thumb|none|700px|Zoumana Meïté, Martino Morandi (2019), ''A new fire ceremony'']]
The Special Issue '''Radio Implicancies''' is an occasion to figure out routines for starting with small things, while keeping bigger structures in mind.<ref name="ftn4">“Any ‘archipelaic’ thought is a trembling thinking, it is about not-presuming, but also about opening and sharing. We do not need to define a Federations of States first, or to install administrative and institutional orders. It already begins its work of entanglement everywhere, without being concerned with establishing preconditions. As far as our relations in the Archipelago are concerned, let us start with the small things, while keeping in mind the big ones.” Edouard Glissant, ''Traite du tout monde'' </ref> Together we’ll test ways to hold complexity, by releasing often and early.<ref name="ftn0">“This well-known watchword among free software developers invites authors to forget about their complexes and to refrain from trying to produce a finished project on their first attempt. The question pertains to what ‘releasing sources’ means. Does this mean publishing source files? Adding comments to the code? Documenting them? Making the code generic in order to make it more easily reusable? This is the reason why it is preferable to publish as early as possible in order to enable others to contribute to the project, code-wise or documentation-wise…” Open Source Publishing (OSP), ''Relearn'', [http://osp.kitchen/api/osp.writing.relearn/5e0cdc51d618e150a67af0f18c21823afa17fa28/blob-data/EN_17-04-18-book.pdf http://osp.kitchen/api/osp.writing.relearn/5e0cdc51d618e150a67af0f18c21823afa17fa28/blob-data/EN_17-04-18-book.pdf]</ref> We’ll experiment with (and think with) ... other computing, alternative orders, queer analytics, affective infrastructures, multiple voices, iterative listening, performative recordings, collaborative annotation, rehearsing improvisation. Let's take a deep breath and ... start from the middle!


<gallery widths=200px heights=100px>
File:Edges.png|[https://youtu.be/zkz0MULEdhE Ajayeb’s edges, pop up book], Sina Seifee
File:QD.jpg|[https://queeringdamage.hangar.org/ Queering Damage] *
File:Otherterms.png|[https://computingwithinlimits.org/2021/papers/limits21-devalk.pdf A pluriverse of local worlds], Marloes de Valk
File:Monstrosities.png|[https://w-i-t-m.net/2020/radio-active-monstrosities.html Radio-active Monstrosities], Angeliki Diakrousi
File:Amazonuser.png|[https://www.janavirgin.com/AMZ The Hidden Life of an Amazon User], Joanna Moll
File:Multivocal.png|[https://multivocal.org/ multivocal]: "explores representation, identity and aesthetics of synthesized voices"
File:Melt.png|[http://meltionary.com/meltries/r.html Bug Report: Tuning to trans*feminist Xystem.Crash], Meltionary
File:Whospeaks.png|[https://whospeaks.eu/ Who Speaks?] Artificial Intelligence, Language, and Democracy
File:Monoskop reader.png|[https://monoskop.org/reader Monoskop Reader] cross-indexes multiple volumes of text with the help of tf–idf
File:Thisemail.png|[https://varia.zone/en/we-hope-this-email.html We Hope This E-mail Finds You Well], Cristina Cochior, Artemis Gryllaki, Christina Karagianni, Amy Pickles
File:Neon.png|[https://titipi.org/pub/Counter_Cloud_Action_Plan.pdf Counter Cloud Action Plan], TITiPI for NEoN *
File:Catalogue.png|[https://diversions.constantvzw.org/wiki/index.php?title=Projects:Zoumana_Me%C3%AFte:_Een_nieuwe_vuurceremonie A new browser ceremony], Martino Morandi and Zoumana Meite
File:Spectra.png|[https://github.com/project-spectra Project Spectra]: vocal-gender training software for trans & gender non-conforming people
File:Baskervol.jpg|[https://typotheque.genderfluid.space/ Inclusive typography @ Typotheque + QUNI], Bye Bye Binary
File:Schaerbeeksetaal.png|[https://www.lalangueschaerbeekoise.be/ Schaerbeekse taal]: Brussels' vocabulary, Constant
File:Herface.jpg|[https://vimeo.com/645996661 How does it matter to see her face], Elodie Mugrefya
File:Conflicted.jpg|[http://lawrenceabuhamdan.com/conflicted-phonemes Conflicted Phonemes], Lawrence Abu Hamdan
</gallery>


== How does this work ==
== How does this work ==


From April 22nd onwards, we meet every Wednesday afternoon between 14:00 and 17:00. Most afternoons an invited guest will join to propose an exercise, a question, something to read or a discussion. We will use these afternoons to build a set of materials, playlists, keywords, references, resources to be used for the Radio Implicancies broadcasts.
'''Radio Implicancies''' starts on Tuesday April 12 and from that moment on, we will publish a soundfile every week. This edition of '''Radio Implicancies '''is actually not a live broadcast but a series of eight audio-zines. In a way, Issue #18 is launched every week.
 
To make a collective environment for sound-production and listening together, we will start building a studio in the first week of the project. For hosting and contextualize the audio-zines, we will also need a basic web-platform. The soundfiles themselves can be created by any means necessary, i.e. you are invited to experiment with different protocols and editorial approaches: readings, DJ-ing, artificial voices, hardware experiments, field recordings … they can be live-on-tape (recorded from live sessions on Tuesday or earlier) or produced otherwise.
 
Every Tuesday morning, we will take time to listen to the soundfile-in-the-making in the studio. Testing out processes for working together is crucial, so we will keep rotating care-taking roles (coordinating the recording, technical support, preparing materials for publication etc.).
 
In addition to input by Femke and guests, Manetta, Michael, Joseph and Steve also provide input, feedback and support for your ongoing technical and conceptual work. In the second half of the project, guests will join to propose an exercise, a question, something to read or a discussion. Throughout regular tutorials and group sessions we will build a shared repository of playlists, routines, keywords, references, formats and resources.
 
'''[https://pad.xpub.nl/p/index_#18 Issue #18 Pad Index]'''
 
== Schedule ==


Radio Implicancies experiments with (and thinks with) technological and epistemological objects such as Structured Query Language (SQL), library standards, queer analytics, other catalogs, alternative orders, streaming protocols.
=== Z E R O ===


Wednesday mornings we can make individual or small group appointments as needed.
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/12-04-2022 -Event 2|<span style="text-shadow: 0 0 20px fuchsia;>Tuesday 12 April</span>]] ====


On Thursday afternoons, Radio Implicancies broadcasts from 14:00-17:00. These public broadcasts are ongoing experiments with a specific subset of technological tools for sharing and formatting knowledge. Radio Implicancies will use any means necessary i.e. different protocols and editorial approaches: audio streaming, live-on-tape, DJ-ing, on-line reading groups, web-rtc, liquid soap, podcasts, xmpp chat, … A dedicated wiki will be set up to support communication, documentation and archiving of the broadcasts.
https://pad.xpub.nl/p/SI18_zero


In addition to the materials provided by guests, Aymeric, André, Michael and Steve will provide input and support for your ongoing technical and conceptual work through regular tutorials and on-line sessions.
https://pad.xpub.nl/p/SI18_vocabulary


Special Issue #12 will be special in many ways. It will take place entirely on-line for  only nine weeks, including a two-week break. It is hosted by someone you have never met in RL while we individually and collectively plot through uncertain times. The Radio Implicancies schedule is therefore on purpose repetitive, so that we can use the time together to make changes and re-invent what it means to deal with implicancies and with being implicated. In a way Issue #12 will be launched again every week!
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/12-04-2022 -Event 2}}


== Schedule ==
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/13-04-2022_-Event_1|<span style="text-shadow: 0 0 20px fuchsia;>Wednesday 13 April</span>]] ====
 
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/13-04-2022_-Event_1}}
 
=== O N E ===
 
https://pad.xpub.nl/p/SI18_one
 
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/19-04-2022 -Event 4|<span style="text-shadow: 0 0 20px fuchsia;>Tuesday 19 April</span>]] ====
 
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/19-04-2022 -Event 4}}
 
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/20-04-2022 -Event 4|<span style="text-shadow: 0 0 20px fuchsia;>Wednesday 20 April</span>]] ====
 
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/20-04-2022 -Event 4}}
 
=== T W O ===
 
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/25-04-2022_-Event_1|<span style="text-shadow: 0 0 20px fuchsia;>Monday 25 April</span>]] ====


=== // Week 1 ===
https://pad.xpub.nl/p/SI18_two
'''Wednesday 22 April'''
* 10:00-12:30 Introductions
* 14:00-17:00 meeting on-line (guest: Michael Murtaugh)
'''Thursday 23 April'''
* 14:00-17:00 broadcast #12.0


=== <del>// Week 2</del> ===
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/25-04-2022_-Event_1}}
'''Wednesday 29 April'''
* reading week
'''Thursday 30 April'''
* reading week


=== <del>// Week 3</del> ===
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/26-04-2022 -Event 4|<span style="text-shadow: 0 0 20px fuchsia;>Tuesday 26 April</span>]] ====
'''Wednesday 6 April'''
* spring holidays
'''Thursday 7 April'''
* spring holidays


=== // Week 4 ===
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/26-04-2022 -Event 4}}
'''Wednesday 13 May'''
* 14:00-17:00 meeting on-line (guest: Zoumana Méïté)
'''Thursday 14 May'''
* 14:00-17:00 broadcast #12.1


=== // Week 5 ===
=== (...) ===
'''Wednesday 20 May'''
* 14:00-17:00 meeting on-line (guest: Helen Pritchard)
'''Thursday 21 May'''
* 14:00-17:00 broadcast #12.2


=== // Week 6 ===
'''May vacation'''
'''Wednesday 27 May'''  
* 14:00-17:00 meeting on-line (guest: Varia)
'''Thursday 28 May'''
* 14:00-17:00 broadcast #12.3


=== // Week 7 ===
=== T H R E E ===
'''Wednesday 3 June'''
*14:00-17:00 meeting on-line (guest: Unbound Libraries (Elodie Mugrefya + Martino Morandi + An Mertens))
'''Thursday 4 June'''
* 14:00-17:00 broadcast #12.4


=== // Week 8 ===
https://pad.xpub.nl/p/SI18_three
'''Wednesday 10 June'''
* 14:00-17:00 meeting on-line with Aymeric (guest: t.b.c.)
'''Thursday 11 June'''
* 14:00-17:00 broadcast #12.5


=== // Week 9 ===
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/09-05-2022 -Event 1|<span style="text-shadow: 0 0 20px fuchsia;>Monday 9 May</span>]] ====
'''Wednesday 17 June'''
* 14:00-17:00 meeting on-line (guest: t.b.c.)
'''Thursday 18 June'''
* 14:00-17:00 broadcast #12.6: Unbound Libraries
'''Friday 19 June'''
* 10:00-13:00 assesment


== Resources ==
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/09-05-2022 -Event 1}}


* Sylvia Wynter (2015), On Being Human as Praxis -- interview with Katherine Mckittrick
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/10-05-2022 -Event 4|<span style="text-shadow: 0 0 20px fuchsia;>Tuesday 10 May</span>]] ====
* Elodie Mugrefya (2019), Mise en Valeur et Omission https://diversions.constantvzw.org/wiki/index.php?title=Afrique_aux_noirs
* Donna Haraway (2019), A Giant Bumptious Litter: Donna Haraway on Truth, Technology, and Resisting Extinction https://logicmag.io/nature/a-giant-bumptious-litter/?fbclid=IwAR13RpmuwM17aSvo6V-G5EDWF8MpxKunBf-1KuTfExrDsfCK1BHFvCWNv3
* Denise Fereira Da Silva (2016), 'On difference without separability'
* Edouard Glissant, One World in Relation https://www.youtube.com/watch?v=aTNVe_BAELY
* Zach Blas & Micha Carde (2015), Imaginary computational systems: queer technologies and transreal aesthetics
* Noah Tsika (2016), CompuQueer: Protocological Constraints, Algorithmic Streamlining, and the Search for Queer Methods Online
* Anaïs Nony (2017), Technology of Neo-Colonial Epistemes
* Wendy Hui Kyong Chun (2009), Race and/as Technology; or, How to Do Things to Race
* Syed Mustafa Ali (2016), A brief introduction to decolonial computing
* Sara Ahmed and Anne-Marie Fortier, "Re-imagining communities", in International Journal of Cultural Studies 2003, Volume 6(3): 251–259.
* Michael Murtaugh, Eventual consistency https://diversions.constantvzw.org/wiki/index.php?title=Eventual_Consistency
* Saidiya Hartman, The Plot of Her Undoing
* Alexis Pauline Gumbs and Julia Roxanne Wallace, Black Feminist Calculus Meets Nothing to Prove: A Mobile Homecoming Project Ritual toward the Postdigital
* Taskeen Adam (2019), Digital neocolonialism and massive open online courses (MOOCs): colonial pasts and neoliberal futures


== Guests + contributors ==
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/10-05-2022 -Event 4}}


=== André Castro ===
=== F O U R ===


André Castro is a media artist, with a background in sound art and experimental music. His recent practice deals with digital publications, offline digital libraries (bibliotecha.info), MIDI songs, and chatbots.
https://pad.xpub.nl/p/SI18_four


André is a 2013 alumnus of the MMDC program and has previously studied under the Sonic Arts MA at Lansdown Centre for Electronic Arts (Middlesex University, UK).
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/16-05-2022 -Event 1|<span style="text-shadow: 0 0 20px fuchsia;>Monday 16 May</span>]] ====


Currently André is a tutor at the Piet Zwart Institute.
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/16-05-2022 -Event 1}}


http://oooooooooo.io
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/17-05-2022 -Event 5|<span style="text-shadow: 0 0 20px fuchsia;>Tuesday 17 May</span>]] ====


=== Cristina Cochior ===
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/17-05-2022 -Event 5}}


Is a researcher and designer working in the Netherlands. With an interest in automation practices, situated software and peer to machine knowledge production, her practice consists of artistic research investigations into the intimate bureaucracy of knowledge organisation and sharing systems.
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/18-05-2022 -Event 1|<span style="text-shadow: 0 0 20px fuchsia;>Wednesday 18 May</span>]] ====


=== Seda Guerses ===
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/18-05-2022 -Event 1}}


Seda is currently an Associate Professor in the Department of Multi-Actor Systems at TU Delft at the Faculty of Technology Policy and Management, and an affiliate at the COSIC Group at the Department of Electrical Engineering (ESAT), KU Leuven. Previously she was an FWO post-doctoral fellow at COSIC/ESAT, a research associate at the Center for Information Technology and Policy at Princeton University, and a fellow at the Media, Culture and Communications Department at NYU Steinhardt as well as the Information Law Institute at NYU Law School.
=== F I V E ===


=== Julie Bosschat Thorez ===
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/23-05-2022 -Event 1|<span style="text-shadow: 0 0 20px fuchsia;>Monday 23 May</span>]] ====


Is an artist and researcher whose work re-appropriates scientific methods to explore the impact of digital systems over human agency and governance. Trained in Fine Arts at the ERG in Brussels and Media Design at the Piet Zwart Institute in Rotterdam, she has developed a practice based approach to digital art preservation over the years, with a focus on variability, circulation, co-authorship and access. She's into these things: infrastructures, archives, cartography, spatiality, inexactitude, human ecosystems, biopower. She also cultivates a passion for embarassing puns and consternating news headlines.
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/23-05-2022 -Event 1}}


=== Aymeric Mansoux ===
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/24-05-2022_-Event_4|<span style="text-shadow: 0 0 20px fuchsia;>Tuesday 24 May</span>]] ====


Aymeric Mansoux research deals with the defining, constraining and confining of cultural freedom in the context of network based practices. His past and current collaborations spawn across the creation of festivals and conferences (Le Placard, make art, FREE?!), music and sound works (0xA, Raid Over Moscow, stmsq1), installations (Go Forth & *, Hello Process, Meshy), software (Puredyne GNU/Linux) as well as collectives and communities (GOTO10, La Société Anonyme, 80c), books (FLOSS+Art, Elastic Versailles) and all sorts of workshops related to media, net, generative, software art and culture.
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/24-05-2022_-Event_4}}


His latest collaborations are Naked on Pluto (VIDA award [ES]), with Marloes de Valk and Dave Griffiths, a project that aims at unfolding the issues of software mediation in the context of privacy and communication within a proprietary and commercial social network such as Facebook; and The SKOR Codex (Japan Media Arts Festival award [JP]), with La Société Anonyme, a limited edition of eight hand bound books of raw data dumps that mimic NASA’s Golden Disc Record, aiming at documenting the life at a Dutch institution before it ceased to exists with the 2012 Dutch art funding cuts.
=== (...) ===


He is currently a PhD candidate at the Centre for Cultural Studies, Goldsmiths, University of London [UK] under supervision of Prof. Matthew Fuller, researching on the creative misunderstandings between art, politics and the law within free culture. He regularly publishes essays and papers linked to his ongoing research:&nbsp;[http://bleu255.com/ http://bleu255.com]
'''Reading/Study week'''


=== Martino Morandi ===
'''Diffractive Reading''': Pick two resources from the Related Resources page, and read/watch/... them "diffractively" through one another (i.e let them interfere with each other). Prepare a way to share some resonance for the afternoon session on Tuesday 7 June; duration p/p for doing this is maximum 5 minutes: A sound, an image, a quote, a performative response, an object, (it does not have to be durational) ... If you want to, you can take one resource from elsewhere but include at least one from the page. You can also pick materials that we watched/looked at together already.


researches at the intersections between technology, politics and art. His interests and projects articulate around the material conditions of technologies and their genealogies, using non-hegemonic paradigms like conviviality, semi-efficiency, dys-functioning. He collaborates with LAG in Amsterdam and Constant in Bruxelles.
=== S I X ===


=== Zoumana Méïté ===
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/07-06-2022 -Event 4|<span style="text-shadow: 0 0 20px fuchsia;>Tuesday 7 June</span>]] ====


is a performer and theatre-maker based in Brussels with a practice in artistic research, dramaturgy and improvisation. He concluded the post-master programme in a.pass, advanced performance and scenography studies. In his performances he moves with radio-waves, ink-drops and the memories of his own body.
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/07-06-2022 -Event 4}}


=== An Mertens ===
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/08-06-2022_-Event_4|<span style="text-shadow: 0 0 20px fuchsia;>Wednesday 8 June</span>]] ====


=== Elodie Mugrefya ===
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/08-06-2022_-Event_4}}


is co-responsible for artistic research & project development at Constant. She is interested in the issues surrounding the procedures for disseminating, passing on and maintaining knowledge, customs and beliefs.
=== S E V E N ===


=== Michael Murtaugh ===
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/14-06-2022 -Event 4|<span style="text-shadow: 0 0 20px fuchsia;>Tuesday 14 June</span>]] ====


Michael Murtaugh completed his undergraduate degree in Computer Science and Electrical Engineering at the Massachusetts Institute of Technology (’94). Subsequently he was part of the Interactive Cinema group, led by Glorianna Davenport at the MIT Media Lab where he completed a masters degree (’96). His research focus was on building tools for “Evolving Documentaries”, or how traditional film/video model evolves in the context of digital networked media such as the Web.
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/14-06-2022 -Event 4}}


Currently Michael teaches in the Master Media Design and Communication programme at the Piet Zwart Institute. He is a member of Constant, a Brussels based collective engaged in the fields of free and open source software, feminism, copyright alternatives, and collaborative networks. With Constant he is currently working on Active Archives, a platform for diverse material ranging from texts to images and video. Seeing the project as both technical and cultural, the system facilitates, re-use of material while enriching content through metadata, vocabularies, and taxonomies. Next to these activities, Murtaugh is the founder of automatist.org, a new media design firm specialised in community databases, interactive documentary, and tools for new forms of reading and writing online.
=== E I G H T ===


[http://automatist.org/ http://automatist.org/]
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/21-06-2022 -Event 4|<span style="text-shadow: 0 0 20px fuchsia;>Tuesday 21 June</span>]] ====


=== Helen Pritchard ===
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/21-06-2022 -Event 4}}


http://www.helenpritchard.info/
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/22-06-2022 -Event 4|<span style="text-shadow: 0 0 20px fuchsia;>Wednesday 22 June</span>]] ====


=== Aymeric Mansoux ===
<del>{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/22-06-2022 -Event 4}}</del>


Aymeric Mansoux research deals with the defining, constraining and confining of cultural freedom in the context of network based practices. His past and current collaborations spawn across the creation of festivals and conferences (Le Placard, make art, FREE?!), music and sound works (0xA, Raid Over Moscow, stmsq1), installations (Go Forth & *, Hello Process, Meshy), software (Puredyne GNU/Linux) as well as collectives and communities (GOTO10, La Société Anonyme, 80c), books (FLOSS+Art, Elastic Versailles) and all sorts of workshops related to media, net, generative, software art and culture.
==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/24-06-2022 -Event 4|<span style="text-shadow: 0 0 20px fuchsia;>Friday 24 June</span>]] ====


His latest collaborations are Naked on Pluto (VIDA award [ES]), with Marloes de Valk and Dave Griffiths, a project that aims at unfolding the issues of software mediation in the context of privacy and communication within a proprietary and commercial social network such as Facebook; and The SKOR Codex (Japan Media Arts Festival award [JP]), with La Société Anonyme, a limited edition of eight hand bound books of raw data dumps that mimic NASA’s Golden Disc Record, aiming at documenting the life at a Dutch institution before it ceased to exists with the 2012 Dutch art funding cuts.
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/24-06-2022 -Event 4}}


He is currently a PhD candidate at the Centre for Cultural Studies, Goldsmiths, University of London [UK] under supervision of Prof. Matthew Fuller, researching on the creative misunderstandings between art, politics and the law within free culture. He regularly publishes essays and papers linked to his ongoing research:&nbsp;[http://bleu255.com/ http://bleu255.com]
=== ... ===


=== Michael Murtaugh ===
{{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/27-06-2022_-Event_1}}


Michael Murtaugh completed his undergraduate degree in Computer Science and Electrical Engineering at the Massachusetts Institute of Technology (’94). Subsequently he was part of the Interactive Cinema group, led by Glorianna Davenport at the MIT Media Lab where he completed a masters degree (’96). His research focus was on building tools for “Evolving Documentaries”, or how traditional film/video model evolves in the context of digital networked media such as the Web.
[https://pad.xpub.nl/p/si18_debrief Debrief pad]


Currently Michael teaches in the Master Media Design and Communication programme at the Piet Zwart Institute. He is a member of Constant, a Brussels based collective engaged in the fields of free and open source software, feminism, copyright alternatives, and collaborative networks. With Constant he is currently working on Active Archives, a platform for diverse material ranging from texts to images and video. Seeing the project as both technical and cultural, the system facilitates, re-use of material while enriching content through metadata, vocabularies, and taxonomies. Next to these activities, Murtaugh is the founder of automatist.org, a new media design firm specialised in community databases, interactive documentary, and tools for new forms of reading and writing online.
== Implicants, broadcasters and caretakers ==


[http://automatist.org/ http://automatist.org/]
[[User:Kimberley|Kimberley]],
[[User:Chae0|<span style="background-color: black; color: white; font-size: 20px; padding:2px;">Chaeyoung ᕦ(ò_óˇ)ᕤ]],
[[User:Erica|<span style="color=red; background-color:#C2F200; padding= 3px; font-size: 15px; text-decoration:none; font-family: Courier"> gr *･｡ﾟ. erica .*･｡ﾟgr</span>]],
[[User:Gersande|gersande]],
[[User:Carmen Gray|Carmen]],
[[User:Miriam|<span style="color=pink; text-shadow: 0 0 8.5px #3F3FFF; background-color:yellow; font-size: 23px; font-family: DIN condensed"> MIRIAM SCHÖB <span>]],
[[User:Ohjian|<span style="color:#FFB6C1; font-size: 25px; text-shadow: 2px 3px 4px #0000FF, 2px 2px 4px #0000FF">o h j i a n]],
[[User:FLEM|<span style="color:#FFD700; font-weight:bold> flem]],
[[User:Supisara|<span style="background-image: linear-gradient(black,white); color: white; text-shadow: 1px 1px 1px black, 0 0 0.1em white, 0 0 0.1em white; box-shadow: 0 5px 5px 0 rgba(0,0,0,1); border-radius: 50%; padding: 5px; font-size: 20px">SUPI]],
[[User:Mitsa|mitsa]],
[[User:Francesco|kamo 🍲]],
[[User:Ålnik|<span style="color: black; font-family: PT Mono; text-decoration:none; background-color: #D0F117; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >'''☾ Ål Nik ☾'''</span>]].


=== Steve Rushton ===
&rarr; '''[[Implicancies Caretakers|Caretakers Page]]'''


Steve Rushton writes and edits.
== Guests + contributors ==


=== Femke Snelting ===
[[Implicancies_Guests_+_contributors#Manetta Berends|Manetta Berends]],
[[Implicancies_Guests_+_contributors#Michael_Murtaugh|Michael Murtaugh]],
[[Implicancies_Guests_+_contributors#Steve_Rushton|Steve Rushton]],
[[Implicancies_Guests_+_contributors#Joseph Knierzinger|Joseph Knierzinger]],
[[Implicancies_Guests_+_contributors#Femke_Snelting|Femke Snelting]],
[[Implicancies_Guests_+_contributors#Caterina Mora|Caterina Mora]],
[[Implicancies_Guests_+_contributors#Elodie Mugrefya|Elodie Mugrefya]],
[[Implicancies_Guests_+_contributors#Sina Seifee|Sina Seifee]].


develops projects at the intersection of design, feminisms, and free software. In various constellations she explores how digital tools and practices might co-construct each other. She is member of Constant, association for art and media based in Brussels. Since 1997, Constant generates performative publishing, curatorial processes, poetic software, experimental research and educational prototypes in local and international contexts. With Jara Rocha she activates Possible Bodies, a collective research to interrogates the concrete and at the same time fictional entities of bodies in the context of volumetric technologies. With the Underground Division (Helen Pritchard and Jara Rocha), she studies the computational imaginations of rock formations. Femke teaches at XPUB (experimental publishing master, Rotterdam) and at a.pass (advanced performance and scenography studies, Brussels).
&rarr; '''[[Implicancies_Guests_+_contributors|Biographies]]'''


== References ==
== References ==
<references/>


[[Category:Implicancies]]
[[Category:Special Issue]]

Latest revision as of 09:35, 27 June 2022

Radio Implicancies

Radio Implicancies is about practicing interdependencies. About how to stay with the complex entanglements between the personal, the economical, the political and the computational. About thinking, using and making technology with mutual relations in mind.


If everything is mixed up with everything else, where do you start? Does it ever end? What does it mean to mean to say “stop” or “cut”? And how could anything change? Radio Implicancies invites you to experiment with practical and theoretical propositions by feminist, non-binary, queer, anti-colonial and other disobedient researchers/practitioners who each in their own way tug at the threads of techno-ecologies.[1] They crack jokes and demand the impossible but also pay attention to feelings of discomfort and despair. From and with them we learn about things like refusal, diffraction and figuration and about the openings these might make for imagining technology otherwise.

I borrowed the term “implicancies” from Denise Ferreira Da Silva and Arjuna Neumann. Their film 4 Waters: Deep Implicancy is a poethical exploration of rivers, histories, volcanoes and schools of thought that flow together.[2] The “Deep implicancies” in the title of their film signals the entangled responsibilities for maintaining colonial hierarchies between what and who is considered to be of value or not. The film argues that to change this, we first of all need to displace the logics that make extraction, disposession, and segregation work. In an e-mail conversation with Neumann, Da Silva explains that she therefore prefers the term “deep implicancies” over “entanglement” because to her, entanglement is still informed by the possibility of separation, of de-tanglement or a return to a moment before the knot was made.[3] This is the challenge we face: how to deal with deep implications and being implicated without falling into the trap of undoing and restoring; of falling for the promise of fair algorithms, good data and zero carbon technologies.

The Special Issue Radio Implicancies is an occasion to figure out routines for starting with small things, while keeping bigger structures in mind.[4] Together we’ll test ways to hold complexity, by releasing often and early.[5] We’ll experiment with (and think with) ... other computing, alternative orders, queer analytics, affective infrastructures, multiple voices, iterative listening, performative recordings, collaborative annotation, rehearsing improvisation. Let's take a deep breath and ... start from the middle!


How does this work

Radio Implicancies starts on Tuesday April 12 and from that moment on, we will publish a soundfile every week. This edition of Radio Implicancies is actually not a live broadcast but a series of eight audio-zines. In a way, Issue #18 is launched every week.

To make a collective environment for sound-production and listening together, we will start building a studio in the first week of the project. For hosting and contextualize the audio-zines, we will also need a basic web-platform. The soundfiles themselves can be created by any means necessary, i.e. you are invited to experiment with different protocols and editorial approaches: readings, DJ-ing, artificial voices, hardware experiments, field recordings … they can be live-on-tape (recorded from live sessions on Tuesday or earlier) or produced otherwise.

Every Tuesday morning, we will take time to listen to the soundfile-in-the-making in the studio. Testing out processes for working together is crucial, so we will keep rotating care-taking roles (coordinating the recording, technical support, preparing materials for publication etc.).

In addition to input by Femke and guests, Manetta, Michael, Joseph and Steve also provide input, feedback and support for your ongoing technical and conceptual work. In the second half of the project, guests will join to propose an exercise, a question, something to read or a discussion. Throughout regular tutorials and group sessions we will build a shared repository of playlists, routines, keywords, references, formats and resources.

Issue #18 Pad Index

Schedule

Z E R O

Tuesday 12 April

https://pad.xpub.nl/p/SI18_zero

https://pad.xpub.nl/p/SI18_vocabulary

XPUB1: SI18 set-up week / large project space

  • 11:00-13:00 Introductions to each other and to Radio Implicancies / Femke + Steve + Manetta + Michael + Joseph
  • 14:00-17:30 Vocabulary, reading, exercises / Femke

Wednesday 13 April

XPUB1: SI18 set-up week / aquarium

  • 11:00-13:00 Special Issue / setting up studio, basic website / Femke + Steve + Manetta + Michael + Joseph (Femke mixes in short tutorials)
  • 14:00-17:30 Special Issue / end day with listening to test recording / Femke + Steve + Manetta + Michael + Joseph

O N E

https://pad.xpub.nl/p/SI18_one

Tuesday 19 April

XPUB1: SI18 Weekly Release 01 & Prototyping / large project space

  • 11:00-13:00 Special Issue / Weekly Release 01 / Femke + Steve + Michael
  • 14:00-17:30 Special Issue / prototyping (1st) / Manetta + Joseph

Wednesday 20 April

XPUB1: SI18 RW&RM / large project space

  • 11:00 - 17:00 With Steve:

In The Cybernetic Explanation (1967), Gregory Bateson wrote: “If we find a monkey striking a typewriter apparently at random but in fact is writing meaningful prose we shall look for restraints, either inside the monkey or inside the typewriter”

In this session we will be using this small library to inform our experiments.

Text by Simon Yuill https://www.metamute.org/editorial/articles/all-problems-notation-will-be-solved-masses;

Scratch Orchestra's Nature Study Notes (1969) http://intuitivemusic.dk/iima/sonsn.pdf

John Cage's Song Books Vol 1 (1970) https://monoskop.org/images/0/03/Cage_John_Song_Books_Volume_1.pdf

Pad: https://pad.xpub.nl/p/Problemsofnotation-for_annotation

Addition to small library: Eno: Oblique Strategies (card game)

https://monoskop.org/images/8/8c/Eno_Brian_Schmidt_Peter_Oblique_Strategies.pdf


Order of play

We start at 11:00. Please be prompt.

AM (reading and annotating):


1) Look at Nature Study Notes (1969) by Scratch Orchestra (ed.Cornelius Cardew) read out some of the instructions...

2) RAPID reading and annotation of all problems of notation will be solved by the masses

3) Return to Nature Study Notes (1969)

AM/PM (inventing and experimenting):

14:00 -regroup to organise workflow

Make pad with notations (scratches) on it

In groups, invent, perform, record notations

Time table:

pad for notation exercise https://pad.xpub.nl/p/notation_experiment_0420

a) record your own notations

b) record notations from another group (so, we end up with different recorded versions of the same piece)

4) 16:30 upload and listen

5) 17:00 wrap up

T W O

Monday 25 April

https://pad.xpub.nl/p/SI18_two

XPUB1: Prototyping / aquarium

  • 11:00 - 17:30 prototyping (2nd) / Manetta and Joseph

Tuesday 26 April

XPUB1: SI18 Weekly Release 02 / large project space

  • 11:00-13:00 Special Issue / Weekly Release 02 / Femke
  • 14:00-17:30 Special Issue / reading, vocabulary / Femke

(...)

May vacation

T H R E E

https://pad.xpub.nl/p/SI18_three

Monday 9 May

XPUB1: Prototyping / aquarium

  • 11:00-17:30 Prototyping (3rd) / Manetta + Joseph

Tuesday 10 May

XPUB1: SI18 Weekly Release 03 / large project space

  • 11:00-13:00 Special Issue / Weekly Release 03 / Femke
  • 14:00-17:30 Special Issue / Femke (reading: Saidiya Hartman, The Plot of Her Undoing + looking at/listening to projects)

F O U R

https://pad.xpub.nl/p/SI18_four

Monday 16 May

XPUB1: Prototyping / aquarium

  • 11:00-17:00 Prototyping (4th) / Manetta + Joseph

Tuesday 17 May

XPUB1: SI18 Weekly Release 04 / the large project space

  • 11:00-13:00 Special Issue / Weekly Release 04 / Femke + guest: Sina Seifee
  • 14:00-17:30 Special Issue / Femke + guest: Sina Seifee

Wednesday 18 May

XPUB1: SI18 RW&RM / aquarium

  • 11:00 - 17:30 Steve

This is the last session with Steve for this academic year

Today you will mostly work on the projects for RADIO IMPLICANCIES you have been developing in prototyping.

11:00-12:00 Intro to Graduate Research Seminar 2022-2023. The GRS is the seminar which guides you through the process of writing a Project Proposal (in trim 4) and a thesis (in trim 4+5). We will discuss compiling text about your practice over the last 3 trimesters; discuss thesis; discuss project proposal.

Graduate Seminar 2022-2023

Review of RW&RM what worked and what didn't?

12:00 -17:00 Individual tutorials about RADIO IMPLICANCIES project or GRS (next year's workflow).

Meet Steve in the aquarium:

Pad (notes on tutorials):

https://pad.xpub.nl/p/wedMethods16

13:15 Jian

14:00 chae / Kimberley

14:45 supi / carmen

15:30 garga / mitsa

16:15 sumo / emm

16:45 gi

F I V E

Monday 23 May

XPUB1: Prototyping / aquarium

  • 11:00-17:30 Prototyping (5th Session) / Manetta + Joseph
  • 11:00-17:30 Prototyping (5th Session) / Manetta + Joseph

Tuesday 24 May

XPUB1 SI18: Weekly Release 05 / large project space

  • 11:00-13:00 Special Issue / Femke + guest: Elodie Mugrefya
  • 14:00-17:30 Special Issue / Femke + guest: Elodie Mugrefya

(...)

Reading/Study week

Diffractive Reading: Pick two resources from the Related Resources page, and read/watch/... them "diffractively" through one another (i.e let them interfere with each other). Prepare a way to share some resonance for the afternoon session on Tuesday 7 June; duration p/p for doing this is maximum 5 minutes: A sound, an image, a quote, a performative response, an object, (it does not have to be durational) ... If you want to, you can take one resource from elsewhere but include at least one from the page. You can also pick materials that we watched/looked at together already.

S I X

Tuesday 7 June

XPUB1 SI18 11:00 - 17:30 / Weekly Release 06 / Femke in the large project space

  • 11:00-13:00 Special Issue / Weekly Release 06 / Femke
  • 14:00-17:30 Special Issue / diffractive reading reports / Femke

Wednesday 8 June

XPUB1 SI17: 14:00 - 17:30 14:00?-17:30 Prototyping (6th) / Joseph in the large project space

S E V E N

Tuesday 14 June

XPUB1 SI18: Weekly Release 07 / Femke in the WH.-1.203 Souterrain, take the PZI back stairs and walk all the way down to the basement, see floorplan on zulip

  • 09:30-12:00 Special Issue / TaNG@ Thermique: Transversal tools for cha(LLE)nging roles and warming up conversations, with caterina daniela mora jara: "This workshop is an invitation to move together. The rules of the Argentine/global tango are not respected and roles are playfully reversed. Together we investigate the way we walk and how we can do this more consciously. Anyone who would like to move to music from a century ago, whether alone or together with someone else, is welcome. No experience with tango or dance is required. This practice is inspired by the pioneering South American feminist movement. The workshop aims to question the hierarchical relationship in improvisation by undermining historical and archetypal gender norms in tango"

Reading: Marie Bardet, Making a front with our backs

  • 13:30-15:30 Special Issue / Weekly Release 07 / Femke

E I G H T

Tuesday 21 June

XPUB1 S18 11:00 - 13:00 / Weekly Release 08 / Femke in La Generale, Paris

  • 11:00-13:00 Special Issue / individual tutorials w. Femke (please sign up)
    • 10:20 chae
    • 10:40 grgr
    • 11:00 Carmen
    • 11:20 Supi
    • 11:40 Emm
    • 12:00 Jian
    • 12:20 Mitsa
    • 12:40 Miri
    • BREAK
    • 14:00 Subo
    • 14:20 Alex
    • 14:40 Gersande
    • 15:00 Kimberley
  • 15:30 - 17:00 / Weekly Release 08 / Femke

Wednesday 22 June

Friday 24 June

XPUB1 SI18 archive launch

...

XPUB1: 10-12 Special Issue #18 DEBRIEF (in person + online) Michael https://hotline.xpub.nl/aquarium

Debrief pad

Implicants, broadcasters and caretakers

Kimberley, Chaeyoung ᕦ(ò_óˇ)ᕤ, gr *･｡ﾟ. erica .*･｡ﾟgr, gersande, Carmen, MIRIAM SCHÖB , o h j i a n, flem, SUPI, mitsa, kamo 🍲, ☾ Ål Nik ☾.

→ Caretakers Page

Guests + contributors

Manetta Berends, Michael Murtaugh, Steve Rushton, Joseph Knierzinger, Femke Snelting, Caterina Mora, Elodie Mugrefya, Sina Seifee.

→ Biographies

References

  1. ↑ "Seems to me that the cultural critic is faced by a world that is very much like tangled balls of yarn. And that one way to approach the situation is to pull on a thread and begin to untangle the ball of meanings. And begin to trace through one thread, and then another, what gets to count as nature, for whom, and when. And how much it costs to produce nature at a particular moment in history, for a particular group of people." Paper Tiger TV, Donna Haraway Reads “The National Geographic” on Primates, 1987 https://papertiger.org/donna-haraway-reads-the-national-geographic-on-primates/
  2. ↑ Denise Ferreira Da Silva, Arjuna Neumann (2018), 4 Waters: Deep Implicancy https://vimeo.com/287255021
  3. ↑ “Deep Implicancy is an attempt to move away from how separation informs the notion of entanglement.” Denise Ferreira Da Silva in conversation with Arjuna Neumann
  4. ↑ “Any ‘archipelaic’ thought is a trembling thinking, it is about not-presuming, but also about opening and sharing. We do not need to define a Federations of States first, or to install administrative and institutional orders. It already begins its work of entanglement everywhere, without being concerned with establishing preconditions. As far as our relations in the Archipelago are concerned, let us start with the small things, while keeping in mind the big ones.” Edouard Glissant, Traite du tout monde
  5. ↑ “This well-known watchword among free software developers invites authors to forget about their complexes and to refrain from trying to produce a finished project on their first attempt. The question pertains to what ‘releasing sources’ means. Does this mean publishing source files? Adding comments to the code? Documenting them? Making the code generic in order to make it more easily reusable? This is the reason why it is preferable to publish as early as possible in order to enable others to contribute to the project, code-wise or documentation-wise…” Open Source Publishing (OSP), Relearn, http://osp.kitchen/api/osp.writing.relearn/5e0cdc51d618e150a67af0f18c21823afa17fa28/blob-data/EN_17-04-18-book.pdf

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