SPECIAL ISSUE 13 MARTIN BOARD

WORKLINKS

Workshops

Collaboration, Conflict & Consent with Eleanor Greenhalgh

→ 1.  Workshop page
→ 2.  Freeze

Annotating

Words/publications to read/annotate : Tense, Practical Vision, Eco-Swaraj
Team: Pon, Floor & Martin

→ 1. TENSE PDF PADMAP
        Simon(e) van Saarloos / from Words of the Future - Nienke Scholts (2017)
→ 2. Practical Vision PDFPAD
        Moses Kilolo / from Words of the Future - Nienke Scholts (2017)
→ 3. Eco-Swaraj PDF PAD
        Ashish Kothari / from Words of the Future - Nienke Scholts (2017)

Licensing

→ 1.  Writting a General License - group work with Floor, Pon & Camillo (in Progress) PAD
→ 2.  License to Sub-License - individual work (in Progress) PAD

Mapping readings

→ 1.  Mapping the map - group work with XPUB1 / coordinated by Steve PAD
→ 2.  A3 MAP TEMPLATE (FOR PRINT TEST)

Creating a map of maps

→ 1.  TEMPLATE
→ 2.  PAD FOR "MAP OF THE MAPS" GUIDELINES / QUESTIONS / DEADLINES

About Meta-map

Making a image that describe itself as an image, a map that describes itself as a map, by using Ascii aalib (Keywords: reflexivity; embodied aesthetic; meta-cognitive; representation; sublime; attention; paradox; mise en abyme;)
→ 1.  The meta as an aesthetic category Bruno Trentini (2014)
→ 2.  File:RMZ ARTIST WRITING(2).pdf The eye tells the story by Rosa Maria Zangenberg (2017)
→ 3.  Leonardo Da Vinci - Paragone by Louise Farago

Design department Special ISSUE XII

→ 1.  HOTLINE
→ 2.  PAD

Tense Design/Communication

→ 1.  Tense Web/Motion experiments

ALL PADS

• Mapping Key words
  
• Overview on the project

TEXTS

https://pzwiki.wdka.nl/mediadesign/Category:WordsfortheFuture

Word	Authors	PDF (small)
LIQUID	Rachel Armstrong, Andrea Božic & Julia Willms (TILT)	link
OTHERNESS	Daniel L. Everett, Sarah Moeremans	link link link
PRACTICAL VISION	Moses Kilolo (Jalada), Klara van Duijkeren & Vincent Schipper (The Future)	link link link
ECO-SWARAJ	Ashish Kothari, Rodrigo Sobarzo	link link
HOPE	Gurur Ertem, Ogutu Muraya	link
TENSE	Simon(e) van Saarloos, Eilit Marom & Anna Massoni & Elpida Orfanidou & Adina Secretan & Simone Truong	link link
UNDECIDABILITY	Silvia Bottiroli, Jozef Wouters	link
RESURGENCE	Isabelle Stengers, Ola Macijewska	link
!?	Nina Power, Michiel Vandevelde	link
ATATA	Natalia Chavez Lopez, Hilda Moucharrafieh	link

Prototyping

With Pyhton

→ 1.  Generating 100 000 billions of poems
          from 100 000 milliards de poèmes — Raymond Queneau (1961)
→ 2.  Trump speeches words occurences counter
→ 3.  Computer assisted licensing
→ 4.  Making a Gradient Patch (Coordinated by Manetta and Michael)

SPECIAL ISSUE VISUAL DESIGN

Creating the map with Web to Print

export 1

export 2

export 3

export 4

export 5

export 6

Creating the cover and colophon with Web to Print

WFTF Colophon Web To Print

WFTF Colophon Simulation

Map preview IRL

WFTF map timelapse

Final printed map IRL

WFTF map in use

Book preview IRL

WFTF Book Final Shot 01

WFTF Book Final Shot 02

WFTF book final shot 03

WFTF book final shot 04

TENSE

• Link to original text: https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/src/branch/master/pdfs-small/Words-for-the-Future---TENSE---ESSAY-resampled.pdf

Our process in pads

• Pad with annotations on the original text: https://pad.xpub.nl/p/TENSE
• Pad with notes: https://pad.xpub.nl/p/TENSEnotes

Our process in Figma

• Map https://www.figma.com/file/QFNnwDTXWSxFIjZQC65pcr/Tense?node-id=0%3A1

A note about the text

Because the text itself is very spontaneously written and quiet 'apocalyptic' in a way. It has different motions to adress. Sometimes personal thoughts. Sometimes philosophical thoughts. It is not an essay with a conclusion, but more a flow of ideas. After reading it we had a lot of thoughts and discussions about what it really means. The text self is not easy to understand and we needed to use the dictionairy frequently. To explain this text we would need a lot more text. The summary would count more words than the actual essay so we're currently working on alternative way(s) to make this essay intelligible.

Work in progress mapping the essay with visual parts https://www.figma.com/file/QFNnwDTXWSxFIjZQC65pcr/Tense?node-id=0%3A1

Navigation Screen Captures

Square screencapture TENSE 01

Square screencapture TENSE 02

Square screencapture TENSE 03

Square screencapture TENSE 04

Square screencapture TENSE 05

Square screencapture TENSE 06

TENSE screen capture Square 01

TENSE screen capture Square 02

TENSE Web to Print Process

Tense Essay To Print 01

Tense Essay To Print 02

Tense Artistic Response To Print 01

Tense Artistic Response To Print 02

Post-Launch TENSE Motion Design Process

Working from a Web interation video capture

Trying to play around with the Browser window resizing in order to create a playful animation decidaced be a thumbnail of the project. The two first screen capture will be the basis of the upcoming motion. I will first try to smooth the window movement and make the two screen capture fit togehter before synchronizing them and looping them.

TENSE MOTION Initial Screen Capture 1

TENSE MOTION Initial Screen Capture 2

Smoothing/Combining/Synchronizing Frames

Working from a videocapture and trying to smooth the quiet laggy movment of the window was quiet tricky, I got there after a while.

Export 1

Export 2

Export 3

Final Result Square + Rectangle Format

Tense Motion V3 - Martin Foucaut

TENSE Motion Rectangle Format Loop in the loop