User:Martin
Special Issues
Special Issue 13
RESEARCH BOARD + TENSE INTERPRETATION
Special Issue 14
RESEARCH BOARD + LAUNCHER + FOLDER INTERFACES⚑
Reading Notes (based on personal interests/research)
Books
→ 1. L'art comme expérience — John Dewey (french) (yet to be filled)
publisher: Gallimard (1934)
→ 2. L'œuvre d'art à l'époque de sa reproductibilité technique — Walter Benjamin (french
publisher: Alia (1939)
→ 3. La Galaxie Gutemberg — Marshall McLuhan (french)
publisher: University of Toronto Press (1962)
→ 3. Pour comprendre les médias — Marshall McLuhan (french)
publisher: McGraw-Hill Education (1964)
→ 4. Dispositif — Jean-Louis Baudry (french)
publisher: Raymond Bellour, Thierry Kuntzel et Christian Metz (1975)
→ 5. L’Originalité de l’avant-garde et autres mythes modernistes — Rosalind Krauss (french) (yet to be filled)
publisher: Macula (1993)
→ 6. L'art de l'observateur: vision et modernité au XIXe siècle — Jonathan Crary (french)
publisher: Jacqueline Chambon (Editions) (1994)
→ 7. Inside the White Cube, the Ideology of Gallery Space — Brian O'Doherty (english) (yet to be filled)
publisher: Les presses du réel (2008)
→ 8. Préçis de sémiotique générale — Jean-Marie Klinkenbeg (french) (yet to be filled)
publisher: Point (2000)
→ 9. Langage des nouveaux médias — Lev Manovitch (french) (yet to be filled)
publisher: Presses du Réel (2001)
→ 10. L'empire cybernétique — Cécile Lafontaine (french)
publisher: Seuil (2004)
→ 11. La relation comme forme — Jean Louis Boissier (french)
publisher: Genève, MAMCO(2004)
→ 12. Le Net Art au musée — Anne Laforêt (french)
publisher: Questions Théoriques(2011)
→ 13. Narrative comprehension and Film communication — Edward Branigan (english)
publisher: Routledge (2013)
→ 14. Statement and counter statement / Notes on experimental Jetset — Experimental Jetset (english)
publisher: Roma (2015)
→ 15. Post Digital Print — Alessandro Ludovico (french) ≈
publisher: B42 (2016)
→ 16. L'écran comme mobile — Jean Louis Boissier (french)
publisher: Presses du réel (2016)
→ 17. Design tactile — Josh Clark (french)
publisher: Eyrolles (2016)
→ 18. Espaces de l'œuvre, espaces de l'exposition — Pamela Bianchi (french)
publisher: Eyrolles (2016)
→ 19. Imprimer le monde (french)
publisher: Éditions HYX et les Éditions du Centre Pompidou (2017)
→ 20. Version 0 - Notes sur le livre numérique (french)
publisher: ECRIDIL (2018)
Articles
→ 1. Frederick Kiesler — artiste- architecte (yet to be filled)
(communiqué de presse)
Centre pompidou; source : centrepompidou.fr (1996)
→ 2. Oublier l'exposition (yet to be filled)
Artpress special numéro 21 (2000)
→ 3. Composer avec l’imprévisible: Le questionnaire sur les médias variables (yet to be filled)
Jon Ippolito; source : variablemedia.net/pdf/Permanence (2003)
→ 4. Esthétique du numérique : rupture et continuité
Fred Forest; source : archives.icom.museum (2010)
→ 5. La narration interactive (yet to be filled)
Dragana Trgovčević source : ensci.com/file_intranet/mastere_ctc/etude_Dragana_Trgovcevic.pdf (2011)
→ 6. Des dispositifs aux appareils - L'Espacement d'un calcul
Anthony Masure source : anthonymasure.com (2013)
To read
→ 1. Joost Rekveld 2007, Mental Spaces, viewed 15 October 2018, <http://www.joostrekveld.net/wp/?page_id=590>
→ 2. Kluitenberg, Eric, ed. Book of imaginary media. Excavating the dream of the ultimate communication medium. Rotterdam: NAi Publishers, 2006.
References (based on personal interests/research)
About questioning the exhibition space
→ Prouns Spaces — El lissitzky (1920)
→ City in Space — Frederick Kiesler (1920)
→ The air conditionning Show — Terry Atkinson & Michael Baldwin(1966-67)
→ Sans titre — Michael Asher (1973)
→ Serra Corner prop n°7 (for Nathalie) Richard Serra (1983)
About nothingness
→ 4’’33’ — John Cage (1952)
→ Untitled - A Curse — Tom Friedman (1965)
→ The air conditionning Show — Terry Atkinson & Michael Baldwin(1966-67)
→ Sans titre — Michael Asher (1973)
About enhancing the media
→ 4’’33’ — John Cage (1952)
→ TV Garden — Nam June Paik (1974)
→ Presents — Michael Snow (soon to be translated)
→ Lost Formats Preservation Society — Experimental Jetset (2000)
→ Lost Formats Winterthur — Experimental Jetset (2000)
About flags
→ Netflag — Mark Napier (2002)
→ 019 - Flag show (2015)
About the Internet points of view
→ What you see is what you get — Jonas Lund (2012)
About media time
→ Present Continuous Past — Dan Graham's (1974)
About interactive cinema
→ KINOAUTOMAT — Radúz Činčera (1967)
About interactive music
→ DIMI Ballet — Erkki Kurenniemi (1971)
About experimental cinema
→ Presents — Michael Snow (soon to be translated)
→ Displacements — Michael Naimark (1980)
→ BE NOW HERE — Michael Naimark (1995)
About unusual Web interfaces
→ http://eliaskurth.net/projects/broken-spaces-are-more-likely
→ https://iad-lab.ch/
→ https://www.powerhouse-company.com/
→ https://nonymous.com/
→ https://www.samyrio.fr/
→ https://noplans.show/
→ https://springkids.gucci.com/
→ http://www.danielsannwald.com/
→ https://neuhaus.world/
→ https://carolinedussuel.com/
→ http://www.wir-publizieren.ch/
→ http://www.jayapelupessy.com/
→ http://differentrecordings.com/
→ http://www.maximilienpellegrini.com/
→ https://www.thomasdemonaco.com/
→ http://dexternavy.com/
→ http://act.mit.edu/cavs
→ http://torquetorque.net/
→ https://lewonder.com/
→ https://data-orbit.ch/
→ https://thexx.info/home/
→ https://uncannyvalley.studio/
Personal Works (Media Art)
→ 1. Incidences Médiatiques — Martin Foucaut (2018)
→ 2. Media Spaces — Martin Foucaut (2019)