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| Laure Prouvost | | Laure Prouvost |
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| =Readings= | | == Margins and Identities == |
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| ===Counter, Revolution, Film===
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| ===='''''Reading''''' ====
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| *'''''Aaron J. Leonard, and Connor A. Gallagher. Heavy Radicals: The FBI's Secret War on America's Maoists. London: Zero Books, 2015.'''''
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| *'''''Adorno, T.W. “Commitment.” In The Essential Frankfurt School Reader. Edited by Andrew Arato and Eike Gebhardt, 300-318. New York: Continuum, 1998..'''''
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| *'''''Alter, Nora. “The Political Im/perceptible in the Essay Film: Farocki’s ‘Images of the World and Inscriptions of War’.” New German Critique 68 (1996): 165–192.'''''
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| *'''''Baumann, Stefanie (2021). "Images of the Real: Introductory Notes 1." Cinema Journal of Philosophy and the Moving Image 12 (2021): 8-21.'''''
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| * '''''Benjamin, Walter. The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media. Edited by Michael W. Jennings, Brigid Doherty and Thomas Y. Levin. Cambridge: Belknap Press of Harvard University Press, 2008.'''''
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| *'''''Bevins, Vincent. The Jakarta Method: Washington's Anticommunist Crusade and the Mass Murder Program that Shaped Our World. New York: Public Affairs, 2020.'''''
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| *'''''Davis, Angela. If They Come in the Morning…: Voices of Resistance. London: Verso, 2016.'''''
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| *'''''Eshun, Kodwo, and Ros Gray, (eds).”The Militant Image: A Ciné‐Geography. Editors’ Introduction.” Third Text, 25, no. 1 (2011): 1-12.'''''
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| *'''''Fanon, Frantz. The Wretched of the Earth. Translated by Constance Farrington. London: Penguin, 1963.'''''
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| *'''''Harvey, Sylvia. “Whose Brecht? Memories for the Eighties.” Screen 23, no. 1 (1982): 45-59.'''''
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| *'''''Khalili, Laleh. Time in the Shadows: Confinement in Counterinsurgencies. Stanford: Standford University Press, 2012.'''''
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| *'''''James, CLR. “They Showed the Way to Labor Emancipation: On Karl Marx and the 75th Anniversary of the Paris Commune,” Labor Action Newspaper of the Workers Party of the United States (March 18, 1946). Last accessed November 12, 2023 <nowiki>https://libcom.org/article/karl-marx-and-paris-commune-clr-james</nowiki>.'''''
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| *'''''de Laurot, Edouard. “Composing as the Praxis of Revolution: The Third World and the USA.” Third Text 25, no. 1 (2011): 67-91.'''''
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| *'''''Lorde, Audre. “Apartheid U.S.A.” In I Am Your Sister: Collected and Unpublished Writings of Audre Lorde. Edited by Rudolph B. Byrd, Johnetta Betsch Cole and Beverly Guy-Sheftall. Oxford: Oxford University Press, 2009.'''''
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| *'''''Marx, Karl. “The Paris Commune.” In The Civil War in France. (1871). Last accessed November 3, 2023 <nowiki>https://www.marxists.org/archive/marx/works/1871/civil-war-france/ch05.htm</nowiki>'''''
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| *'''''Meister, Robert. After Evil: The Politics of Human Rights. New York: Columbia University Press, 2021.'''''
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| *'''''Minh-Ha, Trinh T. “Documentary Is/Not a Name.” October 52 (1990): 76-98.'''''
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| *'''''Mokhtefi, Elaine. Algiers Third World Capital: Freedom Fighters, Revolutionaries, Black Panthers. London: Verso Books 2022.'''''
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| *'''''Nichols, Bill. Speaking Truths with Film. Evidence, Ethics, Politics in Documentary. Oakland: University of California Press, 2016.'''''
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| *'''''Rabinowitz, Paula. They Must Be Represented: The Politics of Documentary. London: Verso, 2004.'''''
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| *'''''Rodowick, D. N. The Crisis of Political Modernism: Criticism and Ideology in Contemporary Film Criticism. Oakland: University of California Press, 1995.'''''
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| *'''''Ross, Kristin. Communal Luxury: The Political Imaginary of the Paris Commune. London and New York: Verso, 2016.'''''
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| *'''''Toscano, Alberto. Late Facscism. London and New York: Verso, 2023.'''''
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| *'''''Whyte, Jessica. The Morals of the Market: Human Rights and the Rise of Neoliberalism. London and New York: Verso, 2019.'''''
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| ===='''''Film list'''''====
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| *'''''Solanas and Getino, The Hour of the Furnaces (1973)'''''
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| *'''''Gilles Pontecorvo, La Bataille d’Algers (1966)'''''
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| *'''''John Frankenheimer, The Manchurian Candidate (1962)'''''
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| *'''''Stanley Kubrik, Doctor Strangleove (1964)'''''
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| * '''''Don Siegel, Invasion of the Body Snatchers (1956)'''''
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| *'''''Thom Andersen, Red Hollywood (1996)'''''
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| *'''''Barbet Schroeder, The Devil’s Advocate (2007)'''''
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| *'''''Black Audio Film Collective, Handsworth Song (1986)'''''
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| * '''''Mustafa Abu Ali, several'''''
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| *'''''Kassem Hawal, Return to Haifa (1982)'''''
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| *'''''Tokyo Reels'''''
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| *'''''Ivens, Marker, Klein, Resnais, Varda, Godard, Lelouch, Loin du Vietnam (1967)'''''
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| *'''''Joshua Oppenheimer, The Act of Killing (2011)'''''
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| *'''''Chris Marker, Level 5 (1999) and La Jetée (1966)'''''
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| *'''''JL Godard, Anne Marie Mieville and JP Gorin, Içi et Ailleurs and Notre Musique'''''
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| *'''''Godard, La Chinoise (1967)'''''
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| * '''''Steve McQueen, Small Axe: Mangrove (2022)'''''
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| * '''''Peter Watkins, La Commune (2002)'''''
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| *'''''Sarah Gomez, One Way or Another (1974)'''''
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| *'''''Wes Hondo, West Indies: The Fugitive Slaves of Liberty (1979)'''''
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| *'''''Dziga Vertov, Man with a Movie Camera (1925)'''''
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| *'''''Sergei Eisenstein, Battleship Potemkin (1925) or Ten Days that Shook the World (1928)'''''
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| *'''''Harun Farocki Workers Leaving the Factory (1995)'''''
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| * '''''Flora Gomes and Diana Andringa The Two Faces of War (2000)'''''
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| * '''''Sarah Maldoror (1969) Monangambee'''''
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| *'''''Trinh T. Minh-ha (1983) Reassemblage: From the Firelight to the Screen'''''
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| *'''''Laura Poitras, Citizenfour (2014)'''''
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| ===Readings from Institute for Postnatural Studies===
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| *'''''Death by Landscape, Elvia Wilk'''''
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| *'''''The Left Hand of Darkness, Ursula K. Le Guin'''''
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| ===='''''From Mindy Seu'''''====
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| *'''''A [White] Cyborg’s Manifesto_ the overwhelmingly Western ideology driving technofeminist theory'''''
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| *'''''Race, Gender, and Virtual Inequality_ Exploring the Liberatory Potential of Black Cyberfeminist Theory'''''
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| ===='''''From Carmen Lael'''''====
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| *'''''Podcast: <nowiki>https://archive.ica.art/whats-on/what-can-post-cyber-feminism-do-reproductive-justice/</nowiki>'''''
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| *'''''Legacy Russell, Glitch Feminism: A Manifesto (London: Verso, 2020)'''''
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| *'''''Tiziana Terranova, ‘Free Labour: Free Labour, Producing Culture for the Digital Economy,’ Social Text 63: <nowiki>https://web.mit.edu/schock/www/docs/18.2terranova.pdf</nowiki>'''''
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| *'''''Anastasia Siaoka and Elisabetta Biasin, ‘Bleeding Data: The Case of Fertility and Menstruation Tracking Apps,’ Internet Policy Review: <nowiki>https://policyreview.info/articles/analysis/bleeding-data-case-fertility-and-menstruation-tracking-apps</nowiki>'''''
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| ===='''''From Amy Ireland'''''====
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| *'''''Sadie Plant, 'On the Matrix: Cyberfeminist Simulations' in The Cybercultures Reader, eds. David Bell and Barbara M. Kennedy (London: Routledge, 2000), 325–336.'''''
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| * '''''Annihilation (film), Alex Garland dir., 2018.'''''
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| *'''''Amy Ireland, ‘Alien Rhythms’, Litteraria Pragensia, vol. 29, no. 58, ‘Avant-Futures’, 2019: 58–71 (or online).'''''
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| ===='''''From Ama Josephine Budge''''' ====
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| *'''''Troubling Ecology: Wangechi Mutu, Octavia Butler, and Black Feminist Interventions in Environmentalism (32 pages) Chelsea M. Frazier in Critical Ethnic Studies Vol. 2, No. 1 (University of Minnesota Press, 2016)'''''
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| *'''''What the Sands Remember (21 pages) Vanessa Agard Jones (GLQ, 2012)'''''
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| *'''''Story/Podcast: The Ocean that Fades into Sky Kathleen Kayembe (Lightspeed Magazine, 2019)'''''
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| *'''''Undrowned: Black Feminist Lessons from Marine Mammals Alexis Pauline Gumbs (A.K Press, 2020)'''''
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| *'''''Black Atlantic Queer Atlantic (26 pages) Omise’eke Natasha Tinsley (GLQ, 2008)'''''
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| * '''''Bodyminds Reimagined: (Dis)ability, race and gender in Black Women’s Speculative Fiction Sami Schalk, (Duke University Press, 2018)'''''
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| *'''''Podcast: Back to Earth - Queer Currents Serpentine Gallery (2020)'''''
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| *'''''Introduction: Black Ecology Nathan Hare (The Black Scholar, 1970)'''''
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| *'''''Let them Drown: the Violence of Othering in a Warming World Naomi Klein, (London Review of Books, 2016)'''''
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| *'''''Black Feminist Ecological Thought: A Manifesto Chelsea M. Frazier (Atmos Magazine, 2020)'''''
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| *'''''Aww Shucks: How do we Prepare for Climate Apocalypse [podcast episode, transcript available] adrienne maree brown & Autumn Brown, How to Survive the End of the World Podcast (2018)'''''
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| *'''''Introduction: Black Global Ecologies J.T. Roane & Justin Hosbey, Environment and Society: Advances in Research (2022)'''''
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| ===FEMINIST KILLJOY, Reading from Sara Ahmed===
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| *'''''Gloria Anzaldúa, Borderlands / La Frontera: The New Mes-tiza (San Francisco: Aunt Lune Books, 2nd edn, 1999)'''''
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| *'''''Lauren Berlant, The Queen of America Goes to Washington City (Durham: Duke University Press, 1997) and Cruel Optimism (Durham: Duke University Press, 2011)'''''
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| *'''''Judith Butler, Gender Trouble: Feminism and the Subversion of Identity (New York: Routledge, 1990) and Precarious Life: The Powers of Mourning and Violence (London: Verso, 2004)'''''
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| *'''''Angela Y. Davis, Freedom is a Constant Struggle (Chicago: Haymarket Books, 2016) and Abolition. Feminism. Now., with Gina Dent, Erica R. Meiners and Beth E. Richie (Chicago: Haymarket Books, 2021)'''''
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| *'''''Reni Eddo-Lodge, Why I'm No Longer Talking to White People about Race (London: Bloomsbury, 2017)'''''
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| *'''''Mona Eltahawy, Seven Necessary Sins for Women and Girls (Dublin: Tramp Press, 2021)'''''
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| *'''''Marilyn Frye, The Politics of Reality: Essays in Feminist Theory (Trumansburg: The Crossing Press, 1993)'''''
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| *'''''Roxane Gay, The Bad Feminist (London: Corsair, 2014)'''''
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| *'''''Alexis Pauline Gumbs, Undrowned: Black Feminist Lessons from Marine Mammals (Chico, CA: AKA Press, 2020)'''''
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| *'''''Ruby Hamad, White Tears, Browm Scars: How White Feminism Betrays Women of Color (New York: Orion, 2020)'''''
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| *'''''Saidiya Hartman, Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval (London: Serpent's Tail, 2009)'''''
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| *'''''bell hooks, Feminist Theory: From Margin to Center (London: Pluto Press, 2000) and Talking Back: Thinking Feminism, Thinking Black (Boston: South End Press, 1989)'''''
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| *'''''Audre Lorde, Sister Outsider: Essays and Speeches (Tru-mansburg: The Crossing Press, 1984) and A Burst of Light: Essays (Ithaca: Firebrand Books, 1988)'''''
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| *'''''Aileen Moreton-Robinson, Talkin' Up to the White Woman: Indigenous Women and Feminism (Brisbane: University of Queensland Press, 2020) and The White Possessive: Property, Power and Indigenous Sovereignty (Minneapolis: University of Minnesota Press, 2015)'''''
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| *'''''Mikki Kendall, Hood Feminism: Notes from the Women White Feminism Forgot (London: Bloomsbury, 2020)'''''
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| * '''''Lola Olufemi, Feminism, Interrupted: Disrupting Power (London: Pluto Press, 2020)'''''
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| *'''''Claudia Rankine, Citizen: An American Lyric (Min-neapolis: Greywood Press, 2014) and Just Us: An American Conversation (London: Allen Lane, 2020)'''''
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| *'''''Prisca Dorcas Mojica Rodriguez, For Brown Girls with Sharp Edges and Tender Hearts: A Love Letter to Women of Color (New York: Seal Press, 2021)'''''
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| *'''''Chelsea Watego, Another Day in the Colony (Brisbane, University of Queensland, 2021)'''''
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| *'''''Rafia Zakaria, Against White Feminism (London: Hamish Hamilton, 2021)'''''
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| ===[[Queering the Narrative]]===
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| ===[http://artjournal.collegeart.org/?p=16500 A Syllabus on Transgender and Nonbinary Methods for Art and Art History]===
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| ===[[Homosexual Literature and Inter-Asia (trans)Culture]] ===
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| ===[https://www.dukeupress.edu/series/Perverse-Modernities-A-Series-Edited-by-Jack-Halberstam-and-Lisa-Lowe Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe] ===
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| ==Margins and Identities==
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| ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Theory The Margins of Theory]=== | | ===[https://pzwiki.wdka.nl/mediadesign/The_Margins_of_Theory The Margins of Theory]=== |
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