User:Martin: Difference between revisions
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Team: Pon, Floor & Martin | Team: Pon, Floor & Martin | ||
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→ TENSE [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/src/branch/master/pdfs-small/Words-for-the-Future---TENSE---ESSAY-resampled.pdf PDF] [https://pad.xpub.nl/p/TENSE PAD] | → TENSE [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/src/branch/master/pdfs-small/Words-for-the-Future---TENSE---ESSAY-resampled.pdf PDF] [https://pad.xpub.nl/p/TENSE PAD] | ||
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→ Practical Vision [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/src/branch/master/pdfs-small/Words-for-the-Future---PRACTICAL-VISION---singles-resampled.pdf PDF] [https://pad.xpub.nl/p/Practical_Vision_Jalada PAD] | → Practical Vision [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/src/branch/master/pdfs-small/Words-for-the-Future---PRACTICAL-VISION---singles-resampled.pdf PDF] [https://pad.xpub.nl/p/Practical_Vision_Jalada PAD] | ||
<br> | |||
→ Eco-Swaraj [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/src/commit/e7e3b5038a5781f790072462aa3da051cd6086d0/pdfs/Words-for-the-Future---ECO-SWARAJ---FINAL-SINGLES.pdf PDF] [https://pad.xpub.nl/p/Eco_swaraj%E2%80%93Ashish_Kothari PAD] | → Eco-Swaraj [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/src/commit/e7e3b5038a5781f790072462aa3da051cd6086d0/pdfs/Words-for-the-Future---ECO-SWARAJ---FINAL-SINGLES.pdf PDF] [https://pad.xpub.nl/p/Eco_swaraj%E2%80%93Ashish_Kothari PAD] | ||
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===<p style="font-family:helvetica">'''Readings'''</p>=== | ===<p style="font-family:helvetica">'''Readings'''</p>=== | ||
<br> | <br> | ||
→ 1. [[L'art comme expérience — John Dewey]] (french) (yet to be filled)<br> | |||
publisher: Gallimard (1934)<br> | publisher: Gallimard (1934)<br> | ||
→ 2. [[L'œuvre d'art à l'époque de sa reproductibilité technique — Walter Benjamin]] (french)<br> | |||
publisher: Alia (1939)<br> | publisher: Alia (1939)<br> | ||
→ 3. [[La Galaxie Gutemberg — Marshall McLuhan]] (french)<br> | |||
publisher: University of Toronto Press (1962)<br> | publisher: University of Toronto Press (1962)<br> | ||
→ 3. [[Pour comprendre les médias — Marshall McLuhan]] (french)<br> | |||
publisher: McGraw-Hill Education (1964)<br> | publisher: McGraw-Hill Education (1964)<br> | ||
→ 4. [[Dispositif — Jean-Louis Baudry]] (french)<br> | |||
publisher: Raymond Bellour, Thierry Kuntzel et Christian Metz (1975)<br> | publisher: Raymond Bellour, Thierry Kuntzel et Christian Metz (1975)<br> | ||
→ 5. [[L’Originalité de l’avant-garde et autres mythes modernistes — Rosalind Krauss]] (french) (yet to be filled)<br> | |||
publisher: Macula (1993)<br> | publisher: Macula (1993)<br> | ||
→ 6. [[L'art de l'observateur: vision et modernité au XIXe siècle — Jonathan Crary]] (french) <br> | |||
publisher: Jacqueline Chambon (Editions) (1994)<br> | publisher: Jacqueline Chambon (Editions) (1994)<br> | ||
→ 7. [[Inside the White Cube, the Ideology of Gallery Space — Brian O'Doherty]] (english) (yet to be filled)<br> | |||
publisher: Les presses du réel (2008)<br> | publisher: Les presses du réel (2008)<br> | ||
→ 8. [[Préçis de sémiotique générale — Jean-Marie Klinkenbeg]] (french) (yet to be filled)<br> | |||
publisher: Point (2000)<br> | publisher: Point (2000)<br> | ||
→ 9. [[Langage des nouveaux médias — Lev Manovitch]] (french) (yet to be filled)<br> | |||
publisher: Presses du Réel (2001)<br> | publisher: Presses du Réel (2001)<br> | ||
→ 10. [[L'empire cybernétique — Cécile Lafontaine]] (french)<br> | |||
publisher: Seuil (2004)<br> | publisher: Seuil (2004)<br> | ||
→ 11. [[La relation comme forme — Jean Louis Boissier]] (french)<br> | |||
publisher: Genève, MAMCO(2004)<br> | publisher: Genève, MAMCO(2004)<br> | ||
→ 12. [[Le Net Art au musée — Anne Laforêt]] (french)<br> | |||
publisher: Questions Théoriques(2011)<br> | publisher: Questions Théoriques(2011)<br> | ||
→ 13. [[Narrative comprehension and Film communication — Edward Branigan]] (english) (yet to be filled)<br> | |||
publisher: Routledge (2013) <br> | publisher: Routledge (2013) <br> | ||
→ 14. [[Statement and counter statement / Notes on experimental Jetset — Experimental Jetset]] (english)<br> | |||
publisher: Roma (2015)<br> | publisher: Roma (2015)<br> | ||
→ 15. [[Post Digital Print — Alessandro Ludovico]] (french) (yet to be filled)<br> | |||
publisher: B42 (2016)<br> | publisher: B42 (2016)<br> | ||
→ 16. [[L'écran comme mobile — Jean Louis Boissier]] (french)<br> | |||
publisher: Presses du réel (2016)<br> | publisher: Presses du réel (2016)<br> | ||
→ 17. [[Design tactile — Josh Clark]] (french)<br> | |||
publisher: Eyrolles (2016)<br> | publisher: Eyrolles (2016)<br> | ||
→ 18. [[Espaces de l'œuvre, espaces de l'exposition — Pamela Bianchi]] (french)<br> | |||
publisher: Eyrolles (2016)<br> | publisher: Eyrolles (2016)<br> | ||
→ 19. [[Imprimer le monde]] (french)<br> | |||
publisher: Éditions HYX et les Éditions du Centre Pompidou (2017)<br> | publisher: Éditions HYX et les Éditions du Centre Pompidou (2017)<br> | ||
→ 20. [[Version 0 - Notes sur le livre numérique]] (french)<br> | |||
publisher: ECRIDIL (2018)<br> | publisher: ECRIDIL (2018)<br> | ||
===<p style="font-family:helvetica">'''Articles'''</p>=== | ===<p style="font-family:helvetica">'''Articles'''</p>=== | ||
→ 1. [[Frederick Kiesler — artiste- architecte]] (yet to be filled)<br> | |||
(communiqué de presse) | (communiqué de presse) | ||
Centre pompidou; source : centrepompidou.fr (1996)<br> | Centre pompidou; source : centrepompidou.fr (1996)<br> | ||
→ 2. [[Oublier l'exposition]] (yet to be filled)<br> | |||
Artpress special numéro 21 (2000)<br> | Artpress special numéro 21 (2000)<br> | ||
→ 3. [[Composer avec l’imprévisible: Le questionnaire sur les médias variables]] (yet to be filled)<br> | |||
Jon Ippolito; source : variablemedia.net/pdf/Permanence (2003)<br> | Jon Ippolito; source : variablemedia.net/pdf/Permanence (2003)<br> | ||
→ 4. [[Esthétique du numérique : rupture et continuité]] <br> | |||
Fred Forest; source : archives.icom.museum (2010)<br> | Fred Forest; source : archives.icom.museum (2010)<br> | ||
→ 5. [[La narration interactive]] (yet to be filled)<br> | |||
Dragana Trgovčević source : ensci.com/file_intranet/mastere_ctc/etude_Dragana_Trgovcevic.pdf (2011)<br> | Dragana Trgovčević source : ensci.com/file_intranet/mastere_ctc/etude_Dragana_Trgovcevic.pdf (2011)<br> | ||
→ 6. [[Des dispositifs aux appareils - L'Espacement d'un calcul]]<br> | |||
Anthony Masure source : anthonymasure.com (2013)<br> | Anthony Masure source : anthonymasure.com (2013)<br> | ||
| Line 91: | Line 91: | ||
===<p style="font-family:helvetica">'''Artworks / Installations / Net Art'''</p>=== | ===<p style="font-family:helvetica">'''Artworks / Installations / Net Art'''</p>=== | ||
<br> | <br> | ||
→ [[Espaces Prouns — El lissitzky]] (yet to be filled) (1920)<br> | |||
→ [[City in Space — Frederick Kiesler]] (yet to be filled) (1920)<br> | |||
→ [[4’’33’ — John Cage]] (yet to be filled) (1952)<br> | |||
→ [[Untitled - A Curse — Tom Friedman]] (yet to be filled) (1965)<br> | |||
→ [[The air conditionning Show — Terry Atkinson & Michael Baldwin]] (yet to be filled) (1966-67)<br> | |||
→ [[Sans titre — Michael Asher]] (yet to be filled) (1973)<br> | |||
→ [[TV Garden — Nam June Paik]] (yet to be filled) (1974)<br> | |||
→ [[Presents — Michael Snow]] (yet to be filled) (1980) <br> | |||
→ [[Serra Corner prop n°7 (for Nathalie) Richard Serra]] (yet to be filled) (1983) <br> | |||
→ [[Lost Formats Preservation Society — Experimental Jetset]] (yet to be filled)(2000) <br> | |||
→ [[Lost Formats Winterthur — Experimental Jetset]] (yet to be filled)(2000) <br> | |||
→ [[Netflag — Mark Napier]] (yet to be filled)(2002) <br> | |||
→ [[What you see is what you get — Jonas Lund]] (yet to be filled)(2012) <br> | |||
[[Category:Xpub]] | [[Category:Xpub]] | ||
Revision as of 16:59, 28 September 2020
Research and Methods
Special Issue 13
Words for the Future
Words/publications to read/annotate : Tense, Practical Vision, Eco-Swaraj
Team: Pon, Floor & Martin
→ TENSE PDF PAD
→ Practical Vision PDF PAD
→ Eco-Swaraj PDF PAD
Thematic Projects
Reading Notes
Readings
→ 1. L'art comme expérience — John Dewey (french) (yet to be filled)
publisher: Gallimard (1934)
→ 2. L'œuvre d'art à l'époque de sa reproductibilité technique — Walter Benjamin (french)
publisher: Alia (1939)
→ 3. La Galaxie Gutemberg — Marshall McLuhan (french)
publisher: University of Toronto Press (1962)
→ 3. Pour comprendre les médias — Marshall McLuhan (french)
publisher: McGraw-Hill Education (1964)
→ 4. Dispositif — Jean-Louis Baudry (french)
publisher: Raymond Bellour, Thierry Kuntzel et Christian Metz (1975)
→ 5. L’Originalité de l’avant-garde et autres mythes modernistes — Rosalind Krauss (french) (yet to be filled)
publisher: Macula (1993)
→ 6. L'art de l'observateur: vision et modernité au XIXe siècle — Jonathan Crary (french)
publisher: Jacqueline Chambon (Editions) (1994)
→ 7. Inside the White Cube, the Ideology of Gallery Space — Brian O'Doherty (english) (yet to be filled)
publisher: Les presses du réel (2008)
→ 8. Préçis de sémiotique générale — Jean-Marie Klinkenbeg (french) (yet to be filled)
publisher: Point (2000)
→ 9. Langage des nouveaux médias — Lev Manovitch (french) (yet to be filled)
publisher: Presses du Réel (2001)
→ 10. L'empire cybernétique — Cécile Lafontaine (french)
publisher: Seuil (2004)
→ 11. La relation comme forme — Jean Louis Boissier (french)
publisher: Genève, MAMCO(2004)
→ 12. Le Net Art au musée — Anne Laforêt (french)
publisher: Questions Théoriques(2011)
→ 13. Narrative comprehension and Film communication — Edward Branigan (english) (yet to be filled)
publisher: Routledge (2013)
→ 14. Statement and counter statement / Notes on experimental Jetset — Experimental Jetset (english)
publisher: Roma (2015)
→ 15. Post Digital Print — Alessandro Ludovico (french) (yet to be filled)
publisher: B42 (2016)
→ 16. L'écran comme mobile — Jean Louis Boissier (french)
publisher: Presses du réel (2016)
→ 17. Design tactile — Josh Clark (french)
publisher: Eyrolles (2016)
→ 18. Espaces de l'œuvre, espaces de l'exposition — Pamela Bianchi (french)
publisher: Eyrolles (2016)
→ 19. Imprimer le monde (french)
publisher: Éditions HYX et les Éditions du Centre Pompidou (2017)
→ 20. Version 0 - Notes sur le livre numérique (french)
publisher: ECRIDIL (2018)
Articles
→ 1. Frederick Kiesler — artiste- architecte (yet to be filled)
(communiqué de presse)
Centre pompidou; source : centrepompidou.fr (1996)
→ 2. Oublier l'exposition (yet to be filled)
Artpress special numéro 21 (2000)
→ 3. Composer avec l’imprévisible: Le questionnaire sur les médias variables (yet to be filled)
Jon Ippolito; source : variablemedia.net/pdf/Permanence (2003)
→ 4. Esthétique du numérique : rupture et continuité
Fred Forest; source : archives.icom.museum (2010)
→ 5. La narration interactive (yet to be filled)
Dragana Trgovčević source : ensci.com/file_intranet/mastere_ctc/etude_Dragana_Trgovcevic.pdf (2011)
→ 6. Des dispositifs aux appareils - L'Espacement d'un calcul
Anthony Masure source : anthonymasure.com (2013)
References
Artworks / Installations / Net Art
→ Espaces Prouns — El lissitzky (yet to be filled) (1920)
→ City in Space — Frederick Kiesler (yet to be filled) (1920)
→ 4’’33’ — John Cage (yet to be filled) (1952)
→ Untitled - A Curse — Tom Friedman (yet to be filled) (1965)
→ The air conditionning Show — Terry Atkinson & Michael Baldwin (yet to be filled) (1966-67)
→ Sans titre — Michael Asher (yet to be filled) (1973)
→ TV Garden — Nam June Paik (yet to be filled) (1974)
→ Presents — Michael Snow (yet to be filled) (1980)
→ Serra Corner prop n°7 (for Nathalie) Richard Serra (yet to be filled) (1983)
→ Lost Formats Preservation Society — Experimental Jetset (yet to be filled)(2000)
→ Lost Formats Winterthur — Experimental Jetset (yet to be filled)(2000)
→ Netflag — Mark Napier (yet to be filled)(2002)
→ What you see is what you get — Jonas Lund (yet to be filled)(2012)