Revision as of 22:31, 29 September 2020

Research and Methods

Prototyping

With Pyhton

→ 1. Generating 100 000 billions of poems
from 100 000 milliards de poèmes — Raymond Queneau (1961)
→ 1. Trump speeches words occurences counter

Thematic Projects

Special Issue 13

Words for the Future

Words/publications to read/annotate : Tense, Practical Vision, Eco-Swaraj
Team: Pon, Floor & Martin

→ 1. TENSE PDF PAD
        Simon(e) van Saarloos / from Words of the Future - Nienke Scholts (2017)
→ 2. Practical Vision PDF PAD
        Moses Kilolo / from Words of the Future - Nienke Scholts (2017)
→ 3. Eco-Swaraj PDF PAD
        Ashish Kothari / from Words of the Future - Nienke Scholts (2017)

Reading Notes

Readings

→ 1. L'art comme expérience — John Dewey (french) (yet to be filled and translated)
         publisher: Gallimard (1934)
→ 2. L'œuvre d'art à l'époque de sa reproductibilité technique — Walter Benjamin (french) (soon to be translated)
         publisher: Alia (1939)
→ 3. La Galaxie Gutemberg — Marshall McLuhan (french) (soon to be translated)
         publisher: University of Toronto Press (1962)
→ 3. Pour comprendre les médias — Marshall McLuhan (french)
         publisher: McGraw-Hill Education (1964)
→ 4. Dispositif — Jean-Louis Baudry (french) (soon to be translated)
         publisher: Raymond Bellour, Thierry Kuntzel et Christian Metz (1975)
→ 5. L’Originalité de l’avant-garde et autres mythes modernistes — Rosalind Krauss (french) (yet to be filled and translated)
         publisher: Macula (1993)
→ 6. L'art de l'observateur: vision et modernité au XIXe siècle — Jonathan Crary (french) (soon to be translated)
         publisher: Jacqueline Chambon (Editions) (1994)
→ 7. Inside the White Cube, the Ideology of Gallery Space — Brian O'Doherty (english) (yet to be filled and translated)
         publisher: Les presses du réel (2008)
→ 8. Préçis de sémiotique générale — Jean-Marie Klinkenbeg (french) (yet to be filled)
         publisher: Point (2000)
→ 9. Langage des nouveaux médias — Lev Manovitch (french) (yet to be filled and translated)
         publisher: Presses du Réel (2001)
→ 10. L'empire cybernétique — Cécile Lafontaine (french) (soon to be translated)
         publisher: Seuil (2004)
→ 11. La relation comme forme — Jean Louis Boissier (french) (soon to be translated)
         publisher: Genève, MAMCO(2004)
→ 12. Le Net Art au musée — Anne Laforêt (french) (soon to be translated)
         publisher: Questions Théoriques(2011)
→ 13. Narrative comprehension and Film communication — Edward Branigan (english) (yet to be filled and translated)
         publisher: Routledge (2013)
→ 14. Statement and counter statement / Notes on experimental Jetset — Experimental Jetset (english)
          publisher: Roma (2015)
→ 15. Post Digital Print — Alessandro Ludovico (french) ≈
          publisher: B42 (2016)
→ 16. L'écran comme mobile — Jean Louis Boissier (french) (soon to be translated)
          publisher: Presses du réel (2016)
→ 17. Design tactile — Josh Clark (french) (soon to be translated)
          publisher: Eyrolles (2016)
→ 18. Espaces de l'œuvre, espaces de l'exposition — Pamela Bianchi (french)
          publisher: Eyrolles (2016)
→ 19. Imprimer le monde (french) (soon to be translated)
          publisher: Éditions HYX et les Éditions du Centre Pompidou (2017)
→ 20. Version 0 - Notes sur le livre numérique (french) (soon to be translated)
          publisher: ECRIDIL (2018)

Articles

→ 1. Frederick Kiesler — artiste- architecte (yet to be filled)
        (communiqué de presse) Centre pompidou; source : centrepompidou.fr (1996)
→ 2. Oublier l'exposition (yet to be filled)
        Artpress special numéro 21 (2000)
→ 3. Composer avec l’imprévisible: Le questionnaire sur les médias variables (yet to be filled)
        Jon Ippolito; source : variablemedia.net/pdf/Permanence (2003)
→ 4. Esthétique du numérique : rupture et continuité
        Fred Forest; source : archives.icom.museum (2010)
→ 5. La narration interactive (yet to be filled)
        Dragana Trgovčević source : ensci.com/file_intranet/mastere_ctc/etude_Dragana_Trgovcevic.pdf (2011)
→ 6. Des dispositifs aux appareils - L'Espacement d'un calcul
        Anthony Masure source : anthonymasure.com (2013)

References

Artworks / Installations / Net Art

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 =<p style="font-family:helvetica">Prototyping</p>=
-===<p style="font-family:helvetica">Pyhton</p>===
+===<p style="font-family:helvetica">With Pyhton</p>===
-<br>
 →&nbsp;1.&nbsp; [[Generating 100 000 billions of poems]]<br>
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; from ''100 000 milliards de poèmes'' — Raymond Queneau (1961)
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 =<p style="font-family:helvetica">Reading Notes</p>=
-===<p style="font-family:helvetica">'''Readings'''</p>===
+===<p style="font-family:helvetica">Readings</p>===
 <br>
 →&nbsp;1.&nbsp; [[L'art comme expérience — John Dewey]] (french) (yet to be filled and translated)<br>
@@ Line 83: / Line 84: @@
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: ECRIDIL (2018)<br>
-===<p style="font-family:helvetica">'''Articles'''</p>===
+===<p style="font-family:helvetica">Articles</p>===
 →&nbsp;1.&nbsp;[[Frederick Kiesler — artiste- architecte]] (yet to be filled)<br>
@@ Line 101: / Line 102: @@
 =<p style="font-family:helvetica">References</p>=
-===<p style="font-family:helvetica">'''Artworks / Installations / Net Art'''</p>===
+===<p style="font-family:helvetica">Artworks / Installations / Net Art</p>===
 <br>
 →&nbsp;&nbsp;[[Espaces Prouns — El lissitzky]] (soon to be translated) (1920)<br>

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