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- Hertz, G. and Parikka, J. (2012). Zombie Media: Circuit Bending Media Archaeology into an Art Method. Leona10 KB (1,579 words) - 17:47, 21 November 2021
- Since March 2012 I had been collecting and photocopying papers tossed in the recycling bin a11 KB (1,727 words) - 01:51, 6 December 2012
- Since March 2012 I had been collecting and photocopying papers tossed in the recycling bin a11 KB (1,727 words) - 01:42, 6 December 2012
- ...atlas as an artistic object started while working on my series Sunstudies (2012/2013) and Lightstudies (2015/2016). The images are always presented in a gr11 KB (1,769 words) - 12:26, 20 June 2017
- I did this project at the end of 2012. I used a large format camera with a Polaroid back. I wanted to produce a s11 KB (1,928 words) - 13:38, 15 February 2016
- movie based on story Tallhotblond (2012) http://www.nytimes.com/2012/03/19/business/media/how-hunger-games-built-up-must-see-fever.html11 KB (1,801 words) - 11:10, 25 November 2017
- April 201212 KB (1,966 words) - 21:57, 19 April 2012
- Trimester 1, 2012 Thematic Seminar ...chaeology” from “What is Media Archaeology?”, Jussi Parikka, Polity Press, 2012.<br>23 KB (3,375 words) - 18:33, 15 September 2014
- ...ions include Masters of Reality (Sternberg Press and Piet Zwart Institute, 2012)11 KB (1,615 words) - 15:27, 17 March 2014
- ...artist’s film installation, virtual reality simulation and research. Since 2012, Dobrowolska has been working in collaboration with Teo Ormond-Skeaping on12 KB (1,910 words) - 10:21, 6 June 2020
- Mirror metaphors in Mantikut Tayr. (2012)12 KB (2,086 words) - 13:15, 16 November 2015
- ...is modeling the future, as future is inscribed in code.” (Cox and McLean, 2012: foreword). Cox and McLean discuss the multifaceted properties and uses of ...until terminating condition is met, unless an infinite loop is invoked.” (2012)66 KB (10,076 words) - 14:28, 12 May 2016
- ...n Study #1—The American Dancer, her Bucksbaum Award–winning piece from the 2012 Whitney Biennial. For this piece, the culmination of her Devotion series, M ...://whitney.org/2012BucksbaumAwardToSarahMichelson Sarah Michelson Receives 2012 Bucksbaum Award]35 KB (5,234 words) - 17:49, 8 September 2017
- Zygmunt Bauman, Liquid Modernity, 2012 (Sociology, Emancipation, Migration, Liquidity) http://pzwiki.wdka.nl/media13 KB (1,929 words) - 17:14, 20 March 2019
- Mirror metaphors in Mantikut Tayr. (2012)13 KB (2,260 words) - 11:24, 11 November 2015
- 27 august 201215 KB (2,706 words) - 14:11, 25 September 2012
- STREHLE, S. 2012. Zeichenökonomie und symbolischer Tausch. In: Zur Aktualität von Jean Bau12 KB (1,862 words) - 13:09, 22 November 2018
- * The Pervert's Guide to Ideology (2012)12 KB (2,166 words) - 00:37, 22 March 2017
- ...mb|left|400px|''Up pen down'', research, fonts and workshops by OSP (since 2012)]] ...pen-down-invited-designers-valence/ workshop at the ESAD Valence Grenoble (2012/2013)] + [https://raw.githubusercontent.com/no-feature/up_pen_down/master/T27 KB (4,054 words) - 18:28, 2 May 2024
- ...uuradio.fr/ Duuu is a radio dedicated to contemporary creation. Founded in 2012 by artists, this radio was born from the desire to make people hear situati === Karen Barad, Adam Kleinmann (2012), [https://www.academia.edu/1857617/_Intra_actions_Interview_of_Karen_Barad42 KB (6,221 words) - 18:54, 20 July 2021
- ...teyerl: The Wretched of the Screen'' (n.d.): n. pag. Sternberg Press. Web. 2012.13 KB (2,282 words) - 14:57, 7 March 2016
- ''A story is real-life with the boring parts left out.'' (quoted in Cron, 2012)13 KB (2,282 words) - 17:21, 25 April 2018
- [[Category: 2011/2012]]14 KB (2,267 words) - 14:49, 24 September 2012
- STREHLE, S. 2012. Zeichenökonomie und symbolischer Tausch. In: Zur Aktualität von Jean Bau12 KB (1,944 words) - 11:14, 6 May 2019
- ...ume entitled ''Joost van den Vondel: Dutch Playwright in the Golden Age'' (2012). In this line of research I am currently finishing a manuscript entitled14 KB (2,107 words) - 10:51, 18 March 2016
- ==== '''27-02-2024 - Notes on Runa Islam's ''Meroë'' (2012) and Peng Zuqiang's Déjà vu''' ==== Steyerl, H., 2012, ''The Wretched of the Screen'', London: Sternberg Press.63 KB (10,221 words) - 21:33, 4 April 2024
- ...my profile publicly displays my entry date on the platform on January 1st 2012, a date that sounds like a 10-year-old resolution to re-socialize by the ne ...contributing to instead of contesting repressive forces?" (Hardt & Negri, 2012, p. 137)<br>59 KB (9,037 words) - 23:07, 7 June 2022
- * [http://monoskop.org/log/?p=6724 Burrell, Jena. 2012. 'Invisible Users: Youth in the Internet Cafés of Urban Ghana'. MIT Press.14 KB (2,224 words) - 01:34, 11 December 2012
- ...ém| title = Towards a philosophy of photography| location = London| date = 2012}}15 KB (2,279 words) - 12:20, 17 October 2019
- ...ke>Download Fr0st '''(doesn't seem to have a live commuity, last post from 2012; deals in *.py though)(for Win)'''</strike>14 KB (2,128 words) - 22:58, 6 May 2015
- 6. Thomas Ruff exhibition in The House of Art, Munich, Germany, 201216 KB (2,572 words) - 01:33, 28 November 2012
- ==== '''27-02-2024 - Notes on Runa Islam's ''Meroë'' (2012) and Peng Zuqiang's Déjà vu''' ==== Steyerl, H., 2012, ''The Wretched of the Screen'', London: Sternberg Press.65 KB (10,615 words) - 13:40, 10 April 2024
- ...interview with Marlon Barrios Solano, part of the Embodied Techne Series (2012), Noë discusses "Dance As A Way Of Knowing". He explores the idea that hum16 KB (2,478 words) - 16:19, 10 June 2015
- *[https://www.youtube.com/watch?v=WfGMYdalClU MAN] | Steve Cutts | 201215 KB (2,503 words) - 10:16, 18 June 2018
- Gross, R. (2012). Tempo Recommendations for Dance Music. [online] Hollywood Ballroom Dance * Hollywood Ballroom DC (Gross, 2012)36 KB (5,671 words) - 15:26, 15 March 2017
- ...and am basically staging them. But I have been making images of cows since 2012.16 KB (2,819 words) - 19:00, 7 November 2015
- ...tions: [https://calibre.constantvzw.org/book/31 Woorden uit de Berenkuil] (2012) + [https://calibre.constantvzw.org/book/108 Parlez-vous 1060] (2016)15 KB (2,226 words) - 16:52, 24 September 2023
- N. Thompson, Living as a Form, 2012 <br><br>15 KB (2,327 words) - 19:53, 7 December 2021
- ...the 7th from Asia) to win the most prestigious award in the film world. In 2012, he is invited to participate in Documenta (13), one of the most well-known15 KB (2,278 words) - 09:26, 7 November 2023
- - Poetry example from 2012 -19 KB (3,544 words) - 17:09, 4 November 2023
- Gross, R. (2012). Tempo Recommendations for Dance Music. [online] Hollywood Ballroom Dance * Hollywood Ballroom DC (Gross, 2012)38 KB (6,063 words) - 13:58, 19 April 2017
- Sculptural Electronic Sound Discs (SESD) (2012)14 KB (2,275 words) - 19:47, 14 March 2017
- the "oldies" from 2006, they started in 2012. They come because of nostalgia and because it's nice. people are nice, it'17 KB (2,751 words) - 14:10, 30 January 2024
- .../thoughtmaybe.com/google-and-the-world-brain/ Google and the World Brain] (2012)17 KB (2,406 words) - 15:42, 28 November 2014
- Steyerl, H. (2012). The Wretched of the Screen ...(4): "Agency and Automatism: Photography as Art Since the Sixties", Summer 2012, pp 796-818.52 KB (8,461 words) - 17:04, 27 February 2024
- ...profissional da informação no mundo do trabalho e as relações de gênero'' (2012). Traditionally a lot of the work done by women is not considered to be an46 KB (7,453 words) - 09:39, 5 April 2018
- Kirk Varnedoe, [2012], Pictures of Nothing: Abstract Art since Pollock, Part 1: Why Abstract Art30 KB (5,047 words) - 16:22, 16 February 2018
- ...dow Libraries published on the e-flux online journal platform in September 2012.25 KB (4,067 words) - 23:40, 3 April 2018
- Today we will be watching extracts from 'the perverts guide to ideology', the 2012 British documentary film directed by Sophie Fiennes and written and present34 KB (5,075 words) - 13:45, 22 June 2015
- * JONAL LUND, What you see is what you get (2012) http://whatyouseeiswhatyouget.net/26 KB (4,237 words) - 13:47, 26 January 2022