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  • 12:12, 12 March 2024Technical rider (hist | edit) ‎[2,694 bytes]Joak (talk | contribs) (Created page with "=== Title of work === === Short description of the work === * Is it a performance, installation, workshop,...? * What is it made of? * What does it do? === space requirements === * ~36m2 space ( Length x Width x Height: 6m x 6m x 3m) * the installation requires the possibility to mount a beamer on the ceiling * the installation requires the possibility to mount light spots on the wall * wall color === if performance: Seating / placement === * should the audience s...")
  • 21:55, 10 March 2024LB Handbook 2023-2024 (hist | edit) ‎[29 bytes]Rs (talk | contribs) (Created page with "File:LB HANDBOOK 2324.pdf")
  • 11:29, 7 March 2024SI 24 Contributors (hist | edit) ‎[4,963 bytes]Martino (talk | contribs) (Created page with " ==== Alex Zakkas ==== Alex Zakkas practices design as a critical and experimental mode of research, using any media unstable enough to observe life in its synthetic condition, systems of thought and behaviour accustomed to designed or wild-grown entanglements with technology, opportunistic workarounds and techno-poetic acrobatics. He works as a teacher and researcher in The Hague University of Applied Sciences and the Rietveld Academie, as well as independently, often w...") Tag: Visual edit: Switched
  • 11:29, 7 March 2024ON LOITERING and other forms of in-situ computation (hist | edit) ‎[12,456 bytes]Martino (talk | contribs) (Created page with "=== People ===") Tag: Visual edit: Switched originally created as "On Loitering"
  • 19:10, 6 March 2024Introductory text Feminist Datacenter (hist | edit) ‎[4,062 bytes]ØverLørd (talk | contribs) (Created page for exercise done in methods class)
  • 16:01, 5 March 2024Claudio's Thesis - printing page (hist | edit) ‎[518 bytes]123cld (talk | contribs) (Created page with "= '''''BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES. A STUDIO DIARY. (EXCERPTS)''''' = === <big>'''Foreword (out of word count?)'''</big> === I wrote this thesis as an attempt to track and annotate the unfolding of my work over the course of the second year of this program. It is intended to be a complement to "making". A direct, on-going reflection on/of it. A device to think through, to delve in, to dissect and clarify the reasons and stakes of the practic...") Tag: Visual edit: Switched
  • 15:54, 5 March 2024T2 Assessment (hist | edit) ‎[3,612 bytes]Michael Murtaugh (talk | contribs) (Created page with "'''Suggested Presentation Structure''' * 15 minutes: give a presentation, making use of the wiki to show us: your contributions to special issues 16 and 17 + tell if in the past 2 trimesters you have started to engage with things you would like to carry on in your second year as part of your graduation project and thesis (such things can be a subject, a tool, a format, a medium, etc) * 5 minutes: the panel can ask questions regarding what you presented * 5 Minutes: we a...")
  • 18:05, 4 March 2024Open licenses session (hist | edit) ‎[6,557 bytes]Manetta (talk | contribs) (Created page with "==4 free software freedoms== <blockquote> - The freedom to run the program as you wish, for any purpose (freedom 0).<br> - The freedom to study how the program works, and change it so it does your computing as you wish (freedom 1). Access to the source code is a precondition for this.<br> - The freedom to redistribute copies so you can help others (freedom 2).<br> - The freedom to distribute copies of your modified versions to others (freedom 3). By doing this you can g...")
  • 17:05, 27 February 2024Claudio's Thesis - SECOND EDIT (hist | edit) ‎[64,375 bytes]123cld (talk | contribs) (Created page with "<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;"><u>GRS2023 </u> = '''''BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES. A STUDIO DIARY.''''' = === <big>'''Foreword (out of word count)'''</big> === I wrote this thesis to annotate and field-report the unfolding of my work over the course of the second year of this program. It is intended to be a complement to "making". A direct, on-going reflection on/...") Tag: Visual edit: Switched
  • 12:00, 27 February 2024A history of hand-made film and experimental cinema (hist | edit) ‎[1,070 bytes]Nan Wang (talk | contribs) (Created page with " {{#widget:YouTube|id=R_kceafWtbE}} {{#widget:YouTube|id=Pbu9X8ZKdcg}} Dreams that Money Can Buy (1947) excerpt -  Marcel Duchamp John Cage dream sequence {{#widget:YouTube|id=d3QGoADBZFs}} watch the full film here: https://www.dailyartmagazine.com/dreams-that-money-can-buy/ {{vimeo|213289955}} {{vimeo|7734447}} {{#widget:YouTube|id=FcHsysPGSt0}} {{#widget:YouTube|id=fOEqTwwkB3Y}} {{#widget:YouTube|id=HgxtzFGtfIg}} {{#widget:YouTube|id=LpAOHBHxaSM}} https:/...")
  • 11:31, 27 February 2024Thematic Seminar handmade film2024 (hist | edit) ‎[502 bytes]Nan Wang (talk | contribs) (Created page with "'''March 5th:''' 1. Day one: Lecture and screenings: A history of hand-made film and experimental cinema| Workshop: introduction to TouchDesigner '''March 7th:''' 2. Day two: Lecture and screenings: Visual music & expanded cinema Workshop: How to build audio active networks in TouchDesigner. '''March 12th''' 3. Day three: Prototyping a small audiovisual work in TouchDesigner inspired by the aesthetics, narr...") Tag: Visual edit: Switched
  • 14:03, 26 February 2024Web audio (hist | edit) ‎[923 bytes]Manetta (talk | contribs) (Created page with "How to work with audio on the web? ==Tone.js== A nice place to start is: [https://tonejs.github.io Tone.js] <blockquote> Tone.js is a Web Audio framework for creating interactive music in the browser. The architecture of Tone.js aims to be familiar to both musicians and audio programmers creating web-based audio applications. On the high-level, Tone offers common DAW (digital audio workstation) features like a global transport for synchronizing and scheduling events a...")
  • 12:40, 21 February 2024Te Steve Suggests FirstDraft (hist | edit) ‎[0 bytes]Steven Rushton (talk | contribs) (Created page with "Te Steve Suggests Transclusion 2 Te Steve Suggests give me luck = GIVE ME LUCK. FEED ME HOPE. = '''THESIS DRAFT''' '''GIVE ME LUCK. FEED ME HOPE''' Thesis submitted to: Piet Zwart Institute, Willem de Kooning Academy, in partial fulfilment of the requirements for the final examination for the degree of: Master of Arts in Fine Art & Design: Lens-Based. Adviser: Steve Rushton Second Reader: ** 2023-24 Word count:  8258 (First Draft) '''Contents:''' ''...")
  • 14:40, 20 February 2024User:Thijshijsijsjss/Gossamery/60-songs-that-explain-the-90s (hist | edit) ‎[4,822 bytes]Thijshijsijsjss (talk | contribs) (Create page with entries for Dummy and Merchandise) originally created as "User/Thijshijsijsjss/Gossamery/60-songs-that-explain-the-90s"
  • 13:34, 18 February 2024Wang SI23 (hist | edit) ‎[12,528 bytes]Wang ziheng (talk | contribs) (Created page with "I’ve been using the Surround Panner to create a surround stereo sound experience with 4 speakers through a 4-output audio interface. The ARP sound runs through the speakers in a circular pattern. The main tools for this are the "surround panner" Max for Live plugin and "Hocket." While still in the experimental phase, I am working to ensure its seamless functionality. The tools I've been using: Surround Panner Hocket During the visit to "Sonic Acts" in Amsterdam, I a...")
  • 16:43, 15 February 2024Chère Alice (hist | edit) ‎[829 bytes]Tesse B (talk | contribs) (Created page with "What was gonna be my eye film and got shelved because of the election result but also because I wasn't really feeling it anymore. It is a letter to Alice Guy(-Blaché), the person considered to be the first female filmmaker, and also inventor/developer of quite some important narrative techniques. I am fascinated by her position in film history and her (very realistic) fear of being written out of it. I feel less of a connection to her as a person and her style, which...")
  • 14:00, 9 February 2024Free, Libre, and Open Source Software publishing practices (hist | edit) ‎[3,361 bytes]Manetta (talk | contribs) (Created page with "==Publications== ===WALKIE-TALKIE=== Etherpads, Paged.js [https://media.xpub.nl/2022/walkie-talkie-final.printer.pdf WALKIE-TALKIE] * conceptualised, designed, created, edited, produced, published and distributed by the XPUB class of 2020-2022: Kendal Beynon, Martin Foucaut, Camilo García A., Clara Gradel, Nami Kim, Euna Lee, Jacopo Lega, Floor van Meeuwen, Federico Poni, Louisa Teichmann ===Content/Form=== ===Toward a Minor Tech=== ===Tracks in electr(on)ic...")
  • 12:48, 8 February 2024NoshThesisWikiPage (hist | edit) ‎[19,651 bytes]Steven Rushton (talk | contribs) (Created page with " '''DRAFT 1 - INTERVIEW NOSH NENEH- Thesis material''' In 2023 I used the ‘lens’ of Google Ocean (Google Street View underwater) to search for a phenomenon called color bleaching. For a long time I have been interested in the eco-system of coral reefs, with the focus on the vanishing of coral reefs. You probably know about the bleaching events of coral reefs where they become white. But more and more cases are popping up, especially around the Great Barrier Reef, th...")
  • 16:49, 7 February 2024Editorial Services LTD: Code of Conduct (hist | edit) ‎[3,441 bytes]Mxrwho (talk | contribs) (Created page with " Code of Conduct Tone: / strict / welcoming / enthusiastic / humorustic / corporate / kind form: dialogue / script / list / Contents Methods can always be changed to meet different needs, therefore this code of conduct is never finished 1. Scope and transitional provisions 1.1 To which activities does this Code apply? -knowledge building and sharing -editorial services provided -dunch -mapping and/or counter-mapping - brainstorms...")
  • 16:34, 6 February 2024Pen plotters/zine (hist | edit) ‎[1,017 bytes]Manetta (talk | contribs) (Created page with "{{ :Pen plotters }}")
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