User:Max Dovey/Reading Writing Research Methodologies: Difference between revisions
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=== [[TRIMESTER 1 | <div style='width:46%;border:1px solid #ccc;padding:11px;float:left;'> | ||
<span style='font-size:18px;font-weight:bold;text-transform:uppercase;font-family:Courier,Sans;display:block;padding:5px;background:#000000;color:#fff;'>notes</span> | |||
=== [[User:Max Dovey/Reading Writing Research Methodologies/TRIMESTER 1 rwrm|TRIMESTER 1]] === | |||
*[[User:Max_Dovey/Reading_Writing_Research_Methodologies/TRIMESTER_1_rwrm/Week4_rwrm| Introduction]] | |||
*[[User:Max_Dovey/Reading_Writing_Research_Methodologies/TRIMESTER_1_rwrm/Week2_rwrm | Thoughts on the panoptican]] | |||
*[[User:Max_Dovey/Reading_Writing_Research_Methodologies/TRIMESTER_1_rwrm/nudge | Smart cities and nudge nudge]] | |||
*[[User:Max_Dovey/Reading_Writing_Research_Methodologies/TRIMESTER_1_rwrm/Discipline%26Perform| Discipline & Perform]] | |||
*[[/Mechanicalturk | notes on mechanical turks]] | |||
*[[User:Max_Dovey/Reading_Writing_Research_Methodologies/TRIMESTER_1_rwrm/Dread | Dread]] | |||
*[[User:Max_Dovey/Reading_Writing_Research_Methodologies/TRIMESTER_1_rwrm/Facebook%2BMultiple_self | Facebook & crisis of multiple self]] | |||
*[[User:Max_Dovey/Reading_Writing_Research_Methodologies/TRIMESTER_1_rwrm/essayplans | Performing Subject essay plan]] | |||
===Trimester 2=== | |||
*[[/presentshock | Present shock by D Rushkoff]] | |||
*[[/UncreativeWriting |Uncreative writing by Kenny Goldsmith ]] | |||
*[[/TheVoice&NothingMore | Voice & Nothing More by Mladen Dolar]] | |||
*[[/Speakingcode | Speaking Code by Geoff Cox]] | |||
===Trimester 3=== | |||
*[[/Historywillrepeat | History Will Repeat Itself]] | |||
===Trimester 4 === | |||
*[[/Gramaphone, Film & Typewriter | Gramaphone , Film & Typewriter by Friedrich Kittler]] | |||
*[[/capitalistrealism | Capitalist Realism by Mark Fisher]] | |||
*[[/theecstacyofcomm | The ecstacy of communication by Jean Baudrillard]] | |||
*[[/WalterB | Art in the Age of MEchaNICAl REProdUCtion ]] | |||
*[[/Performance&amediatizedculture | Performance in a mediatized culture by Phillip Auslander]] | |||
</div> | |||
<div style='width:46%;border:1px solid #ccc;padding:11px;float:right;'> | |||
<span style='font-size:18px;font-weight:bold;text-transform:uppercase;font-family:Courier,Sans;display:block;padding:5px;background:#000000;color:#fff;'>writing</span> | |||
=== [[User:Max Dovey/Reading Writing Research Methodologies/TRIMESTER 1 rwrm|TRIMESTER 1]] === | |||
*[[/3works | 3 works, 3 texts]] | |||
*[[User:Max Dovey/Reading Writing Research Methodologies/TRIMESTER 1 rwrm/Theperformingsubject| The Performing Subject]] | |||
=== TRIMESTER 2 === | |||
*[[/implicitrulesofre-enactment | Implicit & re-enactment]] | |||
*[[/implicitrulesofre-enactmentv2 | Implicit & re-enactment v2]] | |||
*[[/implicitrulesofre-enactmentv3 | Implicit & re-enactment v3 ]] | |||
*[[/implicitrulesofre-enactmentv4 | Implicit & re-enactment v4 ]] | |||
=== TRIMESTER 3 === | |||
*[[/maxmethods | Transcript on methods ]] | |||
*[[/maxmethods2 | methods rewritten]] | |||
*[[/historywillrepeatitself | History will repeat itself ]] | |||
*[[/liveness&mediation | Liveness & Mediation ]] | |||
*[[/methodsdraft1 | Max's methods draft1 ]] | |||
*[[/methodsmax2 | Max's methods draft2 ]] | |||
=== TRIMESTER 4 === | |||
*[[/realtime | real-time media object]] | |||
*[[/maxgradprop | Grad Proposal ]] | |||
*[[/maxdgradprop2 | Grad Prop 2.0 ]] | |||
*[[/maxdgradprop3 | Grad Prop 3]] | |||
*[[/maxThesisoutline | Thesis outline ]] | |||
*[[/maxThesisresource | Thesis resources ]] | |||
*[[/maxsection2 | Section 2 draft]] | |||
*[[/maxsection3 | Section 3 draft]] | |||
*[[/max1stdraft| thesis 1st draft]] | |||
*[[/max2nddraft| thesis 2nd draft]] | |||
</div> |
Latest revision as of 19:23, 19 April 2015
notes
TRIMESTER 1
- Introduction
- Thoughts on the panoptican
- Smart cities and nudge nudge
- Discipline & Perform
- notes on mechanical turks
- Dread
- Facebook & crisis of multiple self
- Performing Subject essay plan
Trimester 2
- Present shock by D Rushkoff
- Uncreative writing by Kenny Goldsmith
- Voice & Nothing More by Mladen Dolar
- Speaking Code by Geoff Cox