Radio WORM: Protocols for Collective Performance: Difference between revisions
(11 intermediate revisions by 4 users not shown) | |||
Line 18: | Line 18: | ||
[https://pzwiki.wdka.nl/mediadesign/XPUB_2024-2026_Survival_Guide Wiki Page (same content, more permanent)] | [https://pzwiki.wdka.nl/mediadesign/XPUB_2024-2026_Survival_Guide Wiki Page (same content, more permanent)] | ||
=== Partners === | [[Calendars:XPUB 2024-2026]] | ||
===Partners=== | |||
'''XPUB''' is the 2 years Master program in Experimental Publishing at the Willem de Kooning Academy, part of the Hogeschool Rotterdam (http://xpub.nl). XPUB focuses on the acts of making things public and creating publics in the age of post-digital networks. | '''XPUB''' is the 2 years Master program in Experimental Publishing at the Willem de Kooning Academy, part of the Hogeschool Rotterdam (http://xpub.nl). XPUB focuses on the acts of making things public and creating publics in the age of post-digital networks. | ||
Line 28: | Line 29: | ||
The project will involve the assistance and cooperation of: Ash Kilmartin, Lukas Simonis, Lieuwe Zelle (Radio WORM), Ari Ralph (Worm Pirate Bay), and Florian Cramer, Michael Murtaugh (WDKA/XPUB), and XPUB prototyping + methods tutors. | The project will involve the assistance and cooperation of: Ash Kilmartin, Lukas Simonis, Lieuwe Zelle (Radio WORM), Ari Ralph (Worm Pirate Bay), and Florian Cramer, Michael Murtaugh (WDKA/XPUB), and XPUB prototyping + methods tutors. | ||
=== Themes === | ===Themes=== | ||
In terms of thematics, the project aims to focus on the history of sound art, considering specific practices such as tape manipulation, digital desconstruction, with a particular focus on improvisation and collective production. Key reference works such as ''Nature Study Notes'' and the work of Cornelius Cardew and the Scratch Orchestra will be studied, in parallel with work on Free Licenses and Free Software as means for producing what [http://lipparosa.org/essays/problemsofnotation.pdf Simon Yuill has termed ''distributive practices'']. In addition, the lived experience of Radio WORM’s Ash Kilmartin and Lukas Simonis will serve as key guides and resources in the process. | In terms of thematics, the project aims to focus on the history of sound art, considering specific practices such as tape manipulation, digital desconstruction, with a particular focus on improvisation and collective production. Key reference works such as ''Nature Study Notes'' and the work of Cornelius Cardew and the Scratch Orchestra will be studied, in parallel with work on Free Licenses and Free Software as means for producing what [http://lipparosa.org/essays/problemsofnotation.pdf Simon Yuill has termed ''distributive practices'']. In addition, the lived experience of Radio WORM’s Ash Kilmartin and Lukas Simonis will serve as key guides and resources in the process. | ||
Line 34: | Line 35: | ||
Furthermore, critical questions related to '''(cultural) reappropriation''', such as those raised in Ari Ralph’s ''An Introduction to Decolonial Archival Practice'' zine will be important aspects of the course. For instance, how can audio transcription software be used for more than just producing a strict transcription of what’s been spoken? Are there formats of audio + text that can go beyond “capture” and “translation” of spoken to written forms, and which preserve and value oral culture rather than attempting to fix (in both the sense of repair or freeze) or replace it? | Furthermore, critical questions related to '''(cultural) reappropriation''', such as those raised in Ari Ralph’s ''An Introduction to Decolonial Archival Practice'' zine will be important aspects of the course. For instance, how can audio transcription software be used for more than just producing a strict transcription of what’s been spoken? Are there formats of audio + text that can go beyond “capture” and “translation” of spoken to written forms, and which preserve and value oral culture rather than attempting to fix (in both the sense of repair or freeze) or replace it? | ||
=== Multivocality === | === Multivocality=== | ||
The project starts from the diversity of Radio WORM’s maker community, speakers of a diversity of languages, cultural backgrounds, and ages reflecting the diversity of Rotterdam’s inhabitants. In addition, XPUB as a program embraces a diversity of practices, from traditional print design to game design and programming, but also including music, product Design, anthropology. The course will focus draw on historical examples of collective production to look at a diversity of ways that collectivity can be facilitated. As a course XPUB is also particularly interested in the interplay between the tools and platforms we use and their impact on the ways collaboration occurs, for instance how roles can be shared and (re)negotiated rather than only being fixed in conventional workflows with designers typically at the end of a process of “giving form”. | The project starts from the diversity of Radio WORM’s maker community, speakers of a diversity of languages, cultural backgrounds, and ages reflecting the diversity of Rotterdam’s inhabitants. In addition, XPUB as a program embraces a diversity of practices, from traditional print design to game design and programming, but also including music, product Design, anthropology. The course will focus draw on historical examples of collective production to look at a diversity of ways that collectivity can be facilitated. As a course XPUB is also particularly interested in the interplay between the tools and platforms we use and their impact on the ways collaboration occurs, for instance how roles can be shared and (re)negotiated rather than only being fixed in conventional workflows with designers typically at the end of a process of “giving form”. | ||
Line 40: | Line 41: | ||
For example, in the first iteration of the course, a podcast was made of the radio programs, alongside a series of diverse zines, including interviews with radio makers. Besides this, a 3D model of the WORM Radio studio was made which them formed the basis of a collaboration to make audio/visual animation that mixed abstract metadata from the archival recordings with the rendered model. | For example, in the first iteration of the course, a podcast was made of the radio programs, alongside a series of diverse zines, including interviews with radio makers. Besides this, a 3D model of the WORM Radio studio was made which them formed the basis of a collaboration to make audio/visual animation that mixed abstract metadata from the archival recordings with the rendered model. | ||
=== Radio program === | ===Radio program=== | ||
==== Text about Radio Program for WORM's website ==== | ====Text about Radio Program for WORM's website==== | ||
'''TO DO''' (due by end of Sep 20) | '''TO DO''' (due by end of Sep 20) | ||
=== Support === | === Support=== | ||
The project has received funding from [https://nieuweinstituut.nl/projects/nadd NADD] to support Radio WORM staff and in the production of the public event. | The project has received funding from [https://nieuweinstituut.nl/projects/nadd NADD] to support Radio WORM staff and in the production of the public event. | ||
=== Public moment === | ===Public moment=== | ||
The idea is for the public moment/event will be to explicitly address past, present, and future members of the Radio WORM community of listeners and makers. The format of the event would be relatively open, with a variety of activities happening in parallel. Workshops will showcase the richness and variety of materials available via WORM Pirate Bay, and the potential for new collective artistic production using specific techniques explored in the course (for instance involving physical cut-up techniques with reel to reel audio, or digital techniques with automatic transcription and coding). Furthermore, the plan will be to include access to WORM Sound Studio, whose unique situation for collective sound production will be featured. The idea is for the event to be used as a means of gathering further materials from an interested public, and for these materials to be incorporated into the subsequent/final radio broadcasts, creating some space for reflection and closure. | The idea is for the public moment/event will be to explicitly address past, present, and future members of the Radio WORM community of listeners and makers. The format of the event would be relatively open, with a variety of activities happening in parallel. Workshops will showcase the richness and variety of materials available via WORM Pirate Bay, and the potential for new collective artistic production using specific techniques explored in the course (for instance involving physical cut-up techniques with reel to reel audio, or digital techniques with automatic transcription and coding). Furthermore, the plan will be to include access to WORM Sound Studio, whose unique situation for collective sound production will be featured. The idea is for the event to be used as a means of gathering further materials from an interested public, and for these materials to be incorporated into the subsequent/final radio broadcasts, creating some space for reflection and closure. | ||
Line 55: | Line 56: | ||
The project aims to primarily address Radio WORM’s community of makers and listeners, past, present, and future. More broadly, the project should address and be of interest to a wide audience of those interested in collective artistic practices and those interested in the interplay between digital tools and networked platforms for distributing and archiving the resulting cultural productions. | The project aims to primarily address Radio WORM’s community of makers and listeners, past, present, and future. More broadly, the project should address and be of interest to a wide audience of those interested in collective artistic practices and those interested in the interplay between digital tools and networked platforms for distributing and archiving the resulting cultural productions. | ||
==== Text about Nov Event for WORM Website ==== | ====Text about Nov Event for WORM Website==== | ||
'''TODO''' (preliminary text due by end of 20 Sep) | '''TODO''' (preliminary text due by end of 20 Sep) | ||
== Schedule == | == Schedule== | ||
''Each Monday from 10-12 a live radio program is produced by a rotating team of XPUB students together from the Radio WORM Studio.'' | ''Each Monday from 10-12 a live radio program is produced by a rotating team of XPUB students together from the Radio WORM Studio.'' | ||
''The proposal is to use one hour to listen together to one or more sources (historical projects, interviews, etc). The second hour is then for live performance using instruments developed during the course.'' | ''The proposal is to use one hour to listen together to one or more sources (historical projects, interviews, etc). The second hour is then for live performance using instruments developed during the course.'' | ||
===WEEK -1=== | ===WEEK -1 === | ||
===WEEK 0=== | ===WEEK 0=== | ||
==== Monday 16 September ==== | ====Monday 16 September==== | ||
10 - 13: Meet at WORM | 10 - 13: Meet at WORM | ||
Line 84: | Line 85: | ||
</div> | </div> | ||
==== Tuesday 17 September ==== | ==== Tuesday 17 September==== | ||
Prototyping introduction, with Manetta & Joseph: setting up your sandbox | Prototyping introduction, with Manetta & Joseph: setting up your sandbox | ||
Line 94: | Line 95: | ||
</div> | </div> | ||
==== Wednesday 18 September ==== | ==== Wednesday 18 September==== | ||
Line 102: | Line 103: | ||
===WEEK 1=== | ===WEEK 1=== | ||
'''[[Protocols for Collective Performance: Radio Broadcast 1]]''' | '''[[Protocols for Collective Performance: Radio Broadcast 1]]''' | ||
==== Roles ==== | ====Roles==== | ||
*'''Fred''' (Producer) / '''Kim''' (Interface) | *'''Fred''' (Producer) / '''Kim''' (Interface) | ||
*Sevgi (host) | * Sevgi (host) | ||
*Martina (host) | *Martina (host) | ||
*Kiara (host) | *Kiara (host) | ||
==== Monday 23 September ==== | ====Monday 23 September==== | ||
* 10:00 - 12:00: '''Radio Broadcast #01''' Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen | *10:00 - 12:00: '''Radio Broadcast #01''' Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen | ||
* 12:15 - 13:00: Broadcast debrief / discussion | *12:15 - 13:00: Broadcast debrief / discussion | ||
* 13:00 - 14:00: Lunch break | * 13:00 - 14:00: Lunch break | ||
* 14:00 - 17:00: Afternoon session | *14:00 - 17:00: Afternoon session | ||
[[File:Test protocals.mp3|thumb]] | [[File:Test protocals.mp3|thumb]] | ||
Protocals Jingle | Protocals Jingle | ||
Line 119: | Line 120: | ||
https://pad.xpub.nl/p/20240923-radioworm01 | https://pad.xpub.nl/p/20240923-radioworm01 | ||
==== Tuesday 24 September ==== | ==== Tuesday 24 September==== | ||
Prototyping, with Joseph: Instrumentation & Improvisation <br> | Prototyping, with Joseph: Instrumentation & Improvisation <br> | ||
[[Protocols for Collective Performance: Jam Session Recordings]] | [[Protocols for Collective Performance: Jam Session Recordings]] | ||
==== Wednesday 25 September ==== | ====Wednesday 25 September==== | ||
{{:Calendars:Networked Media Calendar/Networked Media Calendar/25-09-2024 -Event 1}} | {{:Calendars:Networked Media Calendar/Networked Media Calendar/25-09-2024 -Event 1}} | ||
Line 130: | Line 131: | ||
===WEEK 2=== | ===WEEK 2=== | ||
'''[[Protocols for Collective Performance: Radio Broadcast 2]]''' | '''[[Protocols for Collective Performance: Radio Broadcast 2]]''' | ||
==== Roles ==== | ====Roles==== | ||
*'''Kim''' (producer) /'''Chrissy''' (interface) | *'''Kim''' (producer) /'''Chrissy''' (interface) | ||
*Melisa | *Melisa | ||
Line 137: | Line 138: | ||
Find out more: [[/Radio WORM: Protocols for Collective Performance/Week 2]] | Find out more: [[/Radio WORM: Protocols for Collective Performance/Week 2]] | ||
==== Monday 30 September ==== | ====Monday 30 September==== | ||
* 10:00 - 12:00: '''Radio Broadcast #02''' Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen | *10:00 - 12:00: '''Radio Broadcast #02''' Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen | ||
* 12:15 - 13:00: [https://pad.xpub.nl/p/20240930-radioworm02 Broadcast debrief / discussion] | *12:15 - 13:00: [https://pad.xpub.nl/p/20240930-radioworm02 Broadcast debrief / discussion] | ||
* 13:00 - 14:00: Lunch break | *13:00 - 14:00: Lunch break | ||
* 14:00 - 17:00: Afternoon session | *14:00 - 17:00: Afternoon session | ||
<div style="border: 2px solid black; padding: 5px; font-weight: bold; background: #ff9999; box-shadow: 4px 4px 0px black;"> | <div style="border: 2px solid black; padding: 5px; font-weight: bold; background: #ff9999; box-shadow: 4px 4px 0px black;"> | ||
Line 156: | Line 157: | ||
Pad from today: https://pad.xpub.nl/p/20240930-radioworm02 | Pad from today: https://pad.xpub.nl/p/20240930-radioworm02 | ||
==== Tuesday 1 October ==== | ====Tuesday 1 October==== | ||
Prototyping, with Manetta | Prototyping, with Manetta | ||
Line 162: | Line 163: | ||
[[Scripts for collective performance]] | [[Scripts for collective performance]] | ||
==== Wednesday 2 October ==== | ====Wednesday 2 October==== | ||
Methods with Steve | Methods with Steve | ||
Line 170: | Line 171: | ||
'''[[Protocols for Collective Performance: Radio Broadcast 3]]''' | '''[[Protocols for Collective Performance: Radio Broadcast 3]]''' | ||
==== Roles ==== | ====Roles==== | ||
*'''Chrissy'''/'''Wyn''' | *'''Chrissy'''/'''Wyn''' | ||
*Imre | *Imre | ||
*Claudio | *Claudio | ||
*Martina | *Martina | ||
==== Monday 7 October ==== | ====Monday 7 October==== | ||
* 10:00 - 12:00: '''Radio Broadcast #03''' Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen | *10:00 - 12:00: '''Radio Broadcast #03''' Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen | ||
* 12:15 - 13:00: Broadcast debrief / discussion | *12:15 - 13:00: Broadcast debrief / discussion | ||
** https://pad.xpub.nl/p/20241007-radioworm03 | **https://pad.xpub.nl/p/20241007-radioworm03 | ||
* 13:00 - 14:00: Lunch break | *13:00 - 14:00: Lunch break | ||
* 14:00 - 17:00: Afternoon session | *14:00 - 17:00: Afternoon session | ||
** [[Generous Practices]] or Why Protocols for Collective Performance?; practical: refining and testing custom soundboards | **[[Generous Practices]] or Why Protocols for Collective Performance?; practical: refining and testing custom soundboards | ||
* Reading | *Reading | ||
** Generous Practices, Femke Snelting | **Generous Practices, Femke Snelting | ||
==== Tuesday 8 October ==== | ====Tuesday 8 October==== | ||
Prototyping, with Joseph: Jamming | Prototyping, with Joseph: Jamming | ||
==== Wednesday 9 October ==== | ====Wednesday 9 October ==== | ||
Methods with Lídia | Methods with Lídia | ||
Line 197: | Line 198: | ||
'''[[Protocols for Collective Performance: Radio Broadcast 4]]''' | '''[[Protocols for Collective Performance: Radio Broadcast 4]]''' | ||
==== Roles ==== | ====Roles==== | ||
*'''Wyn'''/'''Claudio''' | *'''Wyn'''/'''Claudio''' | ||
*Sevgi | *Sevgi | ||
Line 203: | Line 204: | ||
*Feline | *Feline | ||
==== Monday 14 October ==== | ====Monday 14 October==== | ||
* 10:00 - 12:00: '''Radio Broadcast #04''' Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen | *10:00 - 12:00: '''Radio Broadcast #04''' Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen | ||
* 12:15 - 13:00: Broadcast debrief / discussion | *12:15 - 13:00: Broadcast debrief / discussion | ||
* 13:00 - 14:00: Lunch break | * 13:00 - 14:00: Lunch break | ||
* 14:00 - 17:00: Afternoon session | *14:00 - 17:00: Afternoon session | ||
* 18-20 ''optional bonus: Javascript club'' | *18-20 ''optional bonus: Javascript club'' | ||
EXERCISE: '''CLAPPING MUSIC''' | EXERCISE: '''CLAPPING MUSIC''' | ||
Line 215: | Line 216: | ||
* [https://hub.xpub.nl/cerealbox/~murtaugh/si25/radioimplicancies/ Revisiting Radio Implicancies] | * [https://hub.xpub.nl/cerealbox/~murtaugh/si25/radioimplicancies/ Revisiting Radio Implicancies] | ||
* Revisit last week's discussion in regards to a pre-show protocol | *Revisit last week's discussion in regards to a pre-show protocol | ||
* check in with API/SOUNDBOARD work | *check in with API/SOUNDBOARD work | ||
* Working with other APIs than archive.org (mediawiki, mixcloud)? | *Working with other APIs than archive.org (mediawiki, mixcloud)? | ||
* '''Readings/Listenings for next week''' | *'''Readings/Listenings for next week''' | ||
** [https://hub.xpub.nl/bootleglibrary/book/789 Mainframe Experimentalism], GEORGES PEREC'S THINKING MACHINES, David Bellos (Part 1, chapter 2) | **[https://hub.xpub.nl/bootleglibrary/book/789 Mainframe Experimentalism], GEORGES PEREC'S THINKING MACHINES, David Bellos (Part 1, chapter 2) | ||
** [https://hub.xpub.nl/bootleglibrary/read/918/pdf The Machine: English translation] An english translations of the screenplay of the radio play | **[https://hub.xpub.nl/bootleglibrary/read/918/pdf The Machine: English translation] An english translations of the screenplay of the radio play | ||
** Listening: Die Maschine, Radio Play -- [https://hub.xpub.nl/cerealbox/~murtaugh/si25/Georges_Perec-Die_Maschine_WDR_1968_Science_Fiction_H%C3%B6rspiel.mp3 cerealbox] [https://archive.org/details/diemaschine-georgesperec1968 archive.org (sadly down now!)], [https://www.youtube.com/watch?v=pu6TACgAdTI youtube] | ** Listening: Die Maschine, Radio Play -- [https://hub.xpub.nl/cerealbox/~murtaugh/si25/Georges_Perec-Die_Maschine_WDR_1968_Science_Fiction_H%C3%B6rspiel.mp3 cerealbox] [https://archive.org/details/diemaschine-georgesperec1968 archive.org (sadly down now!)], [https://www.youtube.com/watch?v=pu6TACgAdTI youtube] | ||
Line 226: | Line 227: | ||
Wang (XPUB2) will be sharing his work that overlaps nicely with what we've been working on with creating soundboards in HTML | Wang (XPUB2) will be sharing his work that overlaps nicely with what we've been working on with creating soundboards in HTML | ||
==== Tuesday 15 October ==== | ====Tuesday 15 October==== | ||
Prototyping, with Manetta | Prototyping, with Manetta | ||
Line 232: | Line 233: | ||
[[Cloudmix session]] | [[Cloudmix session]] | ||
==== Wednesday 16 October ==== | ==== Wednesday 16 October==== | ||
{{:Calendars:Networked Media Calendar/Networked Media Calendar/16-10-2024 -Event 1}} | {{:Calendars:Networked Media Calendar/Networked Media Calendar/16-10-2024 -Event 1}} | ||
===WEEK 5=== | ===WEEK 5=== | ||
==== Roles ==== | ====Roles==== | ||
*'''Claudio'''/'''Charlie''' | *'''Claudio'''/'''Charlie''' | ||
*Wyn | *Wyn | ||
*Melisa | *Melisa | ||
*Fred | *Fred | ||
==== Monday 21 October ==== | ====Monday 21 October==== | ||
* 10:00 - 12:00: '''Radio Broadcast #05''' Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen | *10:00 - 12:00: '''Radio Broadcast #05''' Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen | ||
* 12:30 - 13:00: Broadcast debrief / discussion | *12:30 - 13:00: Broadcast debrief / discussion | ||
* 13:00 - 14:00: Lunch break | * 13:00 - 14:00: Lunch break | ||
* 14:00 - 17:00: Afternoon session | *14:00 - 17:00: Afternoon session | ||
Michael: Here's a link to some [https://hub.xpub.nl/cerealbox/~murtaugh/si25/epicpedia_2024/2024-10-21-SI25-NOTES.html notes] about Oulipo + with some examples we could revisit in the future. | Michael: Here's a link to some [https://hub.xpub.nl/cerealbox/~murtaugh/si25/epicpedia_2024/2024-10-21-SI25-NOTES.html notes] about Oulipo + with some examples we could revisit in the future. | ||
===== Listenings + Readings ===== | ===== Listenings + Readings===== | ||
The Laurence Rassel Show is a radio show made in 2007, a collaboration between the art and media org Constant (where Laurence Rassel was a core member at the time), and DJ/musician Terre Thamlitz. | The Laurence Rassel Show is a radio show made in 2007, a collaboration between the art and media org Constant (where Laurence Rassel was a core member at the time), and DJ/musician Terre Thamlitz. | ||
Line 256: | Line 257: | ||
Consider, some different links of the progam online, from Terre Thamlitz’s own site, to an archival copy of publicrec.org (with supporting documents), to the physical CD (in library): | Consider, some different links of the progam online, from Terre Thamlitz’s own site, to an archival copy of publicrec.org (with supporting documents), to the physical CD (in library): | ||
* https://www.comatonse.com/writings/2007_laurencerasselshow.html | *https://www.comatonse.com/writings/2007_laurencerasselshow.html | ||
* http://publicrec.org/archive/2-01/2-01-014/2-01-014.html | *http://publicrec.org/archive/2-01/2-01-014/2-01-014.html | ||
And contrast with less contextualized presence on other networks: | And contrast with less contextualized presence on other networks: | ||
* https://www.discogs.com/master/191938-Laurence-Rassel-Terre-Thaemlitz-The-Laurence-Rassel-Show | *https://www.discogs.com/master/191938-Laurence-Rassel-Terre-Thaemlitz-The-Laurence-Rassel-Show | ||
* https://soundcloud.com/fedoriko/useless-movement | *https://soundcloud.com/fedoriko/useless-movement | ||
* https://www.youtube.com/watch?v=9_LNOBUAmLI | *https://www.youtube.com/watch?v=9_LNOBUAmLI | ||
READINGS to go with TLRS… | READINGS to go with TLRS… | ||
* [https://hub.xpub.nl/bootleglibrary/book/249 Roland Barthes, Death of the Author] | *[https://hub.xpub.nl/bootleglibrary/book/249 Roland Barthes, Death of the Author] | ||
* [https://hub.xpub.nl/bootleglibrary/read/833/pdf#page=23 Peggy Phelan, from Unmarked] | *[https://hub.xpub.nl/bootleglibrary/read/833/pdf#page=23 Peggy Phelan, from Unmarked] | ||
* [https://hub.xpub.nl/bootleglibrary/read/260/pdf#page=113 Michel Foucault, What is an Author] | *[https://hub.xpub.nl/bootleglibrary/read/260/pdf#page=113 Michel Foucault, What is an Author] | ||
ALSO: check out the printed CD in the library for the physical poster inside that contains a full “libretto” … all the quoted texts and sources. | ALSO: check out the printed CD in the library for the physical poster inside that contains a full “libretto” … all the quoted texts and sources. | ||
==== Tuesday 22 October ==== | ====Tuesday 22 October==== | ||
Prototyping, with Joseph: Modularity | Prototyping, with Joseph: Modularity | ||
==== Wednesday 23 October ==== | ==== Wednesday 23 October==== | ||
Methods with Lídia | Methods with Lídia | ||
===<span style="color: gray">WEEK 6</span>=== | ===<span style="color: gray">WEEK 6</span>=== | ||
==== <span style="color: gray">FALL BREAK</span> ==== | ====<span style="color: gray">FALL BREAK</span>==== | ||
===WEEK 7=== | ===WEEK 7=== | ||
==== Roles ==== | ====Roles==== | ||
– canceled – | |||
*'''Charlie'''/'''Tessa''' | *'''Charlie'''/'''Tessa''' | ||
*Chrissy | *Chrissy | ||
Line 293: | Line 295: | ||
'''Wiki page: https://pzwiki.wdka.nl/mediadesign/Week_7_Radio_-_Music_Archive''' | '''Wiki page: https://pzwiki.wdka.nl/mediadesign/Week_7_Radio_-_Music_Archive''' | ||
==== Monday 4 November ==== | ====Monday 4 November==== | ||
https://pad.xpub.nl/p/SI25-Monday-Nov-04 | https://pad.xpub.nl/p/SI25-Monday-Nov-04 | ||
===== Reading+Viewing for next week ===== | =====Reading+Viewing for next week===== | ||
*[https://web.archive.org/web/20140222103103/http://subterraneanpress.com/magazine/fall_2013/the_truth_of_fact_the_truth_of_feeling_by_ted_chiang The Truth of Fact, the Truth of Feeling, Ted Chiang] | *[https://web.archive.org/web/20140222103103/http://subterraneanpress.com/magazine/fall_2013/the_truth_of_fact_the_truth_of_feeling_by_ted_chiang The Truth of Fact, the Truth of Feeling, Ted Chiang] | ||
* [https://hub.xpub.nl/cerealbox/shared/People%20are%20Knowledge%20%28subtitled%29%20%5B26469276%5D.mp4 People are knowledge] ([https://vimeo.com/26469276 source]) | *[https://hub.xpub.nl/cerealbox/shared/People%20are%20Knowledge%20%28subtitled%29%20%5B26469276%5D.mp4 People are knowledge] ([https://vimeo.com/26469276 source]) | ||
==== Tuesday 5 November ==== | ====Tuesday 5 November==== | ||
Prototyping, with Manetta | Prototyping, with Manetta | ||
Line 305: | Line 307: | ||
[[Platforms shape practice session]] | [[Platforms shape practice session]] | ||
==== Wednesday 6 November ==== | ====Wednesday 6 November==== | ||
Methods with Lídia | Methods with Lídia | ||
===WEEK 8=== | ===WEEK 8=== | ||
==== Roles ==== | ====Roles ==== | ||
*'''Tessa'''/'''Feline''' | *'''Tessa'''/'''Feline''' | ||
*Zuhui | *Zuhui | ||
Line 317: | Line 319: | ||
https://pzwiki.wdka.nl/mediadesign/Week_8_Radio_-_Protocol_to_Free_Britney | https://pzwiki.wdka.nl/mediadesign/Week_8_Radio_-_Protocol_to_Free_Britney | ||
==== Monday 11 November ==== | ====Monday 11 November==== | ||
here is a wiki page for this days agenda: [[SI25 Meeting Nov 11: Agenda]] | here is a wiki page for this days agenda: [[SI25 Meeting Nov 11: Agenda]] | ||
==== Tuesday 12 November ==== | ==== Tuesday 12 November==== | ||
Prototyping, with Joseph | Prototyping, with Joseph | ||
Line 326: | Line 328: | ||
===WEEK 9=== | ===WEEK 9=== | ||
==== Roles ==== | ==== Roles==== | ||
*'''Feline'''/'''Alexandria''' | *'''Feline'''/'''Alexandria''' | ||
*Eleni | *Eleni | ||
*Chrissy | *Chrissy | ||
*Kiara | * Kiara | ||
==== Monday 18 November ==== | ====Monday 18 November==== | ||
==== Tuesday 19 November ==== | ====Tuesday 19 November==== | ||
Prototyping, with Manetta | Prototyping, with Manetta | ||
==== Wednesday 20 November ==== | ====Wednesday 20 November ==== | ||
Methods with Lídia | Methods with Lídia | ||
Line 348: | Line 350: | ||
<div style="background-color: #fd6cfd; box-shadow: 3px 3px 3px black; width: fit-content; height: fit-content; padding: 0 10px; border: solid 3px black;"> | <div style="background-color: #fd6cfd; box-shadow: 3px 3px 3px black; width: fit-content; height: fit-content; padding: 0 10px; border: solid 3px black;"> | ||
==Title of the project==<br> | |||
==Short description== (the one asked by PR)<br> | |||
<nowiki>==Cookbook== </nowiki>(how, steps of the making) with pictures<br> | <nowiki>==Cookbook== </nowiki>(how, steps of the making) with pictures<br> | ||
<nowiki>==Refs and resources== </nowiki>(external links)<br> | <nowiki>==Refs and resources== </nowiki>(external links)<br> | ||
<nowiki>==Additional info== </nowiki>(optional)< | <nowiki>==Additional info== </nowiki>(optional) | ||
<nowiki>==Event Rider==</nowiki> | |||
<nowiki>===Items===</nowiki> | |||
- Item [ ] | |||
<nowiki>===Space===</nowiki> | |||
- X x Xm | |||
- Internet/Power/etc | |||
<nowiki>===Time===</nowiki> | |||
- Async/ 1 hour slot/etc<br> | |||
'''A NOTE FROM THE LOGISTICS TEAM:'''<br> | |||
Resources needed: on your wiki project page, let us know if you need '''power, lighting and internet''' for your installation. It would also be appreciated if you could provide '''a list of other equipment needed''' (example: table, lamps, chairs, etc…). Also '''leave a not if you have any equipment that is on the list'''. | Resources needed: on your wiki project page, let us know if you need '''power, lighting and internet''' for your installation. It would also be appreciated if you could provide '''a list of other equipment needed''' (example: table, lamps, chairs, etc…). Also '''leave a not if you have any equipment that is on the list'''. | ||
Event timings: for the jam session and text-to-speech to text to music, think about a potential timing for your event. The rest of the artworks/ installations will be working throughout the entire event. You can also list down this info on the wiki project page. | Event timings: for the jam session and text-to-speech to text to music, think about a potential timing for your event. The rest of the artworks/ installations will be working throughout the entire event. You can also list down this info on the wiki project page. | ||
Line 361: | Line 378: | ||
</div> | </div> | ||
===WEEK 10=== | '''Project pages:''' | ||
==== Roles ==== | |||
[[SI25 Sounds Of Marmalade: Jam session with stuff|Sounds Of Marmalade]] | |||
[[Lost in Narration]] | |||
[[SI25 Urban Small Talk|Urban Small Talk]] | |||
[[User:Kim/Special Issue 1/Wiki Hyperlink Game|Tracing Networks Backwards]] | |||
[[User:Wordfa/oldphonehack|Press 1 for:]] | |||
! After the event: please add pictures of the finished piece in the space ! | |||
=== WEEK 10=== | |||
====Roles==== | |||
*'''Alexandria'''/'''Zuhui''' | *'''Alexandria'''/'''Zuhui''' | ||
*Melisa | *Melisa | ||
*Wyn | *Wyn | ||
*Kim | *Kim | ||
==== Monday 25 November ==== | ====Monday 25 November==== | ||
==== Tuesday 26 November ==== | ====Tuesday 26 November ==== | ||
Prototyping, with Joseph | Prototyping, with Joseph | ||
===WEEK 11=== | ===WEEK 11=== | ||
==== Roles ==== | ====Roles==== | ||
*''' | – rescheduled radio #7 – | ||
* | *'''Charlie'''/'''Tessa''' | ||
* | *Chrissy | ||
* | *imina | ||
==== Monday 2 December ==== | *Kiara | ||
'''Wiki page: https://pzwiki.wdka.nl/mediadesign/Week_7_Radio_-_Music_Archive''' | |||
==== Monday 2 December==== | |||
==== Tuesday 3 December ==== | ====Tuesday 3 December ==== | ||
Prototyping, with Manetta | Prototyping, with Manetta | ||
==== Wednesday 4 December ==== | ====Wednesday 4 December==== | ||
Methods with Lídia | Methods with Lídia | ||
Line 395: | Line 429: | ||
'''Final Broadcast Week''' : Roles and Protocols to be determined... | '''Final Broadcast Week''' : Roles and Protocols to be determined... | ||
==== Monday 9 December ==== | ==== Roles==== | ||
*'''Zuhui'''/'''Fred''' | |||
*Alexandria | |||
* Tessa | |||
*sevgi | |||
====Monday 9 December==== | |||
==== Tuesday 10 December ==== | ====Tuesday 10 December==== | ||
Prototyping, with Manetta (& Joseph) | Prototyping, with Manetta (& Joseph) | ||
== References (in progress of being integrated into page) == | ==References (in progress of being integrated into page)== | ||
From last year the [[:Category:Protocol|Protocol Category]], with specific Decision Making protocols such as [[All voices heard]] and [[Voting by show of hands]] | From last year the [[:Category:Protocol|Protocol Category]], with specific Decision Making protocols such as [[All voices heard]] and [[Voting by show of hands]] | ||
Line 409: | Line 449: | ||
Nature Study Notes, and Portland Pattern Repository ... parallels. | Nature Study Notes, and Portland Pattern Repository ... parallels. | ||
Exemplary webpages that document the history of a project while also creating a web-page based (re)performance tool: | Exemplary webpages that document the history of a project while also creating a web-page based (re)performance tool: | ||
* [https://webaudio.prototyping.bbc.co.uk/wobbulator/ BBC Radiophonic workshop + Delia Derbyshire] | *[https://webaudio.prototyping.bbc.co.uk/wobbulator/ BBC Radiophonic workshop + Delia Derbyshire] | ||
* [https://mod.haxor.fi MOD/S3M/XM Module Player for Web Audio] and [https://github.com/electronoora/webaudio-mod-player code] [https://github.com/deskjet/chiptune2.js chiptune2.js] | *[https://mod.haxor.fi MOD/S3M/XM Module Player for Web Audio] and [https://github.com/electronoora/webaudio-mod-player code] [https://github.com/deskjet/chiptune2.js chiptune2.js] | ||
* [https://www.some-assembly-required.net/episodes/ Some Assembly Required] | *[https://www.some-assembly-required.net/episodes/ Some Assembly Required] | ||
* Radio Aporee | *Radio Aporee | ||
* Janek Schaefer: Custom players, his [https://www.audioh.com/information/soundartresource.html soundartresources] | *Janek Schaefer: Custom players, his [https://www.audioh.com/information/soundartresource.html soundartresources] | ||
* Generative Music (players) Throbbing Gristle / Buddha Machine? Pirate Radio History [Media Fragments]* (https://www.w3.org/TR/media-frags/ ''The Deep'', Rivers Solomon + Clipping (Hybrid Pub) | *Generative Music (players) Throbbing Gristle / Buddha Machine? Pirate Radio History [Media Fragments]* (https://www.w3.org/TR/media-frags/ ''The Deep'', Rivers Solomon + Clipping (Hybrid Pub) | ||
* https://en.wikipedia.org/wiki/The_Deep_(novella) | *https://en.wikipedia.org/wiki/The_Deep_(novella) | ||
* Platoniq Burnstation | *Platoniq Burnstation | ||
* [https://www.pgdp.net/c/ Distributed Proofreaders] and the [https://sound.constantvzw.org/Algolit/Data_workers_podcast_EN/.index/IV_-_01._Project_Gutenberg_and_Distributed_Proofreaders.mp3/play.mp3 podcast recording] -- interview with An? | *[https://www.pgdp.net/c/ Distributed Proofreaders] and the [https://sound.constantvzw.org/Algolit/Data_workers_podcast_EN/.index/IV_-_01._Project_Gutenberg_and_Distributed_Proofreaders.mp3/play.mp3 podcast recording] -- interview with An? | ||
* [https://video.constantvzw.org/PublicDomainDay2015/.index/NEWNOVA.webm/play.mp4 Botopera] | *[https://video.constantvzw.org/PublicDomainDay2015/.index/NEWNOVA.webm/play.mp4 Botopera] | ||
=== Licenses === | ===Licenses=== | ||
Laurence Rassel Show http://www.ultrared.org/publicrecord/archive/2-01/2-01-014/2-01-014.html | Laurence Rassel Show http://www.ultrared.org/publicrecord/archive/2-01/2-01-014/2-01-014.html | ||
=== Meditations === | ===Meditations=== | ||
* Cloud piece from Floor van Meeuwen | *Cloud piece from Floor van Meeuwen | ||
* Charlotte Adigery + Boris Pupils MANTRA https://genius.com/Charlotte-adigery-and-bolis-pupul-mantra-lyrics https://charlotteandbolis.bandcamp.com/album/yin-yang-self-meditation | *Charlotte Adigery + Boris Pupils MANTRA https://genius.com/Charlotte-adigery-and-bolis-pupul-mantra-lyrics https://charlotteandbolis.bandcamp.com/album/yin-yang-self-meditation | ||
* Agile Meditation – From the Software Clinic, Anne Laforet | *Agile Meditation – From the Software Clinic, Anne Laforet | ||
Sox | Sox | ||
Line 435: | Line 475: | ||
“Raw” audio | “Raw” audio | ||
=== Strange Text to Speech === | ===Strange Text to Speech=== | ||
<pre>play -tlpc /dev/urandom</pre> | <pre>play -tlpc /dev/urandom</pre> | ||
Line 445: | Line 485: | ||
[https://www.hellocatfood.com/spell-and-speak/ Spell and Speak, Antonio Roberts] is a great example of using different distributive practices (free software such as using Silas S. Brown’s *lexconvert*, and small shell commands and hacks) to explore the international phonetics alphabet by generating random permutations and an animating them. | [https://www.hellocatfood.com/spell-and-speak/ Spell and Speak, Antonio Roberts] is a great example of using different distributive practices (free software such as using Silas S. Brown’s *lexconvert*, and small shell commands and hacks) to explore the international phonetics alphabet by generating random permutations and an animating them. | ||
=== Speech synth === | ===Speech synth=== | ||
* https://dood.al/pinktrombone/ | *https://dood.al/pinktrombone/ | ||
* [https://www.youtube.com/watch?v=k_YUB_S6Gpo Kempelen's speaking machine] | *[https://www.youtube.com/watch?v=k_YUB_S6Gpo Kempelen's speaking machine] | ||
* [https://xpub.nl/2024/call/call-ig.html XPUB Call with Speech to Text API] | *[https://xpub.nl/2024/call/call-ig.html XPUB Call with Speech to Text API] | ||
== Listenings == | ==Listenings== | ||
The idea is to have a dedicated space in the weekly radio program for group listening to historic radio shows / other audio pieces. | The idea is to have a dedicated space in the weekly radio program for group listening to historic radio shows / other audio pieces. | ||
* Laurence Rassel Show http://www.ultrared.org/publicrecord/archive/2-01/2-01-014/2-01-014.html | *Laurence Rassel Show http://www.ultrared.org/publicrecord/archive/2-01/2-01-014/2-01-014.html | ||
* [https://archive.org/details/diemaschine-georgesperec1968 Die Maschine], Radio play (1968) George Perec | *[https://archive.org/details/diemaschine-georgesperec1968 Die Maschine], Radio play (1968) George Perec | ||
* [https://hub.xpub.nl/chopchop/~murtaugh/video/Sound%20Out%20-%2020th%20February%202015%20%5BResonance_sound-out-20th-february-2015%5D.m4a Resonance: Sound Out 20 Feb 2015] recording of a radio program from Scratch Orchestra members meeting in 2015 in preparation for performance | *[https://hub.xpub.nl/chopchop/~murtaugh/video/Sound%20Out%20-%2020th%20February%202015%20%5BResonance_sound-out-20th-february-2015%5D.m4a Resonance: Sound Out 20 Feb 2015] recording of a radio program from Scratch Orchestra members meeting in 2015 in preparation for performance | ||
* [http://traffic.libsyn.com/postconsumer01/SAR62.mp3 SAR62: Interview with Janek Schaefer] [http://www.blog.some-assembly-required.net/2008/02/episode-62-some-assembly-required.html about] | *[http://traffic.libsyn.com/postconsumer01/SAR62.mp3 SAR62: Interview with Janek Schaefer] [http://www.blog.some-assembly-required.net/2008/02/episode-62-some-assembly-required.html about] | ||
* [https://content.libsyn.com/p/5/5/a/55a360a58a529723/SAR03.mp3 SAR03]: Interview with Illegal Art [http://www.blog.some-assembly-required.net/2009/02/episode-03-some-assembly-required.html about] | *[https://content.libsyn.com/p/5/5/a/55a360a58a529723/SAR03.mp3 SAR03]: Interview with Illegal Art [http://www.blog.some-assembly-required.net/2009/02/episode-03-some-assembly-required.html about] | ||
* [http://www.blog.some-assembly-required.net/2009/08/episode-43-some-assembly-required.html SAR43]: Interview with People Like Us | *[http://www.blog.some-assembly-required.net/2009/08/episode-43-some-assembly-required.html SAR43]: Interview with People Like Us | ||
* [https://www.some-assembly-required.net/blog/2008/04/episode-16-some-assembly-required.html SAR16]: Interview with John Oswald / Plunderphonics | *[https://www.some-assembly-required.net/blog/2008/04/episode-16-some-assembly-required.html SAR16]: Interview with John Oswald / Plunderphonics | ||
* https://corecursive.com/tdih-cpan/ | *https://corecursive.com/tdih-cpan/ | ||
* Kate Rich + Natalie Jeremijenko: Mute Wipeout | *Kate Rich + Natalie Jeremijenko: Mute Wipeout | ||
* Tarek Atoui https://www.kurimanzutto.com/en/artists/tarek-atoui | *Tarek Atoui https://www.kurimanzutto.com/en/artists/tarek-atoui | ||
* DONNA:\ Women\ in\ Revolt\ \[118671-000-A\].mp4 | * DONNA:\ Women\ in\ Revolt\ \[118671-000-A\].mp4 | ||
== Readings (in progress) == | ==Readings (in progress) == | ||
* Simon Yuill, [http://lipparosa.org/essays/problemsofnotation.pdf ''All Problems of Notation Will be Solved by the Masses: Free Open Form Performance, Free/Libre Open Source Software, and Distributive Practice''] | *Simon Yuill, [http://lipparosa.org/essays/problemsofnotation.pdf ''All Problems of Notation Will be Solved by the Masses: Free Open Form Performance, Free/Libre Open Source Software, and Distributive Practice''] | ||
* Melanie Sehgal, [https://calibre.constantvzw.org/read/40/pdf ''Looking back and not behind. On the concept of Performativity''] | *Melanie Sehgal, [https://calibre.constantvzw.org/read/40/pdf ''Looking back and not behind. On the concept of Performativity''] | ||
* Fanny Chiarello - ''Field Recordings'' in ''Basta Now: women, trans & non-binary in experimental music'' | *Fanny Chiarello - ''Field Recordings'' in ''Basta Now: women, trans & non-binary in experimental music'' | ||
* Selections from [https://almanac.state-of-the-arts.net/ (Fair) Kin Arts Almanac] ... and [https://www.youtube.com/watch?v=LUrLoBzHuAk&list=PLe-w9p--aJKtN0WC2f7dhsZ4C5Ger7mzt&index=6 Gijs presents at LGM 2024] and [https://state-of-the-arts.net/about-us/sota/ SOTA] | *Selections from [https://almanac.state-of-the-arts.net/ (Fair) Kin Arts Almanac] ... and [https://www.youtube.com/watch?v=LUrLoBzHuAk&list=PLe-w9p--aJKtN0WC2f7dhsZ4C5Ger7mzt&index=6 Gijs presents at LGM 2024] and [https://state-of-the-arts.net/about-us/sota/ SOTA] | ||
y of Pirate Radio], Matthew Fuller, Media Ecologies, 2005 | y of Pirate Radio], Matthew Fuller, Media Ecologies, 2005 | ||
* Pirate Radio History in Amy Spencer’s DIY | *Pirate Radio History in Amy Spencer’s DIY | ||
* [https://hub.xpub.nl/bootleglibrary/read/897/pdf Nature Study Notes: Scratch Orchestra] | *[https://hub.xpub.nl/bootleglibrary/read/897/pdf Nature Study Notes: Scratch Orchestra] | ||
* [https://hub.xpub.nl/bootleglibrary/read/831/pdf Improvisation Rites: From John Cage's Song Books to The Scratch] Stefan Szczelkun | *[https://hub.xpub.nl/bootleglibrary/read/831/pdf Improvisation Rites: From John Cage's Song Books to The Scratch] Stefan Szczelkun | ||
* The Future was already here, c. 7: The Scene | *The Future was already here, c. 7: The Scene | ||
* <?> The sound of your prose, Ursula Le Guin, (Space Crone) | * <?> The sound of your prose, Ursula Le Guin, (Space Crone) | ||
* <?> Daniel Punday, Computing as Writing, c. ? … or is this SI26? Maybe the chapter that investigates iTunes… | *<?> Daniel Punday, Computing as Writing, c. ? … or is this SI26? Maybe the chapter that investigates iTunes… | ||
*[https://web.archive.org/web/20140222103103/http://subterraneanpress.com/magazine/fall_2013/the_truth_of_fact_the_truth_of_feeling_by_ted_chiang The Truth of Fact, the Truth of Feeling, Ted Chiang] | *[https://web.archive.org/web/20140222103103/http://subterraneanpress.com/magazine/fall_2013/the_truth_of_fact_the_truth_of_feeling_by_ted_chiang The Truth of Fact, the Truth of Feeling, Ted Chiang] | ||
* Ari Ralph's Pirate Bay zine on Decolonializing the archive (ref. being held, vs. being kept). | *Ari Ralph's Pirate Bay zine on Decolonializing the archive (ref. being held, vs. being kept). | ||
* Dirty Concrete Poetry from Lori Emerson ? | *Dirty Concrete Poetry from Lori Emerson ? | ||
[[Category:Special Issue]] | [[Category:Special Issue]] |
Latest revision as of 16:25, 11 November 2024
The project described here is a second iteration of a course first run last year, Radio Worm: Protocols for an Active Archive. This iteration called Protocols for Collective Creation, and will run from September to December 2024. The format will be a weekly live 2 hour radio program, and a single in-person event, or “public moment” tentatively planned for November 20, 2024. The course will be developed and run by tutors of XPUB, supported by WORM staff, and will be followed and activated XPUB1 students. The idea is to produce and maintain a podcast feed of materials related to the program during the duration of the 3 months. The format of the live event is described further below. XPUB will be responsible for documenting activities related to the course, and in working with WORM for possible inclusion within their network (for instance working with Ash on materials that could be part of WORM’s Mixcloud channel).
Intro
In sum the course will be about:
- Creating instruments,
- exploring different forms of collective practice,
- to make radio, including remixing materials from WORM's archive and Radio WORM,
- and perform them (live) together using performance protocols.
XPUB 2024-2026 Survival Guide
Pad of Pads
Wiki Page (same content, more permanent)
Partners
XPUB is the 2 years Master program in Experimental Publishing at the Willem de Kooning Academy, part of the Hogeschool Rotterdam (http://xpub.nl). XPUB focuses on the acts of making things public and creating publics in the age of post-digital networks.
Radio WORM (https://radio.worm.org) is an online radio platform at the heart of WORM Rotterdam. Their studio hosts audio production of all descriptions (sound art, experimental music, interviews, mixes, informal reporting and in-depth talk-based series), with over 80 resident shows as well as a shifting schedule of one-off events, mini-series and special guests.
WORM Pirate Bay (http://thepiratebay.worm.org/) is a physical archive and working facility at WORM comprising DVDs, VHS tapes, zines, books, CDs, board games and other remnants from WORM’s production history. WPB is about unconventional knowledge sharing and artistic production that might not be valued by traditional understandings of high art.
The project will involve the assistance and cooperation of: Ash Kilmartin, Lukas Simonis, Lieuwe Zelle (Radio WORM), Ari Ralph (Worm Pirate Bay), and Florian Cramer, Michael Murtaugh (WDKA/XPUB), and XPUB prototyping + methods tutors.
Themes
In terms of thematics, the project aims to focus on the history of sound art, considering specific practices such as tape manipulation, digital desconstruction, with a particular focus on improvisation and collective production. Key reference works such as Nature Study Notes and the work of Cornelius Cardew and the Scratch Orchestra will be studied, in parallel with work on Free Licenses and Free Software as means for producing what Simon Yuill has termed distributive practices. In addition, the lived experience of Radio WORM’s Ash Kilmartin and Lukas Simonis will serve as key guides and resources in the process.
Furthermore, critical questions related to (cultural) reappropriation, such as those raised in Ari Ralph’s An Introduction to Decolonial Archival Practice zine will be important aspects of the course. For instance, how can audio transcription software be used for more than just producing a strict transcription of what’s been spoken? Are there formats of audio + text that can go beyond “capture” and “translation” of spoken to written forms, and which preserve and value oral culture rather than attempting to fix (in both the sense of repair or freeze) or replace it?
Multivocality
The project starts from the diversity of Radio WORM’s maker community, speakers of a diversity of languages, cultural backgrounds, and ages reflecting the diversity of Rotterdam’s inhabitants. In addition, XPUB as a program embraces a diversity of practices, from traditional print design to game design and programming, but also including music, product Design, anthropology. The course will focus draw on historical examples of collective production to look at a diversity of ways that collectivity can be facilitated. As a course XPUB is also particularly interested in the interplay between the tools and platforms we use and their impact on the ways collaboration occurs, for instance how roles can be shared and (re)negotiated rather than only being fixed in conventional workflows with designers typically at the end of a process of “giving form”.
For example, in the first iteration of the course, a podcast was made of the radio programs, alongside a series of diverse zines, including interviews with radio makers. Besides this, a 3D model of the WORM Radio studio was made which them formed the basis of a collaboration to make audio/visual animation that mixed abstract metadata from the archival recordings with the rendered model.
Radio program
Text about Radio Program for WORM's website
TO DO (due by end of Sep 20)
Support
The project has received funding from NADD to support Radio WORM staff and in the production of the public event.
Public moment
The idea is for the public moment/event will be to explicitly address past, present, and future members of the Radio WORM community of listeners and makers. The format of the event would be relatively open, with a variety of activities happening in parallel. Workshops will showcase the richness and variety of materials available via WORM Pirate Bay, and the potential for new collective artistic production using specific techniques explored in the course (for instance involving physical cut-up techniques with reel to reel audio, or digital techniques with automatic transcription and coding). Furthermore, the plan will be to include access to WORM Sound Studio, whose unique situation for collective sound production will be featured. The idea is for the event to be used as a means of gathering further materials from an interested public, and for these materials to be incorporated into the subsequent/final radio broadcasts, creating some space for reflection and closure.
The project aims to primarily address Radio WORM’s community of makers and listeners, past, present, and future. More broadly, the project should address and be of interest to a wide audience of those interested in collective artistic practices and those interested in the interplay between digital tools and networked platforms for distributing and archiving the resulting cultural productions.
Text about Nov Event for WORM Website
TODO (preliminary text due by end of 20 Sep)
Schedule
Each Monday from 10-12 a live radio program is produced by a rotating team of XPUB students together from the Radio WORM Studio. The proposal is to use one hour to listen together to one or more sources (historical projects, interviews, etc). The second hour is then for live performance using instruments developed during the course.
WEEK -1
WEEK 0
Monday 16 September
10 - 13: Meet at WORM
14-17: Afternoon session (in the Aquarium)
Followup to All Problems of Notation Will be Solved by the Masses: Free Open Form Performance, Free/Libre Open Source Software, and Distributive Practice, Simon Yuill that you read and annotated with Lidia last Wednesday
Check out Category:Protocol
Assignment: Making a collective field recording audio collage
Assignment: Create the start page for the special issue (HTML).
Assignment: Adapt your wiki-based audio collage to an HTML page.
Tuesday 17 September
Prototyping introduction, with Manetta & Joseph: setting up your sandbox
Notebook/wiki pages: Sandbox & HTML + CSS
Assignment: Find an object, device, situation ... that creates an interesting sound! Please bring it next Tuesday (24th September).
Wednesday 18 September
XPUB1: 11:00 - 17:00 Methods with Steve, in the aquarium
Outcome:
Protocols for Collective Performance
https://pad.xpub.nl/p/Methods2
11:00 Intro and catch-up
11:00-12:00 Reviewing the annotated Yuill, Scratch Orchestra
12:00-13:00 Prototyping protocols
LUNCH
14:00-16:30 Making and performing a protocol directory
16:30 Review of the day
Today we will look more deeply into some of the references Simon Yuill makes in The Problems on Notation, with particular attention being paid to Nature Study Notes... together we will produce a directory of improvisational protocols and perform some of the protocols devised.
References:
Scratch Orchestra's Nature Study Notes (1969) http://intuitivemusic.dk/iima/sonsn.pdf
John Cage's collection of notations: https://monoskop.org/images/9/92/Cage_John_Notations.pdf
Eno: Oblique Strategies (card game)
https://monoskop.org/images/8/8c/Eno_Brian_Schmidt_Peter_Oblique_Strategies.pdf
"Do it" project, Curated by Hans Ulrich Obrist: https://curatorsintl.org/exhibitions/18072-do-it-2013
Previous Rapid Prototype directory:
https://pad.xpub.nl/p/notation_experiment_0420
Protocol for Worm
https://pzwiki.wdka.nl/mediadesign/Assigning_the_roles_(SI25)
WEEK 1
Protocols for Collective Performance: Radio Broadcast 1
Roles
- Fred (Producer) / Kim (Interface)
- Sevgi (host)
- Martina (host)
- Kiara (host)
Monday 23 September
- 10:00 - 12:00: Radio Broadcast #01 Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen
- 12:15 - 13:00: Broadcast debrief / discussion
- 13:00 - 14:00: Lunch break
- 14:00 - 17:00: Afternoon session
File:Test protocals.mp3 Protocals Jingle
Pad with debrief + notes + code from afternoon: https://pad.xpub.nl/p/20240923-radioworm01
Tuesday 24 September
Prototyping, with Joseph: Instrumentation & Improvisation
Protocols for Collective Performance: Jam Session Recordings
Wednesday 25 September
XPUB1: 11:00 - 17:00 Methods with Lidia
Today’s outcomes:
Protocols for glossary writing https://pzwiki.wdka.nl/mediadesign/Protocols_for_Collective_Glossary_Writing
Alphabet Soup: https://pzwiki.wdka.nl/mediadesign/Alphabet_Soup
This session’s pad: https://pad.xpub.nl/p/250924_Methods
WEEK 2
Protocols for Collective Performance: Radio Broadcast 2
Roles
- Kim (producer) /Chrissy (interface)
- Melisa
- Eleni
- Imina
Find out more: /Radio WORM: Protocols for Collective Performance/Week 2
Monday 30 September
- 10:00 - 12:00: Radio Broadcast #02 Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen
- 12:15 - 13:00: Broadcast debrief / discussion
- 13:00 - 14:00: Lunch break
- 14:00 - 17:00: Afternoon session
Assignment: Experiment with the advanced search of archive.org. Use the wiki to record "interesting queries" ... in other words, interesting search results. You may find it best to use the link widget in the "Edit source" view of the wiki and to give the (long) URLs descriptive and readable visible "text to display". For example: five audio files about dogs
Continue the exercise of modifying a copy of the advanced search form, making modifications to make it more specific to your needs in building a custom sound board. Look into the documentation about search on archive.org, including information about what kinds of metadata there is. Try searching and look at the results. What kind of materials are there and how are they classified? From where to the materials come. In addition to imagining a soundboard based on the audio files, what other information could be interesting to include (from the available metadata). What filters or other particular features might be interesting to apply to your sound board.
Try to place your modified / simplified / customized search forms on cerealbox. For those interested in Javascript, please feel free to ask questions on zulip, and I will post further examples to help.
Sample pages (local network only): http://145.24.131.42/~murtaugh/archiveradio/
Pad from today: https://pad.xpub.nl/p/20240930-radioworm02
Tuesday 1 October
Prototyping, with Manetta
Scripts for collective performance
Wednesday 2 October
Methods with Steve
WEEK 3
Protocols for Collective Performance: Radio Broadcast 3
Roles
- Chrissy/Wyn
- Imre
- Claudio
- Martina
Monday 7 October
- 10:00 - 12:00: Radio Broadcast #03 Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen
- 12:15 - 13:00: Broadcast debrief / discussion
- 13:00 - 14:00: Lunch break
- 14:00 - 17:00: Afternoon session
- Generous Practices or Why Protocols for Collective Performance?; practical: refining and testing custom soundboards
- Reading
- Generous Practices, Femke Snelting
Tuesday 8 October
Prototyping, with Joseph: Jamming
Wednesday 9 October
Methods with Lídia
WEEK 4
Protocols for Collective Performance: Radio Broadcast 4
Roles
- Wyn/Claudio
- Sevgi
- Kim
- Feline
Monday 14 October
- 10:00 - 12:00: Radio Broadcast #04 Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen
- 12:15 - 13:00: Broadcast debrief / discussion
- 13:00 - 14:00: Lunch break
- 14:00 - 17:00: Afternoon session
- 18-20 optional bonus: Javascript club
EXERCISE: CLAPPING MUSIC
TOPIC: RADIO IMPLICANCIES (a look at some past protocols)
- Revisiting Radio Implicancies
- Revisit last week's discussion in regards to a pre-show protocol
- check in with API/SOUNDBOARD work
- Working with other APIs than archive.org (mediawiki, mixcloud)?
- Readings/Listenings for next week
- Mainframe Experimentalism, GEORGES PEREC'S THINKING MACHINES, David Bellos (Part 1, chapter 2)
- The Machine: English translation An english translations of the screenplay of the radio play
- Listening: Die Maschine, Radio Play -- cerealbox archive.org (sadly down now!), youtube
THIS EVENING
18-20: JAVASCRIPT CLUB
Wang (XPUB2) will be sharing his work that overlaps nicely with what we've been working on with creating soundboards in HTML
Tuesday 15 October
Prototyping, with Manetta
Wednesday 16 October
XPUB1: 10:00 - 17:00 Methods with Steve, in the aquarium
11:00 Intro-
- Review work done so far. https://pad.xpub.nl/p/pads-collection
- This week we will build on the resources we have made thus far: Glossary: https://pad.xpub.nl/p/alphabetsoup-terms Annotations https://pad.xpub.nl/p/091024_Methods
- Discuss: Readings/Listenings for next week introduced in Michael's session (see below).
11:15 Building on Protocol for Dry Annotation from the last session continue reading, discussing and annotating 'The Tyranny of Structurelessness' by Jo Freeman: https://www.jofreeman.com/joreen/tyranny.htm
13:00 Lunch
14:00
Building on Protocol for Dry Annotation from the last session continue reading, discussing and annotating:
- 'The Tyranny of Structurelessness' by Jo Freeman: https://www.jofreeman.com/joreen/tyranny.htm
- Mainframe Experimentalism, GEORGES PEREC'S THINKING MACHINES, David Bellos (Part 1, chapter 2)
- The Machine: English translation An english translations of the screenplay of the radio play
- Listening: Die Maschine, Radio Play -- cerealbox archive.org (sadly down now!), youtube
- Augment Alphabet Soup- https://pzwiki.wdka.nl/mediadesign/Alphabet_Soup
- Add to Protocols for Collective performance- https://pzwiki.wdka.nl/mediadesign/Protocols_for_Collective_Performance
- Personal reader
- Augment book club
WEEK 5
Roles
- Claudio/Charlie
- Wyn
- Melisa
- Fred
Monday 21 October
- 10:00 - 12:00: Radio Broadcast #05 Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen
- 12:30 - 13:00: Broadcast debrief / discussion
- 13:00 - 14:00: Lunch break
- 14:00 - 17:00: Afternoon session
Michael: Here's a link to some notes about Oulipo + with some examples we could revisit in the future.
Listenings + Readings
The Laurence Rassel Show is a radio show made in 2007, a collaboration between the art and media org Constant (where Laurence Rassel was a core member at the time), and DJ/musician Terre Thamlitz.
Consider, some different links of the progam online, from Terre Thamlitz’s own site, to an archival copy of publicrec.org (with supporting documents), to the physical CD (in library):
- https://www.comatonse.com/writings/2007_laurencerasselshow.html
- http://publicrec.org/archive/2-01/2-01-014/2-01-014.html
And contrast with less contextualized presence on other networks:
- https://www.discogs.com/master/191938-Laurence-Rassel-Terre-Thaemlitz-The-Laurence-Rassel-Show
- https://soundcloud.com/fedoriko/useless-movement
- https://www.youtube.com/watch?v=9_LNOBUAmLI
READINGS to go with TLRS…
ALSO: check out the printed CD in the library for the physical poster inside that contains a full “libretto” … all the quoted texts and sources.
Tuesday 22 October
Prototyping, with Joseph: Modularity
Wednesday 23 October
Methods with Lídia
WEEK 6
FALL BREAK
WEEK 7
Roles
– canceled –
- Charlie/Tessa
- Chrissy
- imina
- Kiara
Wiki page: https://pzwiki.wdka.nl/mediadesign/Week_7_Radio_-_Music_Archive
Monday 4 November
https://pad.xpub.nl/p/SI25-Monday-Nov-04
Reading+Viewing for next week
Tuesday 5 November
Prototyping, with Manetta
Platforms shape practice session
Wednesday 6 November
Methods with Lídia
WEEK 8
Roles
- Tessa/Feline
- Zuhui
- Charlie
- Imre
https://pzwiki.wdka.nl/mediadesign/Week_8_Radio_-_Protocol_to_Free_Britney
Monday 11 November
here is a wiki page for this days agenda: SI25 Meeting Nov 11: Agenda
Tuesday 12 November
Prototyping, with Joseph
WEEK 9
Roles
- Feline/Alexandria
- Eleni
- Chrissy
- Kiara
Monday 18 November
Tuesday 19 November
Prototyping, with Manetta
Wednesday 20 November
Methods with Lídia
Public event at WORM for Collective Creation / Performance (TBC)
Protocol for active documentation (template)
PLEASE use the following template in a Wiki page about your project for the Special Issue 25 event.
==Title of the project==
==Short description== (the one asked by PR)
==Cookbook== (how, steps of the making) with pictures
==Refs and resources== (external links)
==Additional info== (optional)
==Event Rider==
===Items===
- Item [ ]
===Space===
- X x Xm
- Internet/Power/etc
===Time===
- Async/ 1 hour slot/etc
A NOTE FROM THE LOGISTICS TEAM:
Resources needed: on your wiki project page, let us know if you need power, lighting and internet for your installation. It would also be appreciated if you could provide a list of other equipment needed (example: table, lamps, chairs, etc…). Also leave a not if you have any equipment that is on the list.
Event timings: for the jam session and text-to-speech to text to music, think about a potential timing for your event. The rest of the artworks/ installations will be working throughout the entire event. You can also list down this info on the wiki project page.
Space requirements (floorplan): on Monday, we will discuss the floorpan together, but during the weekend- you can think about how much space you would need during the event.
Project pages:
! After the event: please add pictures of the finished piece in the space !
WEEK 10
Roles
- Alexandria/Zuhui
- Melisa
- Wyn
- Kim
Monday 25 November
Tuesday 26 November
Prototyping, with Joseph
WEEK 11
Roles
– rescheduled radio #7 –
- Charlie/Tessa
- Chrissy
- imina
- Kiara
Wiki page: https://pzwiki.wdka.nl/mediadesign/Week_7_Radio_-_Music_Archive
Monday 2 December
Tuesday 3 December
Prototyping, with Manetta
Wednesday 4 December
Methods with Lídia
WEEK 12
Final Broadcast Week : Roles and Protocols to be determined...
Roles
- Zuhui/Fred
- Alexandria
- Tessa
- sevgi
Monday 9 December
Tuesday 10 December
Prototyping, with Manetta (& Joseph)
References (in progress of being integrated into page)
From last year the Protocol Category, with specific Decision Making protocols such as All voices heard and Voting by show of hands
Specific attention to Licenses, Open licenses, and Open licenses session that was the basis of a zine.
Nature Study Notes, and Portland Pattern Repository ... parallels.
Exemplary webpages that document the history of a project while also creating a web-page based (re)performance tool:
- BBC Radiophonic workshop + Delia Derbyshire
- MOD/S3M/XM Module Player for Web Audio and code chiptune2.js
- Some Assembly Required
- Radio Aporee
- Janek Schaefer: Custom players, his soundartresources
- Generative Music (players) Throbbing Gristle / Buddha Machine? Pirate Radio History [Media Fragments]* (https://www.w3.org/TR/media-frags/ The Deep, Rivers Solomon + Clipping (Hybrid Pub)
- https://en.wikipedia.org/wiki/The_Deep_(novella)
- Platoniq Burnstation
- Distributed Proofreaders and the podcast recording -- interview with An?
- Botopera
Licenses
Laurence Rassel Show http://www.ultrared.org/publicrecord/archive/2-01/2-01-014/2-01-014.html
Meditations
- Cloud piece from Floor van Meeuwen
- Charlotte Adigery + Boris Pupils MANTRA https://genius.com/Charlotte-adigery-and-bolis-pupul-mantra-lyrics https://charlotteandbolis.bandcamp.com/album/yin-yang-self-meditation
- Agile Meditation – From the Software Clinic, Anne Laforet
Sox
“Raw” audio
Strange Text to Speech
play -tlpc /dev/urandom
Leads to deep dive into LPC format as a “vocoder".
The Voder page is an exemplary page with documentation of the historic Voder algorithm, but also including a live simulation / instrument with instructions on how to "play" a sample phrase (She sees me).
Spell and Speak, Antonio Roberts is a great example of using different distributive practices (free software such as using Silas S. Brown’s *lexconvert*, and small shell commands and hacks) to explore the international phonetics alphabet by generating random permutations and an animating them.
Speech synth
Listenings
The idea is to have a dedicated space in the weekly radio program for group listening to historic radio shows / other audio pieces.
- Laurence Rassel Show http://www.ultrared.org/publicrecord/archive/2-01/2-01-014/2-01-014.html
- Die Maschine, Radio play (1968) George Perec
- Resonance: Sound Out 20 Feb 2015 recording of a radio program from Scratch Orchestra members meeting in 2015 in preparation for performance
- SAR62: Interview with Janek Schaefer about
- SAR03: Interview with Illegal Art about
- SAR43: Interview with People Like Us
- SAR16: Interview with John Oswald / Plunderphonics
- https://corecursive.com/tdih-cpan/
- Kate Rich + Natalie Jeremijenko: Mute Wipeout
- Tarek Atoui https://www.kurimanzutto.com/en/artists/tarek-atoui
- DONNA:\ Women\ in\ Revolt\ \[118671-000-A\].mp4
Readings (in progress)
- Simon Yuill, All Problems of Notation Will be Solved by the Masses: Free Open Form Performance, Free/Libre Open Source Software, and Distributive Practice
- Melanie Sehgal, Looking back and not behind. On the concept of Performativity
- Fanny Chiarello - Field Recordings in Basta Now: women, trans & non-binary in experimental music
- Selections from (Fair) Kin Arts Almanac ... and Gijs presents at LGM 2024 and SOTA
y of Pirate Radio], Matthew Fuller, Media Ecologies, 2005
- Pirate Radio History in Amy Spencer’s DIY
- Nature Study Notes: Scratch Orchestra
- Improvisation Rites: From John Cage's Song Books to The Scratch Stefan Szczelkun
- The Future was already here, c. 7: The Scene
- <?> The sound of your prose, Ursula Le Guin, (Space Crone)
- <?> Daniel Punday, Computing as Writing, c. ? … or is this SI26? Maybe the chapter that investigates iTunes…
- The Truth of Fact, the Truth of Feeling, Ted Chiang
- Ari Ralph's Pirate Bay zine on Decolonializing the archive (ref. being held, vs. being kept).
- Dirty Concrete Poetry from Lori Emerson ?