XPUB2 Research Board / Martin Foucaut: Difference between revisions
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→ [https://monoskop.org/Recent Monoskop]<br> | → [https://monoskop.org/Recent Monoskop]<br> | ||
→ [https://rhizome.org/art/artbase/ The Rhizome ArtBase]<br> | → [https://rhizome.org/art/artbase/ The Rhizome ArtBase]<br> | ||
=<p style="font-family:helvetica">Readings related to research</p>= | |||
===<p style="font-family:helvetica">Books</p>=== | |||
<br> | |||
→ 1. [[L'art comme expérience — John Dewey]] (french) ⚠️(yet to be filled)⚠️<br> | |||
publisher: Gallimard (1934)<br> | |||
→ 2. [[L'œuvre d'art à l'époque de sa reproductibilité technique — Walter Benjamin]] (french<br> | |||
publisher: Alia (1939)<br> | |||
→ 3. [[La Galaxie Gutemberg — Marshall McLuhan]] (french)<br> | |||
publisher: University of Toronto Press (1962)<br> | |||
→ 3. [[Pour comprendre les médias — Marshall McLuhan]] (french)<br> | |||
publisher: McGraw-Hill Education (1964)<br> | |||
→ 4. [[Dispositif — Jean-Louis Baudry]] (french) <br> | |||
publisher: Raymond Bellour, Thierry Kuntzel et Christian Metz (1975)<br> | |||
→ 5. [[L’Originalité de l’avant-garde et autres mythes modernistes — Rosalind Krauss]] (french) ⚠️(yet to be filled)⚠️<br> | |||
publisher: Macula (1993)<br> | |||
→ 6. [[L'art de l'observateur: vision et modernité au XIXe siècle — Jonathan Crary]] (french)<br> | |||
publisher: Jacqueline Chambon (Editions) (1994)<br> | |||
→ 7. [[Inside the White Cube, the Ideology of Gallery Space — Brian O'Doherty]] (english) ⚠️(yet to be filled)⚠️<br> | |||
publisher: Les presses du réel (2008)<br> | |||
→ 8. [[Préçis de sémiotique générale — Jean-Marie Klinkenbeg]] (french) ⚠️(yet to be filled)⚠️<br> | |||
publisher: Point (2000)<br> | |||
→ 9. [[Langage des nouveaux médias — Lev Manovitch]] (french) ⚠️(yet to be filled)⚠️<br> | |||
publisher: Presses du Réel (2001)<br> | |||
→ 10. [[L'empire cybernétique — Cécile Lafontaine]] (french)<br> | |||
publisher: Seuil (2004)<br> | |||
→ 11. [[La relation comme forme — Jean Louis Boissier]] (french)<br> | |||
publisher: Genève, MAMCO(2004)<br> | |||
→ 12. [[Le Net Art au musée — Anne Laforêt]] (french)<br> | |||
publisher: Questions Théoriques(2011)<br> | |||
→ 13. [[Narrative comprehension and Film communication — Edward Branigan]] (english)<br> | |||
publisher: Routledge (2013) <br> | |||
→ 14. [[Statement and counter statement / Notes on experimental Jetset — Experimental Jetset]] (english)<br> | |||
publisher: Roma (2015)<br> | |||
→ 15. [[Post Digital Print — Alessandro Ludovico]] (french) ≈<br> | |||
publisher: B42 (2016)<br> | |||
→ 16. [[L'écran comme mobile — Jean Louis Boissier]] (french)<br> | |||
publisher: Presses du réel (2016)<br> | |||
→ 17. [[Design tactile — Josh Clark]] (french)<br> | |||
publisher: Eyrolles (2016)<br> | |||
→ 18. [[Espaces de l'œuvre, espaces de l'exposition — Pamela Bianchi]] (french)<br> | |||
publisher: Eyrolles (2016)<br> | |||
→ 19. [[Imprimer le monde]] (french)<br> | |||
publisher: Éditions HYX et les Éditions du Centre Pompidou (2017)<br> | |||
→ 20. [[Version 0 - Notes sur le livre numérique]] (french)<br> | |||
publisher: ECRIDIL (2018)<br> | |||
===<p style="font-family:helvetica">Articles</p>=== | |||
→ 1. [[Frederick Kiesler — artiste- architecte]] ⚠️(yet to be filled)⚠️<br> | |||
(communiqué de presse) | |||
Centre pompidou; source : centrepompidou.fr (1996)<br> | |||
→ 2. [[Oublier l'exposition]] ⚠️(yet to be filled)⚠️<br> | |||
Artpress special numéro 21 (2000)<br> | |||
→ 3. [[Composer avec l’imprévisible: Le questionnaire sur les médias variables]] ⚠️(yet to be filled)⚠️<br> | |||
Jon Ippolito; source : variablemedia.net/pdf/Permanence (2003)<br> | |||
→ 4. [[Esthétique du numérique : rupture et continuité]] <br> | |||
Fred Forest; source : archives.icom.museum (2010)<br> | |||
→ 5. [[La narration interactive]] ⚠️(yet to be filled)⚠️<br> | |||
Dragana Trgovčević source : ensci.com/file_intranet/mastere_ctc/etude_Dragana_Trgovcevic.pdf (2011)<br> | |||
→ 6. [[Des dispositifs aux appareils - L'Espacement d'un calcul]]<br> | |||
Anthony Masure source : anthonymasure.com (2013)<br> | |||
→ 7. [https://www.cairn.info/revue-cahiers-philosophiques1-2011-1-page-9.html?contenu=article Le musée n'est pas un dispositif - Jean-Louis Déotte] p.9 - 22 (2011) | |||
===<p style="font-family:helvetica">To read</p>=== | |||
→ 1. Joost Rekveld 2007, Mental Spaces, viewed 15 October 2018, <http://www.joostrekveld.net/wp/?page_id=590><br> | |||
→ 2. Kluitenberg, Eric, ed. Book of imaginary media. Excavating the dream of the ultimate communication medium. Rotterdam: NAi Publishers, 2006.<br> | |||
→ 3. [http://nt2.uqam.ca/fr/biblio/wall-and-canvas-lissitzkys-spatial-experiments-and-white-cube The wall and the canvas: Lissitzky’s spatial experiments and the White Cube]<br> | |||
→ 4. [http://nt2.uqam.ca/fr/biblio/after-white-cube After the White Cube.] 2015<br> | |||
→ 5. [http://nt2.uqam.ca/fr/biblio/spaces-experience-art-gallery-interiors-1800-2000 Spaces of Experience: Art Gallery Interiors from 1800 – 2000]<br> | |||
→ 6. [http://nt2.uqam.ca/fr/entree-carnet-recherche/apogee-et-perigee-du-white-cube Apogée et périgée du White Cube] Loosli, Alban<br> | |||
→ 7. [https://eastofborneo.org/articles/decorative-arts-billy-al-bengston-and-frank-gehry-discuss-their-1968-collaboration-at-lacma/ Decorative Arts: Billy Al Bengston and Frank Gehry discuss their 1968 collaboration at LACMA by Aram Moshayedi]<br> | |||
Revision as of 13:13, 7 August 2021
References
Exhibition space
→ Prouns Spaces — El lissitzky (1920)
→ City in Space — Frederick Kiesler (1920)
→ The air conditionning Show — Terry Atkinson & Michael Baldwin(1966-67)
→ Sans titre — Michael Asher (1973)
→ Serra Corner prop n°7 (for Nathalie) Richard Serra (1983)
Nothingness with Media
→ 4’’33’ — John Cage (1952)
→ Untitled - A Curse — Tom Friedman (1965)
→ The air conditionning Show — Terry Atkinson & Michael Baldwin(1966-67)
→ Sans titre — Michael Asher (1973)
Mediatization of Media
→ 4’’33’ — John Cage (1952)
→ TV Garden — Nam June Paik (1974)
→ Presents — Michael Snow (soon to be translated)
→ Lost Formats Preservation Society — Experimental Jetset (2000)
→ Lost Formats Winterthur — Experimental Jetset (2000)
→ L’atlas critique d’Internet Louise Drulhe (2014-2015)
Flags
→ Netflag — Mark Napier (2002)
→ 019 - Flag show (2015)
User perspective
→ What you see is what you get — Jonas Lund (2012)
Media Time perception
→ Present Continuous Past — Dan Graham's (1974)
Experimental cinema
→ Presents — Michael Snow (soon to be translated)
→ Displacements — Michael Naimark (1980)
→ BE NOW HERE — Michael Naimark (1995)
CSS composition
→ Sebastianly Serena
→ Scrollbar Composition
→ into time .com - Rafael Rozendaal
→ Ridge 11 - Nicolas Sassoon
→ Rectangulaire - Claude Closky
→ Jacksonpollock.org - Miltos Manetas
→ Moving Paintings - Annie Abrahams
Media deterioration
→ Img214270417
→ William Basinski - The Disintegration Loops
Undefined
User friendliness and anti-user friendliness
Media Art conservation
→ The Variable Media Initiative 1999
→ EAI Online Resource Guide forExhibiting, Collecting & Preserving Media Art
→ Matters in Media Art
→ The International Network for the Preservation of Contemporary Art (INCCA)
→ Archiving complex digital artworks - Dušan Barok
Emulation
→ Seeing Double: Emulation in Theory and Practice
Technological Timeline
Media Art Online Archive
→ ACM SIGGRAPH Art Show Archives
→ Archive of Digital Art (ADA)
→ Ars Electronica Archive
→ Digital Art Web Archive (collected by Cornell)
→ Monoskop
→ The Rhizome ArtBase
Books
→ 1. L'art comme expérience — John Dewey (french) ⚠️(yet to be filled)⚠️
publisher: Gallimard (1934)
→ 2. L'œuvre d'art à l'époque de sa reproductibilité technique — Walter Benjamin (french
publisher: Alia (1939)
→ 3. La Galaxie Gutemberg — Marshall McLuhan (french)
publisher: University of Toronto Press (1962)
→ 3. Pour comprendre les médias — Marshall McLuhan (french)
publisher: McGraw-Hill Education (1964)
→ 4. Dispositif — Jean-Louis Baudry (french)
publisher: Raymond Bellour, Thierry Kuntzel et Christian Metz (1975)
→ 5. L’Originalité de l’avant-garde et autres mythes modernistes — Rosalind Krauss (french) ⚠️(yet to be filled)⚠️
publisher: Macula (1993)
→ 6. L'art de l'observateur: vision et modernité au XIXe siècle — Jonathan Crary (french)
publisher: Jacqueline Chambon (Editions) (1994)
→ 7. Inside the White Cube, the Ideology of Gallery Space — Brian O'Doherty (english) ⚠️(yet to be filled)⚠️
publisher: Les presses du réel (2008)
→ 8. Préçis de sémiotique générale — Jean-Marie Klinkenbeg (french) ⚠️(yet to be filled)⚠️
publisher: Point (2000)
→ 9. Langage des nouveaux médias — Lev Manovitch (french) ⚠️(yet to be filled)⚠️
publisher: Presses du Réel (2001)
→ 10. L'empire cybernétique — Cécile Lafontaine (french)
publisher: Seuil (2004)
→ 11. La relation comme forme — Jean Louis Boissier (french)
publisher: Genève, MAMCO(2004)
→ 12. Le Net Art au musée — Anne Laforêt (french)
publisher: Questions Théoriques(2011)
→ 13. Narrative comprehension and Film communication — Edward Branigan (english)
publisher: Routledge (2013)
→ 14. Statement and counter statement / Notes on experimental Jetset — Experimental Jetset (english)
publisher: Roma (2015)
→ 15. Post Digital Print — Alessandro Ludovico (french) ≈
publisher: B42 (2016)
→ 16. L'écran comme mobile — Jean Louis Boissier (french)
publisher: Presses du réel (2016)
→ 17. Design tactile — Josh Clark (french)
publisher: Eyrolles (2016)
→ 18. Espaces de l'œuvre, espaces de l'exposition — Pamela Bianchi (french)
publisher: Eyrolles (2016)
→ 19. Imprimer le monde (french)
publisher: Éditions HYX et les Éditions du Centre Pompidou (2017)
→ 20. Version 0 - Notes sur le livre numérique (french)
publisher: ECRIDIL (2018)
Articles
→ 1. Frederick Kiesler — artiste- architecte ⚠️(yet to be filled)⚠️
(communiqué de presse)
Centre pompidou; source : centrepompidou.fr (1996)
→ 2. Oublier l'exposition ⚠️(yet to be filled)⚠️
Artpress special numéro 21 (2000)
→ 3. Composer avec l’imprévisible: Le questionnaire sur les médias variables ⚠️(yet to be filled)⚠️
Jon Ippolito; source : variablemedia.net/pdf/Permanence (2003)
→ 4. Esthétique du numérique : rupture et continuité
Fred Forest; source : archives.icom.museum (2010)
→ 5. La narration interactive ⚠️(yet to be filled)⚠️
Dragana Trgovčević source : ensci.com/file_intranet/mastere_ctc/etude_Dragana_Trgovcevic.pdf (2011)
→ 6. Des dispositifs aux appareils - L'Espacement d'un calcul
Anthony Masure source : anthonymasure.com (2013)
→ 7. Le musée n'est pas un dispositif - Jean-Louis Déotte p.9 - 22 (2011)
To read
→ 1. Joost Rekveld 2007, Mental Spaces, viewed 15 October 2018, <http://www.joostrekveld.net/wp/?page_id=590>
→ 2. Kluitenberg, Eric, ed. Book of imaginary media. Excavating the dream of the ultimate communication medium. Rotterdam: NAi Publishers, 2006.
→ 3. The wall and the canvas: Lissitzky’s spatial experiments and the White Cube
→ 4. After the White Cube. 2015
→ 5. Spaces of Experience: Art Gallery Interiors from 1800 – 2000
→ 6. Apogée et périgée du White Cube Loosli, Alban
→ 7. Decorative Arts: Billy Al Bengston and Frank Gehry discuss their 1968 collaboration at LACMA by Aram Moshayedi