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| = notes = | | <div style="font-size:20px;"> |
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| == opportunities == | | = references/recommendations in relation to my work = |
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| For photobook, group. Contemporary Artists Book Fair in Leeds, UK [https://www.curatorspace.com/opportunities/detail/pages-th-international-contemporary-artists-book-fair/2740]
| | * CURRENT Jeff Preiss https://www.stedelijk.nl/en/exhibitions/jeff-preiss |
| | * Jonas Mekas https://en.wikipedia.org/wiki/Jonas_Mekas (Ine/Simon) |
| | * I Had Nowhere to Go, Douglas Gordon [https://www.theguardian.com/artanddesign/jonathanjonesblog/2016/sep/26/i-had-nowhere-to-go-review-douglas-gordon-jonas-mekas] (Ine) |
| | * No. 14, Guido van de Werve (chopin, alexander the great, triathlon) - I have seen no.9 in Amersfoort (David) |
| | * James Benning https://en.wikipedia.org/wiki/James_Benning_(film_director) (Ine) |
| | * Stan Brakhage https://en.wikipedia.org/wiki/Stan_Brakhage#Filmography (Simon) |
| | * Paul Shrader https://en.wikipedia.org/wiki/Paul_Schrader -- Transcendental style in film (Simon) |
| | * A Strange Love Affair with Ego (2015) - Ester Gould (Ine & early) |
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| == opticals == | | = loose notes = |
| === [[Jujube/making-a-camera| making a camera: terminologies and meditation)]] ===
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| === [[Jujube/pixels| thoughts on pixels]] ===
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| === [[Jujube/camera-history| early photographic cameras]] ===
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| == psyche ==
| | [[Jujube/memoir]] |
| === [[Jujube/the-photographer| the photographer]] ===
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| == relevant ==
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| === [[Jujube/copyright-research| copyright on wiki]] ===
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| == production notes ==
| | *watched and noted |
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| === [[Jujube/ambacht-production-notes| Ambacht video shoot]] ===
| | [[Jujube/watch-log]] |
| === [[Jujube/selected-statuses-production-notes| Selected Statuses]] ===
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| === [[Jujube/art-amsterdam-speech-notes| Amsterdam Art Speech]] ===
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| = floater =
| | [[Jujube/moving]] |
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| the form of dwarsliggers
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| [[Jujube/relational-database| memories in relational database]]
| | *lens-related |
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| '''To Read''' Contemporary Art: A Very Short Introduction [https://quintus.memoryoftheworld.org/Julian%20Stallabrass/Contemporary%20Art_%20A%20Very%20Short%20Introduction%20(13573)/Contemporary%20Art_%20A%20Very%20Short%20Introductio%20-%20Julian%20Stallabrass.pdf]
| | [[Jujube/pixels]] |
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| = stories =
| | [[Jujube/precursors]] |
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| Making A Judgment On Love | With Giancarlo Esposito [http://one.npr.org/i/649817527:649817529]
| | [[Jujube/cinematography]] |
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| The Moth Radio Hour: Stepchild, Big Brother, Mugshot [http://one.npr.org/i/649214343:649214345]
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| What Can You Hear? [https://www.cbc.ca/radio/loveme/what-can-you-hear-1.4901893]
| | *roles |
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| = watch list =
| | [[Jujube/the-photographer]] |
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| '''watched'''
| | [[Jujube/the-voiceover-person]] |
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| {|class="wikitable"
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| ! name (year) !! director !! one thing noted !! month of viewing !! place of viewing
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| | Crazy Rich Asians (2018) || Jon M. Chu || cried through this comedy (oh the shots of New York skyline) || 08.18 || kino
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| | Kanazawa Shutter Girl (2018) || Terauchi Kotaro || "typology" || 09.18 || lv (subscribed to cineville for the Camera Japan Festival)
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| | Mori, the Artist’s Habitat (2018) || Okita Shuichi || the audience chuckled, why... || 09.18 || lv
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| | Bodysong (2004) || Simon Pummell || witnessed(?) a dozen births at 10 o'clock in the morning || 10.18 || class
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| | The Propaganda Game (2015) || Álvaro Longoria || the shooting conditions were transparent || 10.18 || netflix
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| | Side by Side (2012) || Christopher Kenneally || history of technology || 10.18 || class
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| | Leaning into the Wind (2018) || Thomas Riedelsheimer || the audience laughed whenever there was a contemplative silence (esp. when Goldsworthy climbed through the branches). was silence unbearable for them? || 10.18 || lv
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| | Fantastic Beasts: The Crimes of Grindelwald (2018) || David Yates || lost in the plot, highly stylized, tears over two scenes (Dumbledore & Leta, the fight between Grindelwald and the good people) || 11.18 || cinerama
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| | The Children Act (2018) || Richard Eyre || tears over the scene when Our Lady cried about the boy, the only instance of her vulnerability and the re-uniting moment of her marriage || 11.18 || lv
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| | The Wife (2017) || Björn Lunge || classic dramaturgy, interwoven conflict(s), compact dialogue || 11.18 || cinerama
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| | Widows (2018) || Steve McQueen || audio as a layer on top of the situation (conversation in the car + shots of car from the outside + transition of one place to another in one shot, radio telling one secondary story over another secondary story), dramatic cuts || 11.18 || kino
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| | Touch Me Not (2018) || Adina Pintilie || the aesthetics does not match the content, too stylized and too removed, the silence, hesitation and alternative practices make you think, but not feel; not feeling very well during + after || 12.18 || lv
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| |}
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| '''To watch'''
| | *other |
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| Paris, Texas (1984)
| | [[Jujube/copyright-research]] |
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| A Strange Love Affair with Ego (2015)
| | [[Jujube/assess-the-assessment]] |
| Ester Gould
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| = make list =
| | [[Jujube/relational-database]] |
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| https://www.instructables.com/id/Paper-Iris-Glasses/ | | installation materials: https://floris.cc |
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| https://www.premiumbeat.com/blog/film-gear-in-3d-print/
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| | *notice how people explain complicated concepts in an accessible, informative, helpful way |
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| | : memory |
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| | {{youtube|d95dOH-7GHM}} |
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| | : cinematographic language (via Vox x BBC Planet Earth) |
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| | {{youtube|qAOKOJhzYXk}} |
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| | {{youtube|bpbmWqQMzq0}} |
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| | {{youtube|7t5l7sjcjHU}} |
