User:Susanna: Difference between revisions

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==Self-Directed Research==
==Self-Directed Research==


'''TRIMESTER 1'''
 
==='''TRIMESTER 2'''===
 
'''Polaroid // Emulsion Lift'''
 
[[File:Susanna Polaroid negative.jpg|500px|frameless|center]]
 
'''Pinhole cameras'''
 
[[File:Susanna Pinhole 20 march 2019.jpg|500px|frameless|center]]
[[File:Cam 4 Pos CROP march 2019.jpg|600px|frameless|center]]
[[File:Susanna POSITIVE pinhole 20 march 2019.jpg|500px|frameless|center]]
 
==='''TRIMESTER 1'''===


'''Analog photography'''
'''Analog photography'''


I came to the PZI with the intention to learn more about photography and cinematography. So for these first few months I focused my attention on analog photography. I took several pictures with my Lubitel 2 (120mm) and my Praktica (35mm) both with colour and b&w film. As one of the tutors suggested I set myself a challenge: to take 10 photos a day for 10 days and then just look at them and see where this experiment would take me. It was not easy as at first I was stuck with the question on what to photograph. I couldn't find subjects that were interesting enough to capture. After a couple of days I shifted my focus on how to photograph things. I followed some courses on Linda.com about analog photography and I applied some of the suggestions given. Exposure is definitely something I played with, setting the ISO on the camera to a value lower than the one on the film and playing with light sources. With the Praktica I also tested with a lens found in a flea market. The Lubitel presented more challenges as it doesn't have an internal light meter. So when I'm using it I always write down what settings I'm using and in what kind of light I am taking the photograph.
I came to the PZI with the intention to learn more about photography and cinematography. For these first few months I focused my attention on analog photography. I took several pictures with my Lubitel 2 (120mm) and my Praktica (35mm) both with colour and b&w film. As Barend suggested I set myself a challenge: to take 10 photos a day for 10 days and then just look at them and see where this experiment would take me. It was not easy as at first I was stuck with the question on what to photograph. I couldn't find subjects that were interesting enough to capture. After a couple of days I shifted my focus on how to photograph things. I followed some courses on Lynda.com about analog photography and I applied some of the suggestions given. Exposure is definitely something I played with, setting the ISO on the camera to a value lower than the one on the film and playing with light sources. With the Praktica I also tested with a lens found in a flea market. The Lubitel presented more challenges as it doesn't have an internal light meter. So when I'm using it I always write down what settings I'm using and in what kind of light I am taking the photograph.
With the help of the staff from the audiovisual station (and also with more courses on Linda!) I also learnt how to develop film, enlarge and make prints. As I always looked at analog as some sort of mysterious process, learning how to use the dark rooms was really interesting and revealing.
With the help of the staff from the audiovisual station (and also with more online courses) I also learnt how to develop film, enlarge and make prints. As I always looked at analog as some sort of mysterious process, learning how to use the dark rooms was really interesting and revealing.
The focal camera project perfectly fitted into this research. Being able to build a camera, choosing the lens and making it work was really interesting and clarified a few points.
The focal camera project perfectly fitted into this research. Being able to build a camera, choosing the lens and making it work was really interesting and clarified a few points.
A part from following the instructions of tutors and technicians, and getting more information from the online courses, I have also been reading some books and articles. Some more evidently related to the subject of my research and some less:
* The Photography Handbook - Terence Wright
* The Photography Reader - Liz Wells
* Understanding a Photograph - John Berger
* True Stories - Sophie Calle
* Understanding Media - McLuhan
* The Medium is the Massage - McLuhan
In order to push this research further I will experiment with printing techniques, and with the colour dark rooms now that they are also available.
In order to push this research further I will experiment with printing techniques, and with the colour dark rooms now that they are also available.
Improving my focal camera is also part of my research (see dedicated section).
Improving my focal camera is also part of my research (see dedicated section).


[[Susanna - Methods/session 2 Self-directed methods|Self-directed methods]]
 
'''DARKROOM BASICS (4. – 5. 10. 2018)'''
 
''1. PREPARATION FOR BW FILM DEVELOPMENT:
''
Use orange tool to get the end of your film out of the cassette
 
Cut the end to get a slightly round shape along the whole end of the film strip
 
insert it in the reel until it's secure on 2 tiny metal pins
 
take the development tank with tube in the middle, cap and reel (with film) into the small darkroom (completely lightproof)
 
lock the door and start winding the film onto the reel by rotating left and right part of the reel in opposite direction
 
when finished, tear the film cassette off
 
insert the reel in the bottom of the tank
 
close with the cap
 
come out
 
 
''2. DEVELOPING THE BW FILM:
''
 
See the chart (which film you have, the ISO etc. – check for the developer and required time), see the container, how much liquid you need (300ml for 35mm & 500 for 120mm)
 
PRESTEP: fill tank with water, agitate 1 min, then every 30s for 4 more minutes, empty it
 
STEP 1 - DEVELOPING: fill with developer, agitate 1 min, then every 30s altogether for  the time required, empty in the container for used developer
 
STEP 2 - STOPBATH: fill with water, agitate 1 min, empty
 
STEP 3 – FIXER: fill with fixer, agitate 1 min, then every 30 s altogether for 5 min, empty BACK in the fixer
 
STEP 4 – FINAL WASH: fill with water, agitate for 1 min, empty, REPEAT for at least 12 times (if you work alone, put the hose in the tank and let the water wash it out for at least 12 min)
 
STEP 5 – WATER SOLVENT: take out the reel, dunk it in dilluted soap for 1 min
 
STEP 6 – DRYING: take your film out of the reel, hang it in the cabinet (at least 1h)
 
 
''ENLARGING THE NEGATIVES (information applies to RC paper!):''
 
Get the chemicals ready (developer, stopbath, fixer, water - turned on to agitate)
 
Settings on the enlarger to begin with:
 
-contrast 2
 
-aperture (when setting on max.) on 2 stops less than max.
 
-desired size (with distance)
 
-focus (use magnifying tool to focus on the grain)
 
-ground board with movable slats (to define the cutting)
 
Insert negative in the enlarger upside down and with emulsion side down
 
Do the test print (depending on your negative density, contrast, exposure etc.)
 
''DEVELOPING YOUR PRINTS (information applies to RC paper!):''
 
-developer 1.5 min
 
-stopbath 1 min
 
-fixer 5 min
 
-water 10-15 min
 
! Note ! clamps with fixer should never get in the developer – do not contaminate the developer with other chemicals
 
-drain  the print, dry in the dryer
 
 
==='''Reading Material'''===
* The Photography Handbook - Terence Wright / selected chapters
* The Photography Reader - Liz Wells / selected chapters
* Understanding a Photograph - John Berger -> [[Susanna - Methods/session 5 Synopsis|synopsis]]
* True Stories - Sophie Calle
* The Medium is the Massage - McLuhan -> [[Susanna - Methods/session 3 Synopsis|synopsis]]


==Thematic projects==
==Thematic projects==
[[EYE film]]
[[Frown - photobook]]
[[A Transparent Handmade Camera]]
[[A Transparent Handmade Camera]]


[[File:Transparent Camera inside.JPG|700px]]
[[File:Transparent Camera inside.JPG|700px]]
[[Frawn - Photobook]]


==Reading and Writing Research Methods==
==Reading and Writing Research Methods==
[[Susanna - Methods/session 1 Three things]]
[[Susanna - Methods/session 1 Three things|Methods/session 1 Three things]]


[[Susanna - Methods/session 2 Self-directed methods|Methods/session 2 Self-directed methods]]
[[Susanna - Methods/session 2 Self-directed methods|Methods/session 2 Self-directed methods]]
[[Susanna - Methods/session 2 Notes from Only Weeds Emerge|Methods/session 2 Notes from Only Weeds Emerge]]


[[Susanna - Methods/session 3 Synopsis|Methods/session 3 Synopsis]]
[[Susanna - Methods/session 3 Synopsis|Methods/session 3 Synopsis]]


==Prototyping==
[[Susanna - Methods/session 5 Synopsis|Methods/session 5 Synopsis]]
 
[[Susanna - Methods/session 9 Research Group|Methods/session 9 Research Group]]
 
[[Susanna - Methods/session 11 Text On Method|Methods/session 11 Text On Method]]
 
==Prototyping // Toolbox==

Latest revision as of 20:22, 28 May 2019

Self-Directed Research

TRIMESTER 2

Polaroid // Emulsion Lift

Susanna Polaroid negative.jpg

Pinhole cameras

Susanna Pinhole 20 march 2019.jpg
Cam 4 Pos CROP march 2019.jpg
Susanna POSITIVE pinhole 20 march 2019.jpg

TRIMESTER 1

Analog photography

I came to the PZI with the intention to learn more about photography and cinematography. For these first few months I focused my attention on analog photography. I took several pictures with my Lubitel 2 (120mm) and my Praktica (35mm) both with colour and b&w film. As Barend suggested I set myself a challenge: to take 10 photos a day for 10 days and then just look at them and see where this experiment would take me. It was not easy as at first I was stuck with the question on what to photograph. I couldn't find subjects that were interesting enough to capture. After a couple of days I shifted my focus on how to photograph things. I followed some courses on Lynda.com about analog photography and I applied some of the suggestions given. Exposure is definitely something I played with, setting the ISO on the camera to a value lower than the one on the film and playing with light sources. With the Praktica I also tested with a lens found in a flea market. The Lubitel presented more challenges as it doesn't have an internal light meter. So when I'm using it I always write down what settings I'm using and in what kind of light I am taking the photograph. With the help of the staff from the audiovisual station (and also with more online courses) I also learnt how to develop film, enlarge and make prints. As I always looked at analog as some sort of mysterious process, learning how to use the dark rooms was really interesting and revealing. The focal camera project perfectly fitted into this research. Being able to build a camera, choosing the lens and making it work was really interesting and clarified a few points. In order to push this research further I will experiment with printing techniques, and with the colour dark rooms now that they are also available. Improving my focal camera is also part of my research (see dedicated section).


DARKROOM BASICS (4. – 5. 10. 2018)

1. PREPARATION FOR BW FILM DEVELOPMENT: Use orange tool to get the end of your film out of the cassette

Cut the end to get a slightly round shape along the whole end of the film strip

insert it in the reel until it's secure on 2 tiny metal pins

take the development tank with tube in the middle, cap and reel (with film) into the small darkroom (completely lightproof)

lock the door and start winding the film onto the reel by rotating left and right part of the reel in opposite direction

when finished, tear the film cassette off

insert the reel in the bottom of the tank

close with the cap

come out


2. DEVELOPING THE BW FILM:

See the chart (which film you have, the ISO etc. – check for the developer and required time), see the container, how much liquid you need (300ml for 35mm & 500 for 120mm)

PRESTEP: fill tank with water, agitate 1 min, then every 30s for 4 more minutes, empty it

STEP 1 - DEVELOPING: fill with developer, agitate 1 min, then every 30s altogether for the time required, empty in the container for used developer

STEP 2 - STOPBATH: fill with water, agitate 1 min, empty

STEP 3 – FIXER: fill with fixer, agitate 1 min, then every 30 s altogether for 5 min, empty BACK in the fixer

STEP 4 – FINAL WASH: fill with water, agitate for 1 min, empty, REPEAT for at least 12 times (if you work alone, put the hose in the tank and let the water wash it out for at least 12 min)

STEP 5 – WATER SOLVENT: take out the reel, dunk it in dilluted soap for 1 min

STEP 6 – DRYING: take your film out of the reel, hang it in the cabinet (at least 1h)


ENLARGING THE NEGATIVES (information applies to RC paper!):

Get the chemicals ready (developer, stopbath, fixer, water - turned on to agitate)

Settings on the enlarger to begin with:

-contrast 2

-aperture (when setting on max.) on 2 stops less than max.

-desired size (with distance)

-focus (use magnifying tool to focus on the grain)

-ground board with movable slats (to define the cutting)

Insert negative in the enlarger upside down and with emulsion side down

Do the test print (depending on your negative density, contrast, exposure etc.)

DEVELOPING YOUR PRINTS (information applies to RC paper!):

-developer 1.5 min

-stopbath 1 min

-fixer 5 min

-water 10-15 min

! Note ! clamps with fixer should never get in the developer – do not contaminate the developer with other chemicals

-drain the print, dry in the dryer


Reading Material

  • The Photography Handbook - Terence Wright / selected chapters
  • The Photography Reader - Liz Wells / selected chapters
  • Understanding a Photograph - John Berger -> synopsis
  • True Stories - Sophie Calle
  • The Medium is the Massage - McLuhan -> synopsis

Thematic projects

EYE film

Frown - photobook

A Transparent Handmade Camera

Transparent Camera inside.JPG

Reading and Writing Research Methods

Methods/session 1 Three things

Methods/session 2 Self-directed methods

Methods/session 2 Notes from Only Weeds Emerge

Methods/session 3 Synopsis

Methods/session 5 Synopsis

Methods/session 9 Research Group

Methods/session 11 Text On Method

Prototyping // Toolbox