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[[File:Dancing_Sponges.gif|thumb|402x402px|[[Something that|'''SOMETHING THAT''']]  [https://www.instagram.com/some.thing.that/ See Archive]|none|alt=]]
[[File:Dancing_Sponges.gif|thumb|402x402px|[[Something that|'''SOMETHING THAT''']]  [https://www.instagram.com/some.thing.that/ See Archive]|none|alt=]]




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↘  
[[File:Dutch - Thai Flags.jpg|none|thumb|403x403px|'''TO MY MOTHERLAND''' ''(temporary working title)'']]
[[File:Black-01.png|none|thumb|403x403px|'''THAI PROPAGANDA FILM''' ''(MANIPULATION, POLITICS, FILMMAKING TECHNIQUE, HIERARCHY IN FILM IN DUSTRY - framework for further development)'']]


↘[[File:Dutch - Thai Flags.jpg|none|thumb|403x403px|'''TO MY MOTHERLAND''' ''(temporary working title)'']]




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Time is a fluid construct. -> Present is a product of national myths and histories.
Time is a fluid construct. -> Present is a product of national myths and histories.
'''CAN I REALLY TRUST YOU''' '''?'''




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Pauline Oliveros
Pauline Oliveros


mark wallinger https://www.tate.org.uk/art/artists/mark-wallinger-2378/mark-wallinger-art-protest




'''<u>RESEARCH</u>'''
 
'''<u>RESEARCH / SITE</u>'''


postmodern cinema
postmodern cinema
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Protest Art
Protest Art
https://archive.org/details/prelinger

Revision as of 22:01, 17 April 2023

ON GOING PROJECTS



THAI PROPAGANDA FILM (MANIPULATION, POLITICS, FILMMAKING TECHNIQUE, HIERARCHY IN FILM IN DUSTRY - framework for further development)

TO MY MOTHERLAND (temporary working title)


FINISHED PROJECTS

THE HOLY SPONGE (EYE Research lab)


TURNING TIDE AND CATARACT (Bachelor Thesis, might develop in the future)


RW & RW

WHAT / HOW / WHY

SELF-DIRECTED INTERVIEW

WHAT TIME IS IT IN ROTTERDAM?

TeScratch

TeAnnotation

Text on Practice


RANDOM SCRATCH

What else could it be?

WAS THERE, THEN GONE.

เศษซากอดีตที่เคยรุ่งโรจน์

visibility is a trap

HOME is where the haunt is. (Ghosts of my life)

This is the broken one

I see nothing but my sadness.

Who is your audience?

What is your position?

Who is able to read?

IS IT A GOOD IDEA? but it never stops developing.

Make invisible visible.

Can you distrust what you see?

Time is a fluid construct. -> Present is a product of national myths and histories.

CAN I REALLY TRUST YOU ?



LISTS

WATCH

They live

Yes Man

https://mubi.com/cast/chris-marker

https://mubi.com/films/the-farewell-2019

https://www.e-flux.com/video/533278/hiwa/

https://mubi.com/cast/peter-tscherkassky

https://mubi.com/films/nam-june-paik-moon-is-the-oldest-tv

https://dafilms.com/film/14407-incident-in-the-museum



READ

A glossary of haunting - Eve Tuck and C.Reed

Capitalist Realism - Mark Fisher

Postcapitalist Desire: The Final Lectures - Mark Fisher

Discipline and Punish The Birth of the Prison - Michel Foucault

In the Blink of an EYE - Walter Murch


ARTIST

Gregg Araki

Douglas Gordon

Raphael Montanez Ortiz

Dario Argento

Robert Bresson

George Romero

Wes Craven

John Carpenter

Hito Steyerl

Guy Sherwin

Harun Farocki

On Kawara

Tehching Hsieh

giuseppe penone

Bill Viola

Bruce Nauman

Cory Arcangel

Dara Birnbaum

Tony Oursler

Steina and Woody Vasulka

Joan Jonas

Pauline Oliveros

mark wallinger https://www.tate.org.uk/art/artists/mark-wallinger-2378/mark-wallinger-art-protest


RESEARCH / SITE

postmodern cinema

https://www.lightwork.org/archive/apichatpong-weerasethakul-fireworks-archives/

https://www.e-flux.com/criticism/235982/apichatpong-weerasethakul-s-fireworks

Defamiliarisation (in editing) https://narrative-environments.github.io/CourseCompendium/Defamiliarisation.html https://en.wikipedia.org/wiki/Defamiliarization

Silueta series

The Third Eye exhibition in Paris

https://www.e-flux.com/live/521062/landscape-theory-beyond-japan-jean-luc-godard-and-the-dziga-vertov-group/

Protest Art

https://archive.org/details/prelinger