User:Ryan: Difference between revisions
No edit summary |
No edit summary |
||
| Line 54: | Line 54: | ||
[[Amy Ireland - Black Circuit: Code for the Numbers to Come|Amy Ireland - Black Circuit: Code for the Numbers to Come]]<br/> | [[Amy Ireland - Black Circuit: Code for the Numbers to Come|Amy Ireland - Black Circuit: Code for the Numbers to Come]]<br/> | ||
[[Adam Curtis - All Watched Over by Machines of Loving Grace|Adam Curtis - All Watched Over by Machines of Loving Grace]] | [[Adam Curtis - All Watched Over by Machines of Loving Grace|Adam Curtis - All Watched Over by Machines of Loving Grace]] | ||
[[Amy Ireland - Noise: An Ontology of the Avant-garde|Amy Ireland - Noise: An Ontology of the Avant-garde]] | |||
----------------------------------- | ----------------------------------- | ||
[[Term 2 Paper Draft|Term 2 Paper Final (?)]] <br/> | [[Term 2 Paper Draft|Term 2 Paper Final (?)]] <br/> | ||
Revision as of 23:30, 15 March 2017
Ryan Cherewaty
piet zwart instituut
master of media design
Writing Methods
//////////////////////////////////////////
Term 1
what, how and why
Flusser v. Mcluhan
Claude Levi Strauss - Myth and Meaning
Steve Rushton - Masters of Reality
Hito Steyerl - Defense of the Poor Image
Erik Davis - Secret Earths
TJ Demos - Decolonizing Nature
First Paper - Final
//////////////////////////////////////////
Term 2
Alex Head - Here Comes Trouble - Art, Magic and Madness
Transmediale - Singularities
Donna Haraway - Cyborg Manifesto
Manual DeLanda - 1000 Years of NonLinear History
Amy Ireland - Black Circuit: Code for the Numbers to Come
Adam Curtis - All Watched Over by Machines of Loving Grace
Amy Ireland - Noise: An Ontology of the Avant-garde
Assignments
3 artists using dead media
Research
Popol Vuh
Blackfoot Creation Story
Cecil B Evans Interview
Alexandra Crouwers
Ed Atkins - Material Witness or Liquid Cop (2012)
Japanese Mythology
Object Oriented Ontology
Sandbox
Network Artifact 1 - Houdini
Waxhead