...pear on this page, you would add the Categories "Technical plan" and "2012/2013", in other words:
[[Category:Technical plan]] [[Category: 2012/2013]]</nowiki>
259 bytes (28 words) - 15:37, 1 October 2012
===2013===
===2012===
2 KB (296 words) - 20:42, 24 September 2013
==2012/2013==
* [[Prototyping|Prototyping 2012/2013]]
2 KB (146 words) - 17:22, 13 February 2017
* [[Prototyping 9 April 2013]]
* [[Prototyping 16 April 2013]]
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==Trimester projects 2012/2013==
category = 2012/2013
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...vocabulary with which to analyse their artistic work."(Page 6, Vassenden, 2013)
...eating, theorising about and, not least, selling art." (Page 6, Vassenden, 2013)
3 KB (465 words) - 17:56, 21 September 2022
...Google Terms of Service: current version (Nov 2013), previous version (Mar 2012) and one before that (Apr 2007). After reading each one of the text files,
tdates=['Nov 11, 2013','Mar 01, 2012','Apr 16, 2007'] #no longer in use
2 KB (265 words) - 11:51, 9 December 2013
====2013/2014====
* [[Testing the shelf life|Trimester 1,2013/2014, Testing the shelf life]]
4 KB (491 words) - 14:57, 26 September 2022
...te Research Seminar documentation here => [[Graduate Research Seminar 2011/2012]]<br/>
...r documentation here => [[Reading,_Writing_%26_Research_Methodologies_2011/2012]]
4 KB (602 words) - 10:07, 4 October 2012
[[Category: 2012/2013]]
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Lucian Wester, Graduation Project, Trimester 5, 2013.
[[Category: 2012/2013]]
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* RONDEAU, C (2013). [[David Claerbout: L'oeil inifini]]. Noeme. (in Progress)
* BAUMAN, Z. (2012). ''[[Ugo/liquidmodernity|Liquid Modernity]]''. Polity Press. (in Progress)
2 KB (241 words) - 12:09, 10 March 2020
[[Reading, Writing & Research Methodologies 2013/2014]]
[[Reading, Writing & Research Methodologies 2012/2013]]
3 KB (393 words) - 19:03, 26 September 2022
...Mroué: A BAK Critical Reader Series in Artists' Practice, BAK Publishing, 2012<br>
...evisited, International Review of Modern Sociology, Vol. 39, No. 1 (Spring 2013), pp. 29-51<br>
4 KB (656 words) - 14:40, 20 March 2018
* FARR, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
* PROULX, A. (2012). Bird cloud. London, Fourth Estate.
3 KB (427 words) - 12:16, 8 November 2019
* Boon, Marcus, In Praise of Copying, 2013.
* Goriunova, Olga, Art Platforms and Cultural Production on the Internet, 2012.
8 KB (983 words) - 16:24, 29 March 2019
It is a photography project that I made between 2009-2012. There are also objects which I have found from ruined places such as aband
It is an archive and photography project that I made in 2013. It is combining of archive and photos taken by my mobile phone. It is abo
3 KB (489 words) - 16:50, 24 September 2014
It is a photography project that I made between 2009-2012. There are also objects which I have found from ruined places such as aband
It is an archive and photography project that I made in 2013. It is combining of archive and photos taken by my mobile phone. It is abo
3 KB (489 words) - 17:47, 7 January 2015
...l Mattering, and Queer Affect]]. Durham and London: Duke University Press, 2012. (p23-35)
* Martine Syms (2013), [https://www.kcet.org/shows/artbound/episodes/the-mundane-afrofuturist-ma
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| Lidia || MacbookPro 2013 || - || - || OSX 10.8.4, VirtualBox running Ubuntu || Adobe Creative Suite,
| Elleke || MacBookPro 2012 || ? || ? || OS X.8 || ... || -
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- New World Summit | Jonas Staal | 2012:
- The Uprising: On Poetry and Finance | Franco Berardi | 2012
3 KB (415 words) - 14:56, 3 October 2016
<li>[[Steverusthonmastersofreality| Steve Rusthon. Masters of reality, 2012]]
<li>[[FacebookNation| Newton Lee.Facebook Nation:Total Information Awareness, 2013]]
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* Martine Syms (2013), [https://www.kcet.org/shows/artbound/episodes/the-mundane-afrofuturist-ma
* Martine Syms (2013), [http://thirdrailquarterly.org/martine-syms-the-mundane-afrofuturist-mani
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:PROULX, A. (2012). Bird cloud. London, Fourth Estate.
:WOOD, M. (2012). Film: a very short introduction. Oxford, Oxford University Press.
5 KB (648 words) - 10:55, 12 May 2020
...allation. I am going to use the objects that I had collected from Syria in 2013, from destroyed houses and the video footages that I shot in Syria. During
...hat I did in Syria. First project was a photography project that I made in 2012. The first project was about remaining people who refused to leave the coun
2 KB (394 words) - 11:18, 18 January 2016
...te Research Seminar documentation here => [[Graduate Research Seminar 2011/2012]]<br/>
...r documentation here => [[Reading,_Writing_%26_Research_Methodologies_2011/2012]]
27 KB (3,974 words) - 13:59, 15 January 2014
Reading, Writing, and Research Methodologies 2012-2013
The specific outcome for the RW&RM seminar of 2013-14 will be a 1500 word text which reflects on your own method and situates
15 KB (2,368 words) - 16:55, 19 November 2013
- Blast Theory, I'd hide you (2012): https://www.youtube.com/watch?v=CdcvOXPg3j0 (promo/teaser)
- Danny Cooke, The Making of John Mayer's 'Born & Raised' Artwork (2013): https://vimeo.com/60647216
10 KB (1,445 words) - 11:21, 4 April 2013
* [[Prototyping 2013/2014]]
* [[Prototyping 2012/2013]]
9 KB (1,125 words) - 16:10, 21 November 2023
...enous in the Twenty-first Century. Cambridge MA: Harvard University Press, 2013.
...re Art comme on fait societé. Edited by Debaise, Didier et al Paris: Réel, 2013.
8 KB (1,153 words) - 15:35, 16 February 2023
[[Category: 2012/2013]]
3 KB (424 words) - 11:34, 7 December 2012
===2013/2015===
===2012/2014===
26 KB (3,404 words) - 23:32, 9 April 2024
==2012-13 : 18-9-2012==
...udents have been moved to [[Reading, Writing & Research Methodologies 2012/2013]]
22 KB (3,006 words) - 15:30, 15 May 2017
...the corporate framing of our use of technology becomes expected. (Bridle, 2013) While it may be unrealistic to enable change in the tools at our disposal,
...sentations of ongoing processes, essentially animations on pause. (Bridle, 2013) Steyerl defines the value of an image in its ease of flow and distribution
11 KB (1,821 words) - 20:59, 29 November 2016
...the corporate framing of our use of technology becomes expected. (Bridle, 2013) While it may be unrealistic to enable change in the tools at our disposal,
...sentations of ongoing processes, essentially animations on pause. (Bridle, 2013) Steyerl defines the value of an image in its ease of flow and distribution
11 KB (1,813 words) - 21:03, 29 November 2016
...the corporate framing of our use of technology becomes expected. (Bridle, 2013) While it may be unrealistic to enable change in the tools at our disposal,
...sentations of ongoing processes, essentially animations on pause. (Bridle, 2013) Steyerl defines the value of an image in its ease of flow and distribution
11 KB (1,821 words) - 21:00, 29 November 2016
I explore the film ''Nightfall'' by James Benning (2012) and the video work ''Everything and More'' (2015) by Rachel Rose. I discus
(book) Cage, J., Silence, University Press Of New England, 2013
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* Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
* Stallabrass, J. (2013) Documentary. London: Whitechapel (Documents of contemporary art).
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...l value in the face of digital technology. The exhibition The Whole Earth (2013), held at the Haus der Kulturen der Welt in Berlin, is another exam-ple of
4 KB (663 words) - 11:27, 2 October 2021
- Blast Theory, I'd hide you (2012): https://www.youtube.com/watch?v=CdcvOXPg3j0 (promo/teaser)
- Danny Cooke, The Making of John Mayer's 'Born & Raised' Artwork (2013): https://vimeo.com/60647216
11 KB (1,491 words) - 20:39, 24 March 2015
| Side by Side (2012) || Christopher Kenneally || history of technology || 10.18 || class
| American Hustle (2013) || David O. Russell || Mamet-esque dialogue...period fiction...fast cuts |
6 KB (869 words) - 21:41, 29 September 2019
...ographic imagery I have to look back at my previous graduation project. In 2012 I graduated from the Academy of Fine Arts in Maastricht where I studied Vis
'''After Untitled 2012:'''<br>
20 KB (3,258 words) - 00:02, 17 November 2017
...in their image findings. For their work group ''Color Spins'', created in 2012, they have developed their own rotational apparatuses. The dynamic light s
The ephemeral light sculptures of the black-and-white series ''Ghost'' from 2012, on the other hand, step in front of the dreary backdrop of a piece of wood
8 KB (1,187 words) - 15:22, 18 May 2019
==Trimester 2: 2013-14==
http://press.siff.net/SIFF_2013/2013%20Films/Features/T/The%20Pervert%27s%20Guide%20to%20Ideology/ThePervertsGui
25 KB (3,945 words) - 00:49, 9 July 2014
''Thank you for your application to Cove Park’s 2013 visual arts residency programme.
‘A Man Digging’ 2012
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Through my thesis, I want to explore how animacies (Chen, 2012), the agency and the living value that bodies and inanimate objects carry w
..., 2018), Animacies: biopolitics, racial mattering, and queer affect (Chen, 2012) and from references that might come up throughout my research. The two tex
13 KB (1,956 words) - 20:33, 11 December 2022
Gabrys, J. (2013). Digital rubbish a natural history of electronics. Ann Arbor, Mich. Univ.
Hertz, G. and Parikka, J. (2012). Zombie Media: Circuit Bending Media Archaeology into an Art Method. Leona
5 KB (677 words) - 17:48, 21 November 2021
...cal storage was also highlighted in the related project 'Volunteer Hosts' (2012, Fig.4), in which volunteers agreed to store a digital file about their per
...f content" which "foster[s] true collaboration and solidarity" (IMC London 2012).
22 KB (3,402 words) - 20:19, 8 December 2012
'''Anne Sophie Merryman''' - “''Mrs. Merryman's Collection''” 2012
...d by her granddaughter Anne Sophie Merryman. http://www.firstbookaward.com/2012/interview/
9 KB (1,468 words) - 17:50, 5 February 2015
...exploitation; but it’s very much in line with neoliberal rhetoric (beloso 2012).
...from the (stigmatized) sex worker category (evans & riley, 2013; Siebler, 2013). // I have to say; this might be also the case in how we view sex-workers
10 KB (1,626 words) - 17:24, 23 January 2019
