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- 16:35, 25 March 2024 RapidPrototypeandProject that May (hist | edit) [1,614 bytes] Steven Rushton (talk | contribs) (Created page with "https://pad.xpub.nl/p/Problemsofnotation-for_annotation References: Scratch Orchestra's Nature Study Notes (1969) http://intuitivemusic.dk/iima/sonsn.pdf John Cage's Song Books Vol 1 (1970) https://monoskop.org/images/0/03/Cage_John_Song_Books_Volume_1.pdf Pad: https://pad.xpub.nl/p/LensBasedScratchNov2 Addition to small library: Eno: Oblique Strategies (card game) https://monoskop.org/images/8/8c/Eno_Brian_Schmidt_Peter_Oblique_Strategies.pdf Project That May or...")
- 13:04, 25 March 2024 Tesse's reading list (hist | edit) [419 bytes] Tesse B (talk | contribs) (Created page with "Have read: Have yet to read: Errant Journal issue #1 'When Are We?' (recommended by Natasha) 'Revolutionary Time: On Time and Difference in Kristeva and Irigaray' by Fanny Söderbäck 'One Hundred Years of Solitude' by Gabriel García Márquez (recommended by Yana)")
- 11:37, 25 March 2024 A little log of the inspirations floating by in- and outside of the walls of the school. (hist | edit) [4,162 bytes] Tesse B (talk | contribs) (Created page with " After a day of being stuck looking at a screen full of waves, lines and spoken things, I dropped by the exhibition 'Choreographed events' at Garage Rotterdam. There was the work '''Kadans 2.0 by Aliki van der Kruijs and Jos Klarenbeek'''. They had taken the movement of the sea as a guide for patterns in fabric. Their use of data reminded me of what had drawn me to the sea in the first place, the moments of ebb and flow that denote a measure of time only shared between t...")
- 20:58, 23 March 2024 Text On Practice - Final (hist | edit) [64 bytes] Tparolin (talk | contribs) (Created page with "ToP Final")
- 02:29, 23 March 2024 Aratrika's Final ToP (hist | edit) [55 bytes] Aratrikak (talk | contribs) (Created page with "thumb")
- 01:43, 23 March 2024 Tessa's Final ToP (hist | edit) [34 bytes] Tessalangeveld (talk | contribs) (Created page with "thumb")
- 00:06, 23 March 2024 Jingfeng's Final ToP (hist | edit) [49 bytes] Jingfeng Shen (talk | contribs) (Created blank page) Tag: Visual edit
- 00:00, 23 March 2024 Tom's Final Top (hist | edit) [115 bytes] Tparolin (talk | contribs) (Created page with "Tom's Final ToP")
- 21:04, 22 March 2024 Nihal's Final ToP (hist | edit) [49 bytes] Nihal Goel (talk | contribs) (Created page with "thumb") Tag: Visual edit
- 20:17, 22 March 2024 Zhuang's Final Top (hist | edit) [47 bytes] Lengzhuang97 (talk | contribs) (Created page with "thumb")
- 16:51, 22 March 2024 Do's Final Top (hist | edit) [34 bytes] Rodolfovferro (talk | contribs) (Created page with "thumb")
- 15:53, 22 March 2024 Yana's Final ToP (hist | edit) [33 bytes] Yanalin (talk | contribs) (Created page with "thumb")
- 15:07, 22 March 2024 Rodolfo's Final Top (hist | edit) [49 bytes] Rodolfovferro (talk | contribs) (Created page with "thumb")
- 13:17, 22 March 2024 ((in)ter)dependence/Code of Conduct (hist | edit) [1,011 bytes] Thijshijsijsjss (talk | contribs) (Add code of conduct entry)
- 12:56, 22 March 2024 ((in)ter)dependence/Seamless and Seamful (hist | edit) [2,285 bytes] Thijshijsijsjss (talk | contribs) (Add entry on seamless and seamful)
- 12:30, 22 March 2024 Chan's Final Top (hist | edit) [36 bytes] Parmesanfish (talk | contribs) (Created page with "thumb|Chan_TOP") Tag: Visual edit
- 12:13, 22 March 2024 ((in)ter)dependence/Play (hist | edit) [9,590 bytes] Thijshijsijsjss (talk | contribs) (Add main entry on play with essay and comments (to be styled more later?))
- 02:31, 22 March 2024 Luca's Final ToP (hist | edit) [102 bytes] Luca (talk | contribs) (Created page with "thumb")
- 01:48, 22 March 2024 Riccardo's Final ToP (hist | edit) [66 bytes] Rick (talk | contribs) (Created page with "thumb|center|Text on Practice")
- 01:05, 22 March 2024 Noura's Final ToP (hist | edit) [24 bytes] Nourabb (talk | contribs) (Created page with "When starting this programme I had some themes in mind that I wanted to focus on, being: preserving memory, senses of home, migration and diaspora, the subconsciousness, community, nostalgia and decolonization. The inspiration for my themes stems from my cultural background. As my grandparents had to flee and leave their homelands, I’ve been born and raised in a country that on the one hand I call home, but geographically and culturally I have multiple references. Spec...")