Sonia/methodssession4: Difference between revisions
(Created page with "keywords road, trainline, coffin, submarine, sinking, high voltage fence, historical site, brutalistic intervention, post-apocalyptic. observations A sense that the viewer is...") |
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keywords | [[File:©SoniaMangiapane2017-07 01.jpg|600px]] | ||
road, trainline, coffin, submarine, sinking, high voltage fence, historical site, brutalistic intervention, post-apocalyptic. | |||
observations | <div style='font-family:Courier,Sans;font-size:12px;color:grey;display:block;'> | ||
A sense that the viewer is not welcome there (to the building). | |||
There is a barrier. | '''keywords''' <br> | ||
The vegetation (disordered/unkept) stands in contrast to the building. | road, trainline, coffin, submarine, sinking, high voltage fence, historical site, brutalistic intervention, post-apocalyptic. <br> | ||
Seems like an abandoned building. | |||
Makes one curious. | '''observations''' <br> | ||
The sky makes it inaccessible. | A sense that the viewer is not welcome there (to the building). <br> | ||
The fence makes one ask “Are we inside or outside?” | There is a barrier. <br> | ||
You want to see the building, therefore you feel as though you are outside of the area that you want to see. | The vegetation (disordered/unkept) stands in contrast to the building. <br> | ||
People struggled to understand how the space works (perhaps caused by the flattening of the projector) or the perspective/viewpoint of the camera. | Seems like an abandoned building. <br> | ||
Are we looking up or down, is the vegetation on a slope? | Makes one curious. <br> | ||
contemporary associations | The sky makes it inaccessible. <br> | ||
The vast sky in the image made Jue think of Kinfolk magazine (a hipster mag). | The fence makes one ask “Are we inside or outside?”<br> | ||
Abandoned building photography (ruin porn?) (Ana) | You want to see the building, therefore you feel as though you are outside of the area that you want to see. <br> | ||
Metahaven exhibition currently on at the Stedelijk Museum. A work featuring 3 screens and an airport runway decaying and overgrown. | People struggled to understand how the space works (perhaps caused by the flattening of the projector) or the perspective/viewpoint of the camera. <br> | ||
Are we looking up or down, is the vegetation on a slope?<br> | |||
'''contemporary associations'''<br> | |||
The vast sky in the image made Jue think of Kinfolk magazine (a hipster mag). <br> | |||
Abandoned building photography (ruin porn?) (Ana)<br> | |||
Metahaven exhibition currently on at the Stedelijk Museum. A work featuring 3 screens and an airport runway decaying and overgrown.<br> | |||
</div> | |||
Revision as of 16:21, 21 November 2018
keywords
road, trainline, coffin, submarine, sinking, high voltage fence, historical site, brutalistic intervention, post-apocalyptic.
observations
A sense that the viewer is not welcome there (to the building).
There is a barrier.
The vegetation (disordered/unkept) stands in contrast to the building.
Seems like an abandoned building.
Makes one curious.
The sky makes it inaccessible.
The fence makes one ask “Are we inside or outside?”
You want to see the building, therefore you feel as though you are outside of the area that you want to see.
People struggled to understand how the space works (perhaps caused by the flattening of the projector) or the perspective/viewpoint of the camera.
Are we looking up or down, is the vegetation on a slope?
contemporary associations
The vast sky in the image made Jue think of Kinfolk magazine (a hipster mag).
Abandoned building photography (ruin porn?) (Ana)
Metahaven exhibition currently on at the Stedelijk Museum. A work featuring 3 screens and an airport runway decaying and overgrown.