Jujube/voor-assessment
TODO
- files
- seek clip, still
- floorplan still
- lara clip (edited with new audio)
- mia trailer
- amy trailer
05.02.19
Su,
I used to, perhaps still am, obsessed with the precision of words.
If someone misuses a word, I get annoyed. You can count that as a fact.
But then, when it comes to an idea, I am the opposite of precise.
I become very vague.
Is that how I seek refuge?
My distrust towards the world.
But how can I move the world if I cannot trust it?
This is my dilemma.
empathy through autobiography
autobiography through documentary
h o m e
24.03.19
I am notating, writing, discussing, organizing, editing, shooting, baking:
feminist film theory, my own position against (or within) it, my discomfort (but also disdain, rather haphazardly), an event of a collective in formation/meetings with people I want to make into moving image, footage of someone else, my own footage, bread.
I keep telling myself to keep calm and give myself the permission to pause. So far it seems to work — as long as I am not overworked — I feel okay. But perhaps I am turning one obsessiveness into another, which is now more obviously work, a durational performance that is too coded for others and not that transparent to myself.
How do you answer that question now — what do you do?
Menu of Making✴︎
- performance
- applying, communicating, meeting, performance, meeting, shooting✻
- Jujube/collective
- instigating, meeting, writing, communicating, meeting
- Jujube/miard-collaboration-notes
- taking chance, meeting, writing, communicating, meeting, collaborating honestly
✴︎contains meetings
✻on my own or with recruited and trusted help
I am becoming more acutely aware of the medium I choose. I choose the moving image, and am creating for the cinema or cinema-like experiences. I continue to develop an understanding towards:
- the medium
- Jujube/cinematography, the Cinematic
- and production of the image
- Objectivity
- relationship with theories
- essay #2
- practice
- Jujube/practice