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  • ...has occurred: the increasing mutability of information as a result of the digital interface. The text begins by providing an overview of the themes in Benjam ...ts in The Work of Art, he makes a clear distinction between mechanical and digital reproducibility – the distinguishing factors being the ability to “Add,
    4 KB (544 words) - 16:25, 17 January 2012
  • ''Jos de Mul'' - 'The work of art in the age of digital recombination' <BR><BR> ...ces that not only structure the imagination of the artist, but the work of art and the aesthetic reception as well'''.
    8 KB (1,243 words) - 13:33, 18 February 2015
  • - Trash Art a) meta art (conceptual net based art) - form driven
    3 KB (468 words) - 17:57, 2 October 2012
  • <big>'''Generative art in video art'''</big> ...d by science and technology. Generative art is a typical collision between art and science.
    7 KB (1,164 words) - 03:00, 22 March 2017
  • ...point of the debate is water Benjamin's claim that the "cult value" of an art work has been replaced by the "exhibition value". ...combination, the database constitutes the ontological model of the work of art and, secondly, that in this transformation the exhibition value is being re
    8 KB (1,375 words) - 12:47, 18 February 2015
  • Scholz - digital labor <br>* Digital labor: The internet as playground and factory (2013, book)
    3 KB (351 words) - 17:30, 12 December 2018
  • ...ose questions made me think of [http://theartofgooglebooks.tumblr.com/ The Art of Google Books], a collection of glitches on scanned books. In this case d
    789 bytes (136 words) - 23:16, 5 March 2012
  • ...ion of drone warfare, in particular, the extension of human senses through digital/machinic mediation. Lisa Barnard's Drone work is characterized by the confu ...t act as our sensorial extension need to only be real enough for the human-digital relationship to sustain itself. However, the human aspects of this 'postdig
    3 KB (372 words) - 16:14, 25 October 2017
  • '''Institute of Unseen Digital Art''' ...g point of this project to give a new life to forgotten and unseen Digital Art works. In addition to the curated gallery, the institute publishes daily ar
    9 KB (1,418 words) - 15:31, 27 September 2017
  • Flat is a library for creating and manipulating digital forms of fine arts. Its aim is to enable experimentation with and testing o It grew out of the needs for generative design, architecture and art. The concept of "design" is more of a subject of study yet to be delved int
    2 KB (245 words) - 11:44, 24 January 2024
  • ...n source culture, and processes of self-education and peer learning, in an art, activist and community contexts. ...as well as WeWontFlyForArt and Zero Dollar Laptop (both part of our Media Art Ecologies programme).
    3 KB (446 words) - 16:05, 27 November 2011
  • *exploring the field of post-digital designer (creating a new universe build upon the existing one - how ? gener ...tal publishing, interaction website, app), visual culture (communication + art direction (3D+video and photography)
    2 KB (288 words) - 13:28, 4 December 2017
  • ...68c80c71e7caa5621e08f321cc59fad Jos de Mul - The work of art in the age of digital recombination] * Martin Jay: Photography and the Mirror of Art
    3 KB (416 words) - 15:12, 30 January 2021
  • '''Physical Photobook - Digital Photobook 5 February 2015''' – ''Who gives a f*ck!?'' ..., then it becomes physical. But it’s still a digital photo, so you combine digital and physical.
    6 KB (949 words) - 21:23, 15 February 2015
  • *Materiality and beyond the analogue/digital binary ...he photograph as contemporary art, Reprinted. ed, Thames & Hudson world of art. Thames & Hudson, London.<br />
    2 KB (337 words) - 15:59, 28 September 2019
  • ...Y, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5). ..., I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
    3 KB (427 words) - 12:16, 8 November 2019
  • ...of [[making things public]] and [[creating publics]] in the age of [[post-digital]] networks.
    987 bytes (151 words) - 12:44, 17 September 2023
  • ...ual language. Vanitas as a genre finds its origin in 16th and 17th century art, reflecting a cultural acceptance (and even obsession) with death and morta
    928 bytes (144 words) - 16:47, 8 December 2017
  • digital economy transforms the goals of a corporation into the belief you are makin - the current art of governance implores citizens to self-regulate and produce improvements
    2 KB (271 words) - 12:15, 6 October 2016
  • He works with digital art on an abstract representation of body movement. He uses animation and 3D pr
    951 bytes (146 words) - 20:51, 19 September 2021

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