...enous in the Twenty-first Century. Cambridge MA: Harvard University Press, 2013.
...re Art comme on fait societé. Edited by Debaise, Didier et al Paris: Réel, 2013.
8 KB (1,153 words) - 15:35, 16 February 2023
* [[Prototyping 2014/2015]]
* [[Prototyping 2013/2014]]
9 KB (1,125 words) - 16:10, 21 November 2023
:PATEL, S. (2014). Migritude. New York, Kaya Press.
:Stallabrass, J. (2013) Documentary. London: Whitechapel (Documents of contemporary art).
5 KB (648 words) - 10:55, 12 May 2020
|Year=2014
On the 21st of November 2013 the body of Bep de Bruin was found in her house at the Jan Porcellisstraat
7 KB (1,192 words) - 13:30, 20 February 2017
June 2, 2014
[[User:Nicole Hametner/Graduate Research Seminar 2013-TM5.01| Nicole]] <br>
14 KB (2,157 words) - 09:37, 27 May 2014
...2014 <br/>As long as I am on-line, I can be anywhere. Sarah Benham 16 Sep 2013 <br/> Yesterday I forgot my phone + I was late for work and I couldn't even
4 KB (581 words) - 17:26, 13 February 2017
* STALLABRASS, J. (2013) Documentary. London: Whitechapel (Documents of contemporary art).
* Williams, G. (2014) How to write about contemporary art. London: Thames & Hudson.
3 KB (427 words) - 12:16, 8 November 2019
==2013/2014==
==2012/2013==
27 KB (3,974 words) - 13:59, 15 January 2014
<div align="center">''image from Root,
2014''</div>
<div align="center">''image from Tree,
2014''</div>
9 KB (1,475 words) - 10:57, 17 June 2015
<div align="center">''image from Root,
2014''</div>
<div align="center">''image from Tree,
2014''</div>
9 KB (1,475 words) - 18:09, 21 June 2015
4. Di Leo, J., 2013. Interpreting Children's Drawings. Routledge.<br>
''(Di Leo, 2013)''<br>
10 KB (1,580 words) - 12:54, 22 November 2021
...the corporate framing of our use of technology becomes expected. (Bridle, 2013) While it may be unrealistic to enable change in the tools at our disposal,
...sentations of ongoing processes, essentially animations on pause. (Bridle, 2013) Steyerl defines the value of an image in its ease of flow and distribution
11 KB (1,821 words) - 20:59, 29 November 2016
...the corporate framing of our use of technology becomes expected. (Bridle, 2013) While it may be unrealistic to enable change in the tools at our disposal,
...sentations of ongoing processes, essentially animations on pause. (Bridle, 2013) Steyerl defines the value of an image in its ease of flow and distribution
11 KB (1,813 words) - 21:03, 29 November 2016
...the corporate framing of our use of technology becomes expected. (Bridle, 2013) While it may be unrealistic to enable change in the tools at our disposal,
...sentations of ongoing processes, essentially animations on pause. (Bridle, 2013) Steyerl defines the value of an image in its ease of flow and distribution
11 KB (1,821 words) - 21:00, 29 November 2016
...cumentary: PBS Frontline 2014 Generation Like [[Documentary: PBS Frontline 2014 Generation Like]]
* Ted Talk - How to become a yes man | The Yes Men | TEDxCalArts (2014) https://www.youtube.com/watch?v=nkOCUdvK8-U
16 KB (2,549 words) - 14:52, 16 February 2018
...) Society for Arts and a recipient of the Dr. A.H. Heineken Prize for Art (2014). A monographic publication, Amateur, was published by Sternberg Press, Ber
...11, UAE. He's also a recipient of the Fukuoka Prize, Japan, 2013. In late 2014, he received the Yanghyun Art Prize, one of the most prestigious prizes in
15 KB (2,278 words) - 09:26, 7 November 2023
Gabrys, J. (2013). Digital rubbish a natural history of electronics. Ann Arbor, Mich. Univ.
Turkle, S. and Schuster, S. (2014). Life on the screen : identity in the age of the Internet. New York: Simon
5 KB (677 words) - 17:48, 21 November 2021
...Bachelor of Fine Art from the Victorian College of the Arts, Melbourne, in 2013 and a Master of Arts (Art Praxis) from the Dutch Art Institute, Arnhem, in
...eld Academie and Comparative Literature at the University of Amsterdam. In 2014 he was a researcher at the Jan van Eyck Academie. He is the editor of “Re
6 KB (839 words) - 20:42, 9 April 2023
==Trimester 2: 2013-14==
http://press.siff.net/SIFF_2013/2013%20Films/Features/T/The%20Pervert%27s%20Guide%20to%20Ideology/ThePervertsGui
25 KB (3,945 words) - 00:49, 9 July 2014
'''Thematic Project, trimester 3, 2013/14'''
...Graham. Tool-being: Heidegger and the metaphysics of objects. Open Court, 2013 (2002).
17 KB (2,535 words) - 10:45, 11 January 2016
