Radio WORM: Protocols for Collective Performance
The project described here is a second iteration of a course first run last year, Radio Worm: Protocols for an Active Archive. This iteration called Protocols for Collective Creation, and will run from September to December 2024. The format will be a weekly live 2 hour radio program, and a single in-person event, or “public moment” tentatively planned for November 20, 2024. The course will be developed and run by tutors of XPUB, supported by WORM staff, and will be followed and activated XPUB1 students. The idea is to produce and maintain a podcast feed of materials related to the program during the duration of the 3 months. The format of the live event is described further below. XPUB will be responsible for documenting activities related to the course, and in working with WORM for possible inclusion within their network (for instance working with Ash on materials that could be part of WORM’s Mixcloud channel).
Intro
In sum the course will be about:
- Creating instruments,
- exploring different forms of collective practice,
- to make radio, including remixing materials from WORM's archive and Radio WORM,
- and perform them (live) together using performance protocols.
Partners
XPUB is the 2 years Master program in Experimental Publishing at the Willem de Kooning Academy, part of the Hogeschool Rotterdam (http://xpub.nl). XPUB focuses on the acts of making things public and creating publics in the age of post-digital networks.
Radio WORM (https://radio.worm.org) is an online radio platform at the heart of WORM Rotterdam. Their studio hosts audio production of all descriptions (sound art, experimental music, interviews, mixes, informal reporting and in-depth talk-based series), with over 80 resident shows as well as a shifting schedule of one-off events, mini-series and special guests.
WORM Pirate Bay (http://thepiratebay.worm.org/) is a physical archive and working facility at WORM comprising DVDs, VHS tapes, zines, books, CDs, board games and other remnants from WORM’s production history. WPB is about unconventional knowledge sharing and artistic production that might not be valued by traditional understandings of high art.
The project will involve the assistance and cooperation of: Ash Kilmartin, Lukas Simonis, Lieuwe Zelle (Radio WORM), Ari Ralph (Worm Pirate Bay), and Florian Cramer, Michael Murtaugh (WDKA/XPUB), and XPUB prototyping + methods tutors.
Themes
In terms of thematics, the project aims to focus on the history of sound art, considering specific practices such as tape manipulation, digital desconstruction, with a particular focus on improvisation and collective production. Key reference works such as Nature Study Notes and the work of Cornelius Cardew and the Scratch Orchestra will be studied, in parallel with work on Free Licenses and Free Software as means for producing what Simon Yuill has termed distributive practices. In addition, the lived experience of Radio WORM’s Ash Kilmartin and Lukas Simonis will serve as key guides and resources in the process.
Furthermore, critical questions related to (cultural) reappropriation, such as those raised in Ari Ralph’s An Introduction to Decolonial Archival Practice zine will be important aspects of the course. For instance, how can audio transcription software be used for more than just producing a strict transcription of what’s been spoken? Are there formats of audio + text that can go beyond “capture” and “translation” of spoken to written forms, and which preserve and value oral culture rather than attempting to fix (in both the sense of repair or freeze) or replace it?
Multivocality
The project starts from the diversity of Radio WORM’s maker community, speakers of a diversity of languages, cultural backgrounds, and ages reflecting the diversity of Rotterdam’s inhabitants. In addition, XPUB as a program embraces a diversity of practices, from traditional print design to game design and programming, but also including music, product Design, anthropology. The course will focus draw on historical examples of collective production to look at a diversity of ways that collectivity can be facilitated. As a course XPUB is also particularly interested in the interplay between the tools and platforms we use and their impact on the ways collaboration occurs, for instance how roles can be shared and (re)negotiated rather than only being fixed in conventional workflows with designers typically at the end of a process of “giving form”.
For example, in the first iteration of the course, a podcast was made of the radio programs, alongside a series of diverse zines, including interviews with radio makers. Besides this, a 3D model of the WORM Radio studio was made which them formed the basis of a collaboration to make audio/visual animation that mixed abstract metadata from the archival recordings with the rendered model.
Radio program
Text about Radio Program for WORM's website
TO DO (due by end of Sep 20)
Support
The project has received funding from NADD to support Radio WORM staff and in the production of the public event.
Public moment
The idea is for the public moment/event will be to explicitly address past, present, and future members of the Radio WORM community of listeners and makers. The format of the event would be relatively open, with a variety of activities happening in parallel. Workshops will showcase the richness and variety of materials available via WORM Pirate Bay, and the potential for new collective artistic production using specific techniques explored in the course (for instance involving physical cut-up techniques with reel to reel audio, or digital techniques with automatic transcription and coding). Furthermore, the plan will be to include access to WORM Sound Studio, whose unique situation for collective sound production will be featured. The idea is for the event to be used as a means of gathering further materials from an interested public, and for these materials to be incorporated into the subsequent/final radio broadcasts, creating some space for reflection and closure.
The project aims to primarily address Radio WORM’s community of makers and listeners, past, present, and future. More broadly, the project should address and be of interest to a wide audience of those interested in collective artistic practices and those interested in the interplay between digital tools and networked platforms for distributing and archiving the resulting cultural productions.
Text about Nov Event for WORM Website
TODO (preliminary text due by end of 20 Sep)
Schedule
Each Monday from 10-12 a live radio program is produced by a rotating team of XPUB students together from the Radio WORM Studio. The proposal is to use one hour to listen together to one or more sources (historical projects, interviews, etc). The second hour is then for live performance using instruments developed during the course.
WEEK -1
WEEK 0
Monday 16 September
10 - 13: Meet at WORM
14-17: Afternoon session (in the Aquarium)
Followup to All Problems of Notation Will be Solved by the Masses: Free Open Form Performance, Free/Libre Open Source Software, and Distributive Practice, Simon Yuill that you read and annotated with Lidia last Wednesday
Check out Category:Protocol
Assignment: Making a collective field recording audio collage
Assignment: Create the start page for the special issue (HTML).
Assignment: Adapt your wiki-based audio collage to an HTML page.
Tuesday 17 September
Prototyping introduction, with Manetta & Joseph: setting up your sandbox
Notebook/wiki pages: Sandbox & HTML + CSS
Assignment: Find an object, device, situation ... that creates an interesting sound! Please bring it next Tuesday (24th September).
Wednesday 18 September
XPUB1: 11:00 - 17:00 Methods with Steve, in the aquarium
Outcome:
Protocols for Collective Performance
https://pad.xpub.nl/p/Methods2
11:00 Intro and catch-up
11:00-12:00 Reviewing the annotated Yuill, Scratch Orchestra
12:00-13:00 Prototyping protocols
LUNCH
14:00-16:30 Making and performing a protocol directory
16:30 Review of the day
Today we will look more deeply into some of the references Simon Yuill makes in The Problems on Notation, with particular attention being paid to Nature Study Notes... together we will produce a directory of improvisational protocols and perform some of the protocols devised.
References:
Scratch Orchestra's Nature Study Notes (1969) http://intuitivemusic.dk/iima/sonsn.pdf
John Cage's collection of notations: https://monoskop.org/images/9/92/Cage_John_Notations.pdf
Eno: Oblique Strategies (card game)
https://monoskop.org/images/8/8c/Eno_Brian_Schmidt_Peter_Oblique_Strategies.pdf
"Do it" project, Curated by Hans Ulrich Obrist: https://curatorsintl.org/exhibitions/18072-do-it-2013
Previous Rapid Prototype directory:
https://pad.xpub.nl/p/notation_experiment_0420
Protocol for Worm
https://pzwiki.wdka.nl/mediadesign/Assigning_the_roles_(SI25)
WEEK 1
Roles
- Fred (Producer) / Kim (Interface)
- Sevgi (host)
- Martina (host)
- Kiara (host)
Monday 23 September
- 10:00 - 12:00: Radio Broadcast #01 Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen
- 12:15 - 13:00: Broadcast debrief / discussion
- 13:00 - 14:00: Lunch break
- 14:00 - 17:00: Afternoon session
File:Test protocals.mp3 Protocals Jingle
Pad with debrief + notes + code from afternoon: https://pad.xpub.nl/p/20240923-radioworm01
Tuesday 24 September
Prototyping, with Joseph: Instrumentation & Improvisation
Wednesday 25 September
XPUB1: 11:00 - 17:00 Methods with Lidia
Today’s outcomes:
Protocols for glossary writing https://pzwiki.wdka.nl/mediadesign/Protocols_for_Collective_Glossary_Writing
Alphabet Soup: https://pzwiki.wdka.nl/mediadesign/Alphabet_Soup
This session’s pad: https://pad.xpub.nl/p/250924_Methods
WEEK 2
Roles
- Kim (producer) /Chrissy (interface)
- Melisa
- Eleni
- Imina
Monday 30 September
- 10:00 - 12:00: Radio Broadcast #02 Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen
- 12:15 - 13:00: Broadcast debrief / discussion
- 13:00 - 14:00: Lunch break
- 14:00 - 17:00: Afternoon session
Assignment: Continue modifying a copy of the advanced search form from archive.org, making modifications to make it more specific to your needs in building a custom sound board. Look into the documentation about search on archive.org, including information about what kinds of metadata there is. Try searching and look at the results. What kind of materials are there and how are they classified? From where to the materials come. In addition to imagining a soundboard based on the audio files, what other information could be interesting to include (from the available metadata). What filters or other particular features might be interesting to apply to your sound board.
Use the wiki to record "interesting queries" ... in other words, interesting search results. You may find it best to use the link widget in the "Edit source" view of the wiki and to give the (long) URLs descriptive and readable visible "text to display" (see example below).
Try to place your modified / simplified / customized search forms on cerealbox. For those interested in Javascript, please feel free to ask questions on zulip, and I will post further examples to help.
For example: five audio files about dogs
Sample pages (local network only): https://145.24.131.42/~murtaugh/archiveradio/
Pad from today: https://pad.xpub.nl/p/20240930-radioworm02
Tuesday 1 October
Prototyping, with Manetta
Scripts for collective performance
Wednesday 2 October
Methods with Steve
WEEK 3
Roles
- Chrissy/Wyn
- Imre
- Claudio
- Martina
Monday 7 October
- 10:00 - 12:00: Radio Broadcast #03 Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen
- 12:15 - 13:00: Broadcast debrief / discussion
- 13:00 - 14:00: Lunch break
- 14:00 - 17:00: Afternoon session
TOPIC: Refining and testing custom soundboards
Tuesday 8 October
Prototyping, with Joseph: Jamming
Wednesday 9 October
Methods with Lídia
WEEK 4
Roles
- Wyn/Claudio
- Sevgi
- Kim
- Feline
Monday 14 October
- 10:00 - 12:00: Radio Broadcast #04 Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen
- 12:15 - 13:00: Broadcast debrief / discussion
- 13:00 - 14:00: Lunch break
- 14:00 - 17:00: Afternoon session
TOPIC: TRANSCRIPTION
Tuesday 15 October
Prototyping, with Manetta
Wednesday 16 October
Methods with Steve
WEEK 5
Roles
- Claudio/Charlie
- Wyn
- Melisa
- Fred
Monday 21 October
- 10:00 - 12:00: Radio Broadcast #05 Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen
- 12:15 - 13:00: Broadcast debrief / discussion
- 13:00 - 14:00: Lunch break
- 14:00 - 17:00: Afternoon session
Tuesday 22 October
Prototyping, with Joseph: Modularity
Wednesday 23 October
Methods with Lídia
WEEK 6
FALL BREAK
WEEK 7
Roles
- Charlie/Tessa
- Chrissy
- imina
- Kiara
Monday 4 November
Tuesday 5 November
Prototyping, with Manetta
Wednesday 6 November
Methods with Lídia
WEEK 8
Roles
- Tessa/Feline
- Zuhui
- Charlie
- Imre
Monday 11 November
Tuesday 12 November
Prototyping, with Joseph
WEEK 9
Roles
- Feline/Alexandria
- Eleni
- Chrissy
- Kiara
Monday 18 November
Tuesday 19 November
Prototyping, with Manetta
Wednesday 20 November
Methods with Lídia
Public event at WORM for Collective Creation / Performance (TBC)
WEEK 10
Roles
- Alexandria/Zuhui
- Melisa
- Wyn
- Kim
Monday 25 November
Tuesday 26 November
Prototyping, with Joseph
WEEK 11
Roles
- Zuhui/Fred
- Alexandria
- Tessa
- sevgi
Monday 2 December
Tuesday 3 December
Prototyping, with Manetta
Wednesday 4 December
Methods with Lídia
WEEK 12
Final Broadcast Week : Roles and Protocols to be determined...
Monday 9 December
Tuesday 10 December
Prototyping, with Manetta (& Joseph)
References (in progress of being integrated into page)
From last year the Protocol Category, with specific Decision Making protocols such as All voices heard and Voting by show of hands
Specific attention to Licenses, Open licenses, and Open licenses session that was the basis of a zine.
Nature Study Notes, and Portland Pattern Repository ... parallels.
Exemplary webpages that document the history of a project while also creating a web-page based (re)performance tool:
- BBC Radiophonic workshop + Delia Derbyshire
- MOD/S3M/XM Module Player for Web Audio and code chiptune2.js
- Some Assembly Required
- Radio Aporee
- Janek Schaefer: Custom players, his soundartresources
- Generative Music (players) Throbbing Gristle / Buddha Machine? Pirate Radio History [Media Fragments]* (https://www.w3.org/TR/media-frags/ The Deep, Rivers Solomon + Clipping (Hybrid Pub)
- https://en.wikipedia.org/wiki/The_Deep_(novella)
- Platoniq Burnstation
- Distributed Proofreaders and the podcast recording -- interview with An?
- Botopera
Licenses
Laurence Rassel Show http://www.ultrared.org/publicrecord/archive/2-01/2-01-014/2-01-014.html
Meditations
- Cloud piece from Floor van Meeuwen
- Charlotte Adigery + Boris Pupils MANTRA https://genius.com/Charlotte-adigery-and-bolis-pupul-mantra-lyrics https://charlotteandbolis.bandcamp.com/album/yin-yang-self-meditation
- Agile Meditation – From the Software Clinic, Anne Laforet
Sox
“Raw” audio
Strange Text to Speech
play -tlpc /dev/urandom
Leads to deep dive into LPC format as a “vocoder".
The Voder page is an exemplary page with documentation of the historic Voder algorithm, but also including a live simulation / instrument with instructions on how to "play" a sample phrase (She sees me).
Spell and Speak, Antonio Roberts is a great example of using different distributive practices (free software such as using Silas S. Brown’s *lexconvert*, and small shell commands and hacks) to explore the international phonetics alphabet by generating random permutations and an animating them.
Speech synth
Listenings
The idea is to have a dedicated space in the weekly radio program for group listening to historic radio shows / other audio pieces.
- Laurence Rassel Show http://www.ultrared.org/publicrecord/archive/2-01/2-01-014/2-01-014.html
- Die Maschine, Radio play (1968) George Perec
- Resonance: Sound Out 20 Feb 2015 recording of a radio program from Scratch Orchestra members meeting in 2015 in preparation for performance
- SAR62: Interview with Janek Schaefer about
- SAR03: Interview with Illegal Art about
- SAR43: Interview with People Like Us
- SAR16: Interview with John Oswald / Plunderphonics
- https://corecursive.com/tdih-cpan/
- Kate Rich + Natalie Jeremijenko: Mute Wipeout
- Tarek Atoui https://www.kurimanzutto.com/en/artists/tarek-atoui
- DONNA:\ Women\ in\ Revolt\ \[118671-000-A\].mp4
Readings (in progress)
- Simon Yuill, All Problems of Notation Will be Solved by the Masses: Free Open Form Performance, Free/Libre Open Source Software, and Distributive Practice
- Melanie Sehgal, Looking back and not behind. On the concept of Performativity
- Fanny Chiarello - Field Recordings in Basta Now: women, trans & non-binary in experimental music
- Selections from (Fair) Kin Arts Almanac ... and Gijs presents at LGM 2024 and SOTA
y of Pirate Radio], Matthew Fuller, Media Ecologies, 2005
- Pirate Radio History in Amy Spencer’s DIY
- Nature Study Notes: Scratch Orchestra
- Improvisation Rites: From John Cage's Song Books to The Scratch Stefan Szczelkun
- The Future was already here, c. 7: The Scene
- <?> The sound of your prose, Ursula Le Guin, (Space Crone)
- <?> Daniel Punday, Computing as Writing, c. ? … or is this SI26? Maybe the chapter that investigates iTunes…