User:Jacopo/secondyear: Difference between revisions
Line 47: | Line 47: | ||
'''Why do you want to write this text?''' | '''Why do you want to write this text?''' | ||
I want to write this text to narrate the processes, both theoretically and practically I'm going through for building Habitat, an ultra-territorial residency and collective workshop which take place in Tredozio (FC), Italy. | |||
'''Outline of Methodology''' | '''Outline of Methodology''' | ||
(for example: " I would like to structure my thesis in relation to the | Habitat is working for me as a life experimentation playground, which gives me the possibility to think simultaneously to urgent needs in terms of changes of life conditions, but also the opportunity we have to act within the limits of specific places. | ||
The process starts by collecting, analyzing, and then re-elaborating the material that's been initiated during the first month of residency (August 2021), between Tredozio, Rocca S. Casciano and Portico e San Benedetto. Several interviews and podcast have been recorded during the first Habitat's manifestation. Different artists were invited to spend some time in the village of Cà de Monti, experiencing | |||
(for example: " I would like to structure my thesis in relation to the series of interviews I will conduct for my proposed project" | |||
OR | OR | ||
"I will make a 'close reading' of three of my past projects" | "I will make a 'close reading' of three of my past projects" | ||
Line 58: | Line 64: | ||
Narrating how I came up with Habitat, the ideas behind it. The narrations it brings and the potential could have for the territory per see. <br> | Narrating how I came up with Habitat, the ideas behind it. The narrations it brings and the potential could have for the territory per see. <br> | ||
––––––––––– | |||
When I've been firstly approached by Lorenzo, in late January 2021, I couldn't even imagine how that meeting would change my life. Lorenzo, while being | When I've been firstly approached by Lorenzo, in late January 2021, I couldn't even imagine how that meeting would change my life. Lorenzo, while being the guy kindly helping clumsy elders at his phone shop, never breaking down the smile upon his face, he's also the vice-major of Tredozio. I had the feeling that he must learn a lot in the shop, how to listen to any people complain or doubt while trying to help, concretely. Because 5G must work everywhere, and anywhere, and possibly without paying too much. That kind of approach that you would find in some other almost-paper figures making important decisions, for us, citizens of the "Bella Italia", but also citizens of the world (even if what's around borders don't bother us too much). | ||
=Pads= | =Pads= |
Revision as of 14:34, 14 October 2021
How to amplify territorial-based narrations? How to approach local archives? And how to create new, vernacular imaginaries? A journey into the building up of a new, ultra-territorial community-based model aiming to re-create the ideal environments for cultural developments.
+---------------+ /-| Fantasy |-\ +----------------+ /- +---------------+ -\ +-----------------+ | | +---------------+ +---------------+ /- +---------------+ -\ | | | External World |-------| Understanding |-------| Memory --------| Invention |-------| Imagination | | | +---------------+ +---------------+ \- +---------------+ -/ | | +----------------+ \- +---------------+ -/ +-----------------+ | \-| Creativity |-/ | | +---------------+ | | | | +-------------------------+ | |----------------------------------| Production |------------------------------------- +-------------------------+
Questioning
How the publishing process, (as a mean to unfold and re-tell the reality) could create new, cultural roots for social and micro-territorial developments? What kind of infrastructures a residency and collective workshop would need in order to facilitate the sharing of processes and knowledge? And how they could be use to re-think the future we live in? Could a constellation of smaller eco-systems be the a way to decentralize political and monetary power, recalibrating our lives based on urgent and real needs? What could we learn from smaller realities such as rural villages in order to build a new, modern and almost self-reliant communities? How the circulation of knowledge, processes and results achieved during the residency could be turned into concrete actions which could help both the local community and the artists' development? How the set of traditions and local heritage could be used as a set of tools for better understanding the present? Without flowing into too conservatives approaches.
drifting memories laying on the stones of present
time dripping inside wild cave in Vercors mountains
voice of a soul processing being caught in a cloud on a hill
enormous space we can free inside and outside for selves
moment becomes present
memory dance
resonating with a mood at the door to a new year of life
water giving and washes away
everything is already there
Perila
Project Proposal
Thesis Outline
Conceptual Outline (what is your question? Try to be a specific as possible. More specific than identifying a subject or general interest. It helps to ask: "what questions does the work I make generate?")
Why do you want to write this text?
I want to write this text to narrate the processes, both theoretically and practically I'm going through for building Habitat, an ultra-territorial residency and collective workshop which take place in Tredozio (FC), Italy.
Outline of Methodology
Habitat is working for me as a life experimentation playground, which gives me the possibility to think simultaneously to urgent needs in terms of changes of life conditions, but also the opportunity we have to act within the limits of specific places.
The process starts by collecting, analyzing, and then re-elaborating the material that's been initiated during the first month of residency (August 2021), between Tredozio, Rocca S. Casciano and Portico e San Benedetto. Several interviews and podcast have been recorded during the first Habitat's manifestation. Different artists were invited to spend some time in the village of Cà de Monti, experiencing
(for example: " I would like to structure my thesis in relation to the series of interviews I will conduct for my proposed project" OR "I will make a 'close reading' of three of my past projects"
Guidelines Introduction- overview [500 words]; Chapter 1 [2000 words]; Chapter 2 [2000 words]; Chapter 3 [2000 words]; Conclusion [500 words] = 7000 + Bibliography + Annotated bibliography (five texts max). Synopsis of 5 texts that will be central to the thesis.
Narrating how I came up with Habitat, the ideas behind it. The narrations it brings and the potential could have for the territory per see.
–––––––––––
When I've been firstly approached by Lorenzo, in late January 2021, I couldn't even imagine how that meeting would change my life. Lorenzo, while being the guy kindly helping clumsy elders at his phone shop, never breaking down the smile upon his face, he's also the vice-major of Tredozio. I had the feeling that he must learn a lot in the shop, how to listen to any people complain or doubt while trying to help, concretely. Because 5G must work everywhere, and anywhere, and possibly without paying too much. That kind of approach that you would find in some other almost-paper figures making important decisions, for us, citizens of the "Bella Italia", but also citizens of the world (even if what's around borders don't bother us too much).